CANALALGERIE — La chaine publique algerienne
20260810 050000 UTC
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[00:00:04] Like all cities that have He didn't expose us, did he, the French occupation in played a role in the history of
[00:00:08] obtaining a license or permission from humanity, it refuses
[00:00:12] to enter colonialism, even though this to penetrate the through a complex network of to disappear, leaving behind it the remains of what was
[00:00:16] like that, you nothing you are looking for here once the the Amenokal, who prevented him from palace of the princely
[00:00:18] they fought with family.
[00:00:25] God. Don't be of the region to unite Here, in the breath
[00:00:25] raise, to raise the Saleh with of the mountains, where the winds whisper the secrets of the
[00:00:27] ancestors.
[00:00:30] No, mother, where is this Here, the Irides did not at night? Yes, by God, that's
[00:00:33] come as impatient
[00:00:38] the car's license plate? You're going to report power. One of conquerors, but as builders of said, you get inspiration from
[00:00:38] the reasons that led to
[00:00:38] topographical feature that gave
[00:00:39] Abbas to Tamanrasset from destiny. They chose this eagle's nest,
[00:00:45] threat that was threatening and the French have not trusted north to to the Tamesna region so that he would not get involved this natural fortress, to anchor their pride and protect their
[00:00:48] from crying. I lineage.
[00:00:55] with new information as human shields in And they said you went to him to return from We set out to discover it 1200 kilometers. The only place in to unravel the mystery of this prestigious medieval
[00:00:56] of miles in city in North and mobilizing them Africa.
[00:01:02] Aghamil, who was young
[00:01:07] the pharmacist and bring you the medicine with me. Don't Sahar. Once we get
[00:01:10] Khairiya. This time, don't
[00:01:15] Peace be upon you, Mazoul, doctor of the continent Ahmed, don't
[00:01:17] to respond to the Tuareg in Zubeir, specialist in orthopedic
[00:01:19] remain in the shadow of surgery.
[00:01:20] her to God. Hopefully, she'll feel better with
[00:01:23] A normal person needs of the eight or
[00:01:27] it. Second, it is difficult for ten or six hours of sleep.
[00:01:38] Let's finish. Don't His goal was to create an atmosphere of played a role in the history of Ghadames, and they were in and accustomed to There were many
[00:01:42] My sister, I have a feeling. May God help you. Don't
[00:01:44] 50 days to reach
[00:01:55] What is wrong with popular resistance in of Laghouat and it is an integral
[00:02:01] and national awareness crystallized that they are the present force in Stop, stop, sleep is what kills people. Sleep is what kills
[00:02:03] people. 90%
[00:02:06] a large part
[00:02:07] principle in Sleep is what causes accidents, especially if someone is old or sick.
[00:02:12] who you are, but there's nothing
[00:02:17] conditions. On the Bye. I'm so excited under the Algerian these roles. He always
[00:02:21] I no longer walk on solid generally it's the emotion of Don't ground, but on an endless mirage.
[00:02:21] you're twisting my arm. Don't our daily life, we always draw inspiration from
[00:02:25] ينتهي
[00:02:27] Behind me are the strict life we always drew a lot of inspiration from
[00:02:30] in the South. orders of Paris, and in front of me is the unknown of the Great Sahara.
[00:02:34] I have drawn maps of secret mountains
[00:02:39] more and more on and invisible paths where our maps saw nothing but
[00:02:43] emptiness.
[00:02:46] is an integral part I witnessed the pride of the blue at the police station for a while.
[00:02:48] except with permission from
[00:02:48] became all my life, men and the grandeur
[00:02:50] of the oases.
[00:02:53] But above all, I learned
[00:02:56] game, when we chose the the price Look, I'll tell you what I want from this
[00:02:57] November 7, of the thirsting sands,
[00:03:00] which drive minds insane, and the winds that erase every
[00:03:04] trace,
[00:03:07] If there are no problems, I'll be there on and that suspicion that stalks me behind every
[00:03:10] me to the office. dune. They sent me here
[00:03:15] does that mean? Has to pave the way for conquest my daughter. Nawal, don't
[00:03:16] After expanding its influence in he going? To and to measure the dimensions Hello. I'm late, aren't I? of a coming wise Khairiya told me. empire.
[00:03:20] But between a scorching sun and a crushing
[00:03:23] silence,
[00:03:26] madam. Thank God I wonder, will we conquer
[00:03:28] I have to go now. doubt about it. No,
[00:03:29] 1904, information about not feeling well today. Why don't you drop me off this desert trees, they removed them from the
[00:03:35] succeeded Cauvin in leading
[00:03:38] soldiers
[00:03:45] always draw inspiration from the Oasis or will it consume us? the strategy
[00:03:48] a number of
[00:03:56] buying them from
[00:03:57] continued from
[00:04:03] add this way of the region.
[00:04:05] wearing it daily, of
[00:04:13] to Ouargla, which they entered on resistance that started from
[00:04:14] non-stop at
[00:04:20] Now, as soon as we get
[00:04:23] mission with a change in I want to go home from Chott Melghir and Oued Souf and what is and may God bless you all. Thank God for
[00:04:33] the officer in
[00:04:44] by by The mission left Ouargla on El Haouès to contact
[00:05:00] The Hoggar, where
[00:05:04] land does not by order of the judge in
[00:05:07] Oh, my poor daughter. Forgive me, but permission to pass through but it will cost a bit. Don't the desert opens up, embracing the most unique and distinctive regions.
[00:05:10] A geographical structure, natural diversity,
[00:05:13] and a historical function
[00:05:16] surrounded by glory and prestige, extending
[00:05:22] paths connecting the north of the desert
[00:05:25] to its African depth. It formed a connecting node
[00:05:28] between the regions of Tassili,
[00:05:31] Adrar, Ayr, and the land
[00:05:34] of Sudan.
[00:05:36] Volcanic masses topped by towering peaks,
[00:05:40] intersected by deep
[00:05:42] valleys and rocky
[00:05:45] and sandy plains. A unique
[00:05:51] the Hoggar a semi- enclosed character, making it
[00:05:55] throughout history a natural fortress for protection
[00:05:58] and defense. The Hoggar region is a mountainous
[00:06:02] region that differs from other desert regions. It is a rugged
[00:06:06] mountainous region. The trade routes there are very
[00:06:10] difficult to cross without skilled guides.
[00:06:14] Also, the nature of the conservative society,
[00:06:17] which provides social
[00:06:19] protection, makes it difficult
[00:06:23] for foreigners to enter it.
[00:06:27] The Tuareg tribes controlled these routes
[00:06:29] and used them to organize their economic and social
[00:06:33] movements. These tribes, which are governed by
[00:06:37] complex political organizations,
[00:06:40] were known for their strength and resilience, experienced
[00:06:44] fighting.
[00:06:51] opinions and writings that portrayed
[00:06:54] the Tuareg society as a mysterious society, so much so
[00:06:57] that a certain idea prevailed in these writings that the land of the Tuareg is a land of thirst
[00:07:01] and fear. And here I remember
[00:07:03] a saying by the traveler Felix Dubois, he says
[00:07:07] that although you do not see them, everything reminds you of them, meaning
[00:07:13] the desert, awake and attentive
[00:07:15] and committed to a fundamental
[00:07:19] life, which is the love of the land, and the love
[00:07:23] of the land and the defense of the land,
[00:07:25] as it is not just land, but it is
[00:07:28] honor and it is life.
[00:07:32] The Tuareg in the Hoggar used their power to secure trade
[00:07:35] caravans, which gave them accurate knowledge
[00:07:39] of the geographical area, where there is water,
[00:07:42] where there is pasture, and where the wind can hide
[00:07:46] traces. Between these highlands
[00:07:49] and natural shelters and rocks,
[00:07:53] the Hoggar played a decisive role in guiding the course of resistance
[00:07:56] and repelling the occupation at all
[00:07:59] its stages.
[00:08:03] Since the French armies set foot on the homeland,
[00:08:05] the entire people rose up, rejecting submission
[00:08:09] and hegemony.
[00:08:12] So resistance was its voice
[00:08:14] and its guide.
[00:08:16] The colonial administration acted with force
[00:08:19] and tyranny and unjust laws to
[00:08:22] seize Algerian lands inch
[00:08:26] by inch.
[00:08:29] the north, it began to advance south
[00:08:33] to achieve its
[00:08:34] expansionist goals.
[00:08:39] Popular resistance extended with its activity
[00:08:43] and strength to the provinces of Constantine,
[00:08:46] Algiers, and Oran.
[00:08:49] And it was only a few years until it reached the heart
[00:08:53] of the desert, and its centers began to form
[00:08:56] and expand.
[00:09:03] After the occupation of Algiers by the French forces,
[00:09:06] and the occupation of most of the northern cities, of course, the direction was towards the south
[00:09:10] as part of the expansion policy. And the French colonialism thought
[00:09:14] that the occupation of the south would be a foregone conclusion because
[00:09:18] it is a vast area and the population is small.
[00:09:22] But the fierce
[00:09:25] Laghouat, then the resistance of Ould Sidi
[00:09:28] Sheikh, then the resistance of Bou Amama, disrupted the plans
[00:09:32] of the French, and they realized that all
[00:09:34] their calculations were wrong. And therefore, these resistances
[00:09:38] led to what? To repelling
[00:09:41] the French. Towards what? Towards expansion
[00:09:45] towards almost the region of Tidikelt, the Hoggar,
[00:09:48] and Touat.
[00:09:53] The Hoggar
[00:09:57] extended the spirit of resistance across all distances, and the
[00:10:01] Hoggar was no longer that distant area
[00:10:03] from it. The Tuareg tribes, who controlled
[00:10:07] trans-Saharan trade, prevented the passage of goods
[00:10:10] to the north, where the French were
[00:10:14] considered invaders of a different
[00:10:17] Therefore, regular trade
[00:10:20] relations between the Sudan and North
[00:10:23] Africa ceased at Ain
[00:10:27] Salah.
[00:10:29] Trade routes shifted towards Ghadames
[00:10:33] and Tripoli in the Northeast.
[00:10:34] الشرقي.
[00:10:37] Where other interests began to form and create
[00:10:40] a new trade current that tipped
[00:10:44] the balance in favor of England.
[00:10:48] The great colonial empires began to think about connecting
[00:10:51] their empires and linking them to each other.
[00:10:55] Britain wanted to include its colonies
[00:10:58] from Egypt to South Africa. During this period,
[00:11:02] France also wanted to unite
[00:11:05] its colonies from south and from
[00:11:09] east to west. The British were the first to try
[00:11:12] to enter the desert areas starting from
[00:11:16] Tripoli, reaching Janad.
[00:11:19] The French started late. France remained cautious.
[00:11:23] Afraid of the Hoggar, but in
[00:11:26] its calculations, this fortified castle
[00:11:29] must fall. The French administration
[00:11:33] realized the progress of its competitors towards the richest
[00:11:36] regions of Africa. So it had to open
[00:11:40] new outlets for its trade
[00:11:43] and restore the importance of the old desert caravan
[00:11:46] routes. For this reason, penetrating
[00:11:50] the immense natural barrier formed by the
[00:11:53] Great Algerian Desert became
[00:11:56] a strategic necessity for France,
[00:12:00] so it supported its
[00:12:02] exploratory campaigns.
[00:12:08] It began to send exploratory
[00:12:11] campaigns, which were exploratory campaigns, but
[00:12:14] their essence was colonial campaigns. The first
[00:12:17] European to reach Timbuktu and return from it was the French traveler
[00:12:21] René Caillié, who managed to reach Timbuktu
[00:12:25] in 1828. Why Timbuktu? Because Timbuktu was
[00:12:29] the capital of transit and the capital of caravan trade, of which
[00:12:32] gold, slaves, and ostrich feathers were
[00:12:35] its axis. Of course, he was followed by other travelers such as
[00:12:39] the German traveler Heinrich Barth, Gerhard Rohlfs, the German traveler Gerhard
[00:12:42] Rohlfs, and also Oskar Lenz,
[00:12:46] and then Dumas and other
[00:12:48] travelers whose mission was to
[00:12:52] explore the desert roads
[00:12:56] and determine their importance. The mission of
[00:12:58] officer Victor Collignon, which reached
[00:13:02] the vicinity of Maimon in
[00:13:04] 1860, defined the route extending from
[00:13:08] the south of Oran province towards Touat. General Vincent
[00:13:11] charted the Senegal Adrar route, while
[00:13:15] the mission of Chief of Staff Mercier and Captain
[00:13:19] de Beaulieu in
[00:13:20] 1862
[00:13:23] identified the route connecting Tripoli
[00:13:26] and Ghadames, and from Ghadames to El Oued,
[00:13:29] which was a route that had been explored
[00:13:32] before by Barth and Harry de
[00:13:36] Frey.
[00:13:38] And between the lands that were identified through these
[00:13:42] various missions, there remained a geographical
[00:13:45] void that Europeans had not
[00:13:49] explored before, extending between longitudes 2
[00:13:52] west and 6 east. Between
[00:13:56] Ain Salah in the north and the furthest Algerian borders
[00:14:00] in the south.
[00:14:03] The southern regions were connected through the Atlantic Ocean and
[00:14:06] so on, but the central regions
[00:14:10] remained very mysterious, and therefore
[00:14:13] exploratory
[00:14:15] missions were sent to this region to learn about it
[00:14:19] and obtain a lot of information specific to
[00:14:22] the Hoggar region. There were three concerns:
[00:14:26] The first concern was housing
[00:14:29] the surplus population. The second concern
[00:14:32] was building roads so that explorers could travel
[00:14:36] in safe conditions. And the third dream was a very
[00:14:40] old dream, which was reviving the idea of the desert
[00:14:42] sea and benefiting
[00:14:46] in Algeria or what is in the Algerian desert of groundwater
[00:14:49] to develop the colonial infrastructure
[00:14:53] and fields, and the colonial economy in general.
[00:14:57] عامه
[00:15:01] Paul Solliet tried in
[00:15:03] 1874
[00:15:06] to explore this area with the aim of re-establishing trade
[00:15:10] relations between Algeria and the heart
[00:15:13] of Africa. He proposed a project to establish
[00:15:17] a commercial center in the city of Ain Salah
[00:15:20] as a main meeting point for a large
[00:15:23] number of caravan routes connecting
[00:15:27] different regions of Central Africa.
[00:15:30] However, he returned fleeing as soon as
[00:15:33] he reached the Ain Salah region.
[00:15:39] The message did not need explanation. Solia realized
[00:15:43] that the Tuareg resisted all attempts
[00:15:47] desert, so they confronted Lavigerie's plan
[00:15:50] to infiltrate it through
[00:15:54] the missionaries known as the White Fathers
[00:15:57] with resistance and rejection.
[00:16:00] In the same period, Dourno, Debrie
[00:16:03] and Joubert were killed southwest of Adless
[00:16:05] in the Hoggar.
[00:16:11] Two years later, Fathers Bourmier, Menard
[00:16:15] and Boucher died in Hassane
[00:16:18] Nivelt. Another attempt led by
[00:16:21] Fathers Richard Mamourat
[00:16:24] and Boubierre met the same fate in
[00:16:27] 1879 at the Libyan
[00:16:31] border at the hands of
[00:16:33] the Tuareg.
[00:16:37] Suddenly, after the French thought it was possible
[00:16:41] to reach the Tuareg society, they discovered that this society
[00:16:44] was resistant and that the Hoggar was
[00:16:47] a difficult region to reach for
[00:16:50] the French. The inhabitants of southern Algeria realized the danger
[00:16:54] of these explorers and that they were spies
[00:16:58] for colonialism, and therefore many explorers
[00:17:01] who entered the desert died,
[00:17:04] including the three monks
[00:17:08] in 1881 near
[00:17:10] the clothes of monks, because their clothes were different. He
[00:17:14] would find him a geographer and so on,
[00:17:16] but in the clothes of a monk, they were assassinated by the
[00:17:20] Tuareg or by the tribes that lived between
[00:17:23] Akebli and Oulaf. The Tuareg
[00:17:26] society, between
[00:17:30] its adherence to the Islamic religion and its adherence
[00:17:33] to its land and its Algeria.
[00:17:39] Therefore, all these attempts
[00:17:42] failed.
[00:17:45] In 1878,
[00:17:49] Engineer Dubois-Chailly issued his report
[00:17:52] under the title "Trans-Saharan Railway Line," connecting
[00:17:56] Algeria with the French colonies
[00:17:59] in the Sudan, which included Mali, Niger,
[00:18:03] and Chad. A project that France saw as its
[00:18:07] lost dream, which would allow it to
[00:18:11] control Africa and provide it with
[00:18:14] a market of 100 million
[00:18:17] consumers.
[00:18:21] The task of surveying and charting the railway line
[00:18:25] was entrusted to Colonel Paul Flatters, pursuant to
[00:18:28] a decision by the French Minister of Public Works,
[00:18:31] Charles de Freycinet, issued on
[00:18:35] 2008.
[00:18:42] mission because 1879. Flatters was chosen for this he held the position of commander-in-chief
[00:18:46] of Laghouat, a position that enabled him to
[00:18:49] monopolize the little information about the Tuareg
[00:18:53] society, with whom the French had very
[00:18:56] limited relations.
[00:19:00] All military intelligence
[00:19:05] the Tuareg society was in the possession of
[00:19:08] this person. Flatters, accompanied by a multidisciplinary
[00:19:11] mission of 77
[00:19:16] to protect it, organized
[00:19:19] a first reconnaissance trip in
[00:19:22] 1980.
[00:19:26] They reached Lake Menghour near
[00:19:29] the Illizi region, 40 kilometers away, on
[00:19:32] April 17.
[00:19:35] They contacted the Tuareg chiefs to obtain a passage
[00:19:39] permit, but they did not obtain
[00:19:42] it. They realized the danger
[00:19:45] and ran out of supplies, so they were forced to return
[00:19:51] May 17, 1880.
[00:19:53] 1880
[00:19:57] Flatters went on a second
[00:20:01] the program, as the issue was no longer reaching Sudan
[00:20:04] due to the start of French invasions
[00:20:08] there, but rather the Algerian desert through the Hoggar
[00:20:11] lands.
[00:20:18] December 4,
[00:20:20] 1880,
[00:20:23] to arrive at Oued Insouki on November 25.
[00:20:26] نوفمبر.
[00:20:29] There, they received news of the presence of the
[00:20:32] Amenokal of the Hoggar, at Ain
[00:20:35] Salah. Flatters sent
[00:20:37] him a message requesting
[00:20:41] the Hoggar.
[00:20:45] Flatters' contacts after the failure
[00:20:48] of his first campaign to the Hoggar led him to
[00:20:51] send messages to Ahitaghel because he was afraid that
[00:20:55] he would enter the region without
[00:21:00] passing. He said, "We have
[00:21:03] in the desert. We are in the Hoggar region. We do not have cities.
[00:21:07] We only have rivers and valleys. Therefore, we will not
[00:21:11] allow you to pass." Ahitaghel as a personality
[00:21:14] should be given a special place
[00:21:18] in our national history, because he was one of the personalities who
[00:21:21] said no to the French occupation. He knew that if
[00:21:25] they passed, penetrated, and gathered information, then
[00:21:28] it would be the beginning of problems. If there was a messenger
[00:21:32] sent to him by the Amenokal, it was Ahitaghel
[00:21:36] Mohammed Biska gave him the message, which told
[00:21:41] the region. However, Colonel Flatters, empowered
[00:21:45] by his more heavily armed
[00:21:48] arsenal, forced
[00:21:51] Idda to be his guide to reach the Amenokal
[00:21:54] Ahitaghel.
[00:21:57] We received your message, read it, and understood its content.
[00:22:01] You asked us to open the
[00:22:03] road for you, but we will not
[00:22:06] open it for
[00:22:09] you. Flatters ignored Ahitaghel's response
[00:22:12] and the convoy continued its journey to
[00:22:15] the Hoggar.
[00:22:18] On the morning of February 16,
[00:22:20] Tarabine, 1881,
[00:22:23] the mission arrived here in Tin
[00:22:27] 1400 kilometers from Ouargla.
[00:22:31] It took the French
[00:22:34] it. The soldiers set up their camp
[00:22:38] in this place, and they were surprised by
[00:22:41] the strange attitude of the Tuareg
[00:22:44] and their calculated silence.
[00:22:50] Flatters, accompanied by Captain Masson and a number of his soldiers,
[00:22:54] went in search of a water well. And between these
[00:22:57] desert hills and rocky plains,
[00:23:00] they realized that they were under close and continuous
[00:23:03] surveillance by the Tuareg throughout the journey,
[00:23:07] without any trace or evidence to arouse their suspicions.
[00:23:10] And it was only a
[00:23:12] few moments
[00:23:17] until Flatters was surprised by an attack by 400
[00:23:21] Tuareg fighters, among them the warrior
[00:23:25] Attisi Agammal, Ahitaghel's
[00:23:28] nephew. After a short time,
[00:23:32] they were attacked from all directions,
[00:23:35] where most of the soldiers were killed
[00:23:38] and Colonel Flatters was wounded in
[00:23:41] his shoulder. The guide Idda approached him,
[00:23:44] and Colonel Flatters killed him with a gunshot to his head.
[00:23:48] So the guide Idda was martyred. He is currently buried in that
[00:23:51] area. He was martyred
[00:23:53] there.
[00:23:58] In this place, where the Tuareg stand to commemorate
[00:24:01] the heroism of their ancestors and pray for the souls of
[00:24:05] their martyrs, Flatters' mission was annihilated,
[00:24:09] and it later became known as the Well of Fine,
[00:24:13] witnessing the fining
[00:24:14] of the French.
[00:24:17] Its results were contrary.
[00:24:27] And this was a strong blow that made the French reconsider
[00:24:30] their calculations and re-examine
[00:24:33] for occupying the desert, because they became more
[00:24:37] understanding of the
[00:24:39] Hoggar.
[00:24:42] France
[00:24:47] in
[00:24:50] 1878, the Trans-Saharan Railway Committee was dissolved
[00:24:53] and the project was abolished
[00:24:56] forever. Between
[00:24:59] 1890 and
[00:25:02] 1897,
[00:25:05] and after nine failed attempts to penetrate the desert
[00:25:08] by the geographical explorer Fernand Foureau, he sent
[00:25:12] a message to the commander of the desert regions stating:
[00:25:16] "We can never cross Tuareg
[00:25:21] areas except by relying on military force and establishing
[00:25:24] centers and checkpoints along the road if we
[00:25:28] really want to connect Algeria
[00:25:30] with the land of Sudan."
[00:25:33] Foureau's words resonated with the occupation authorities,
[00:25:37] who realized that the road to Sudan would only open by firmly
[00:25:41] controlling the oases first, especially
[00:25:45] Ain Salah, the mission that was entrusted to the military
[00:25:48] campaign led by Captain Foureau.
[00:25:51] And for this
[00:25:55] reason, French colonialism, within
[00:25:57] its primary
[00:26:00] objectives, was how
[00:26:03] to reach these areas.
[00:26:07] The goal was to reach Ain Saleh, a strategic goal
[00:26:10] for French
[00:26:13] goal was covered by a reconnaissance
[00:26:16] campaign to explore
[00:26:19] caravan routes and this exploration with destruction,
[00:26:23] because this is the main title of Flamand's
[00:26:26] campaign on the city of Ain
[00:26:28] the captain.
[00:26:36] Of course, the campaign set out in November
[00:26:40] 1899,
[00:26:43] and after almost a month of marching,
[00:26:46] it reached Ain Salah on December
[00:26:48] 7,
[00:26:50] 1899.
[00:26:53] The entry of French occupation forces into the Ain Salah region or the
[00:26:56] Tidikelt region was not easy. It was met with fierce
[00:27:00] popular resistance, and in its battles, one thousand martyrs fell
[00:27:04] in less than a month in the Tidikelt region. This indicates the determination
[00:27:08] of the inhabitants to repel the French occupation. And here
[00:27:12] we recall a saying by Sheikh El Hadj Ahmed
[00:27:16] Azzi when he said, "By God, even if its strongmen fall,
[00:27:19] and its elders die, and its women mix with
[00:27:22] its children, we
[00:27:23] will not surrender."
[00:27:29] Foureau committed a horrific massacre in Ain Salah,
[00:27:33] killing women, children,
[00:27:35] and unarmed people.
[00:27:39] fear among the Kel Ahaggar tribes
[00:27:41] and break the spirit
[00:27:43] of resistance.
[00:27:47] Ain Salah fell at the end of
[00:27:49] 1899,
[00:27:53] part of the Hoggar region.
[00:27:57] And before it, all the major trading cities fell into the hands of
[00:28:01] the French occupation, such as Ouada
[00:28:05] in 1881,
[00:28:08] and Ouargla, Touggourt, and El Oued in
[00:28:11] 1885.
[00:28:15] The colonial advance also extended into the African interior
[00:28:19] to reach pivotal cities such as Bamako
[00:28:22] and Timbuktu.
[00:28:26] The French occupied the trade market,
[00:28:30] a commercial center in the north, which is the Ain
[00:28:32] Salah market, and they occupied the most important commercial
[00:28:35] and cultural center in Timbuktu. The Kel Ahaggar
[00:28:38] found themselves besieged, economically
[00:28:41] besieged from the north and from the southwest.
[00:28:44] Trade centers and caravans
[00:28:47] became non-existent
[00:28:50] the French.
[00:28:52] The military expansion soon turned into a form of
[00:28:56] economic siege aimed at stifling
[00:28:59] the vital space of the Hoggar.
[00:29:03] Traditional trade routes were cut, and resources dried
[00:29:07] up, which affected the living conditions of the population
[00:29:11] and impacted their social and political
[00:29:14] interests.
[00:29:17] The Hoggar experienced deep turmoil during that period,
[00:29:21] which forced a number of tribes
[00:29:24] to migrate towards Tripoli under the weight of the siege
[00:29:27] and colonial pressures and the creation of division among
[00:29:31] the Tuareg regarding the issue of leadership after the death
[00:29:34] of Amenokal Ahitaghel in
[00:29:37] 1900.
[00:29:46] Upon Laperrine's arrival at the oases, he considered
[00:29:49] the situation towards the Tuareg not straightforward at all.
[00:29:53] Ahitaghel had just died, and the traditional
[00:29:56] power was divided for the first time between
[00:29:59] Mohamed Agourzigue and Attisi
[00:30:03] Agammal.
[00:30:07] The French administration considered Attisi's rise to power in the Hoggar
[00:30:11] to be its biggest challenge and a humiliating
[00:30:14] situation. How could a person who carries
[00:30:17] a program of extreme resistance to France and participated
[00:30:21] in the annihilation of Flatters' entire mission
[00:30:25] be accepted as a traditional and recognized leader?
[00:30:29] "If you enter the Hoggar, I will destroy you by force
[00:30:32] or by cunning. And if you prevent our caravans from resupplying in
[00:30:36] the Tidikelt markets, I will cut down the palm trees of the Tidikelt oases."
[00:30:51] Colonel Laperrine could not tolerate the Tuareg retaining their status
[00:30:55] and the prestige of their
[00:30:58] leader, so he felt humiliated when they burned
[00:31:02] European goods coming from Tidikelt
[00:31:07] the Hoggar, considering them infidel goods. Also,
[00:31:11] the Hoggar merchants deliberately ignored
[00:31:14] the French in the markets of Ain Salah. A situation
[00:31:18] he no longer wished to continue, which prompted him to
[00:31:21] threaten retaliation and escalation.
[00:31:25] In the meantime, Laperrine presented his
[00:31:29] new military project, which called for adapting regular
[00:31:32] forces to the desert environment.
[00:31:36] So, pursuant to a law issued by the Ministry of War on
[00:31:40] March 30, 1902,
[00:31:43] four camel battalions were established.
[00:31:52] Camels were used as a means for the movement of soldiers and the transportation
[00:31:56] of supplies and provisions, so they carried more than their capacity,
[00:31:59] and thousands of them died
[00:32:03] in protest against their burden. They were also used
[00:32:07] battles, so their carcasses stretched for thousands
[00:32:11] the desert.
[00:32:14] Algeria lost half of its camels.
[00:32:17] جمال
[00:32:25] Laperrine agreed with Captain Cauvy, newly appointed
[00:32:28] in Ain Salah,
[00:32:32] the Hoggar with force at the first available
[00:32:35] opportunity.
[00:32:37] "At the first aggression or the first insult,
[00:32:40] we will respond with force and resolve, and close the Tidikelt
[00:32:44] markets to Tuareg caravans, and launch
[00:32:47] a counter-invasion that reaches the Hoggar
[00:32:50] camps."
[00:32:54] A threat that soon turned into action under the pretext
[00:32:58] of the second Fan
[00:32:59] Incident.
[00:33:02] The search for what is called the New Dey's Fan.
[00:33:05] And they found it. As long as one of
[00:33:08] our shepherds has been insulted, we must
[00:33:11] avenge him. Therefore,
[00:33:17] only seven days after the complaint
[00:33:20] or claim, as stated in the
[00:33:24] reports, the French prepared
[00:33:27] a full military detachment consisting of
[00:33:30] 130 soldiers.
[00:33:33] A military campaign from Ain Salah towards the Hoggar
[00:33:37] led by Captain Cuttance, which was called
[00:33:40] the Tuareg disciplinary
[00:33:42] campaign.
[00:33:46] At the Tit region, about 300
[00:33:49] Tuareg bravely resisted the French
[00:33:52] armies, which were equipped with long-range
[00:33:55] firearms, without shields to protect
[00:33:58] them or equivalent equipment
[00:34:02] and weapons. Only that deep
[00:34:05] feeling that this land
[00:34:08] is their land and that whoever tries to seize it
[00:34:12] like tearing a soul from a body.
[00:34:16] The Tuareg approached the battlefield steadily,
[00:34:19] as if choosing their fate
[00:34:22] by their will.
[00:34:25] In Titch, they gathered. The drum was not beaten
[00:34:29] to gather or to sound
[00:34:32] an alarm. The French went to the
[00:34:34] Titch region, and in the region where they were burning
[00:34:38] the produce, there was a battle. France was
[00:34:41] disorganized and uncoordinated, as
[00:34:45] they gathered in Wadi Amser, and France camped
[00:34:49] on a mountain where they placed their firearms.
[00:34:53] They had advanced weapons. From afar, they saw smoke
[00:34:55] rising and realized that
[00:34:59] the crops in the area were
[00:35:02] burning. I remember, I remember a forest of
[00:35:05] grapes, and Tshali burned it in
[00:35:08] the area. The battle
[00:35:12] 3 p.m.
[00:35:15] until darkness fell on May 7,
[00:35:18] 1902, when the Mujahideen
[00:35:22] emerged from Wadi Amser towards
[00:35:25] the opposite mountain, and France kept firing
[00:35:29] the Mujahideen. They rushed, they rushed to
[00:35:32] the Titch massacre.
[00:36:10] The Doghali tribe
[00:36:12] suffered heavy casualties. According to the French report,
[00:36:15] 40,000 bullets
[00:36:18] were fired, meaning
[00:36:21] that the
[00:36:24] resistance was
[00:36:28] very fierce.
[00:36:35] They created a legend over time that the people of Ahaggar cannot
[00:36:38] be defeated throughout history
[00:36:41] because they almost won all the battles
[00:36:45] foreigners. It was more of a psychological defeat
[00:36:49] than a military defeat. There was
[00:36:53] before the Battle of Titch and after the Battle of Titch,
[00:36:56] Titch became a major setback in Tuareg history. Some
[00:36:59] attributed its cause to political division in
[00:37:06] the defeat of 1902
[00:37:08] was that the position of Amenokal
[00:37:12] was vacant after Hettaghel's death.
[00:37:16] There was no agreement on the allegiance of Amenokal. We find that for the first
[00:37:19] time, among the Hoggar, there was no political
[00:37:23] division. Two powers ruled at that
[00:37:27] time: between Attisi
[00:37:30] and motivated towards war,
[00:37:34] and Mohammed al-Jurzik,
[00:37:36] both of whom were the nephews
[00:37:40] of Hettaghel.
[00:37:41] Biska
[00:37:45] Despite the atrocity of Titch, the resistance did not cease.
[00:37:48] The Tuareg attempted to attack the palaces
[00:37:52] of Tidikelt to break the siege imposed on them in
[00:37:55] the summer of 1900. However, Captain
[00:37:59] Cauvin sent a counter-attack force of
[00:38:02] 170 soldiers led by Lieutenant
[00:38:06] Goulohant which prevented their advance.
[00:38:10] So the Tuareg stopped at the outskirts
[00:38:12] of In Amguel. In 1903,
[00:38:15] a series of reconnaissance operations
[00:38:18] paved the way for consolidating the French military presence
[00:38:22] throughout the Ahaggar
[00:38:24] region. So the commander began.
[00:38:36] Laberine also tried to win over the Tuareg during his tour, demanding
[00:38:40] that the residents submit to French authority without
[00:38:45] political level, after the Battle of Titch,
[00:38:48] Laberine refused to open the Ain Salah market to Hoggar convoys
[00:38:52] and ordered
[00:38:53] the pursuit
[00:38:57] of the one who headed towards Azjar, then joined the Kawsen
[00:39:00] resistance.
[00:39:04] France tightened its siege
[00:39:06] the Ahaggar. With every step forward, they established
[00:39:10] their military forts in In Amguel, Arak,
[00:39:13] and Amguid.
[00:39:17] They relied on reports from
[00:39:20] French explorers and adventurers. Therefore,
[00:39:23] the idea of building
[00:39:26] forts and towers came about. These were built
[00:39:30] almost entirely from raw materials that were available in
[00:39:34] that region. From these towers, the French campaign
[00:39:37] that occupied the Tidikelt region and the
[00:39:40] Tuat region then penetrated into the Ahaggar region.
[00:39:44] In 1903,
[00:39:47] Musa ag Amastan emerged
[00:39:49] to fill the political vacuum that followed the Battle of Titch.
[00:39:53] On January 20,
[00:39:56] Musa proceeded to negotiate with Captain Metois, who
[00:40:02] Tidikelt. It was necessary to have a pivotal,
[00:40:05] intelligent,
[00:40:08] influential personality who knew
[00:40:12] how to act, like Musa ag Amastan, who prevented
[00:40:15] the inhabitants from emptying the land for the occupier
[00:40:19] and kept them there, and tried
[00:40:21] to ensure
[00:40:24] the cessation of the massacres of the French occupation against the inhabitants in
[00:40:29] After three weeks of negotiations,
[00:40:32] he obtained extensive autonomy that included
[00:40:36] judicial and administrative
[00:40:38] powers in exchange for the establishment of the first
[00:40:42] French military post in Tamanrasset.
[00:40:45] The two parties signed a document that did not
[00:40:49] contain any explicit surrender
[00:40:51] terms.
[00:40:53] The French thought that peace had been established, that
[00:40:57] the Hoggar region, or the Tuareg region of Tamanrasset in particular, was calm,
[00:41:00] and that no revolution would break out, that there was
[00:41:03] no rebellious movement, and that everything was in France's
[00:41:07] favor. But the truth was the opposite. The
[00:41:10] Hoggar region was still revolting
[00:41:13] against France, but there was some relative calm.
[00:41:16] Laberine rejected the agreement signed between Musa
[00:41:19] ag Amastan and Captain Metois, as he was
[00:41:22] seeking to impose taxes on the inhabitants of Ahaggar
[00:41:25] and unconditional surrender, with the aim of
[00:41:29] blocking the path of competing French leaders
[00:41:32] in Timbuktu to areas of influence in North
[00:41:36] Africa and the South Sahel.
[00:41:41] Laberine was not satisfied with correspondence and reprimanding
[00:41:43] Captain Metois, but he moved with a military
[00:41:47] detachment on March 4, 1904,
[00:41:49] from
[00:41:51] Adrar towards Ahaggar to settle his accounts.
[00:41:55] This detachment included for the first time
[00:41:58] a monk named Charles
[00:42:01] de Foucauld.
[00:42:06] Who brought him to the Hoggar region?
[00:42:10] It was Laberine. Why? Because he was a colleague of Henri Laberine at the Military
[00:42:14] College of Saint-Cyr. He brought him from Beni
[00:42:19] west to east. He concealed
[00:42:22] his military identity, and the proof of
[00:42:25] that is that the Assekrem shelter he adopted
[00:42:28] as one of the headquarters where he lived
[00:42:32] is a strategic location from which he could
[00:42:35] monitor the movements of all the tribes in the region
[00:42:38] in their travels and migrations,
[00:42:42] and transmit information and record
[00:42:45] very precise details of many events since
[00:42:48] his residence in the Tamanrasset region until
[00:42:52] the achievement of a goal that he and Laberine shared:
[00:42:55] serving the French colonial empire. De Foucauld collected
[00:42:59] all information about the Hoggar
[00:43:01] population for military purposes,
[00:43:05] but he did so under a religious guise, a missionary guise,
[00:43:08] a Christian guise.
[00:43:12] Laberine's goal was to impose complete military,
[00:43:15] cultural, and religious
[00:43:18] control over the Ahaggar. In 1908,
[00:43:21] he decided to build the
[00:43:24] Motylinski Tower, a French military
[00:43:27] fort 50 kilometers east of
[00:43:31] Tamanrasset, where military patrols
[00:43:33] were stationed. The tower was historically associated
[00:43:37] with the monk Charles de Foucauld, for whom a hermitage
[00:43:41] was built there to carry out his missionary
[00:43:44] activities. The French administration played on the emotions
[00:43:47] of the Tuareg through humanitarian representations, and Charles
[00:43:51] de Foucauld was the most prominent
[00:43:53] among those who played
[00:43:57] focused on children and said a famous
[00:44:00] quote: "Imagine when
[00:44:04] the relationship is between the Tuareg child
[00:44:08] and the French officer." The child is the man
[00:44:11] of the future, meaning that the future will be
[00:44:14] ours. There was a woman who saved her five
[00:44:17] children from starvation, and instead of thanking him,
[00:44:20] she felt sorry for his condition because he was not a Muslim. This
[00:44:23] summarizes the Tuareg's attachment to Islam.
[00:44:27] Throughout the period that Charles de Foucauld spent among the Tuareg, he was unable
[00:44:30] to convert even a single Tuareg. This, if it indicates
[00:44:33] anything, indicates that this region was
[00:44:37] a fortress of Islam.
[00:44:40] With the outbreak of World War I
[00:44:43] in 1914, they sought to impose
[00:44:46] strict censorship to prevent
[00:44:48] news of it from reaching the population, fearing
[00:44:52] that it would turn into a spark of rebellion
[00:44:55] or uprising.
[00:44:57] The pace of events on the southeastern
[00:45:01] borders accelerated. After
[00:45:04] the Italians were expelled from Ghadames, the Sanusiya movement,
[00:45:07] led by Muhammad Kawsen,
[00:45:10] managed to seize considerable quantities of
[00:45:14] weapons, ammunition, and cannons.
[00:45:17] In the same context, the resistance in
[00:45:21] succeeded in regaining
[00:45:24] the Oasis of Jander. These developments contributed to undermining
[00:45:28] the censorship policy in the Hoggar and paved the way for opening various
[00:45:31] fronts against the French. The beginning
[00:45:34] was the killing of Charles
[00:45:36] importance
[00:45:40] The Tuareg tribes mobilized their men and fought
[00:45:43] major battles against the enemy, most notably
[00:45:47] the Battle of El Amran in April
[00:45:49] 1917,
[00:45:52] and the Battle of Taharaq in Iniker on June 15,
[00:45:55] 1917.
[00:45:56] After a period of time,
[00:46:00] those who were children in the Battle of Titch
[00:46:04] still had the image of the massacres committed
[00:46:07] against their fathers and grandfathers etched
[00:46:10] in their minds, so they took revenge in
[00:46:13] the battles of El Amran and Taharaq in 1917,
[00:46:16] after they had become fighting young men.
[00:46:32] The children of Titch became men.
[00:46:35] 150 fighters took up arms
[00:46:38] and positioned themselves in the mountains of El Amran to confront
[00:46:42] the forces of Captain Masson, who was tasked with protecting
[00:46:45] and securing
[00:46:46] the city of Tamanrasset.
[00:46:51] It was one of the fiercest battles against
[00:46:56] the Hoggar.
[00:47:03] The Battle of El Amran was a clear response to the lies
[00:47:07] of the French occupation, which claimed that the region had been controlled
[00:47:10] since 1904. It proved
[00:47:13] the ability of the tribes
[00:47:15] with other resistance factions in
[00:47:19] Air and Aïr against the French occupation. It was
[00:47:23] a decisive blow directed at the siege
[00:47:26] imposed on the Ahaggar region, as 37
[00:47:30] French soldiers were killed,
[00:47:33] and Masson was wounded
[00:47:37] and withdrawn from the battle. Masson fled, and France
[00:47:40] fled from the battle. The French did not return to bury
[00:47:43] the bodies of their soldiers
[00:47:47] until four years later, when they found
[00:47:50] 37 skulls. Now there is a mass
[00:47:54] grave under Mount Ellem.
[00:47:58] Two months had not passed since the Battle
[00:48:01] of El Amran when the resistance fighters confronted
[00:48:05] a French patrol
[00:48:08] that was tasked with delivering
[00:48:11] mail from Ain Salah to Tin Foulké.
[00:48:14] Upon the arrival of the patrol in the Iniker
[00:48:17] region, it clashed with 300 men in the Battle
[00:48:20] of Taharaq, which lasted for several hours
[00:48:23] and resulted in the killing of many French
[00:48:26] soldiers and the injury
[00:48:28] of their commander.
[00:48:32] These battles forced the French to confine
[00:48:35] themselves to defending their positions to avoid any
[00:48:38] confrontation with
[00:48:39] the Tuareg.
[00:48:44] After decades of
[00:48:47] the Hoggar, in defense of land and identity,
[00:48:50] a political
[00:48:54] around this struggle, transforming it into an organized
[00:48:57] revolutionary act, a revolutionary act
[00:49:00] that merged with the comprehensive
[00:49:02] national liberation project.
[00:49:11] With the outbreak of the victorious War of Liberation on November 1,
[00:49:15] 1954, signs of revolutionary action
[00:49:18] began, paving the way for opening its front
[00:49:23] It was necessary to organize and structure the revolutionary
[00:49:27] work in the Hoggar region within a strict framework
[00:49:31] that would ensure its effectiveness and continuity.
[00:49:33] For this reason, the Soummam Conference was held
[00:49:37] on August 20, 1956,
[00:49:40] to bring about a qualitative
[00:49:42] change in the structure of the revolution.
[00:49:46] One of its outcomes was the establishment of the Sixth Historical
[00:49:49] Wilaya in 1957.
[00:49:52] The task of establishing
[00:49:56] it and overseeing its leadership was entrusted to the activist
[00:50:00] Ali Mellah, in a step aimed
[00:50:04] at expanding the scope of the armed struggle to include
[00:50:07] the depths of the South and ensuring coordination between
[00:50:10] the various regions of the revolution.
[00:50:12] The Soummam
[00:50:15] Conference, with its historic
[00:50:18] decisions, under which the six wilayas were established
[00:50:22] for the five regions, embodied
[00:50:26] a vision or a project of the revolution's comprehensiveness
[00:50:29] for the entire national territory. According to it,
[00:50:33] the Hoggar region was classified as part of the Sixth Wilaya.
[00:50:36] After the martyrdom of Ali Mellah,
[00:50:39] the Coordination and Executive Committee issued
[00:50:43] a decision to dissolve the Sixth Wilaya before
[00:50:46] re-establishing it again in
[00:50:49] 1958,
[00:50:52] under the leadership of Si El Haouès, who assigned the task of establishing
[00:50:56] a body to coordinate the revolution in Ain Salah and Tamanrasset
[00:51:00] to Muhammad
[00:51:02] Jghaba.
[00:51:04] Contact was made with Azguer through
[00:51:07] the Amenokal Ibrahim Akbakda.
[00:51:11] At the same time,
[00:51:14] contact was made with Bay
[00:51:16] Akhamouk in
[00:51:20] 1956 through
[00:51:25] the Sixth Wilaya, Si Mohamed
[00:51:28] El Jghaba, may God prolong his life,
[00:51:32] who was assigned by Si
[00:51:35] Bay Akhamouk. He came
[00:51:38] as a co-driver of this truck and descended to
[00:51:41] the Tamanrasset region to visit my father,
[00:51:45] not by chance. He visited my father because he knew
[00:51:49] that my father, Moulay Ahmed, had a connection.
[00:52:02] regarding the preparation
[00:52:05] this wilaya, which has special characteristics.
[00:52:08] The first
[00:52:11] committee of the National Liberation Front was formed
[00:52:14] in the Ahaggar region.
[00:52:18] The Amenokal of Hoggar, Bay ag Akhamouk, known
[00:52:22] for his strong hostility to the French occupation, adopted
[00:52:25] the idea of establishing a revolutionary cell
[00:52:29] for awareness and support in complete secrecy.
[00:52:32] He hated the French, especially
[00:52:35] when they tried to forcibly recruit the Tuareg,
[00:52:38] and he clashed with them to the extent that
[00:52:41] his father told him to go
[00:52:45] in conflicts with them. So he hated them,
[00:52:49] him since that incident.
[00:52:51] The southern front turned into a fortress to protect
[00:52:55] the revolution and its extension by recruiting hundreds of young men
[00:53:01] and establishing many cells, including
[00:53:06] a core cell in that worked to find ways
[00:53:09] to establish a strong leadership and training center
[00:53:12] in Tahart village.
[00:53:17] Here, the choice fell on the Tahart region
[00:53:20] first because its terrain is very
[00:53:22] difficult to penetrate,
[00:53:26] and it is easy was lowered,
[00:53:32] aircraft to know
[00:53:36] who is inside. Third, it has the characteristic of having oases in its middle,
[00:53:40] meaning water is available. The group
[00:53:43] that was present assigned Kamama Abdilo
[00:53:47] to prepare the area
[00:53:49] to host this group of Mujahideen. El-O
[00:53:53] also asked the residents surrounding the Tahart oasis
[00:53:56] to evacuate all the surrounding
[00:54:00] areas. The people
[00:54:03] of Hoggar joined the revolution on two
[00:54:06] integrated fronts, like all regions of the country,
[00:54:10] as they took up arms in defense of
[00:54:13] their land, and at the same time,
[00:54:16] they contributed to the civil struggle by collecting
[00:54:19] donations and providing money and provisions
[00:54:21] to support the Mujahideen
[00:54:24] and reinforce the continuity of the national
[00:54:27] struggle.
[00:54:36] The young men came from here. When they heard
[00:54:40] that they had been sent a summons, the young men
[00:54:43] who were going
[00:54:46] went at that time. They went
[00:54:50] and were recruited, but they were wearing
[00:54:53] civilian clothes. So when they reached there, they were dressed.
[00:54:57] The Mujahideen had weapons
[00:55:00] and they distributed them. Moulay
[00:55:03] Ahmed Bradai had
[00:55:05] a group of cells, Abdilou, Bay,
[00:55:08] and a group, and they distributed them
[00:55:11] to the people so that people would mix. They called
[00:55:15] They were
[00:55:17] scared. I took
[00:55:20] the oath
[00:55:23] that day, and I paid that
[00:55:26] fraction at that time. I was working in a hospital and earning 15,000.
[00:55:30] At that time, people were donating to the Mujahideen. Some would bring
[00:55:34] a sheep, some would bring bags of wheat,
[00:55:37] some would bring. Everyone was contributing,
[00:55:40] contributing with joy
[00:55:44] to the food of the Mujahideen and everything.
[00:55:47] All segments of society rallied around
[00:55:50] the revolution, including the Tuareg woman, the guardian
[00:55:53] of culture, who did not hesitate to give
[00:55:57] what she had for the sake of national unity. She was
[00:56:00] a supporter of the Mujahideen, thus playing
[00:56:04] a very important
[00:56:06] role in the course
[00:56:08] of the struggle.
[00:56:17] Our women, even at that time,
[00:56:19] they would tell us the solidarity fund. Whoever had
[00:56:22] a Louis brought it, whoever had gold
[00:56:25] brought it, whoever had silver brought it. Everything
[00:56:29] with gold, with silver, etc. If we take the example of the women of
[00:56:33] Daghmouli village, which is a village
[00:56:36] belonging to Tamanrasset, its women
[00:56:39] prepare Toungala bread on a hot stone
[00:56:43] and give it to the suppliers
[00:56:46] to reach the centers where the revolutionaries are.
[00:56:50] With the discovery
[00:56:52] of oil in the Algerian Sahara in 1956,
[00:56:56] what France described as
[00:56:58] empty quarters and dry bones
[00:57:02] turned into a treasure. It tried by all means
[00:57:06] to keep it away from the hands of Algerians,
[00:57:09] and it used the Hoggar as a geographical
[00:57:13] area to cover up
[00:57:16] its nuclear crimes.
[00:57:18] Frenzied.
[00:57:26] France decided
[00:57:30] the nuclear race
[00:57:33] since
[00:57:35] 1945,
[00:57:37] after the bombing of Hiroshima and Nagasaki.
[00:57:41] Perhaps many wonder about the reason
[00:57:44] for choosing these locations, and at the same time, the strategic
[00:57:47] and military
[00:57:49] of these sites stands out. These sites were part
[00:57:53] of the strategic depth of the French
[00:57:56] colonies, meaning that they were in areas far
[00:57:59] away from the greatest
[00:58:03] this French nuclear program, which was
[00:58:06] the U-2. The Americans had a reconnaissance aircraft at that time that could fly
[00:58:12] the desert within the French colonies that the U-2 could not reach
[00:58:15] was Iniker, which is where
[00:58:19] the entire region was destroyed.
[00:58:21] Therefore, the French
[00:58:25] crime in the Ahaggar
[00:58:28] region continued and is still ongoing
[00:58:32] to this day. To achieve its colonial
[00:58:35] plans, France proposed a project to separate the Sahara from
[00:58:39] the north, an idea that the leadership
[00:58:42] of the National Liberation Revolution rejected completely.
[00:58:46] It fought against it militarily in the mountains
[00:58:49] and politically at the negotiating table
[00:58:52] in Paris, where it began to consider
[00:58:56] establishing an Islamic
[00:58:59] Turkish state.
[00:59:02] Its borders
[00:59:05] would begin north
[00:59:09] and Ouargla, then extend
[00:59:13] south to the Malian
[00:59:18] and Nigerian depths,
[00:59:20] and
[00:59:23] of Chad. It was dangerous
[00:59:26] to have a king
[00:59:29] and ruler at its head. Haj Bay
[00:59:33] ag Akhamouk
[00:59:35] and his brother, Haj Musa ag
[00:59:39] Akhamouk, took a firm
[00:59:42] stand against the colonial policy
[00:59:45] during their visit to Paris
[00:59:48] on July 14, 1961,
[00:59:50] supporting
[00:59:53] Algeria's full independence
[00:59:57] inch by inch, and considering that
[01:00:00] the Sahara
[01:00:03] of Algeria.
[01:00:09] The man confronted three French attempts. Two
[01:00:12] of them involved sending an envoy to the Hoggar region,
[01:00:16] and the third was going to Paris, where he rejected
[01:00:18] the French project to separate the Sahara.
[01:00:21] His answer
[01:00:25] was, "I am
[01:00:28] Algerian,
[01:00:31] and only what applies to every
[01:00:35] Algerian applies to me. I refuse
[01:00:38] the monarchy
[01:00:40] and the crown, and I will not divide Algeria.
[01:00:43] I will remain
[01:00:46] Algerian, and I will receive what every Algerian people receives."
[01:01:02] The soldiers came, lined up all the way up, holding
[01:01:05] their weapons.
[01:01:08] Until we looked up, then he told us to relax,
[01:01:10] استاد. The French officer who was in charge
[01:01:13] of the soldiers came out. He called
[01:01:16] Ahmed.
[01:01:19] He called the soldier, who lowered the flag. The Tuareg crowd
[01:01:23] was
[01:01:25] large. First,
[01:01:27] the French flag
[01:01:30] and the French
[01:01:33] presence ended with Tuareg ululations
[01:01:37] and gunshots. The national
[01:01:40] flag was raised
[01:01:43] in Tamanrasset, announcing
[01:01:48] the complete independence of this
[01:01:51] region.
[01:01:52] Oh colonizer,
[01:01:55] you misread the Sahara.
[01:01:58] Its silence is not
[01:02:02] submission, and its vastness is not emptiness.
[01:02:06] We carry in our hearts a history that your
[01:02:09] maps do not see. Every dune here
[01:02:12] knows the footsteps of its people
[01:02:15] and rejects the footsteps
[01:02:19] of intruders. This
[01:02:22] accept a stranger
[01:02:24] as its master.
[01:02:33] The valiant popular resistance, the tenacious political struggle,
[01:02:37] and the victorious War of Liberation
[01:02:40] culminated on July 5,
[01:02:43] 1962, a feast
[01:02:46] for Algerians of dignity
[01:02:48] and sacrifice, crowned by the recovery
[01:02:52] of national sovereignty by force from
[01:02:55] a barbaric occupation that lasted for more than a century
[01:02:58] and a half. The people wrote a new
[01:03:02] page of freedom and sovereignty,
[01:03:04] and the building
[01:03:07] of the state.
[01:04:25] Join us this summer for a show that talks about you,
[01:04:28] a show for you. But a show presented by us, oh yeah,
[01:04:32] with us, we're going to talk about a lot of super interesting topics. We're going to talk about psychology, we're going to talk about
[01:04:35] nutrition, we're going to talk about sports, vacations, photos, all topics not to be missed, really.
[01:04:41] sun. Sunday and Wednesday at
[01:04:44] 9:30 AM on Canal Algérie.
[01:06:30] Come, my daughter.
[01:06:33] Even if I have to crawl, I'll
[01:06:35] come.
[01:06:38] The important thing is not to lose hope at all. I'm sure it's
[01:06:42] my grandma. I told her if you touch a single hair on my mother's head, I won't
[01:06:46] spare you at all.
[01:06:49] She won't get away with what she did. I swear I'll make her spend the rest of her life
[01:06:52] in prison. You didn't tell me where you got this latest model car.
[01:06:56] Oh, but you didn't steal it, did you? Enough, shut
[01:06:59] up. Your mother, don't you hear yourself, what are you saying? This
[01:07:03] car you see belongs to the company. What kind of company is this that gives
[01:07:07] its employees the latest model car? We're still
[01:07:09] looking, Mr. Dawood, and these young men came to help us, and they are now
[01:07:13] waiting for your orders. Try to search the entire forest and ask
[01:07:17] everyone, one by one. Don't leave any
[01:07:20] place. You have to find her quickly. If she's here,
[01:07:23] I'll find her even if she's underground. Really,
[01:07:27] can you really find her? Yes, of course I'll
[01:07:30] find her,
[01:07:33] worry, my daughter. God answered
[01:07:36] my prayers. I was so scared something had happened
[01:07:40] to you.
[01:07:47] Look
[01:07:48] at me.
[01:07:52] Are you okay?
[01:07:55] This is my sister-in-law, and her name is Jenna. She disappeared
[01:07:58] suddenly a few days ago, and we haven't heard anything about her.
[01:08:02] We don't know if she's alive or
[01:08:06] not.
[01:08:21] How is my sister
[01:08:22] Sahar?
[01:08:25] She must be heartbroken. Yes, by
[01:08:28] God, you are right, my sister. The girl is exhausted
[01:08:31] didn't leave them
[01:08:33] willingly.
[01:08:36] I was forced to stay away from them. You can't
[01:08:39] leave them. I'm sure of that.
[01:08:44] Ginara, my daughter, get up before those who are following you arrive.
[01:08:47] Go quickly. Ahmed will take you. He's
[01:08:51] waiting
[01:08:52] for you behind.
[01:08:56] Let me see who.
[01:08:57] My aunt.
[01:09:07] I will never forget this favor.
[01:09:10] May God bless you. Now, and
[01:09:58] what, sister? Did you see her?
[01:10:02] She's laughing at me, isn't she? There was no one
[01:10:05] inside. Because of you, I entered the woman's house
[01:10:08] like a thief. Not
[01:10:10] a word.
[01:10:12] And before you make sure, don't you dare call me.
[01:10:16] And the money?
[01:10:20] Find it first, and then I'll give it to you. Open your eyes wide.
[01:10:41] Give me my bag. Come on, my daughter. Give it to me. Come on.
[01:11:00] Don't lose hope, my daughter. If necessary, we'll search every
[01:11:03] house. You just hold yourself together. We're not leaving
[01:11:07] here until we find her. What if my mother wasn't well, uncle?
[01:11:10] Well, if there's
[01:11:12] no other solution but to pray and search, but I can't believe how my grandmother would do
[01:11:16] this to her. I told you, Sahar, your grandmother didn't know that
[01:11:19] this would happen. No, that's not true at all. She
[01:11:22] knew. She wanted to get rid of her by any means. Enough,
[01:11:26] my daughter, now is not the time at all. First thing, let's find your mother, and then
[01:11:30] we'll talk about it. Come on. Come on.
[01:11:32] Come on.
[01:11:37] Are
[01:11:37] you okay?
[01:11:41] God willing, but I'll tell you today rather than tomorrow, Gelnar.
[01:11:45] I hope you're dead somewhere and relieve us of your presence
[01:11:48] already.
[01:11:57] Thank God, sister, you're fine now. Don't
[01:12:00] cry anymore.
[01:12:03] home, I will immediately tell Sahar. God
[01:12:07] knows how happy
[01:12:08] she'll be.
[01:12:15] Hey kid, wait a minute, please.
[01:12:17] We're
[01:12:20] looking for
[01:12:22] someone. I don't know, uncle.
[01:12:25] I don't know. My mother tells me not
[01:12:28] to talk to strangers. Yes, your mother is right, but believe me, we won't
[01:12:32] harm you. I'm looking for my mother. She was wearing this
[01:12:36] sweater. She's in her forties. Did you see her here?
[01:12:39] I don't know. Okay.
[01:12:44] The herbalist is here. Ask her. She
[01:12:47] knows her.
[01:12:55] Where's her house?
[01:12:59] There
[01:13:00] it is.
[01:13:05] Sahar came, sister. Stop
[01:13:08] the car.
[01:13:11] Sahar,
[01:13:13] my daughter. What
[01:13:16] do I do?
[01:13:19] Could it be that this woman found my mother and treated her? God willing, my daughter, God willing.
[01:13:22] Gelnar,
[01:13:27] don't get out, sister. Don't you dare.
[01:13:30] What are you saying, sister? Didn't
[01:13:33] you hear? I'm telling you Sahar is here. Well, didn't you see that Dawood is with
[01:13:37] her? Laugh, sister. Look, what happened to you is not
[01:13:41] normal. We don't know who's good and who's
[01:13:44] bad. Maybe Dawood has a hand
[01:13:48] in this.
[01:13:51] I think you shouldn't see her now.
[01:13:55] Trust no one but
[01:13:58] home, I'll bring Sahar to you. I promise you,
[01:14:01] sister.
[01:14:06] take us. Go now, my son. Okay,
[01:14:09] sister.
[01:14:14] Forgive me, my daughter. I'll see
[01:14:18] you soon.
[01:14:24] Be patient.
[01:14:39] What's the story, uncle? When I was looking for Gelnar, I saw all these houses,
[01:14:42] but I didn't see this house. There was no one
[01:14:45] inside then. Well, maybe she was scared, or she wasn't
[01:14:49] able to get up.
[01:14:52] I hope to God my mother is here.
[01:15:09] Good, God
[01:15:10] willing.
[01:15:18] God forgive me, who
[01:15:20] are these?
[01:15:27] Hello, aunt. Are you the herbalist?
[01:15:31] What is it, my daughter? Do you have a problem?
[01:15:34] Aunt. I'm looking for my mother here.
[01:15:38] Please, if you see her,
[01:15:40] help me. She was wearing this sweater.
[01:15:44] She fell down. Please, aunt, for God's sake, help me.
[01:15:47] Esmenar, we've searched everywhere
[01:15:50] and we haven't found her anywhere.
[01:15:55] Believe me, I don't know anything at all.
[01:15:59] I didn't hear that she came here, nor did I see her. Are you sure,
[01:16:03] aunt? They told me they saw her
[01:16:04] here.
[01:16:08] May God help you, my daughter. God willing, you'll be reunited
[01:16:11] with your mother soon, and she'll be fine
[01:16:13] too.
[01:16:16] We bothered you. Don't mind us. No, it's okay. Come,
[01:16:19] my daughter.
[01:16:37] Mother.
[01:16:40] Where are you, uncle?
[01:16:42] We
[01:16:45] left no stone unturned in our search for her. Please,
[01:16:49] help us, God. We just need someone to tell us she's alive
[01:16:52] and where she is. Please.
[01:16:57] Oh God, my daughter Sahar, please don't do this to yourself. Calm down a bit. Take it easy, my
[01:17:01] daughter. We mustn't lose hope. We'll search more,
[01:17:05] and I promise you we'll find her. Maybe
[01:17:08] someone saw her. Don't do this to yourself. We searched everywhere
[01:17:11] and asked everyone. If
[01:17:15] anyone had seen her, we would have known, but no one
[01:17:18] knows anything. My mother is not showing up at all. My daughter, maybe
[01:17:22] she's in a bad state. Come on, get up. Let's look for her. But how
[01:17:26] can she go when she's lost all that blood, uncle?
[01:17:30] I
[01:17:33] don't want to say this, but maybe we
[01:17:37] were late. We should have searched a long
[01:17:39] time ago. God forbid, my daughter, please don't say
[01:17:43] that. No matter what happens, I promise I'll find
[01:17:47] you. Get up. Stay
[01:17:50] there.
[01:17:54] Come here.
[01:18:02] by God, I can't tell you anything at all. I have to
[01:18:06] do this to protect your mother. Wait
[01:18:09] a little bit. God willing, you'll be reunited with her
[01:18:11] soon.
[01:18:17] God knows what happened to Sahar. She wasn't far
[01:18:21] from me. But still, I couldn't
[01:18:24] hug her or even yell
[01:18:27] at her. Help me,
[01:18:33] upset. As soon as we get home, I'll go
[01:18:36] to your daughter.
[01:18:44] God knows what she thought of. They didn't leave anything unsaid.
[01:18:48] Ms. Nawal
[01:18:50] did everything to make the girl think
[01:18:53] badly. They tried to convince
[01:18:56] her that you took the money and left.
[01:19:00] Germany. All of this is because of Mother
[01:19:04] Asia.
[01:19:07] But I won't let her get away with it. God is great,
[01:19:10] sister.
[01:19:13] Yes, aunt, is this the right way? Is this
[01:19:16] the address? Yes, my son, it's right. The house is
[01:19:19] on your right. Okay, aunt.
[01:19:57] Gelnar, are you okay?
[01:19:59] Yes, sister, I'm fine. Let me
[01:20:02] help you. Thank you, my son. If you want, we can go
[01:20:06] to the doctor. No, there's no need
[01:20:08] at all. I just felt dizzy when I got up suddenly.
[01:20:12] I'll be better now. Just bring me
[01:20:16] my daughter. She's my medicine. Okay,
[01:20:20] let me take you home, and I promise I'll bring Sahar here.
[01:20:24] worry about it.
[01:20:27] Thank you, my son. And may God bless you and your grandmother for
[01:20:31] helping her. May God be pleased with you. I can't repay
[01:20:34] this favor.
[01:20:37] May God bless you, my son. Is it possible,
[01:20:40] ابدا الانسانيه ما ماتت يلا الحمد لله على
[01:20:44] سلامتك
[01:20:51] Here's the file. Thank you. Let's see,
[01:20:54] Asma, when is the travel date? Did you find out
[01:20:57] about it? There are a few papers I need to finish at the university, and then I'll go, God
[01:21:01] willing. Excellent. Don't be late because there's not much time left
[01:21:04] for your trip. You know, the second semester will start
[01:21:07] soon. Don't waste your time and be late for class. Don't worry
[01:21:11] at all. I'm not wasting time.
[01:21:15] time.
[01:21:17] God willing, all good. I hope it goes as you wish and more.
[01:21:21] Thank you. I can't believe it. Honestly,
[01:21:25] studying at a British university was a dream for me. I'm
[01:21:29] indebted to the person who sponsored this scholarship for me. I hope I can
[01:21:32] get to know him. Okay.
[01:21:35] Goodbye. Goodbye.
[01:21:44] Go ahead, Mr. Akram. Okay. I'll check the file and get back
[01:21:48] to you.
[01:21:55] Just a little bit more, and I'll finally be done with you,
[01:21:58] Asma. The scholarship cost me a bit,
[01:22:01] but Omar is worth everything. By the time
[01:22:05] you finish university and come back, Omar will have put the ring on my finger a long time ago.
[01:22:18] Oh, Nawal.
[01:22:22] Now what do I tell Mother Asia after she knows
[01:22:25] I didn't find Gelnar? She'll give me a lecture.
[01:22:29] Oh, oh, what
[01:22:30] a disaster.
[01:22:36] So. Were you able to find the body of the snake?
[01:22:39] Tell me.
[01:22:43] What happened to you? Come on.
[01:22:46] Tell me. Is Gelnar alive or dead?
[01:22:50] Nawal, did you find out anything about her? It's as if
[01:22:53] the earth opened up and swallowed her, mother. No one
[01:22:56] saw her or heard anything about her. I searched the village
[01:22:59] house by house and asked everyone, but no one knows anything
[01:23:03] at all.
[01:23:05] As for me, Gelnar is dead, but
[01:23:09] despite that, I wanted to make sure. I gave a few liras
[01:23:12] to one of those villagers, and if he finds out anything about Gelnar, he'll
[01:23:16] call me and let me know.
[01:23:20] I hope she's dead, as you say.
[01:23:24] But if she's alive and you don't find her, then
[01:23:27] woe to you from me. Then I'll be the one to hold you accountable.
[01:23:44] She might be in class. Yes,
[01:23:47] okay, I'm not a driver. I'm forced to. My mother is
[01:24:04] maybe Yasmin is dating one of them. God
[01:24:07] knows who it is, even though
[01:24:09] they all look alike. They're all fake, like
[01:24:12] their money, their love,
[01:24:15] and their lives.
[01:24:20] Oh, Yasmin. Is this what you
[01:24:23] wanted? You sold our love for
[01:24:25] money.
[01:24:31] You told me that love alone doesn't feed
[01:24:33] you bread. Oh, shame on you. What's wrong
[01:24:36] with you? Oh, shame on
[01:24:39] you.
[01:24:42] Happy birthday. This is a small gift. I hope
[01:24:45] you like it. You've bothered yourself, Yasmin.
[01:24:48] Actually, you're the best gift for me, and your presence
[01:24:51] is enough for me.
[01:25:01] Thank you very much.
[01:25:04] Even if we won't be together, I wanted our hearts to remain
[01:25:07] together. Every time you see it,
[01:25:09] remember me. By the way, there's also a surprise
[01:25:13] inside.
[01:25:31] See you tomorrow, my love.
[01:25:34] Goodbye. What
[01:25:37] is this? Nothing, my sister is going
[01:25:41] to Britain, so she gave me this gift as a souvenir. Okay,
[01:25:45] show me what's inside. I don't recommend it at all. It has an old picture
[01:25:49] of me. It's not pretty at all. That's
[01:25:52] why I don't want you to see it. I'm sure I was as pretty then as
[01:25:55] I am now.
[01:25:58] So are we going?
[01:26:01] If the class ended early, I would have taken you on a nice trip,
[01:26:04] but it's a bit late. Come on.
[01:26:19] Um.
[01:26:36] Forgive me, but it's really not my fault. No worries. I just arrived. Let's
[01:26:40] go then. I'm very hungry. We'll eat somewhere. I'm
[01:26:46] at home? Why? Is something wrong with you? No, I'm not sick.
[01:26:50] I'm just a bit tired. It would be better if I went home. Okay, today is
[01:26:54] fine. I'll let it pass, but tomorrow we'll definitely meet. I know what
[01:26:57] will make you feel better because I have a surprise. What
[01:27:01] kind of surprise? I told you it's a surprise. Come
[01:27:03] on.
[01:27:09] What kind of clothes are these? If I'm going to walk with this girl, her clothes must be much
[01:27:13] nicer than this. She must be
[01:27:16] a secondhand store. But this will make me prefer
[01:27:20] her. Okay, tomorrow I'll get her clothes before she makes me a laughing stock in front
[01:27:23] of my friends.
[01:27:28] Sahar, please calm down. Look, my men will keep
[01:27:32] looking for her day and night, and they'll definitely
[01:27:35] with your mother. Please, don't
[01:27:36] cry anymore.
[01:27:42] with you. My daughter, now is not the time. First,
[01:27:46] you need to calm down, and then you can come. I don't want any problems with
[01:27:50] my uncle. I told you I want to go with you. Sahar, for God's sake, be
[01:27:54] patient. I know you're stressed, but there's no need to cause
[01:27:57] problems because you're going to go and fight with
[01:28:00] my mother. Okay, if you don't want to take me, I'll go
[01:28:04] alone. Stop here, uncle. Sahar, are you crazy? What are
[01:28:08] you doing? Uncle, I told you to stop the car. Okay, Sahar,
[01:28:11] close the door and we'll go together.
[01:28:13] Sahar.
[01:28:28] Open your mouth and eat this from my hand. Come on.
[01:28:30] For my sake, you'll feel
[01:28:32] much better.
[01:28:38] Oh, thank you, sister. Don't trouble
[01:28:40] yourself.
[01:28:45] Oh, Aunt Aisha.
[01:28:47] You're back. What happened
[01:28:50] to you?
[01:28:55] The poor thing had an accident and was unconscious
[01:28:58] in the hospital. That's why we didn't know, but
[01:29:01] now, thank God, she's better. A car hit
[01:29:04] you? Oh, so that's
[01:29:06] what happened. Did you get
[01:29:10] the driver, aren't you? Oh, my
[01:29:13] daughter, is this the time for these questions? Do you want
[01:29:17] her to talk to you while she's tired? Okay, aunt, we didn't say
[01:29:20] anything, but I was worried about her. There's
[01:29:24] no need to scold me all the
[01:29:25] time.
[01:29:35] Thank you, sister. You rest now, and then
[01:29:39] you look tired.
[01:29:41] Sister, please bring me Sahar.
[01:29:45] I really miss
[01:29:47] seeing her. I can't take it
[01:29:50] anymore.
[01:29:52] Okay, you rest. I'll go
[01:29:56] to her now. Thank you. I won't
[01:30:00] forget your favor.
[01:30:33] I'm very comfortable, mother, and you don't
[01:30:37] need to worry anymore. As long as we've searched this much and haven't
[01:30:39] found her, that means she died a long
[01:30:42] time ago. Don't be so sure because she
[01:30:46] has nine lives. Unless I see her body, I won't be
[01:30:49] sure.
[01:30:55] Who is this? Why is he knocking so hard? He's going to break
[01:30:59] the door.
[01:31:04] Ms. Sahar. Where is my grandmother
[01:31:06] Ginam? She's inside,
[01:31:08] madam.
[01:31:16] What is it, Sahar? It's not
[01:31:19] enough that you kicked her out of her house, and on top of that, you tried to kill
[01:31:22] my mother. Who do you think you are to
[01:31:26] take her life? By what right? Know your
[01:31:28] limits. With what audacity do you come here to
[01:31:32] defend the person who killed your father? What kind of person are you? Don't you
[01:31:36] fear God at all?
[01:31:39] Enough, Sahar. You don't know what you're saying. What
[01:31:42] happened to your mother was an accident,
[01:31:45] interfere. Pray to God that my mother is
[01:31:48] alive. Pray to God I find her, or else you don't know what I'll do
[01:31:52] to you. Do you understand? Sahar, what will you do?
[01:31:55] Are
[01:31:59] you going to kill me for this snake who killed my son?
[01:32:04] I already died, Sahar, on the day I lost
[01:32:07] my son. This heart hasn't beaten since
[01:32:10] 20
[01:32:11] years ago.
[01:32:16] So as long as Rasim is not by my side, whether
[01:32:19] I die or live doesn't matter
[01:32:21] to me. What are
[01:32:24] you waiting for? Come on, show me quickly what you're
[01:32:28] going to do.
[01:32:40] Shame on you, my granddaughter, whom
[01:32:43] I raised myself and worried about because she was an orphan.
[01:32:47] You come to me and hold me accountable for the killer who killed your father. You
[01:32:51] are the criminal, my grandmother. You tried to kill my mother. Get
[01:32:54] out of here now. Go, and don't make me make
[01:32:58] a mistake with you. Dawood.
[01:33:03] Take her away from
[01:33:04] my sight immediately.
[01:33:09] Grandmother. What was the fight about?
[01:33:24] Uncle.
[01:33:32] Sister, what is it? Why were you
[01:33:35] fighting?
[01:33:38] It's nothing important, Asma. Sahar is a bit
[01:33:41] nervous, and your grandmother got angry at her. She said
[01:33:45] she doesn't want to see her upset at all. Sister, what's
[01:33:48] wrong with you? Are
[01:33:49] you okay?
[01:33:53] Sister.
[01:34:37] Where's sister Hadiya? She told me she had something
[01:34:40] to do and left.
[01:34:43] She definitely went to bring Sahar.
[01:34:46] A thousand praises and thanks to you, God. I'll finally hug
[01:34:48] my daughter.
[01:34:53] Sister, for God's sake, wait
[01:34:54] a minute.
[01:34:58] Listen, sister, we'll talk later. My grandmother has been
[01:35:01] like this for a while. You're always sad. I started
[01:35:04] worrying about you. Come on, tell me what's wrong. There's nothing to worry
[01:35:08] about, really, sister. I'm fine, but you don't
[01:35:12] look fine at all.
[01:35:15] Please don't hide anything from me. Please tell
[01:35:19] me. Maybe I can help you.
[01:35:21] Sister, I'll tell you when the time comes, but
[01:35:24] not now. Please try to understand
[01:35:28] me a little.
[01:35:30] Come
[01:35:32] in now, and I'll see you
[01:35:39] later. I told you I don't want to eat. I don't want to. If you want to wait
[01:35:42] for your mother, you'll get hungry. She forgot about you and left. Come on, eat. Let me see. Come on. No,
[01:35:46] my mother doesn't forget me. Look, don't make me angry, my daughter. You haven't calmed down
[01:35:50] since this morning. Come on,
[01:35:51] eat it. Why did
[01:35:55] you do that?
[01:35:58] I don't want to eat with anyone but
[01:36:01] my mother. Oh, you stubborn girl, what's this endless
[01:36:04] trouble? What should I do? Oh, Nariman, you
[01:36:07] deserve this. Enough. I'll call
[01:36:11] Othman. Let him find a solution for me. What is this? I can't take it anymore.
[01:36:29] Othman, where are you? Sahar, my daughter. Aunt Hadiya. Come
[01:36:33] on. Let's go. Where are we going?
[01:36:36] You'll know when we get there. Trust me. Come on.
[01:36:39] Pray.
[01:37:01] Where are they? Why
[01:37:02] are they late?
[01:37:06] It's hard to wait. Seconds feel like years.
[01:37:09] Come
[01:37:37] on, my daughter. Come on.
[01:37:40] My heart is burning
[01:37:43] for you.
[01:37:47] Come here so we don't separate
[01:37:49] again.
[01:37:52] Okay, Aunt Hadiya, tell me what's happening. Where are we going? Enough
[01:37:56] asking questions, my daughter. Come on, let's go. But
[01:37:59] I left Rose in the morning. If it's nothing important, let me go now. But
[01:38:03] it's very important. I told you, come
[01:38:06] on.
[01:38:10] What happened, Fateh? I found no
[01:38:12] trace.
[01:38:15] Okay, I understand. Don't stop the search because
[01:38:18] it's getting late. If you find anything, let me know immediately, no matter what
[01:38:21] time it is. Okay,
[01:38:23] fine.
[01:38:30] Where are you, Gelnar?
[01:38:31] Where are you?
[01:38:37] Are you here, Dawood? I was looking
[01:38:41] for you.
[01:38:46] You made a big mistake, Dawood. You shouldn't have told
[01:38:49] Sahar anything at all. Look, it's better this way. All
[01:38:52] these matters have gotten mixed up. Tell me now, how are we going to get out of
[01:38:55] this mess? What do you mean, it's my fault now? You
[01:38:59] and my mother didn't leave anything undone, and I'm the one who's wrong in your eyes,
[01:39:03] isn't that right? Are you mocking me, Nawal? Honey, calm
[01:39:07] down a bit. I don't mean that at all. What do you mean then?
[01:39:10] Ha, what did you mean? I
[01:39:13] did the right thing. Sahar needed to know what you did, and
[01:39:17] I told her everything. You should have known that this
[01:39:21] would happen exactly. You should have stopped and thought
[01:39:24] carefully before doing that to poor Gelnar.
[01:39:29] I can't believe what I'm hearing. You're still calling her
[01:39:32] Gelnar? How can you compare her to me and your
[01:39:35] mother? Explain it to me. She's more precious than her. Oh.
[01:40:00] Aunt Hadiya, why did you bring
[01:40:02] me to your house now? Just tell me what happened. I don't understand you at all.
[01:40:06] We'll talk inside, my daughter. Come on in.
[01:40:30] I'm listening, Aunt Hadiya. For God's sake, speak
[01:40:34] up already. Speak, aunt. What's wrong?
[01:41:01] We broke up,
[01:41:04] I missed you,
[01:41:08] I thought it would pass, months
[01:41:11] passed, I didn't forget
[01:41:14] you,
[01:41:16] your tears never
[01:41:19] reached my dry
[01:41:21] soil, hurting
[01:41:25] you is the last thing
[01:41:29] in this short
[01:41:30] life of mine.
[01:41:33] To see
[01:41:35] the smile
[01:41:41] in your eyes,
[01:41:43] I would wait for years,
[01:41:47] I hid you in
[01:41:51] my heart,
[01:41:54] I kept you there.
[01:42:58] Months passed,
[01:43:00] I didn't forget
[01:43:02] you,
[01:43:05] your tears never
[01:43:07] reached my dry
[01:43:10] soil,
[01:43:14] hurting you is the last thing
[01:43:16] in this short life of mine.
[01:43:20] In your eyes.
[01:43:23] Oh,
[01:43:27] take
[01:43:28] the smile.
[01:43:32] To see
[01:43:34] you,
[01:43:36] I'll wait for years.
[01:44:24] Hello, Dr. Kara Zubeir, a bone
[01:44:28] surgeon.
[01:44:31] No, by God, all the people who come to us in emergencies
[01:44:35] daily are the young people who
[01:44:38] are suffering.
[01:45:44] After the pill, I'll forget.
[01:47:00] No, no, I won't forget with it. I'll
[01:47:04] forget myself.
[01:51:09] My head against yours, oh time, who
[01:51:13] will break whom?
[01:51:15] And those who were born in a shroud, after
[01:51:19] a shroud of mud,
[01:51:22] injustice will not learn.
[01:51:25] On my tomorrow, I haven't lived a moment of
[01:51:29] peace. All my life is
[01:51:32] a struggle. My head against yours, oh
[01:51:36] time, who will
[01:51:38] break whom?
[01:51:41] And those who were born in a shroud, after a shroud, will not
[01:51:44] fly.
[01:52:17] Oh world, you are the only opponent.
[01:52:20] I have no one with me.
[01:52:45] Pain in every darkness
[01:52:48] has light, and no matter how high injustice rises,
[01:52:51] the hand of injustice is written
[01:52:55] with blood on the prayer of a thousand
[01:52:58] people. In love despite
[01:53:01] the pain, every darkness
[01:53:04] has light.
[01:53:06] My head against yours, oh time, who
[01:53:10] will break whom?
[01:53:12] And those who were born in a shroud, after
[01:53:16] a shroud
[01:53:17] of mud.
[01:53:40] May God keep you safe,
[01:53:45] your safety. May God bless you all, my father. A thousand thanks
[01:53:49] to God for your safety, my son. Your pleasure, my father. May God be pleased
[01:53:52] with you, Shukri, my dear. May God prolong your life and keep
[01:53:55] you safe.
[01:53:58] My father, why did you do this? What
[01:54:00] did you do? Why did you give your share in my grandfather's house to the head
[01:54:04] of the Karakoy? Don't worry, my father. I have
[01:54:07] a nail that's worth the whole world. We didn't disagree,
[01:54:10] my father. May God keep you safe and prolong your life, but I was going
[01:54:14] to go to military service, and this son of a bitch, the head of the Karakoy, won't take
[01:54:17] your share in my grandfather's house. May God be pleased with you, my mother, where are you going? Didn't
[01:54:21] you forget how many young men left and no one came back from them, my mother?
[01:54:25] Life is in God's hands. No one dies and loses
[01:54:28] a day from their life.
[01:54:31] That's right, my father. How did my aunt Wisal die?
[01:54:35] May God have mercy on her. Come on, girls, prepare the food quickly.
[01:54:38] Come on.
[01:54:41] May God bless you, my
[01:54:43] father.
[01:54:48] Are you happy? Yes.
[01:55:05] two-night man? He's not
[01:55:07] showing up. What could have happened to him, I wonder?
[01:55:11] I mean, could the leader have killed him? God
[01:55:14] forbid.
[01:55:18] May God have mercy on your soul, Za'it,
[01:55:20] my dear. If what you're saying is true,
[01:55:24] then I lost 20
[01:55:26] gold pieces.
[01:55:29] Another opportunity lost for you, my dear.
[01:55:33] May God have mercy on your soul, Othman. Son
[01:55:35] of a bitch.
[01:55:39] It seems like the matter is serious. Since
[01:55:42] he went to the neighborhood, he hasn't
[01:55:45] come back. That means the leader got rid of
[01:55:48] him. Oh.
[01:55:52] Are you happy now,
[01:55:53] Souad?
[01:55:57] What's wrong, sister? May God protect you. Why aren't you eating with us? No, no, I'm
[01:56:01] eating. I'm eating.
[01:56:04] What about Za'it? Ajam
[01:56:07] Bawaki. He hasn't been around for a few
[01:56:10] days. I hope he never shows up again.
[01:56:13] Why are you interested in him? No, no, I just missed
[01:56:17] him. I don't want anything. I just missed him.
[01:56:20] I hope he dies and comes back. My father, reassure my darling.
[01:56:23] This time, Za'it is not coming
[01:56:26] back.
[01:56:30] you?
[01:56:33] I feel it in my heart. It seems you don't like this man
[01:56:37] called Za'it. There's something wrong with him, aunt. This man is not good
[01:56:41] at all. Not good at all. And by the way, I was
[01:56:44] planning something for him, but it's fine. Once he
[01:56:47] comes back, there's a score I need to settle with him. We're done
[01:56:51] with that. We're done with it. What's this talk? We've
[01:56:54] talked about it and it's over. Are we going to keep repeating it? My mother, what are you saying, for God's
[01:56:57] sake, what are you saying? I can't forget what he did. I can't
[01:57:01] forget it. Wait, wait a minute, aunt. Why? What did he do to you?
[01:57:05] Brother, nothing happened between them. A small fight and it's over. Listen to your mother,
[01:57:09] aunt. May God protect you. May God be pleased with you. You don't want any problems. You're not
[01:57:12] lacking anything. Tomorrow, the leader will get angry with you and kick you out of the Bawaki.
[01:57:16] Are you happy then?
[01:57:19] Yes, my son, listen to your aunt. May God be pleased with you. We don't want
[01:57:22] any problems. Calm
[01:57:25] down, my father. As long
[01:57:29] as it lasts.
[01:57:33] My brother said, eat it.
[01:57:41] What is this talk, Zahra? My brother Abu Al-Fakhr wants to do this?
[01:57:45] Yes, by God, my cousin, that's what the
[01:57:48] If this is true, my father, can my uncle really do that?
[01:57:52] No, uncle, if the head of the Karakoy has a share in this house,
[01:57:56] then your uncle has really hit Gelnar. There's no
[01:57:59] my father, it's impossible for my uncle Abu Al-Fakhr to do this to us.
[01:58:03] That's how he does it. Your mother is crazy, two nuts
[01:58:06] are coming out. Where are you going? Don't leave me. Come back and finish your food. The family home
[01:58:09] is more important than food, Zaharia. I'm going to see what's going on, brother. For
[01:58:13] real, Abu Jannar's house. I'm going to catch him before my cousin does it, for God's sake. Don't let
[01:58:17] any disaster happen tonight. There is no power or strength except with God. My Lord,
[01:58:20] I seek refuge in you. My Lord, I seek refuge in you. Where are we going to find
[01:58:22] it?
[01:58:26] Why did you do this, brother? Why? You're sharing
[01:58:30] the police chief in the house I'm living in. Are you crazy?
[01:58:33] You're crazy. I had to do it. What do you want me to do? Leave my son
[01:58:37] to be wasted from my hands? If you were in my place, what would you do? Tell
[01:58:40] me. God is enough for me, and He is the best disposer of affairs. Shukri's
[01:58:43] story could have been solved without you doing this. You're going to
[01:58:46] make us lose the family home. How is it going to be solved?
[01:58:49] How? The only solution is in
[01:58:52] the hands of the chief, and the chief wouldn't agree to anything but a share in the house. What
[01:58:56] am I supposed to do? This is my son, Abu Fayez, my son. He's still saying
[01:58:59] "share." He's still saying "share." By God,
[01:59:02] my brother-in-law, the one whose hand is in the fire is not like the one whose hand is in the water. My son
[01:59:06] is 60 years old. He lives, he dies. It doesn't matter to you or your wife.
[01:59:10] All you care about is the house, that's it. Shame on you, shame on you.
[01:59:13] Don't you interfere or say a word when I'm talking to
[01:59:17] my brother. All the problems between me and my brother are because of
[01:59:20] you. Did you hear, cousin, how he's talking to me in front of you? Abu
[01:59:24] Fayez, don't mess with my wife, and don't forget that you're
[01:59:27] in my house. Your house, huh? Why,
[01:59:30] do you still have a house after what you did? In the end,
[01:59:34] you'll end up in the street, you and your family. This is what happens
[01:59:37] to someone who listens to his wife. And his house is ruined.
[01:59:41] My brother, the head of the family, Abu Fayez, get out.
[01:59:44] Get out.
[01:59:48] We curse the night of goodness and reputation.
[01:59:50] We curse.
[01:59:54] My cousin.
[02:00:58] Repent! Aren't you ashamed? Aren't you ashamed? You're acting like a colonel. A colonel is a brave, manly,
[02:01:02] and strong person, not whining like women. By God,
[02:01:05] you're
[02:01:08] right about such scenes. By God Almighty, if it weren't for the night and people
[02:01:12] sleeping, I would have wiped the floor with
[02:01:15] you and woken everyone up.
[02:01:40] I hope I see a day for you, son of a bitch. Blindness in his eyes.
[02:01:43] No, by God, I can't do anything to him. I seek refuge in God.
[02:01:48] What's this "treasure" and "not treasure"? What are you doing?
[02:01:50] You see, I am the leader. You
[02:01:54] know very well who I am, and such stories don't pass by me. I know
[02:01:59] you're talking about, no gold and no sadness.
[02:02:03] Then, if you think that your share of Abu Al-Fakher's house is in your name,
[02:02:09] make any mistake at all, and open your eyes wide. I am the leader of the Al-Hayala
[02:02:12] neighborhood. No one in the world can... Take it easy, leader,
[02:02:16] take it easy. Honestly, I said to myself, why would the leader
[02:02:20] want to take the mukhtar's family's big house? Surely there's
[02:02:23] a treasure and something hidden too. There's no treasure and nothing at all. Actually,
[02:02:27] the whole house means nothing to me, and I want to give Abu Al-Fakher his share back, but I'll do
[02:02:30] what's on my mind. Leader, for God's sake, tell me what's on
[02:02:34] your mind.
[02:02:37] Tell me!
[02:02:40] house and what my goal is, but
[02:02:42] you promise me you won't tell a living soul.
[02:02:46] I promise you, leader. Your secret is in a deep well with no
[02:02:50] bottom.
[02:02:55] Say, "I seek refuge in the Lord of Daybreak." My son Jaber wrote
[02:02:59] the house share to the police chief. What
[02:03:03] this boy gone mad? Yes, by God, mother, that's what happened. I was
[02:03:06] with him just now, and we argued, and he kicked me out too. And Shukri,
[02:03:10] where is Shukri? Shukri is at home, mother.
[02:03:13] It's all your fault. Is it my fault, mother? Yes,
[02:03:17] I asked you to help Shukri with your friends
[02:03:20] in the government, but you refused. Look,
[02:03:23] look what happened to us, mother. I was angry with him, that's why I refused to go
[02:03:27] near him. Yes, okay.
[02:03:30] Now, find me one of your friends in the government. Maybe
[02:03:33] they can return the house share. It's difficult, mother, it won't
[02:03:37] work out anymore. The house is gone. It will be in the name of the police
[02:03:40] chief. Your son made his bed. Oh
[02:03:44] my God, why are these misfortunes falling on me?
[02:03:48] I've had enough! What else do I have to bear? I'm
[02:03:52] tired.
[02:03:53] I'm tired.
[02:03:56] All these misfortunes are happening to me. How could you not know, mother,
[02:03:59] about the misfortune of your son-in-law, Salim, with me? God
[02:04:02] help us, God help us. Calm down.
[02:04:05] Understand her. May God have mercy on you,
[02:04:09] Wisal. May God
[02:04:11] have mercy on him.
[02:04:17] God.
[02:05:09] Aliya, I want you in a halal way. I want you
[02:05:13] to be my wife according to God and His Messenger. And I also want
[02:05:16] you. But you
[02:05:20] know your father will never agree to marry me to you.
[02:05:24] And you know why. But
[02:05:26] Aliya, my soul is attached to you.
[02:05:30] And I can never think of marrying anyone but you.
[02:05:33] Basically, no one in my life has loved me or felt for me
[02:05:36] but you.
[02:05:44] You've changed a lot with me.
[02:05:47] Is this my reward? Besides raising your daughter, and she became a beautiful girl
[02:05:50] like the moon? Oh,
[02:05:54] really? Now is the
[02:05:58] right time. So I can take what
[02:06:01] I want. If I didn't love Aliya, I wouldn't have thought
[02:06:05] of her as a bride for my brother.
[02:06:08] May my stature be elevated above her.
[02:06:10] The poor man whom you
[02:06:13] and your daughter wronged. What can
[02:06:16] I say? May God forgive you, that's all.
[02:06:30] My cousin. My darling.
[02:06:34] What are you thinking about? What
[02:06:37] do you want? What? What
[02:06:40] do I want? Don't you see that it's been a long time since you
[02:06:44] said a kind word to me? You haven't cheered
[02:06:46] me up.
[02:06:50] I'm tired.
[02:06:51] I'm tired.
[02:07:02] Yes, from the eyes. Oh eyes. May God strengthen you,
[02:07:05] you're right. You're right.
[02:07:08] I'm tired.
[02:07:13] I'm ready to run away with you outside the neighborhood, to a place where no one
[02:07:16] knows us. And get married. God forbid.
[02:07:19] I seek forgiveness from God Almighty. What's this talk? Aliya,
[02:07:21] don't ever think that again. Why not?
[02:07:25] As long as you and I know that my father won't agree
[02:07:28] to marry us. I love you, Arsan. I can't live
[02:07:31] without you. Yes, and I love you, and I want you, and I want to
[02:07:35] get married, but not like this. I
[02:07:38] will never accept anyone speaking ill of you. You are the daughter
[02:07:42] of the leader. How can I let people speak ill of you and
[02:07:45] your father? I want to get married according to God and His Messenger,
[02:07:49] and in front of everyone, with your head held
[02:07:52] high. Not Arsan who betrays his neighborhood.
[02:07:55] Not Arsan who betrays, even if he doesn't have
[02:07:59] family, it's not known. My origin. You are a man and a master
[02:08:02] of men and a good
[02:08:04] man. But by God, it's very
[02:08:07] difficult. My father won't agree.
[02:08:28] Thief! Thief!
[02:08:38] May God be with you, Arsan.
[02:08:41] I hope nothing happens to you.
[02:09:41] What? The thief was here in my house? Yes,
[02:09:44] Sim, yes. And he escaped. He was faster than me.
[02:09:47] Go, you ungrateful son. Go see where the "qutub" is. Your command, your command,
[02:09:51] Saeed. Oh,
[02:09:54] Saadia. Oh,
[02:09:57] Aliya. Saadia.
[02:10:14] that useless person, Saadia? Oh, by God,
[02:10:16] may God help you.
[02:10:22] Uncle, how did she get
[02:10:25] past me? It's better if he didn't see my women
[02:10:28] at home. Oh, if
[02:10:31] I knew.
[02:10:39] Oh, God.
[02:10:42] Oh, God, what if my father knows that Arsan was
[02:10:44] here? Oh,
[02:10:46] God. Oh, God, protect
[02:10:49] Arsan for me.
[02:10:53] Oh. Oh, by God, I'm confused about what to
[02:10:57] do.
[02:10:59] I know I wronged my brother regarding the land, but what can
[02:11:03] I do? My conscience and my wife who
[02:11:07] is stubborn. She wants to take the children and leave me. By God,
[02:11:10] I don't know what to do.
[02:11:18] Help me, my cousin, please help me, my cousin. What
[02:11:22] happened? The girl is boiling. Please, my love, by God, my
[02:11:25] wife, there is no god but God and Muhammad is His Messenger. But I'm
[02:11:29] afraid for her. Entrust
[02:11:32] the compresses. Please, my cousin, go get her Hakim Abu
[02:11:36] As'ad. Maybe he'll give her some medicine and she'll feel better. Where am
[02:11:39] I supposed to go in the middle of the night, my wife? Hopefully, she'll feel better now.
[02:11:43] You just calm down and put more water compresses on her.
[02:11:46] I'm putting more compresses on her than this. May a fever
[02:11:50] strike you, my daughter. His eye struck the girl.
[02:11:54] His eye struck her. May a fever
[02:11:57] strike you.
[02:12:01] No, mother, it's not good. What happened?
[02:12:04] Are you really going to talk to them about the marriage while their daughter is
[02:12:07] dead? What's wrong with you, mother? What did they tell you about me?
[02:12:10] That I'm ill-mannered and ill-bred, so I should talk to them about marriage. I want to talk
[02:12:14] to Uncle Abu Darwish about the inheritance, not about
[02:12:17] marriage. But that doesn't mean I'm not annoyed that the engagement period
[02:12:21] has been prolonged. I know.
[02:12:25] There is no power or strength except with God.
[02:12:39] Send it. Go, go.
[02:12:51] What's going on in the neighborhood? I also need to go look for Za'it. He hasn't been seen
[02:12:56] No, don't go and trouble yourself. Za'it will never
[02:12:59] come back here. I hope he never comes back. So what
[02:13:03] happened? Did he tell you that? No, honestly,
[02:13:07] my wife told me that, no offense.
[02:13:10] How would your wife know?
[02:13:12] This is her heart. Yes,
[02:13:16] peace be upon you. May God be with you.
[02:13:19] Go to your work, my father. Go. Excuse me, auntie,
[02:13:23] excuse me. What's wrong with him, Rustom? Where is
[02:13:27] the neighborhood to look for Za'it.
[02:13:30] He said. Oh,
[02:13:33] yes. Hopefully all is well. May good come to you.
[02:13:36] Take it. May God keep you.
[02:13:39] Please, my sister-in-law, thank you, my sister-in-law.
[02:14:12] Poor thing. May God help her. May God
[02:14:16] be with
[02:14:18] her.
[02:14:26] Who was that in my
[02:14:27] house?
[02:14:31] He didn't steal anything from the house. What
[02:14:33] did he want?
[02:14:45] By God, this is something that makes your heart ache.
[02:14:59] Peace be upon you. Weakness.
[02:15:03] First, it's you, Za'it.
[02:15:07] We said peace be upon you. Where
[02:15:10] were you yesterday? No, could the news of what happened between me and
[02:15:13] the orphan have reached him? What are you doing? I'm
[02:15:17] asking you where you were yesterday. Where would I be? At home.
[02:15:21] At home? You didn't go out to the neighborhood at night? No, I didn't.
[02:15:25] Why are you asking? No, no, it's
[02:15:27] nothing.
[02:15:32] Good, leader. By God, you've confused me. Why are you looking at me
[02:15:34] like that? No, no, it's nothing, it's nothing.
[02:15:38] By God, you look
[02:15:41] really do.
[02:15:47] Oh, oh, oh, this story. By God, I can't believe it. How
[02:15:50] can a thief come to your house
[02:15:54] what happened, Khairiya. And I hope you didn't lose anything very valuable. That's
[02:15:58] the problem, Khairiya. What was he doing then? He didn't steal
[02:16:01] anything, he didn't take anything. He didn't touch anything. And this
[02:16:05] is what's driving me crazy and confusing my cousin. By God, he's right.
[02:16:09] Mmm.
[02:16:10] We don't want to dwell too much. Thank God nothing
[02:16:14] happened. Forget about the thief. What happened with
[02:16:17] you, Khairiya? You're taking too long with the medicine,
[02:16:21] my dear. Yes, by God, you're right.
[02:16:25] I don't know how I got distracted from you. It's okay.
[02:16:29] Tomorrow, from every house, I'll go to
[02:16:32] worry. May God bless you,
[02:16:35] be late
[02:16:36] because
[02:16:40] my heart is missing something. Why? Is there
[02:16:42] anything wrong? Hayel is planning something. I
[02:16:46] saw an intention in his eyes. What do you mean? To marry someone else?
[02:16:50] I'm telling
[02:16:52] you, yes. By God, I feel it, no
[02:16:56] offense. No, no. The leader would never do that. If he
[02:17:00] wanted to do it, he would have done it years ago.
[02:17:03] worry.
[02:17:07] be late with the medicine. Okay, I told you, tomorrow, from every house, I'll bring you the medicine
[02:17:11] with me. Khairiya, I have no one but God and you. Oh, enough
[02:17:14] of this talk. By God, I'm
[02:17:15] annoyed.
[02:17:43] Oh God, what a human being! Is it possible
[02:17:46] that someone like Aliya, a girl of good lineage
[02:17:49] and the leader's daughter, would love someone like me?
[02:17:52] Glory be to God.
[02:17:56] Everything can be controlled by a human being except love.
[02:18:00] It's from God Almighty and in the heart.
[02:18:03] By God, I also loved her from the bottom of my heart, and she became
[02:18:07] everything in my life. And she will make me forget all about my lineage and my family. Aliya
[02:18:13] and my family and my people.
[02:18:15] Yes, yes, all
[02:18:18] my life. Arsan, I have to
[02:18:21] ask for her hand from the leader and get married according to God and His Messenger.
[02:18:24] No, it's not a sin.
[02:18:27] Arsan,
[02:18:29] Arsan, my master is calling you. Yes,
[02:18:33] master, come here. I need you.
[02:18:36] Hamra, bring
[02:18:37] a chair with you.
[02:18:42] Command me, master. Only an oppressor commands you.
[02:18:46] May God keep you, my Lord, and never deprive us of you. May God bless you,
[02:18:51] for your safety. May God keep you safe, madam, and never deprive me of you. A thousand thanks to God
[02:18:55] for your safe return. May God keep you safe, auntie, may God
[02:18:58] keep you safe. Yes, madam, the
[02:19:01] problem is solved now. Yes, thank God, madam, it was solved with the help of
[02:19:05] my father. May God keep him and prolong his life. May God bless you. Yes,
[02:19:09] thank God. Yes, Abu Al-Fakher.
[02:19:12] Is what I heard true?
[02:19:16] What did you hear, my mother? By God, what I heard is that you
[02:19:19] gave up your share of the house to the police
[02:19:22] chief. Abu Fayez told you, didn't he? It's
[02:19:25] not important who told me. The important thing is, is this
[02:19:29] true or not? Yes, mother, it's
[02:19:33] true. True. May God not give you health.
[02:19:36] Who does what you did? What do you want
[02:19:40] me to do? Should I lose my son or lose my share
[02:19:43] of the house? Put yourself in my shoes. Which is more precious, the house
[02:19:46] or my son? Pray to Muhammad. Speak, uncle, speak.
[02:19:50] There is no power or strength except with God, the Most High, the Most Great. But this is a big
[02:19:54] mistake.
[02:19:57] It's true the house is old, my father, may God have mercy on him. We lived and grew up
[02:20:00] in it. But by God, I found no other solution. And my brother, who is
[02:20:03] my brother, from my flesh and blood, did not help me. And I know
[02:20:07] that he can help me. That's why I said, let the
[02:20:10] cheap one go rather than the expensive one. And I have a son
[02:20:13] who is worth all the houses in the world, mother. And your brother is precious.
[02:20:17] Why are you hostile?
[02:20:18] Why?
[02:20:24] What did you hear about Arsan? He said you want to rent a house
[02:20:27] and get married.
[02:20:31] Yes, by God, my master. That's what I'm planning.
[02:20:33] Divorce from the head of my wife, Umm Al-Layl. Your marriage from head to
[02:20:37] toe. Bravo! May God keep you for me, my master. But why did you swear like that? You are
[02:20:41] dear to my heart, Arsan. May God keep you for me and never deprive me. I seek forgiveness from God.
[02:20:45] What are you doing? You don't know how dear you are to me. Wait, my master.
[02:20:48] Oh, what am I hearing? Talk of marriage, no marriage.
[02:20:52] Yes, how is your brother
[02:20:56] Arsan going to get married? May Prophet Muhammad bless him with a thousand congratulations. May
[02:20:59] God bless you, Shakib, and may you be next. Go, may God reward you.
[02:21:03] Amen, by the virtue of "There is no god but God." This is the best news I've heard in my life. May God keep you for me and
[02:21:13] Hajjah Umm Al-Noor heard this news? No, she
[02:21:16] had no idea. That means she's looking for a good
[02:21:20] girl for you now.
[02:21:24] Okay, I have to propose to Aliya before I get exposed
[02:21:28] and my story
[02:21:29] with her is revealed.
[02:22:32] Aliya! Aliya! What brought you here? I was very worried about you. I wanted
[02:22:35] to check on you. Worried? What are you worried about? Didn't you see the guard
[02:22:39] chasing you yesterday? You mean the guard? I messed
[02:22:43] him up and confused him and didn't let him recognize me at all. Oh, you reassured me.
[02:22:46] Oh, my dear. But are you really worried about
[02:22:50] me? Really? You don't know what you mean to me. What do
[02:22:54] you mean to me?
[02:23:00] You are my soul and my heart and all my life.
[02:23:04] Aliya, don't talk to me like that. You're killing
[02:23:07] me. May your heart be safe, my love, my dear.
[02:23:11] So, what's the bottom line? I've decided to go to your father
[02:23:14] and ask for your hand according to God and His Messenger, and get married. That's it.
[02:23:17] What? What? Aliya, it seems like you're not
[02:23:21] happy with this news. No, I am happy, but I'm afraid
[02:23:24] my father won't agree. He has to agree, it's not up to him. I
[02:23:28] can't stay away from you anymore. Besides, I'm
[02:23:31] asking for your hand according to God and His Messenger, meaning according to God's law. What are
[02:23:34] you doing? I don't know. I don't know.
[02:23:38] I'm going to rent a house for myself, and my master, Abu Al-Layl,
[02:23:41] promised me to cover all the expenses of the wedding. What more could I ask for?
[02:23:45] Okay, you've made up your mind. I have. Just pray
[02:23:48] for me. May God bless us both, my Lord.
[02:23:51] My Lord. Okay, and if he doesn't agree?
[02:23:53] Then we'll deal with that when it comes. And now, pick yourself
[02:23:57] up and go straight home so no one sees you, okay?
[02:24:01] I like you. I love
[02:24:05] you so much. Come on, let's go.
[02:24:20] My head against yours, oh time. Who
[02:24:24] will break whom?
[02:24:26] Oh, the shroud. After
[02:24:30] the shroud in the mud.
[02:24:32] The injustice of the hand no longer covers
[02:24:36] the cheek. And I never lived a moment
[02:24:40] of peace. All my life is
[02:24:43] a struggle. My head against yours,
[02:24:47] oh time. Who will break whom?
[02:24:51] And his shroud, then
[02:24:54] the shroud in the dirt.
[02:25:28] Oh world, you are the enemy. Alone.
[02:25:31] No one.
[02:25:34] Someone moved early. My love
[02:25:38] broke. Oh people,
[02:25:41] oh friends. I heard a knock
[02:25:44] at the door. They changed the warmth
[02:25:47] of the dirt, oh. If I didn't
[02:25:50] have a lover, despite
[02:25:54] the pain, every darkness has
[02:25:57] a light. And injustice, no matter
[02:26:00] how high it rises, the hand of injustice
[02:26:03] is broken. With tears
[02:26:06] in my eyes, with a prayer, a thousand
[02:26:09] oppressed. In love despite
[02:26:12] particularly with our smartphones which is every darkness has
[02:26:16] a light. My head against yours, oh time.
[02:26:20] Who will break whom?
[02:26:23] And his shroud, then
[02:26:27] the shroud in the dirt.
[02:27:05] She appears like a princess who chose to
[02:27:09] history,
[02:27:13] yet it is here that the Zirid warriors reigned over
[02:27:17] North Africa.
[02:27:22] Like all cities that have
[02:27:25] humanity, it refuses to disappear, leaving
[02:27:29] behind it the vestiges of what was
[02:27:32] once the palace of the princely
[02:27:35] family.
[02:27:41] Here, in the breath of the mountains, where the winds
[02:27:44] whisper the secrets of
[02:27:46] ancestors.
[02:27:50] Here, the Zirids did not come as impatient conquerors,
[02:27:53] but as builders of
[02:27:55] destiny.
[02:27:59] They chose this eagle's nest, this natural fortress
[02:28:02] to anchor their pride and protect their
[02:28:05] lineage.
[02:28:09] We went to discover it to unravel the mystery
[02:28:13] of this prestigious medieval city of North
[02:28:16] Africa.
[02:28:43] Every summer, every one of us hears the same
[02:28:46] call.
[02:29:13] Algeria's sea is not just a view, it is
[02:29:17] a moment, it is a laugh, it is a life to be lived.
[02:29:55] Algeria, your summer is in full swing.
[02:30:54] Ladies and gentlemen, hello, what a pleasure to meet you this
[02:30:58] morning in a new issue of summer breeze
[02:31:01] always. from this magnificent place
[02:31:05] which is none other than the botanical garden this morning we are going to
[02:31:09] focus on our traditions, our
[02:31:12] identity, how to wear it in our daily lives, all
[02:31:15] these symbols that speak to us and in which we
[02:31:18] identify ourselves, through which we also identify ourselves, stylist and model maker will
[02:31:22] be with us this morning to talk about uh
[02:31:26] so this beautiful tradition that inhabits us and that we also
[02:31:30] inhabit, we will talk about another passion. that also
[02:31:33] inhabits us again and it's a passion, I imagine that
[02:31:37] each of us has at
[02:31:39] least touched
[02:31:43] none other than photography, but this time we are going to talk about rather
[02:31:47] professional photography since a passionate photographer
[02:31:50] of photography will be among us, a passion finally that
[02:31:53] has not aged, even
[02:31:57] and communication technologies, we will also talk this morning
[02:32:01] about... a book of reading, what's good, a
[02:32:04] good book that accompanies us during
[02:32:08] our free time, especially in this
[02:32:11] summer season, so that's the program for this morning,
[02:32:14] starting with our identity, with these symbols in which and
[02:32:18] through which we recognize ourselves, we identify ourselves, to talk about it among
[02:32:22] us, Mrs. Grim Hind Luisa,
[02:32:25] hello, and what a pleasure to meet you again.
[02:32:28] Thank you very much, it's reciprocal as always, I'm really delighted to...
[02:32:32] meet you again, thank you for your invitation and especially
[02:32:35] for receiving me in such a pleasant place, a
[02:32:39] frankly picturesque, magnificent, peaceful landscape, very much so, and you have honored
[02:32:42] this place with your outfit
[02:32:45] today, yes green, just your microphone please,
[02:32:49] green, green, leaves, plants, we honor
[02:32:53] the botanical garden, so finally we honor the
[02:32:57] botanical garden today, but it must be said that these are symbols that have
[02:33:00] always existed and that have always been
[02:33:04] inspired by our environment, our culture, our
[02:33:07] daily life, isn't it? Always,
[02:33:11] because you do a lot of research, indeed, nature has
[02:33:14] always inspired human beings, hm hm, whether in symbols,
[02:33:18] in our life, in
[02:33:21] nature, just please, thank you, I was saying that in our daily
[02:33:27] nature, yes indeed and
[02:33:30] besides uh... your work
[02:33:33] that we see through the tunic you are wearing today, these
[02:33:37] are generally works that we find in our traditional clothes,
[02:33:41] today you allow us through your creations to wear them in
[02:33:44] our daily lives, to identify ourselves daily,
[02:33:47] to promote
[02:33:50] ourselves and to promote our heritage
[02:33:54] daily, that's indeed the goal, to promote this
[02:33:57] heritage and I think that the best way to do it is to
[02:34:01] wear it daily. Just like a language,
[02:34:04] just like I don't know a song, a language, it is,
[02:34:08] it survives thanks to being spoken, I was saying that a language
[02:34:11] survives thanks to being spoken, and it's the same for
[02:34:15] traditions, customs, it's thanks to being worn, being spoken, that
[02:34:18] they survive, and the specificity of your
[02:34:22] work, well, listen, first of all, it's a hand-embroidered
[02:34:25] piece, of course inspired by all the Amazigh symbols that
[02:34:29] we find whether in our pottery or in our...
[02:34:41] and tradition, it's more about unique pieces, certainly
[02:34:45] revisited, we
[02:34:48] what exists, from ancestral outfits,
[02:34:51] from paintings, from old photographs, there is
[02:34:55] always the source from which I draw my
[02:34:59] inspiration, it's always the old, the ancestral, but then. we
[02:35:02] add a touch, we
[02:35:07] modernizing it, that's it, that's the particular
[02:35:10] layer and also natural fibers,
[02:35:13] I insist a lot on natural fibers, I
[02:35:17] I I try to ban a bit everything that is synthetic, everything that is synthetic, that's it,
[02:35:21] so handmade work, natural fibers, so
[02:35:25] finally all the ingredients are gathered to offer us a journey through time
[02:35:28] and in our traditions, yes, yes, yes, we are always attached to our history.
[02:35:32] and everything, it's a bit what drives me, it's
[02:35:36] always to be attached to my history, to inspire myself and to offer
[02:35:40] pieces that make us dream,
[02:35:43] so exactly, Wiisa, I allow myself to call you Wiisa after all the time that
[02:35:47] we spend on sets together, isn't it? So exactly, Wiisa, it
[02:35:50] is true that it's a creation, it is true that it's the emotion of the moment
[02:35:54] T that will dictate a bit your work, but all this is
[02:35:58] complemented by deep research that you do, isn't it? Absolutely, absolutely.
[02:36:02] The research is really pushed, I
[02:36:06] get a lot of inspiration, as I said earlier, from old photos, from
[02:36:09] old paintings, to revisit a little bit the old
[02:36:13] cuts, yes? We find a lot of these outfits, they
[02:36:17] are practically all loose, we are very comfortable
[02:36:20] in them, it's so important to feel comfortable in what
[02:36:24] we wear, so that's a particularity of my outfits,
[02:36:27] of my creations, yes, that's right, so it's indeed a lot of research, it's
[02:36:31] the current moment, I imagine that you are asked to reproduce a piece,
[02:36:35] but it's not possible, I refuse, as always, I get inspired by it, I can get inspired by
[02:36:39] it, yes, but I propose something else, so in a better way,
[02:36:42] why, why stop at what has already been done, let's propose,
[02:36:46] let's create and let's not limit ourselves, yes, that's it,
[02:36:49] so these are also, as we
[02:36:53] what exists, but it's also a lot
[02:36:56] of embellishment, it's a lot of work because we know that symbols, as you say so
[02:36:59] well, if we put them on a dress, on a tunic, on an outfit, generally it's
[02:37:03] empty, and you are looking precisely to
[02:37:06] fill, without filling, without
[02:37:09] overloading, and while trying to maintain a
[02:37:12] profound meaning, yes, the the the base must remain,
[02:37:16] we must recognize the symbol, but we must complement it,
[02:37:20] load it so that finally the outfit
[02:37:23] is quite embellished, there, so finally you
[02:37:26] balance between the traditional, between the
[02:37:29] symbolism itself and the aesthetic, absolutely, in respect
[02:37:34] authenticity of traditional clothing, we must not too much
[02:37:38] estrange, at least that's my vision, I can bring something
[02:37:42] new, it's fresh, it's young. it's
[02:37:45] it's something else, but we must
[02:37:48] respect the existing and the authenticity, especially of traditional
[02:37:51] clothing, we can exaggerate a lot in
[02:37:55] fashion, but when we touch on tradition, we must
[02:37:58] still respect existence, well, we have, it's
[02:38:02] true that we have a very particular relationship with what is
[02:38:05] traditional, it speaks to us, it's our ancestors, it's our
[02:38:09] history, yes, it's part of our identity, it speaks to us,
[02:38:12] it's within oneself,
[02:38:15] of events, notably fashion shows, yes. Indeed, and precisely, Wiza, these
[02:38:18] are creations that you share with with the, I want to
[02:38:22] say, with the general public, because you organize a lot
[02:38:27] fashion shows, a fashion show last June which went
[02:38:30] very well, received very good feedback,
[02:38:34] offered new things, but always
[02:38:37] as I said, authentic, remaining authentic,
[02:38:41] so Wiza, what I noticed in your work, you will correct me
[02:38:45] if I'm wrong, is that you are, you go
[02:38:49] often in tone-on-tone, so it's not a lot of color, it's not
[02:38:52] very busy, so if we see your outfit we identify very quickly with the
[02:38:56] botanical garden because it's the green that ultimately
[02:39:00] dominates, you also came to our set with an outfit that
[02:39:03] reminds us more of earth colors and so you are
[02:39:07] a little bit in this tone-on-tone and it's soothing to
[02:39:10] see. I have a rather particular relationship with colors, I have a crazy
[02:39:14] love for colors, for...
[02:39:23] I make a big mix of fabrics and a big mix
[02:39:26] of colors, I get a lot of inspiration from nature's palettes, we
[02:39:30] always come back to nature and I know, I don't know,
[02:39:33] but the mix of colors speaks to me a lot,
[02:39:36] it's the part, we could say,
[02:39:39] that takes me the, it's the part that takes me the most time in my
[02:39:43] creations and it's with great, the first thing we see, by the way, absolutely, it's the
[02:39:47] first thing we see, the remark I often get, the mix of
[02:39:51] colors in my outfits, indeed, and then
[02:39:53] it feels like working tone on tone is much more
[02:39:56] difficult than making a mix of colors from several
[02:40:00] palettes. I, I, I would lie if I said it's
[02:40:04] difficult for me, it comes naturally, it's spontaneous, yes,
[02:40:07] it's in me, when you love something, I think it comes spontaneously, after
[02:40:11] nature, it's so well made, it's so harmonious, thank you
[02:40:15] nature, thank you nature, isn't it, that ultimately, it doesn't
[02:40:19] give us much work in the color combination, not
[02:40:22] too much, we get inspired, when we get inspired, I assure
[02:40:26] you it's much easier. So,
[02:40:30] let's go back a little bit to the fashion shows, so these are fashion
[02:40:34] shows of your creations that you do, tell us a little bit about the
[02:40:36] feedback. Frankly, people
[02:40:40] found that it was new, that we are not used to seeing
[02:40:44] that. So they were a
[02:40:47] little dazzled, amazed by the newness, by
[02:40:50] the originality, by the authenticity, always, I always
[02:40:53] come back to that word, when it's authentic, it's
[02:40:56] it's inspired by
[02:40:59] the ancestral,
[02:41:01] and it was a fashion show that was done in a slightly special way, the
[02:41:05] models paraded barefoot with jewelry,
[02:41:08] foot jewelry, it was really new and
[02:41:11] original, they really liked it, I had seen that on social networks. I had
[02:41:15] even smiled because knowing you I wasn't surprised to see
[02:41:18] it, absolutely, yeah, it's a bit of a feedback that really touched me
[02:41:22] sincerely, the people present, they liked the feedback
[02:41:25] on social networks. they surprised me, I wasn't expecting it and I'm
[02:41:29] really delighted, but the choice
[02:41:32] of of of bare feet, it wasn't a random
[02:41:36] choice, you know, well no, our grandmothers walked
[02:41:39] barefoot for a long time, especially in Kabylia, in the
[02:41:42] Aures, it's not that, yes, but there are many photos with
[02:41:46] barefoot women with beautiful foot jewelry, it was a way
[02:41:50] to pay them tribute, yes, indeed, and when we
[02:41:53] go back a little bit to traditions, it was...
[02:41:57] always advised to walk barefoot, particularly in nature,
[02:42:01] for example, in direct contact with the grass as we see, it's a
[02:42:04] therapy in itself, absolutely, currently we are returning a lot to
[02:42:08] contact with nature, walking barefoot whether on sand, on
[02:42:11] earth, on grass, absolutely, the relationship with
[02:42:15] nature is important for for human beings, and what was
[02:42:18] the reaction of the models, it's because we are
[02:42:21] not used to it, it's not, there were some who hesitated a little
[02:42:25] uh... very reluctant, but after they did it,
[02:42:29] they appreciated it, yes, there was no constraint of high
[02:42:33] heels, it was easier, they were because the walk indeed
[02:42:37] changes between heels and bare feet, barefoot we are we
[02:42:40] are much more spontaneous, frankly the models did great,
[02:42:43] yes, yeah, we saw it on social networks, indeed,
[02:42:47] it was, it's a very, very beautiful show, very colorful though,
[02:42:51] very colorful, yes, uh
[02:42:54] the particularity also of art and tradition is that from
[02:42:57] one outfit to another, we go from one universe to another,
[02:43:00] indeed, they are completely different, the creations are
[02:43:04] completely different, indeed, but the symbols are also
[02:43:07] completely different, everything is different, the symbols are different,
[02:43:10] the colors are different, the fabrics are different, it's a
[02:43:14] journey from one outfit to another, so if we asked you today to invite
[02:43:18] us to your world, oh that would be nice to receive,
[02:43:21] yes, well, we will come, we will come with our
[02:43:25] cameras, but for our viewers. uh
[02:43:28] so I invite myself into your universe, I would
[02:43:31] like to enter your mind where you
[02:43:34] tell us about your state of mind when you are
[02:43:37] making your creation because
[02:43:40] when you are a creator like that, you don't reproduce
[02:43:45] the present moment that will guide our work,
[02:43:48] so I know very well that artists, we
[02:43:52] start with one objective and in the end it's never the
[02:43:56] same trigger. it's never the same trigger, we can, inspiration
[02:43:59] can come from a fabric just as it can come from a
[02:44:03] belt, it can come from a landscape, uh everything can
[02:44:07] inspire me in the workshop, I'm at my table, I take
[02:44:10] a fabric and then I have fun, I take all my threads, I take all my
[02:44:13] colors and then I have fun creating my color
[02:44:17] mix, drawing the model, drawing
[02:44:21] my patterns which are different
[02:44:24] from one creation to another, but then all without exception. they don't have the
[02:44:28] same design, it's a particularity that
[02:44:31] I admit tires me, certainly, because there's
[02:44:35] a lot of work behind all that, from one outfit to
[02:44:38] another, redoing these designs, rethinking
[02:44:41] these colors, rethinking the
[02:44:44] fabrics, it's a lot of work, yes, but when it's done with
[02:44:48] a lot of love, believe me, I have fun and I am very
[02:44:51] fulfilled. So it's a drawing you make beforehand, yes, on
[02:44:54] paper, not necessarily beforehand? Sometimes I start with the
[02:44:58] fabrics, I make my color mix, then I say to myself, what
[02:45:02] would suit this fabric and then I start my drawing.
[02:45:06] Does it happen that you redo a piece of work, yes? Yes, yes, uh,
[02:45:10] I, I never let a work
[02:45:12] go out without being completely
[02:45:15] convinced first myself,
[02:45:19] even if on the side people try to convince me, yes, it's
[02:45:22] beautiful, it's enough and everything, you should know that I also work with my
[02:45:26] mother.
[02:45:28] So sometimes I take her advice, even if she reassures me, she thinks it's
[02:45:32] perfect, but if there's always a little something missing, it doesn't go out, I
[02:45:36] have to be completely convinced, the
[02:45:39] perfectionism, perfectionism, perfectionism, and the
[02:45:42] children in all this, she's starting to learn, she really
[02:45:46] appreciates it, yes, yes, wearing
[02:45:49] also mom's works, they have, they are lucky to have not only
[02:45:52] mom's works made with a lot of love but unique pieces, yes,
[02:45:56] absolutely? And we know very well that young girls like not
[02:46:00] to, they like to stand out and not look like
[02:46:03] anyone else, so they have this this opportunity, this
[02:46:07] chance, they have indeed benefited. So
[02:46:10] let's talk a little bit about this transmission, we talked about it in
[02:46:13] one of our shows, I suppose, regarding transmission, regarding
[02:46:17] training, regarding workshops probably because
[02:46:21] I imagine today and it's a very, very good news for our
[02:46:24] heritage, we have seen it, you have certainly
[02:46:27] noticed it yourself, a massive return to everything
[02:46:31] that is traditional, so a real return, a very,
[02:46:35] very important enthusiasm for everything that is heritage, everything that is traditional,
[02:46:39] young girls today... are interested in this kind of, this kind
[02:46:42] of, of, of, of I want to say, of
[02:46:46] work, so do you think one day, probably
[02:46:49] why not, to go towards transmission, to go towards
[02:46:52] transmission, I'm doing it currently, I'm already
[02:46:56] doing it myself, I was taught, you should know that my mother was originally a fashion
[02:47:00] designer, so the love of sewing, I got it from my mother,
[02:47:03] by observing my mother who is also
[02:47:06] a perfectionist, there you go, and then... everything
[02:47:10] was passed on, even the perfectionism was passed on, yes, yes, even the love of
[02:47:14] manual work was passed on, I have a grandmother
[02:47:16] who is an artist potter, she makes wonders
[02:47:20] in pottery, whom I also greet, my Zizou, and my
[02:47:24] grandmother on my maternal side, a weaver,
[02:47:27] she wove many, many, many carpets, burnouses,
[02:47:31] you were immersed in it, I was immersed in it, yes, I was immersed in
[02:47:35] it, and it's the whole family, finally, the women of the family, they all
[02:47:38] have this knowledge, manual, that was passed
[02:47:41] down to me and that I, that I preserve as
[02:47:45] best I can, hm hm, there you go, and so you are in transmission, you
[02:47:48] told me, yes, I have transmitted, I have, I have, I have girls whom I have trained
[02:47:52] who help me because doing all this work alone is not
[02:47:55] easy, plus it's handmade, it's meticulous handwork with
[02:47:58] very fragile fabrics, so it's a work
[02:48:02] that must be done perfectly, so I
[02:48:05] owe it to
[02:48:08] myself to transmit this knowledge and this love above all, the person
[02:48:12] must love to transmit with
[02:48:15] love and currently, not currently, I started
[02:48:18] doing this a few years ago, and currently also
[02:48:22] I train girls who work, who learn,
[02:48:25] some stay with me, work with me, others start
[02:48:29] on their own and and well, go for it, and it makes you happy because
[02:48:32] ultimately, of course it makes me happy, you open doors,
[02:48:36] you participate in the future of young girls, of course, yes, yes, yes?
[02:48:41] The future of young girls, the future of the country, because these are still micro-economies that we have to preserve
[02:48:45] our heritage above all, that's right, the preservation of heritage also,
[02:48:49] also, that's right. So, Felida, our editor-in-chief, is very
[02:48:52] curious to know if you have a particular
[02:48:56] story with a particular symbol,
[02:49:00] an anecdote probably
[02:49:03] with a particular symbol, a particular creation,
[02:49:06] particular symbol or particular creation, I take everything that... I
[02:49:10] find, I exploit everything I find, something that happened to you
[02:49:12] with uh with probably one
[02:49:16] of your creations, one of your clients It's the creations of my cords that
[02:49:20] you see me wearing around my neck, oh yes, oh yes, but anyway, I was going to
[02:49:23] get there, anyway, I was going to get there, I preceded the
[02:49:27] In any case, I promise you that next time I will bring you one that will be worked in
[02:49:31] blue tones, oh that's sweet, it's a promise, it won't be refused,
[02:49:34] and I promise you that I will wear it on air, oh
[02:49:37] well let's
[02:49:40] remember,
[02:49:43] we have another director who tells me, you assume, you are promising, I assume,
[02:49:46] Khelifa, I assume, don't worry, and so we
[02:49:49] remind that these are indeed cords, the first time I saw it, it was
[02:49:52] actually, wasn't it, I was thinking,
[02:49:56] but what is it,
[02:49:58] what is it, it's actually a hezam that you have
[02:50:01] revisited, basically it's not a hezam, it's a small cord that
[02:50:04] our ancestors put around their
[02:50:08] hair, the hair on top and I
[02:50:12] colored the cord which is originally black, I
[02:50:15] colored it, I told myself, why not exploit it differently,
[02:50:19] wear it around the neck, it's longer now, I made it
[02:50:23] longer around the neck, around the waist, there you go, it makes
[02:50:26] an accessory, it can serve as a necklace, a
[02:50:29] belt, there you go, there you go, a tiara, why not, why
[02:50:33] not, indeed, and so what we can
[02:50:36] do, ultimately our heritage is very rich, it just needs to be
[02:50:40] thought about, the material is there, now it needs to be exploited,
[02:50:44] that's all, ultimately, uh, so, uh,
[02:50:47] ultimately, it just needs to love the
[02:50:50] material and it will speak to us, it speaks to us, it speaks to
[02:50:54] you, it's the common thread, the love of the material, the love of what we do, that's the common
[02:50:57] thread, hm, when we love, we can do
[02:51:01] wonders, yes, we must, we must be demanding of
[02:51:04] ourselves, yes, there you go, we must raise the standards a little to be able
[02:51:08] to offer beautiful things,
[02:51:10] our heritage truly deserves it, indeed, it deserves it, it deserves it, we must
[02:51:14] truly raise the standards, and heritage remains
[02:51:17] unifying, doesn't it, the proof is that we find
[02:51:21] ourselves from time to time like this around a set, so
[02:51:25] ultimately it is unifying, much more than we think, yes,
[02:51:28] much more than we think, indeed, projects,
[02:51:31] a lot of work, surprises,
[02:51:34] let's say, we will reserve some surprises for you, we
[02:51:38] will come back to talk about it, and that will be from
[02:51:41] September,
[02:51:44] we will invite you back so you can leave it like that for another time, oh yes, I
[02:51:48] prefer, we will create the real surprise, something
[02:51:51] like that? Not even, nothing at all, nothing, nothing, we'll leave it at that, nothing,
[02:51:55] alright, appointment made for September then, perfect, well wasa, it's always a
[02:51:59] pleasure to share this platform with you, a pleasure to share, once again
[02:52:02] congratulations for everything you do, truly a very, very beautiful continuation,
[02:52:06] long live our heritage, it is indeed thanks to people like you that we
[02:52:09] manage to preserve the
[02:52:12] richness of our heritage that we have, to preserve
[02:52:15] it and to
[02:52:18] the the level, to bring
[02:52:21] out all that is best, inshallah,
[02:52:24] that's what we hope for and we wish you the best too, thank you
[02:52:28] very much, we will find you in September then, right,
[02:52:31] there you go, in September, there, really
[02:52:34] you leave me wanting more, I prefer it, thank you very much,
[02:52:38] alright, see you very soon, very, very good continuation and we continue this
[02:52:41] time, we are going to visit a
[02:52:45] small, a small place but a very, very particular one, a
[02:52:49] place of a passionate person, it is about...
[02:52:52] Mukhtar Mameri, whom La Miabootda met for us,
[02:52:56] a cinema enthusiast, a cinema equipment enthusiast,
[02:52:59] La Mia Budbouda visited him and she tells us
[02:53:03] in this report and we'll see you right after.
[02:53:18] Meeting Mukhtar Mameri is crossing the threshold of different
[02:53:21] worlds. A universe where cinema is not
[02:53:25] watched, it is breathed, emblematic
[02:53:28] camera, projector, editing table,
[02:53:31] mixing, here, each piece tells a story and
[02:53:35] the place resembles a real museum of
[02:53:38] cinema with masterpieces,
[02:53:40] maîtresses,
[02:53:46] one of the app brina article
[02:53:48] article, the cameras, the optics, the projector, the accessories.
[02:54:52] is also an artist trained in fine arts in
[02:54:55] sculpture, he discovered photography through a
[02:54:59] module that would change his life. Captivated by the
[02:55:03] world of images, he trained himself to become
[02:55:06] a director of
[02:55:08] photography.
[02:55:12] I loved images from a long time ago. I love images so much, and
[02:55:15] that's why I started buying things related to cinema. I didn't get into video or anything,
[02:55:19] I went straight to cinema. Buy from here
[02:56:02] it made me sick, it made me sick. Someone from
[02:56:05] Oran would call me, I'd go get that item from Oran. Someone would call me from
[02:56:09] almost every state in Algeria. I bought
[02:56:12] from this person. Someone would call me for something about cinema.
[02:56:16] I'd go. Imagine, you have to buy equipment, you sell a car.
[02:56:20] I swear by God, I sold it to buy the equipment.
[02:56:26] Like this camera, the 1956
[02:56:30] there's its sister 1942 they used to work
[02:56:33] with them at that time they used to work with them with the
[02:56:37] Mujahideen at that time the Mujahideen used to make
[02:56:40] small as they say rubrics
[02:56:44] because before there were no films, a film would last about three
[02:56:46] minutes
[02:56:52] 4 minutes. To his daughter Sarah, his dream is
[02:56:55] that all this equipment can finally find its place
[02:56:58] in a real cinema museum, a place of
[02:57:02] memory and transmission for generations.
[02:57:09] I wish to make a museum for those who will come
[02:57:13] after me. Now, we see that those born in
[02:57:16] 1995 or the 90s don't know at all what existed
[02:57:20] before, how cinema used to work, what
[02:57:23] real cinema is. They don't have it. I
[02:57:26] wish they would leave this museum for people to learn from it, so
[02:57:30] that it becomes a link between the past
[02:57:33] and the present.
[02:57:37] And like a journey back in time, the team was treated to a
[02:57:41] rare moment, the screening of the cult film,
[02:57:44] The Battle of Algiers on a 16mm
[02:57:47] film, a magical moment,
[02:57:51] almost out of time, a tribute to the seventh art, but
[02:57:55] also to the history of a people that cinema
[02:57:58] continues to enlighten and transmit.
[02:58:00] And
[02:58:10] back on the set, and this time we're going to talk, we're
[02:58:14] going to stay in the world of studios, in the world of
[02:58:17] projectors, in the world of lenses, and this time
[02:58:20] we're going to talk about another passion, which
[02:58:24] is none other than photography. Walid
[02:58:27] Defalah, a photography enthusiast, is with us. Walid, hello.
[02:58:31] Hello. Salamat.
[02:59:05] evolve exactly, and we will talk about all of this with you, as I
[02:59:09] told you this morning at the beginning of the show, we will
[02:59:12] also be interested in
[02:59:15] reading, and what better than a good book
[02:59:19] or a good magazine to pass the time. With
[02:59:22] us, precisely, to talk about it, Sabrine Bouras, hello Sabrine.
[02:59:25] Hello, how are you? It's going well, marhaba, thank you,
[02:59:29] thank you very much, thank you for inviting us, I can't wait to talk to you about books and reading,
[02:59:33] and reading, and especially about the beautiful magazine of Romaida,
[02:59:36] also of Romaida, do you mind if we just
[02:59:39] show it, so Romaida, I love it in the sense
[02:59:42] that in the sense that
[02:59:45] Romaida is a board game, it's
[02:59:49] made of games, yes, but it's I'm already talking about the title,
[02:59:52] Romaida, it speaks to us a lot, especially my
[02:59:56] generation, actually all generations, because Romaida is a
[03:00:01] the title, it's because it's a game that doesn't require
[03:00:05] much logistics, none, and that requires
[03:00:08] precisely being together and creativity, there you go, and creativity,
[03:00:12] and really, really,
[03:00:16] I played hide-and-seek, I played it
[03:00:19] Walid the hideout
[03:00:23] in it it was
[03:00:25] a time when there were eucalyptus
[03:00:31] neighborhood and big ones that's it
[03:00:56] well, fortunately, because at one point I thought, well, I'm going to go out anyway, I needed it, oh, so it was you who