BELARUSTV — broadcast 20260911 122500 UTC 527 transcript segments Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive. Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record. [00:00:00] The girls' recording [00:00:30] will continue until September [00:00:33] 13th. The metropolitan Art House gallery is starting [00:00:36] a new exhibition season. The first exposition of the creative start is a collection [00:00:40] of works by the renowned Belarusian master Vladimir Gladkov [00:00:44] between Heaven and Earth. In the art space, there are new [00:00:48] and already familiar works of his - 42 works in two [00:00:51] sections, paintings from travels to different countries and Belarusian [00:00:54] themes. Gladkov embodies Polotsk, Minsk, Polesie [00:00:58] motives, landscapes. [00:01:30] trade and the market are also on the boats, everything is brought, barrels, pickles [00:01:34] are sold, well, and I got infected, so I wrote [00:01:37] fishermen, supplemented that cycle of works on Belarus, [00:01:40] which is related to modernity, this season [00:01:44] we are opening with an exhibition by Vladimir Glatkov, [00:01:48] the title is between heaven and earth, between heaven and earth - what is it? it's our life, [00:01:52] our life, our history, everything that [00:01:54] is directly related to humanity, I think this exhibition should not [00:01:58] go unnoticed. Vladimir Gladkov, representative [00:02:02] of the old academic art school, his works are in [00:02:05] state museums of Belarus, private collections around [00:02:09] the world, the exhibition at the Minsk Art House gallery can [00:02:13] be seen until September 30th. More news [00:02:16] on our website news.by, stay tuned to the first informational. [00:03:10] we cherish, it's a matter of presentation, yes, [00:05:42] wherever you want, go there, and I thought, what can I do, history turned out best [00:05:46] for me, and what is it like [00:05:48] to accidentally unearth a church, we just [00:05:52] surveyed, by chance I, with local [00:05:55] guys from Lyatlovskaya gymnasium, discovered a previously unknown [00:05:58] ground burial site from the era of the Grand Duchy of Lithuania, it's interesting, [00:06:02] was it your personal choice to dig precisely in a quiet courtyard among [00:06:05] five-story buildings, it's good that we are not on the avenue, because there should be silence in [00:06:08] the library, in every district local people are sure that gold is buried with them. [00:06:12] it's buried, that's 100%. Do you have a video announcing this [00:06:16] road? Of course, it's on the surface, it's [00:06:19] to present our history through [00:06:22] books, through archives, including archives of prominent figures of science and [00:06:26] culture. I have long wanted to see the snake-headed [00:06:28] bracelet. For example, I read a lot, I read a lot. [00:06:31] But I will always choose a book over reading from [00:06:35] a tablet. [00:06:53] Hello, you are watching the program "Say, don't be silent." In the studio, Victoria Popova and [00:06:57] Tatyana Shchurbina. And today our guest is the director of the central [00:07:01] scientific library named after Yakub Kolas, National [00:07:04] Academy of Sciences of Belarus, Stanislav Yuretsky. Good afternoon, Stanislav [00:07:08] Stepanovich. We did not accidentally invite you to visit [00:07:12] very soon. On September 15th, the country [00:07:15] will celebrate Library Day, we will definitely talk about it, but [00:07:19] first about the main milestones of your biography: you [00:07:22] are a candidate of historical sciences, suddenly your career leads you to [00:07:26] a library, albeit a large one, albeit a scientific one, albeit [00:07:29] perhaps the second in the country, yes, in terms of content, [00:07:33] but still, how does an archaeologist and historian become [00:07:37] a library director? Well, that's [00:07:39] an interesting question, I can immediately say that I never thought [00:07:43] I would work in a library, especially in the library of the Academy of Sciences, because when I [00:07:46] wrote my doctoral dissertation, I always [00:07:50] worked in the national library, that is, I went there since my student days, [00:07:53] there, well, it was somehow more convenient, familiar to me, [00:07:57] imagine, you are a scientist, you didn't go to a scientific library, [00:08:00] you went to a central one, well, I did, but not that often, because from [00:08:04] student days, students were usually more oriented towards the national one [00:08:07] at BSU, the academic one is more for already established [00:08:11] scientists. [00:09:12] now we found out, well, it happens, yes, pots [00:09:16] are made by a postgraduate student, yes, yes, yes, so he led [00:09:20] to interest, and he himself graduated from the historical faculty [00:09:23] of BSU, I somehow approached him for advice, because [00:09:27] you know, there are some parents who press you, that you should be [00:09:30] so-and-so, as if realizing their idea, but I was told, go wherever [00:09:34] you want, and I thought, what can I do, history worked out best [00:09:37] for me, well, and the social science cycle, I approached him, consulted, he [00:09:41] told me about... [00:10:12] then there are teachers at work, older colleagues who guide you, because [00:10:16] well, I am still probably considered a young [00:10:19] leader, I became head of the department at, I think, 28-29 [00:10:23] years old, deputy director at 32, then at 33-34 [00:10:26] director, it's clear that someone helped me, not that it was like [00:10:30] a godparent, to help with the dissertation, defend it, that's the task of the scientific [00:10:34] supervisor, then to give a recommendation for some [00:10:37] position, so that it would be considered and so on, to give advice so that you would work normally in that position, [00:10:40] carry out assignments and so on, so of course there are teachers, that's [00:10:44] normal, it's mentoring, that's what is often talked about now, [00:10:48] that young people need to be helped, including through the institution of mentoring, I [00:10:52] can confirm from my own example that this is very important. [00:11:25] for cultural workers to even put up [00:11:28] certain signs where these objects are located in this city, and [00:11:31] what is it like to accidentally [00:11:34] unearth a church, it probably somehow [00:11:38] excites there is nothing accidental [00:11:41] of course, there are maps on which it was marked, but precisely to determine to the meter [00:11:44] where, well, of course, that is, you were actually looking [00:11:48] purposefully, yes, and well, you understand, archaeologists are always [00:11:52] scientists, we are looking for something purposeful, not just anything. [00:11:55] Yes, no, no, of course not, but sometimes it happens that you are looking for one thing, [00:11:59] and you find another, I had a case in the Dyatlovo district, [00:12:03] we just surveyed an archaeological monument, it's [00:12:06] a hillfort, a "plate," as it's called, it's near [00:12:10] the town of Rogotna, uh-huh, we just surveyed, [00:12:13] by chance I, with students and Vadim Leonidovich, [00:12:17] by the way, was with me then too, with local [00:12:20] guys from the Dyatlovo gymnasium, discovered a previously unknown ground [00:12:23] burial site, [00:12:38] then we laid out an even bigger excavation and there were very interesting finds [00:12:41] of burials precisely for these [00:12:44] people to the other world, as if they laid jewelry and even [00:12:48] weapons, someone was there, yes, well, not that they were noble, these were local [00:12:51] people, but they still retained pagan beliefs, let's say. [00:13:31] Well, why, first of all, wasn't it scary to dig up a burial, weren't you scared? No, well, I can generally say [00:13:35] that the first time I dug up a burial, I had a nightmare [00:13:39] that night, but then it was fine, [00:13:42] it let go of me, although I faced people even refusing [00:13:45] to dig, well, they were supposed to help, but they asked for another job [00:13:49] and I especially remember one woman, I was talking about Sislach, when we [00:13:52] were digging the church, and next to the church, there was a cemetery, [00:13:56] it's clear, we found these deceased, and we were digging in [00:14:00] the territory of the district executive committee, there's the agriculture department, [00:14:03] well, and they said, you can leave them there in the basement, and there [00:14:07] was a security woman, she was very worried at night that she had [00:14:11] corpses under her, no, no, you know, I [00:14:14] look at it more as a scientist, and what kind of nightmare [00:14:18] was it, a ghost chasing you, gleme yes, something like [00:14:21] that happened, yes, but I think it's just. [00:14:55] anthropologists in the Institute of History, they immediately say, sex, age, [00:14:59] what the person ate and what they died from, you can say, or what they were sick with, because all this is reflected on [00:15:02] the bones, especially such age-related diseases, then [00:15:06] again, it's a burial rite, those finds that catch [00:15:10] rings, jewelry, even weapons, means the beliefs [00:15:13] of people, that is, it means they believed that this would be useful to a person in the afterlife, this [00:15:17] is mythology, which is practically little known, only these [00:15:21] burial monuments give us an idea of this, [00:15:24] mhm, of course. these very things, which give an idea of material culture, [00:15:28] that is, it's a complex burial, and it also [00:15:30] usually gives a very narrow chronology, especially if there are [00:15:34] coins, that is, it can be quite well, let's say [00:15:46] our viewers don't see that you're 2 meters tall, these [00:15:50] people from the 14th-15th centuries, how tall were they? [00:15:54] Well, 160-170, that is, I wouldn't say they were small, for [00:15:57] women it's like normal now, normal, [00:16:00] yes, well, of course, people like me, almost 2 meters tall, are much rarer, [00:16:04] but they do exist, well, it depends on nutrition. because how we [00:16:08] eat now, that is, our ancestors never ate as abundantly and as [00:16:12] variedly as we do now, that is, we eat well now, [00:16:15] of course, and I, as a historian, will tell you that Belarusians have never lived [00:16:18] as well as we live now, in none of the historical periods, well, there just wasn't so much obesity, probably then [00:16:22] there were problems too, you know, well, you know, I think it was always [00:16:26] there, but here - it's hard to determine from the [00:16:29] bones, no, well, various age-related [00:16:32] changes can be seen there. [00:16:35] well, of course, not so much, because so much, firstly, the teeth are in very [00:16:39] good condition in general, and even when I worked with, there were [00:16:43] school teachers with me and a woman said, oh my god, such teeth, [00:16:47] well, practically without this, why? Because there wasn't so much [00:16:50] sugar, we have even more sugar than when I remember my childhood in the 90s, [00:16:54] we didn't eat as many candies as our [00:16:58] children eat, even we ourselves, we ate candies on holidays, and [00:17:01] children now eat them every day, it's every day and you won't [00:17:04] surprise anyone. in fact, Ilda is known primarily for its [00:17:38] castle, but the city was practically not [00:17:41] studied, well, I didn't really want to go there, because [00:17:45] I had never studied such a large, medieval city before, [00:17:48] so, but then somehow [00:17:52] I still had to go, I went there, they persuaded me, local [00:17:55] staff from the museum also asked me, please [00:17:58] come, we are waiting so much, and I came, in fact, [00:18:02] what's difficult in the city is that, firstly, it's difficult to get [00:18:05] permission to dig, because the city is completely populated and Lida is a large district [00:18:09] center, well, when the executive committee gives [00:18:12] the green light, excellent, then choose wherever you want to dig, secondly, well, wherever you want, there's [00:18:16] asphalt everywhere, tiles everywhere, yes, but [00:18:19] I chose a flowerbed, that is, in the yard, and so far, according to [00:18:23] the maps, yes, this is the part [00:18:25] of the historical center, you see how you approached the technical [00:18:29] task in a businesslike manner, we will dig where there is a [00:18:33] flowerbed, not tiles, in case we don't find anything, we'll just [00:18:36] plough it, the excavations were very [00:18:38] interesting, very well, of course, it was [00:18:42] difficult for me, it's very difficult to dig in a city, more difficult than a burial, because [00:18:46] there's an abundance of material, well, in a city [00:18:49] there are more things, what is cultural history, what archaeologists deal with, [00:18:52] what people threw away, or what remains of all of us, yes, that is, [00:18:56] roughly speaking, all of it is everywhere, wherever you put a shovel, [00:19:00] there is a cultural layer everywhere, yes, well, in [00:19:02] cities, [00:19:05] mostly in city centers, yes. [00:19:37] is a sense of involvement in history important for you? Yes, you know, [00:19:41] it's something that, you know, every scientist is [00:19:43] a little, well, obsessed with their topic, I, for example, am obsessed with [00:19:47] archaeology, and I this is both my hobby [00:19:51] and my work, and my hobby, that is, I even dream [00:19:54] about it, but when you work with people and see that they [00:19:58] become interested, you understand that it's not only interesting [00:20:01] to you or to scientists in your circle, but also to society, in Lida - that [00:20:05] was a living example, because yes... [00:21:50] Institute of History of the Academy of Sciences and we are now colleagues, [00:21:53] so I am sure that many of these guys became interested in history, [00:21:56] and what about Lida, let's finish, [00:22:00] what did we understand about Lida, that it is indeed [00:22:03] the oldest city, yes, no, what we know is that it is the oldest city, firstly, these [00:22:07] excavations allowed us to outline [00:22:09] the boundaries of the market square that was there approximately, [00:22:13] secondly, it is the foundation of one of the houses that adjoined this [00:22:17] quarter to this square in Lida, secondly, it is [00:22:20] the peculiarities of house building, the bulk of the materials there are [00:22:23] from the 19th, early 20th century, but there are older things, [00:22:26] for example, from the 18th century, that is, [00:22:30] an abundance of material culture, that is, what the local Lida residents [00:22:33] used, what is important, I handed all this over to the Lida museum, [00:22:37] that is, they can use it in their expositions, [00:22:41] it shows not only that Lida is just a castle, but it is also the Lida residents who [00:22:44] lived near this Lida castle, and besides, the castle was a bit intimidating, [00:22:48] no, it doesn't produce that impression. Well, the castle itself didn't [00:22:51] intimidate, it was like [00:22:54] under these foundations, parts of walls, but of course it was heavily destroyed, and [00:22:58] what we see as such a complete object, it was [00:23:01] restored, but honestly, it's my favorite castle of all Belarusian ones, [00:23:04] despite the fact that they criticize it for having red brick, but [00:23:08] on the contrary, it allows me to see exactly where it's new and where it's [00:23:12] old, that's first, but also, secondly, that it's [00:23:15] made to look like it approximately looked in the 14th-15th century, I like [00:23:18] that, generally... [00:23:26] but in Novogrudok, it's not fully [00:23:30] restored yet, there are no bricks there yet, no, [00:23:33] there are bricks there, but I prefer [00:23:37] Lida, because if it's about castles, although if it's about favorite cities, [00:23:40] then I like Novogrudok more, yes, yes, you said that the most interesting [00:23:44] finds are yet to come, what would you like [00:23:46] to find, you have... [00:26:16] for a short time, "Say Don't Be Silent" is back on air, today our guest is the director of the central [00:26:20] scientific library named after Yakub Kolas of the National Academy of Sciences of Belarus, [00:26:24] Stanislav Yuretsky. In this part, we will talk about the library and [00:26:27] I think it's time to answer the most important question [00:26:31] of our time, how to get to the library? Do you have [00:26:34] a video announcing this journey? [00:27:17] Well, it's clear that it's not central, yes, you can't see it from [00:27:21] the avenue, you need to know where to turn a little, but still, [00:27:25] if such a video appeared, it means not everyone [00:27:28] knows the way to your library, agree? [00:28:02] they are carried out by us remotely via [00:28:05] the Internet, and I will even say, from last year's experience, about [00:28:09] 500,000 requests per year, of which [00:28:12] 450,000 are online, that is, online ordering [00:28:15] of literature, some references, ordering [00:28:18] electronic versions of documents, so how [00:28:21] convenient it is now to study and work at home [00:28:25] you can, yes, everything ordered [00:28:28] you know, there are also, by the way, two sides of the coin, at home - it's [00:28:31] convenient. [00:29:02] distracted, let's remind the viewers that the Yakub Kolas Library [00:29:06] celebrated its centennial [00:29:09] anniversary last year, what does it mean for you to be its director, [00:29:12] you got into this position almost by chance, [00:29:15] but after some time, what can you say, what does it mean [00:29:18] to you, for me it is a great responsibility, when you [00:29:22] look back at the entire path taken by the organization, which started as [00:29:25] a small library at the Institute of Belarusian Culture, [00:29:28] then the Academy of Sciences was created from it. It went through [00:29:32] the Great Patriotic War, when all the funds were evacuated, it was [00:29:36] destroyed and, in fact, it was re-created [00:29:40] after the war, so this is, of course, a great responsibility, you know, I was coming [00:29:43] to you today, even in the morning I was dropping off my child at kindergarten, I see [00:29:47] that a woman is sitting there in the window, some kindergarten [00:29:50] employee on her phone, and a man of very advanced age, [00:29:53] who was a doorman there or whoever I don't know, also on [00:29:57] his phone, I thought, what is it they are reading [00:30:01] and somehow it stuck with me. Recently I noticed, I started to notice, [00:30:04] that the period has passed when paper [00:30:07] books disappeared from the hands of Minsk residents, more and more often [00:30:11] you meet people sitting in a square in a park, not with [00:30:14] a gadget, but with a book, on public transport, again, there are also people [00:30:18] who read books, this is also a good trend, in my opinion, no, well, this [00:30:21] trend exists, it is understandable, yes, there was a period when it was thought [00:30:25] that books would fade away, as they once [00:30:27] said that theater would fade away because cinema was created, but nevertheless people go to [00:30:31] the theater and... watch performances and not only go to [00:30:34] the cinema, radio also remained, despite the fact that there is theater and [00:30:38] cinema, just like a physical book, for example, I [00:30:42] read a lot, I read a lot, but I will always [00:30:45] choose a book over reading from a tablet, because [00:30:48] nothing can replace the feeling of that [00:30:50] motor skill, even if you work with a scientific text, I need to [00:30:54] write down some notes, for example, stick them on, this motor skill [00:30:57] is somewhat different than just, yes, when you just [00:31:01] look at the screen. Or, for example, I still check [00:31:04] the Belarus Today newspaper [00:31:07] and other newspapers every morning, which I don't read, well, that's [00:31:11] you, but what about young people, what about your daughter, will she have such motor skills? [00:31:15] They say, well, I'm still, [00:31:19] I'm not talking about that, I'm talking about the fact that you have preserved it since your school days, [00:31:22] since your student days, I'll put it this way, I also have a son, he's older, [00:31:26] ah, well, unfortunately, I missed this, [00:31:30] he couldn't speak yet, but he learned to turn on [00:31:33] the tablet, remove the lock, turn on [00:31:37] YouTube, select cartoons on YouTube that he was interested in, he couldn't speak yet, [00:31:40] well, you understand, you can't say whether it's good or bad, it's life, they will be like that, [00:31:44] it's... [00:35:15] we, I hope, will present the full translation of this [00:35:18] work this year. And explain, why was it important to re-publish [00:35:21] his treatise? Well, look, why is it important? [00:35:24] First of all, popularization, because specialists are familiar with this [00:35:28] work, familiar with its text, [00:35:31] it is important, you see, [00:35:33] to show it in its full volume, because we say, great art [00:35:37] of artillery, great art, what is written there, or at least what [00:35:40] illustrations there are, well, you can guess something, there is also [00:35:44] little about it on the Internet, and we decided to publish it in a fairly large print run, it [00:35:48] is still available, by the way, in bookstores, such a good gift, I think, [00:35:52] yes, among other things, because when you still [00:35:55] hold a book in your hands, it's still [00:35:58] quite different impressions, especially you can see the features [00:36:01] of its text [00:36:04] and the publication, well, here at the beginning we [00:36:07] have the research part, where the features of the translation and biography [00:36:11] of Casimir Sevich are written here... [00:36:27] always close, well, unfortunately, yes, unfortunately, [00:36:31] yes, how we develop, this is yes, in all [00:36:34] periods of human history, therefore, of course, one of [00:36:38] the tasks of our generation is to preserve a peaceful Belarus, which [00:36:42] our head of state always talks about, this is our [00:36:45] task, it is not easy, and we must all, each in his own [00:36:49] place, do what he can for this, strive to preserve peace, a peaceful, [00:36:53] creative life of ours. Stanislav Stepanovich, in one of [00:36:56] your speeches, you spoke about the need. [00:37:27] was to purchase certain equipment that would maintain not only [00:37:31] the temperature, which can be achieved with an air conditioner, but also the air humidity, which [00:37:35] is important for books that are constantly in the exhibition, [00:37:37] constantly being presented, that is also very [00:37:40] important, so the modernization of book preservation for all [00:37:44] libraries is always very important, first of all, it is the maintenance of all [00:37:47] conditions for fire safety, because any library is a fire-hazardous [00:37:51] place, any just like an archive, yes, very dangerous, we remember [00:37:54] the Alexandrian Library. [00:38:27] will become a well-known figure in Belarusian culture, science, yes, we [00:38:31] have correspondence on Telegram, by [00:38:34] email, and it will not become public, then no, it will become [00:38:37] public, but it is prohibited by law, no, it will, well, [00:38:41] how, everyone passes it on either during their lifetime, or their relatives [00:38:45] there, husbands, spouses pass it on, where to store it, how to [00:38:48] store it, how to account for it, these are the tasks, because these are [00:38:52] new challenges, I would say, right, how to account for it, how to store it, and how to store many [00:38:55] books, you haven't figured it out? No, well, how do we store it, well, more than [00:38:59] 4 million storage units, the national library has even more, [00:39:03] there are other libraries where we store a lot, these are shelves, shelving [00:39:06] systems, ventilation systems, this is [00:39:09] dedusting and so on, and have any new technologies appeared [00:39:12] that are replacing old ones, are they, [00:39:15] let's say, more energy-saving, less some kind of [00:39:18] vacuum packaging, I don't know, there are, it's all not so [00:39:22] new, I would say that the main thing that has been changing library life [00:39:25] for a long time, but faster and faster, faster is [00:39:28] the Internet, it's again working with remote [00:39:31] access, people now rarely visit, and this will be the trend [00:39:35] further, especially here it's just about [00:39:37] information, because libraries are different, it's now saying library, [00:39:40] issued a book, took a book, no, [00:39:44] there are the most massive public libraries, city, district, [00:39:48] regional, they are more focused on cultural events, [00:39:52] that is, you can say that there are meetings with poets, with writers, there are [00:39:55] some clubs and so on, Chinese [00:40:34] scientists, and all this will be through digital internet, this [00:40:38] is what is intensifying every year, we are implementing more and more, [00:40:41] perhaps the idea of a book depository will take [00:40:45] a back seat, servers will be in first place, no, [00:40:48] the book will still be in first place, because for now [00:40:52] everything, everything, you know, I'll tell you what, everything that can be touched, probably everything that [00:40:56] has been published... remains, there is a good saying, what is published [00:40:59] remains, what is currently digital, I'm not sure that [00:41:03] it's forever, for example, if there's no [00:41:06] electricity or there are restrictions on Internet [00:41:10] access, how to provide access, so I'll [00:41:14] tell you that we continue to maintain not only an electronic catalog, you can [00:41:17] even access it from your phone and check what we have, what we don't, order, [00:41:21] if you're registered, well, and a card catalog, I personally [00:41:25] haven't used it since my first year, that was [00:41:28] 2007-2008, when I was still a student, I personally didn't [00:41:32] even now, I know it's there, and well, [00:41:35] what if, for example, you need it? [00:41:39] нужна будет? [00:42:10] publications, rather than if there is a choice only in an electronic collection [00:42:13] or yes, I agree with you, it's all dust and there's no electronic [00:42:17] anything, yes, you probably also worked when with texts, it [00:42:21] disappears in an unknown direction, when you [00:42:24] printed it, you no longer, well, although he says that what is on the Internet, it [00:42:28] always remains, but I have doubts, [00:42:31] maybe as a historian, you know, I always approach something new, so that it's material, [00:42:35] do you argue, your wife works at the Institute of [00:42:38] History, [00:44:10] the project itself started in 2005, from 2010 they started publishing these [00:44:14] catalogs, when I became director, the question arose: will we [00:44:17] finish, continue, because they had done the bulk by this [00:44:21] time by 2022, but [00:44:23] a small und описанная portion remained. part of this [00:44:26] library, and you know, how new [00:44:29] directors still, there's a temptation to overturn what was [00:44:32] done before you, well to steer this [00:44:36] ship in a completely new way, and there was such an opportunity, that is, I... [00:44:40] when I was appointed to this position, that I should do it in a new way, [00:44:43] and so on, that is to lead this institution, but I [00:44:47] still, after consulting with colleagues, with scientists who work in this library [00:44:50] of mine, we still continued this project and [00:44:54] re-published it, and last year the final volume came out, in essence, one can [00:44:58] say, the entire library of Radiiev, which we inherited, [00:45:02] after, by the way, the holiday will be on September 17th, the Day [00:45:05] of Reunification, thanks to this, including Belarus largely [00:45:09] acquired this. [00:45:40] from your library, maybe some [00:45:43] original gift? Well, of course, it's on [00:45:46] the surface, it's to present our [00:45:49] history through books, through archives, including [00:45:53] archives of prominent figures of science, culture, well, [00:45:57] to help with the experience that we have, we will certainly try [00:46:00] to apply it, we will help with what we can, of course, our [00:46:04] collection is ready to be given [00:46:06] museum, the collections, it's not my collection, it's a general [00:46:10] collection of the director, there isn't one yet, well [00:46:14] I am the director, yes, but I don't consider that [00:46:17] I sat on these funds for no one, of course, every director [00:46:20] is interested in his library or museum having something [00:46:24] unique, but the national museum is a common asset, a common cause, [00:46:28] therefore, certainly, if there is an interest in filling [00:46:31] this museum with our, be it book [00:46:34] book copies or archival ones, then we [00:46:38] will consider it an honor if they are... presented in the exhibition of the National Museum? Well, I [00:46:42] heard something like that, that a lot of digital content is expected there, so [00:46:46] will there be any books as books at all? No, well, no, [00:46:49] digital content is good, but on the other hand. [00:48:23] Well, a beautiful city, precisely in the museum, I myself am even [00:48:26] surprised how dedicated people are, as they say, [00:48:30] to their work, well, I was recently in the Turov Museum, [00:48:33] of course, there is what is under the dome, that is, the temple of the Old Russian [00:48:37] period, but there is also a museum where there are wonderful [00:48:40] ethnographic samples of Poleshuks [00:48:43] and so on, you can't turn off the historian in yourself, and I am [00:48:47] telling you about ordinary people, well, I don't know, I am also an ordinary person [00:48:50] to some extent. [00:49:52] it should be, but a beautiful picture, in my opinion, it should [00:49:56] emphasize these artifacts, these books, some [00:49:59] samples of what [00:50:03] now the generation has a clip thinking, it will be even worse later, [00:50:06] well, what I see in my children and in others, in students, [00:50:10] I also teach at the university, well, look, an analog in this shard or [00:50:14] pot, or on the screen this beautifully flown [00:50:17] shard and flown somewhere, well, [00:50:20] what has an emotional impact? On a child, it's cooler, what do [00:50:23] you think? Well, you see, emotions should carry some [00:50:27] semantic load, if someone suddenly jumps out, that's also emotions, well, and [00:50:31] the pot flew by, so what, there should be some meaning, but nothing, it [00:50:35] just flew by, you know what a wind tunnel in a shopping [00:50:38] center, right? Well, yes, but we are a museum, as it seems to me, [00:50:42] at least what I think [00:50:46] about, the museum, it is being built, and the new [00:50:49] exhibition is not for nothing, it is necessary to... [00:51:22] I don't use TikTok, but I use some reels on Instagram, yes, when, for what, [00:51:26] when you need to turn off your brain, that's seriously, and I don't know a single person [00:51:30] who learned anything on TikTok, well, maybe I'm wrong, well, they know how to pickle [00:51:33] cucumbers there, believe me, no, the person who [00:51:36] presents it knows how to, will the person who [00:51:40] watches learn, well, maybe, but I'm still, you know, [00:51:44] critical of this, in [00:51:46] the next part of our program, we will find out why our guest once [00:51:50] visited Baikonur, but for now let's take a break, no need. [00:52:05] In the air again, "Don't Be Silent," our guest today is the director of the Central [00:52:09] Scientific Library named after Yakub Kolas, National [00:52:12] Academy of Sciences of Belarus, Stanislav Yuretsky. [00:52:16] Stanislav Stepanovich, let's discuss Baikonur, after all, how did you end [00:52:20] up there? I ended up there somewhat [00:52:23] by chance, a delegation was being formed [00:52:26] to see off our Marina Vasilevskaya [00:52:30] into space, and was this before or after? [00:52:33] No, this was after. [00:53:05] how many resources have been invested and, most importantly, intellect, to create [00:53:08] a cosmodrome in the desert of Kazakhstan, how much [00:53:11] effort, energy has been invested, and when [00:53:14] Marina flew, that is, the fact that Belarus has become a full-fledged space [00:53:18] power, its own cosmonaut, believe me, it's also [00:53:21] an indescribable, more like, a historical moment, and who else but a historian should be [00:53:24] present at it? You recently attended the Science Festival with your daughter, [00:53:28] which was held in the botanical garden, what exhibits [00:53:31] or perhaps experiments impressed you the most? [00:54:05] little notches on its body, on this bracelet, and you can only see it up [00:54:08] very close, I looked at it and I was very impressed, [00:54:12] and who were the contacts with, it turns out? That is, well, these were [00:54:16] Slavs, when they came here, the local population, most likely [00:54:20] Balto-speaking, who had a cult of the snake, this is most [00:54:23] likely how they communicated [00:54:26] with each other, these contacts show it, this is my brightest [00:54:29] impression, but for a child, I [00:54:32] think that... the Institute of History printed [00:54:35] these, they're great, they're like [00:54:38] coloring books of the medieval population of Belarus, [00:54:41] you had to color them with pencils, the child is very active, not only mine, [00:54:45] I took everyone to our library location, left her there [00:54:48] for a while, she also drew, you could create [00:54:52] your own ex-libris there, by the way, it's a kind of ownership [00:54:56] mark, which is either [00:54:58] printed or stamped or glued to books, [00:55:02] well, in principle, the interest of children, yes, there [00:55:06] were many of them, to this festival, it warms your [00:55:09] soul, do you believe in the future of science? Of course, [00:55:12] I believe, science is the future, and I can [00:55:15] say from the students I work with, that they, not all, [00:55:19] of course, not everyone can be scientists, and not everyone needs [00:55:22] to be scientists, but a certain percentage of inquisitive people who [00:55:26] are ready to sit for days, hours, nights and [00:55:29] think, invent, come up with something new, [00:55:32] prove something, you understand, I'll look beyond the horizon, task. [00:56:05] We certainly wish you to find in your [00:56:08] burial mounds, as you like to call them, something valuable, [00:56:11] to make that very discovery that the whole world will know about, Tatyana [00:56:15] Shcherbina, Victoria Popova, we say goodbye to you today, goodbye, goodbye, [00:56:19] now Stanislav Yuretsky speaks. [00:56:22] Dear colleagues, friends, study the history [00:56:25] of Belarus, it is actually very interesting, come to [00:56:28] libraries, museums and the Academy of Sciences, we will [00:56:32] always be happy to tell you something new and interesting. [00:56:36] Stanislav Stepanovich, we talked a lot today about the fact that for us [00:56:39] a book still remains the best gift, and as [00:56:42] we see, your words are not at odds with your deeds, you also came with [00:56:45] gifts to us, yes, we talked about this book today, [00:56:49] this is Kazimierz Semenovich, a facsimile edition, this [00:56:52] book treasure of the National Academy of Belarus, that is, here [00:56:55] are collected all our most [00:56:59] valuable editions, which I hope will interest readers, so I [00:57:03] will sign it. [00:57:07] Today, [00:57:16] here you go.