CANALALGERIE — La chaine publique algerienne
20260920 050000 UTC
2305 transcript segments
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[00:00:02] No environment is harsher than this on
[00:00:03] suitable for children. Available in
[00:00:08] Did you find out who this
[00:00:16] is bad. The colors on the harden your heart. Don't
[00:00:18] of a massive impact near
[00:00:22] carbon dioxide. This receive guests who come from story. You're worrying yourselves for
[00:00:27] exciting journey, and until
[00:00:37] the year, completely, was back. He asked me to go back
[00:00:45] I have lived all this
[00:00:50] a career in the world of
[00:00:58] fossils on I certainly didn't expect to find multisport, that's it, that's it. So it to talk to me like
[00:01:05] research. They observed a change in
[00:01:08] colliding with each We had little time in space from eventually
[00:01:11] other?
[00:01:17] the celebration of the 40th anniversary of
[00:01:24] I can't wait to put my head on
[00:01:38] today, and tomorrow we'll take him you. Don't
[00:01:48] most extreme
[00:01:53] In her creations, the artist moves from
[00:02:05] floating at the same altitude, it's not he has a problem with
[00:02:08] natural movement, that of it with my heart's blood. And with you
[00:02:16] said at all. I only said that out of fear so that everyone learns from
[00:02:24] just forget everything I said. Don't cover that protects
[00:02:31] who gravitate around him from
[00:02:36] of life on with me, okay? Goodbye. So she's your sister? Don't
[00:02:36] worry, I'll fix it, God this ceiling is cracking
[00:02:41] Come closer to
[00:02:59] air supply and battery
[00:03:05] From the beginning, we consulted many the return of Is that the girl who brought you to Huh? No?
[00:03:09] a sample. Our busy lives on the silver coin from you. Don't scientists, skydiving
[00:03:10] today if we talk about
[00:03:14] can wait a bit. Who is this
[00:03:22] trenches.
[00:03:22] and flew with him to the
[00:03:28] the wheat. know. I don't know how they treat
[00:03:29] Bahadir, who is this
[00:03:42] it. Rigorous ground tests are conducted
[00:03:47] species grow on the
[00:04:01] in the
[00:04:01] preserved comet
[00:04:06] and the spirit of
[00:04:08] that concern Algeria and the history of
[00:04:13] look, I have to go. I'm late for the
[00:04:15] that if he wants to distribute to
[00:04:22] and shrinks in tonight? We need to find out quickly who this
[00:04:27] they found the most amazing sites
[00:04:27] Please come in. Did you see
[00:04:35] with the Algerian Antarctica not only affects a panel, it will talk about Ms. Olivia told her to go to
[00:04:39] the frozen lands of Kessler's passion for the wonders of this tell me? How can your mom leave rocks, on
[00:04:43] amazing, but you're on
[00:04:47] he could even speak. He collapsed
[00:04:52] discoveries. the whole world.
[00:04:59] In The covenant of scoundrels is like dirt on
[00:05:05] of the family in Algeria,
[00:05:12] and living fossils. a success, and the result
[00:14:29] Today in this episode,
[00:14:32] we will go to deep sea volcanoes to solve a mystery that has existed
[00:14:36] for millions of years. Later,
[00:14:39] we will launch into orbit in a race to solve the climate
[00:14:42] change problem. We will also test a parachute
[00:14:46] designed by the great Leonardo
[00:14:48] da Vinci.
[00:15:01] From the grassy plains of Africa to
[00:15:04] Alaska, to the dense Amazon rainforest,
[00:15:07] our world is full of unique environments that are home to some
[00:15:11] amazing plants and animals. But
[00:15:14] there is one extreme and very remote
[00:15:17] environment. The animals that live there seem as if they came from another
[00:15:21] planet. Today we are on a journey to where no one has gone before.
[00:15:25] To the dark, silent and frozen waters in the depths
[00:15:28] of the ocean, a region of raging
[00:15:31] volcanoes, bone-crushing pressure,
[00:15:37] This mysterious and ancient pattern is called Chondrichthyes.
[00:15:40] It was discovered by the paleontologist Adolf
[00:15:43] Seilacher, near these rocky shores on the coast of
[00:15:47] Spain. Its name is Schnoor
[00:15:51] and Lemia. I came here for the first time 50
[00:15:55] years ago, on my
[00:15:56] honeymoon.
[00:16:00] I was just a young geographer,
[00:16:03] amazed by the rock layers that rose from the depths.
[00:16:11] It was here that I found strange fossil
[00:16:14] grooves of an animal that had lived for millions
[00:16:18] of years before
[00:16:19] the dinosaurs.
[00:16:27] And now, only 50 years later, we have a chance
[00:16:31] to solve a great mystery and perhaps see one of the oldest
[00:16:36] Earth.
[00:16:42] This is the research vessel Atlantis. Its destination is
[00:16:45] the mid-Atlantic Ridge.
[00:16:49] 800 kilometers ahead and three and a half kilometers
[00:16:52] down. On board are geologists Peter
[00:16:56] Rona and Adolf Seilacher.
[00:16:59] Adolf believes that the strange fossils he discovered were from
[00:17:02] animals living on the ocean floor.
[00:17:05] To prove his theory, he will need help from the world's most
[00:17:09] famous submarine,
[00:17:10] the Alvin.
[00:17:13] For the upcoming trip, the Alvin is being equipped with high-resolution
[00:17:16] cameras and 4000 watt
[00:17:20] lights.
[00:17:22] The Alvin and its crew embark on one of the world's
[00:17:26] journeys.
[00:17:32] On board the Alvin, we have Peter Rona and the commanding
[00:17:35] officer, Bruce Srickrott. And of course, Adolf
[00:17:38] Seilacher.
[00:17:41] No turning back. And of course,
[00:17:45] no rescue
[00:17:46] operation.
[00:17:53] After passing the first 300 meters, all
[00:17:56] trace of sunlight disappears and the place turns pitch
[00:17:59] black.
[00:18:05] As the submersible descends, there is always
[00:18:08] a chance for a scientist to glimpse a creature never before seen
[00:18:11] by human eyes, and perhaps never again.
[00:18:13] Submarine creatures
[00:18:21] live without seasons, without rest,
[00:18:25] and without
[00:18:27] time.
[00:18:30] Traveling to the seabed and back will consume
[00:18:33] five hours of the Alvin's
[00:18:36] power.
[00:18:38] This leaves Adolf and the others only about four hours
[00:18:42] to find their target and take
[00:18:47] On the way to their destination, they witnessed impossible
[00:18:49] wonders of
[00:18:51] life.
[00:18:54] Everywhere we looked, the earth
[00:18:56] was alive.
[00:18:59] Huge structures growing, not millions of years
[00:19:01] ago, but almost
[00:19:05] before our eyes.
[00:19:09] How can so many extremely strange creatures
[00:19:12] live next to volcanic vents on the ocean
[00:19:14] floor? After decades of exploration
[00:19:18] and study, scientists discovered
[00:19:20] the key: hundreds of specialized bacterial
[00:19:25] rocks. These bacteria use chemical
[00:19:28] energy from hot water to produce nutrients.
[00:19:31] Shrimp
[00:19:34] and other deep-sea creatures use
[00:19:37] these bacteria as food. These deep-sea bacteria live
[00:19:41] at temperatures that other life forms cannot
[00:19:44] tolerate. The shrimp that consume them are on the verge
[00:19:47] of either a good meal or being burned
[00:19:51] alive.
[00:19:55] Similar types of bacteria were soon found by the dozens in
[00:19:59] sites around the world. On the Mid-Atlantic Ridge,
[00:20:04] of all. The size of a football
[00:20:07] field, scientists called it the
[00:20:10] Star
[00:20:13] Observatory. Bacteria grew on
[00:20:15] shrimp, on
[00:20:17] everything.
[00:20:21] When scientists began to drill deeper into the walls
[00:20:24] themselves, they made the most amazing
[00:20:30] In total darkness, submerged in toxins beneath
[00:20:33] the Earth's inner layer, and at a pressure of 1500
[00:20:39] square inches and a temperature exceeding 110 degrees
[00:20:42] Celsius, hyperthermophilic microscopic animals
[00:20:46] live.
[00:20:52] Earth. No creatures are stranger than them
[00:20:56] to us. But like us, they possess
[00:21:00] the four basic
[00:21:02] DNA elements. We are
[00:21:05] relatives,
[00:21:07] and there's a good chance that this is where our journey began
[00:21:10] billions of years ago.
[00:21:14] Adolf Seilacher and Peter Rona
[00:21:17] finally reached the edge of a dead volcano.
[00:21:21] We searched in an area that Peter called the Valley of
[00:21:25] Baldictyn.
[00:21:28] I was surprised that we had to search in a place that didn't
[00:21:31] seem to have obvious life, but
[00:21:34] perhaps that is the secret of those
[00:21:36] animals.
[00:21:45] many of them. They were all over the place.
[00:21:55] left, so the submarine commander got straight
[00:21:58] to work.
[00:22:01] After all the trouble of finding them, collecting
[00:22:05] samples should be relatively easy.
[00:22:19] Finally, after eight hours in the submarine and
[00:22:22] 50 years on the cliffs of Spain, we finally got
[00:22:26] Baldictyn. It was a wonderful moment.
[00:22:42] We expected the creature to emerge swimming at any moment,
[00:22:45] so we started searching
[00:22:48] for it.
[00:22:55] It was important to me that those tunnels were there,
[00:22:59] and they were.
[00:23:02] But the creature was not in any
[00:23:04] of them.
[00:23:07] Dozens of dives were made, but the animal
[00:23:10] itself has not
[00:23:11] yet been found.
[00:23:14] Although these creatures remain a mystery, they are
[00:23:17] amazing. Finding their fossils on the cliffs
[00:23:21] of Spain indicates that their age predates all other forms
[00:23:26] Earth.
[00:23:29] The important thing is that it is still alive and digging
[00:23:32] its amazing
[00:23:33] grooves.
[00:23:37] The same fossils I found 50 years ago during my honeymoon.
[00:23:41] But he is very shy and we have not
[00:23:44] لكنه خجول جدا ولم نره
[00:23:46] seen him yet. And perhaps I never will.
[00:23:51] But I think that's better, as I can now imagine
[00:23:55] anything I want.
[00:23:58] We often look at the stars and wonder if they contain life.
[00:24:01] Now we know we must also
[00:24:05] look into the deep
[00:24:12] On October 4, 1977,
[00:24:15] the former Soviet Union successfully launched the first satellite,
[00:24:18] Sputnik, into orbit around
[00:24:21] Earth.
[00:24:23] And now, 60 years after the conquest of space, we suddenly face
[00:24:26] a growing problem that seems similar to something out of
[00:24:30] science fiction. Orbiting debris from space
[00:24:33] that has the potential to change
[00:24:36] space exploration as we know
[00:24:39] it.
[00:24:43] This is a comet crater near Winslow,
[00:24:46] Arizona. It is considered the best
[00:24:51] site in the world. 50,000 years ago,
[00:24:55] a large rock from space collided with Earth with a force of 10 megatons,
[00:24:58] 1,000 times more powerful than the atomic
[00:25:01] bomb used in World War
[00:25:03] II.
[00:25:12] Here's Donald J. Kessler, retired head of NASA's
[00:25:15] Orbital Debris Division. His guide, Eduardo
[00:25:18] Gonzalez, is an expert
[00:25:21] on the comet crater for more than 16 years
[00:25:24] and a man who shares
[00:25:27] universe. So Don, how was your trip here? It was
[00:25:33] Earth. How do you believe this? At the comet
[00:25:36] crater, these two men always find things in common
[00:25:39] between them. For Don, this place brings
[00:25:43] some of the science of orbital debris to life in an amazing
[00:25:46] way. Approximately one and a half kilometers
[00:25:57] long, and an amazing result of a nickel and iron
[00:26:01] comet colliding with Earth with the force of a hydrogen
[00:26:03] bomb. The impact killed everything within
[00:26:07] 30 kilometers in every direction. All of this happened
[00:26:10] in just ten
[00:26:11] seconds.
[00:26:17] The comet was likely the result
[00:26:20] Earth.
[00:26:24] One of the largest pieces became trapped by Earth's gravity
[00:26:28] and hurtled towards the surface at nearly
[00:26:30] hour.
[00:26:45] This is a powerful reminder of the massive collisions that occur throughout
[00:26:49] the universe, from collisions of comets like these to collisions
[00:26:53] of entire
[00:26:53] galaxies.
[00:26:58] Space collisions led Donald Kessler to ask a very
[00:27:02] important question: If collisions happen frequently
[00:27:05] in nature, what prevents all these artificial objects
[00:27:14] At first, Kessler's question seemed somewhat
[00:27:17] absurd. Until recently, many
[00:27:20] scientists embraced the theory of the vast
[00:27:22] sky.
[00:27:25] The vast sky theory states that space is so vast
[00:27:29] that you can launch anything into orbit and it won't
[00:27:33] hit anything else. But it seems that space is smaller than we
[00:27:37] thought.
[00:27:39] Low Earth orbit, or LEO, is home to the International
[00:27:43] Space Station, the Hubble
[00:27:46] Telescope, and most of our satellites. In medium
[00:27:49] Earth orbit, or MEO, we find GPS
[00:27:53] and weather satellites.
[00:27:55] Geosynchronous Earth orbit, or GEO, the farthest orbit from
[00:27:59] Earth, is the most crowded with communication satellites.
[00:28:04] With so many objects
[00:28:07] hard to imagine that some of them will eventually
[00:28:11] collide. Donald Kessler predicts
[00:28:14] that random collisions between artificial objects could
[00:28:18] create smaller debris that will become increasingly
[00:28:21] dangerous to spacecraft.
[00:28:23] This
[00:28:26] chain of accidents will produce exponentially growing clouds
[00:28:29] of expanding debris.
[00:28:32] His predictions are known as Kessler syndrome, and they have
[00:28:36] proven to be true.
[00:28:39] Is it possible that we are now at the peak of this escalating,
[00:28:42] out-of-control event, and are
[00:28:45] the satellites that shaped our modern world
[00:28:49] vulnerable to destruction? Think about
[00:28:52] this: here on Earth, when you download a music file,
[00:28:56] publish a recording, send a tweet,
[00:28:58] send a friend request, or watch your favorite show,
[00:29:03] all of this is a signal coming from a satellite orbiting our
[00:29:07] planet.
[00:29:11] Earth have quickly become connected to a delicate network positioned above
[00:29:15] our heads.
[00:29:19] If this system fails,
[00:29:21] we are finished.
[00:29:26] While exploring Antarctica, scientists discovered dry
[00:29:29] valleys hundreds of kilometers long, where it had
[00:29:33] not rained for thousands
[00:29:36] so dry that astronauts began to test designs
[00:29:40] for exploring Mars. Antarctica is
[00:29:43] the first place to look for answers to the biggest
[00:29:46] mysteries of our time: What causes climate
[00:29:49] change, and what can we do about it? Previously, these
[00:29:53] dry valleys were filled with ice,
[00:29:56] but thousands of years ago, something happened
[00:29:59] to the climate, and the ice that was
[00:30:03] here began to disappear,
[00:30:05] leaving behind deep, empty valleys where
[00:30:09] algae grew inside hard stones,
[00:30:13] and the land was barren. It had not rained there for perhaps
[00:30:16] a million years.
[00:30:20] The ice sea around Antarctica grows
[00:30:24] winter. The continent doubles
[00:30:27] in size. The expansion due to the cold affects the climate
[00:30:30] worldwide, but
[00:30:34] the climate, but also records
[00:30:36] it.
[00:30:42] Far from any civilization, a deep drill penetrates the ice
[00:30:45] sheet.
[00:30:50] Ice layers can be read like tree
[00:30:53] rings. The climate record goes back more than 100,000 years.
[00:31:01] the bubbles that trap ancient air, the deep
[00:31:04] ice tells a simple story: when carbon
[00:31:08] dioxide levels in the atmosphere change, the climate
[00:31:11] also changes.
[00:31:15] This ice core comes from 142 meters
[00:31:19] down. The ice that was snow 4,000
[00:31:22] years ago. In these crystalline
[00:31:25] spheres of ice, the news from Antarctica
[00:31:31] ice mean there is a trace of methane gas,
[00:31:34] lead, and an increase in
[00:31:37] ice proves that humans are changing the atmosphere, and
[00:31:41] we are already starting to see the effects.
[00:31:44] Previously, scientists predicted that industrial chemicals
[00:31:48] could thin the Earth's protective ozone layer. We find
[00:31:51] it at the top of the atmosphere. The ozone
[00:31:54] layer protects Earth from harmful
[00:31:57] radiation. Recently, the damage has become
[00:32:01] significant, allowing harmful ultraviolet rays from the sun,
[00:32:04] which appear here in red, to reach
[00:32:07] Earth. No one noticed it except in
[00:32:11] Antarctica. Here,
[00:32:15] scientists launched weather balloon
[00:32:20] the upper atmosphere and knew that human-made
[00:32:23] chemicals were
[00:32:25] the cause.
[00:32:29] Global cooperation may reduce the production of chemicals,
[00:32:32] but the damage has already
[00:32:34] occurred. So research continues,
[00:32:38] trying to understand what we are doing to our
[00:32:40] world, and to try to discover
[00:32:44] how.
[00:32:56] More than five centuries ago, the famous Renaissance man
[00:33:00] Leonardo da Vinci dreamed of a device that would allow people
[00:33:03] to descend towards the Earth after jumping from a high place.
[00:33:07] Leonardo's design was misunderstood at the time,
[00:33:10] mocked by subsequent generations of scientists,
[00:33:14] and not considered until
[00:33:16] now.
[00:33:19] Katerina Oleksenko and Adrian Nicholas, along with scientists from
[00:33:23] Salford University and Professor Nick Ives, are about
[00:33:26] to go back in time to help push humanity
[00:33:30] forward.
[00:33:35] Leonardo da Vinci's passion for flight led him to
[00:33:37] endless drawings of birds and hypothetical
[00:33:41] flying machines, among which was a drawing that seemed like an idea.
[00:33:45] The parachute idea was centuries
[00:33:48] ahead of its time.
[00:33:53] I was surprised that no one had tried to make this
[00:33:56] before. No one had tried to fly
[00:33:59] it. It was considered one of the first balloons, a good
[00:34:02] attempt, thanks to these cotton socks,
[00:34:06] but it's nothing that would work.
[00:34:09] It took 515 years to find someone with
[00:34:12] a small enough brain to make and test it.
[00:34:21] experts, and parachute manufacturers.
[00:34:25] All of them told us, "No, it won't
[00:34:28] work. It's impossible. You'll just blow air everywhere.
[00:34:32] It won't work." But
[00:34:35] we thought, "Well, it's worth a try
[00:34:38] anyway. It's good and worth it." Oxford
[00:34:42] University lent us a helping hand
[00:34:45] and pushed us to finish this, to
[00:34:49] help us make this parachute as authentically
[00:34:53] as possible, as close as possible to how Da Vinci would have made
[00:34:57] the day before the experiment to minimize the risk to
[00:35:01] Adrian, who will be parachuting down. Since
[00:35:05] no one knows how Leonardo's parachute will work,
[00:35:08] Adrian must be able to free himself and will be equipped
[00:35:12] with a modern parachute in case
[00:35:14] of emergency. shone
[00:35:17] in ideal conditions, clear skies, almost
[00:35:19] no wind.
[00:35:26] A hot air balloon lifts Adrian and Leonardo da Vinci's
[00:35:29] parachute high above the Earth. This
[00:35:32] will be the first time Leonardo's design
[00:35:34] will be tested. No one knows what
[00:35:38] to expect. At an altitude of 3,000
[00:35:42] meters, Adrian gives the command to jump.
[00:35:49] Leonardo's parachute fills with air and takes on a life
[00:35:52] of its own.
[00:35:57] The parachute floats and glides
[00:35:59] like a dream.
[00:36:02] Five centuries and 20 generations of doubt disappear
[00:36:05] into the clouds.
[00:36:08] One of the most important contemporary skydivers returned to the
[00:36:11] Renaissance and regained the joy of flight.
[00:36:15] At an altitude of 550 meters, Adrian
[00:36:18] releases. The experiment was
[00:36:23] is undeniable, simple and amazing.
[00:36:28] Leonardo da Vinci was
[00:36:29] right.
[00:36:35] Most of us will not jump from a plane or a cliff, or hang from
[00:36:38] a giant flying triangle, but the risks we take every day
[00:36:42] are usually the most meaningful moments in our lives. They are what
[00:36:46] call us to take risks, what challenge us to achieve, and what
[00:36:49] makes our hearts beat with hope. I hope you enjoyed our
[00:36:55] next time, travel safely.
[00:38:09] No, I really don't believe it. I asked her a thousand times who this boy was, and she didn't
[00:38:12] answer. It's as if this matter is a secret she's hiding from me, and all she talks about is
[00:38:16] "my son Levent, my son Levent." Levent, as if no one else has a son
[00:38:20] but her. He came and brought trouble with him. When will he leave and let us
[00:38:23] be? What are you doing here? Standing
[00:38:27] there watching me and listening to what I'm saying?
[00:38:31] How about you go and do something useful? Go make me some coffee
[00:38:34] and bring me a painkiller. Yes,
[00:38:36] madam.
[00:38:41] The boy's health is much better now, but as I told
[00:38:45] you, Mr. Levent, we need to keep him under observation for 24
[00:38:48] hours. He will stay with us today. If
[00:38:52] you wish, Mr. Levent, you can go downstairs and complete
[00:38:55] the procedures. I'll go down immediately, Doctor. Is there anything
[00:38:58] else? Like, should I bring medicine or anything? No, not at all. Everything
[00:39:01] he needs is here.
[00:39:05] Actually, he's a hero and will get better quickly.
[00:39:08] Oh my, he's so cute. Okay, I'll check on
[00:39:11] him later.
[00:39:16] Are you better now?
[00:39:33] It's you, Omar. What are you doing here? We're playing pirates.
[00:40:09] Why aren't you answering? Say anything. Just tell me your
[00:40:13] name.
[00:40:20] Could it be that he can't speak?
[00:40:23] But he seems like a clever and smart boy too.
[00:40:27] My dear. Okay, tell me your mom's
[00:40:30] name, or your dad's name, or your
[00:40:33] sister's. Tell me their names so we can reach
[00:40:37] them.
[00:40:46] Who was the girl that was
[00:40:47] with you?
[00:41:03] My dear, tell me why you're sad. Tell me who made you sad.
[00:41:05] I found
[00:41:08] him. What did you say to the boy? I didn't say anything. Look,
[00:41:11] we don't want to bother him. He just likes to talk, and we listen to
[00:41:14] him,
[00:41:17] right? If you don't want to talk, then we
[00:41:21] won't be able to do anything. I'm forced to register you under
[00:41:24] your name. Are you serious?
[00:41:28] Yes, that's great. Yes,
[00:41:32] you go down and complete the procedures, and I'll call Aysel to prepare his room.
[00:41:36] Okay.
[00:41:54] Just get it over with, leave here. Hello?
[00:41:57] Aysel, listen carefully. Oh,
[00:42:00] finally.
[00:42:20] Hello, sweetie. How are you now? Are you
[00:42:24] breathing well? Does anything
[00:42:25] hurt?
[00:42:30] You'll get better quickly because you're a hero. Let me check your
[00:42:34] temperature now.
[00:42:39] My love, my
[00:42:43] darling. Oh God, please heal him for me. Bravo, your fever
[00:42:47] went down.
[00:42:50] Bravo, hero. Bless this cute face. Thank God for
[00:42:53] your safety, sweetie.
[00:43:55] Come on, come on, I'm coming to open
[00:43:59] the door. Aisha, do you know where they are? Tell me where.
[00:44:03] They must be inside. Wait, wait, where are you going? No, they're not with me. How can you come in without
[00:44:07] permission? They'll definitely run away from you after you lock
[00:44:11] the door. Listen, Aisha, this has nothing to do with locking the door. Don't make me angry
[00:44:14] now. Tell me where they are now. Are they inside? I told you they're not here. I've also been worried
[00:44:18] all morning. I've been calling Maryam and she's not answering.
[00:44:21] Aisha, I'm very scared. I hope nothing has happened to
[00:44:24] them. Aisha, look, this is a very serious matter and it's not
[00:44:28] a joke. Tell me where they are, or you'll make me angry. Hurry up and tell
[00:44:32] me where Maryam and Omar went. Come on, come on, speak. Wait,
[00:44:35] just a moment. What's wrong with you? You shouldn't talk like that. That's not
[00:44:39] how ladies and gentlemen
[00:44:43] talk. They should talk in a polite
[00:44:46] way because ladies
[00:44:49] are
[00:44:54] beautiful.
[00:45:01] Am I right, Aisha?
[00:45:04] I don't
[00:45:08] people. You tell me. Aisha,
[00:45:12] listen. I'm going to give you one last chance to speak and tell me where
[00:45:16] they went before I take other action with you. Ms. Aisha,
[00:45:20] we apologize to you.
[00:45:22] It seems like she doesn't know anything.
[00:45:26] Let me see where you got all this respect from, and you're trembling
[00:45:30] in front of him.
[00:45:32] No more fooling around, let's go look for them. There's still
[00:45:35] one place we haven't looked. Let's go and
[00:45:38] see. Come on.
[00:45:53] Could he have come to take Omar? Oh God, please
[00:45:56] help me. What should I do if he takes him? Oh God, why is this
[00:46:00] happening to
[00:46:00] me?
[00:46:07] this person here? No, I don't think so. If you want, ask on the ground floor.
[00:46:11] They have all the information. Okay, thank you. You're welcome. Oh,
[00:46:15] thank God.
[00:46:19] Are you related to the boy Omar? Yes,
[00:46:21] I am. Mashallah, he's so polite and cute. May God protect him from
[00:46:25] the evil eye. Yes, he's very polite. How is his health now? He's much
[00:46:29] better. You don't need to worry. I check on him constantly. Oh, thank
[00:46:33] God. Thank you very much. And it's
[00:46:35] my duty.
[00:46:37] Okay, I have to go now. God bless you. You're welcome.
[00:46:58] Who are you? And what's it to you who we are? Where's
[00:47:02] Maryam? I don't know where she is. What do
[00:47:05] you mean you don't know? Doesn't she work here?
[00:47:07] Look, go back to your work.
[00:47:11] Please, what do you want? We want my daughter Maryam. Tell me where she is. There's no need
[00:47:15] to shout. Please, let's talk inside. Listen
[00:47:19] to me. I'm not moving from here. Call my daughter
[00:47:22] for me. her. Listen to me. If I
[00:47:26] find out you're lying to me, or if
[00:47:30] you know where she is and you didn't tell me, you'll see what
[00:47:33] I'll do to you. What do you mean? I don't know
[00:47:36] anything.
[00:47:39] Step back.
[00:47:42] for you, sir. She hasn't been to work for a few days, and
[00:47:46] without telling me. I don't know where she is.
[00:47:49] Believe me, I don't know anything about her. Is that
[00:47:52] so? No way.
[00:47:56] This man seems honest. I
[00:47:58] don't know what kind of great father you are. You don't know anything about your daughter. Look at
[00:48:02] this perfect father. Come on, let's go. Come on.
[00:48:06] Welcome. Hi.
[00:48:09] Oh, my darling.
[00:48:16] He fell asleep from exhaustion.
[00:48:18] It's definitely not easy for him.
[00:48:23] Poor thing.
[00:48:26] I told Aysel to come here. Let him sleep here
[00:48:30] home. Levent, is it possible
[00:48:34] that this boy has no one? Maybe his parents are looking
[00:48:38] for him now. Who
[00:48:42] knows? Maybe his father and mother are looking for him now,
[00:48:45] and their hearts are broken. Only God knows
[00:48:48] their condition.
[00:48:52] Levent,
[00:49:00] please, my son, don't look at me like that.
[00:49:04] I didn't mean what I
[00:49:09] for the boy.
[00:49:09] Just my
[00:49:13] love,
[00:49:17] be angry with me. It's okay, mom, no
[00:49:20] problem.
[00:49:23] What do you think if we call the police about him?
[00:49:49] We'll see. Let him get better first.
[00:50:17] Help me, God, so I can go in and take him. I want to take him and
[00:50:21] leave this place now.
[00:50:36] Aisha must be very
[00:50:38] worried.
[00:50:42] Excuse me, the sheets in room
[00:50:44] 301 need changing. Change them quickly, please.
[00:50:48] Yes, I'm coming.
[00:50:53] Why are you standing there? I said quickly, please. Come on.
[00:51:13] Oh, Ms. Aslı, do you need anything from me, Ms.
[00:51:16] Aslı? I'm sorry, I was just having some fun until my mom came.
[00:51:20] Where did your mom go?
[00:51:24] the hospital. Is that so? And why didn't anyone
[00:51:29] the house without my permission? Or do you think there's no need to ask me
[00:51:33] at all? Isn't that right, Ms. Julia? But Ms. Olivia told her to go to
[00:51:37] her quickly. Why? What does she want from your mom? Why did she
[00:51:39] go?
[00:51:43] Oh, Aslı, when you're silent and look at the ground, you get on my
[00:51:46] nerves. Do you mean to do this to me? You're not
[00:51:50] normal at all.
[00:52:05] My love, take off your clothes and let me put on these pajamas. Look how cute
[00:52:09] they are. Aren't they, Aunt Aysel? They're definitely
[00:52:12] very cute and comfortable too. them, they even smell good. Let me
[00:52:15] see. I've never seen such cute, comfortable, and good-smelling
[00:52:19] pajamas. Come on, my love, let me dress you. Come on, you're a good
[00:52:23] boy, you listen. Let me see if they look good
[00:52:26] on you. Hey, wait, wait,
[00:52:29] wait. Come on, take it off. Why are you so
[00:52:32] stubborn?
[00:52:37] Mom, you and Aysel go
[00:52:39] outside, please.
[00:52:41] Come on.
[00:53:21] You have to wear it.
[00:53:46] This file, Mr. Bahadir, please review it and if there's anything missing,
[00:53:49] let me know. Reports
[00:53:52] are ready.
[00:53:54] And the pictures.
[00:53:57] Where is the financial report? Here you go.
[00:54:00] Thank you. Excuse me, Safa, when Khaldoun's
[00:54:03] people arrive, take them to the meeting room and let me know.
[00:54:06] They're already
[00:54:09] almost here, okay? As soon as they arrive, I'll let you know.
[00:54:27] Hello, my love. I was just about to
[00:54:30] call you. Can you believe it? Oh,
[00:54:33] that's nice. Thank God there's someone in this house who asks about me. Thank
[00:54:37] look like yourself at all.
[00:54:40] Tell me, what's wrong? Is something bothering you?
[00:54:43] Not just one thing, but many things are bothering me, and I can't
[00:54:46] take it anymore. I'm going crazy. I can't stand this situation. Okay, calm down
[00:54:50] and relax. How do you expect me to calm down? Since morning, your mother
[00:54:54] and brother took a boy, I don't know who he is, to the hospital. And then they called
[00:54:58] to ask you to go to them. Sir, the guests have arrived. They're in the meeting
[00:55:01] room. Everything is ready, and they're waiting for you. I'm coming.
[00:55:05] Hello, honey, I have to hang up because I have a very
[00:55:09] important meeting. What? But I haven't finished talking, Bahadir. How can you
[00:55:12] hang up? Don't make me crazy, you too. Okay, my love, speak, I'm
[00:55:16] listening. The meeting
[00:55:19] boy you're telling me about? I don't know anything. How
[00:55:23] boy who collapsed in front of the house, and your mother and brother took him
[00:55:27] hospital. Oh, my God. That's
[00:55:30] really strange.
[00:55:34] boy? And why did he come here? And who is
[00:55:37] his family? And why did your mother and brother take him to the hospital and not tell me?
[00:55:41] My heart tells me they're planning something behind our backs. My love, you must
[00:55:45] be imagining things. Now, when they come, they'll tell you the story. It's evening already. When they come,
[00:55:48] they'll tell us for sure. Your mother is planning something very big, and you
[00:55:52] and I don't know what it is. First, she brought us this man from the middle
[00:55:55] of the sea, and now he's staying here and doesn't want to travel anymore. You mean
[00:55:58] Levanten? Who? No, I don't know
[00:56:02] when he's going to leave here and leave me alone. As long as he's going to stay here with us
[00:56:06] and not travel anymore, I'm going to be on edge. And then what happened
[00:56:09] to his box that he lost? He didn't find it. My love, I'm sure
[00:56:12] Levanten will take it and leave here as soon as he finds it, God
[00:56:15] willing. Honey,
[00:56:18] meeting. Bahadir, can you please not be late
[00:56:24] boy is who suddenly appeared in our lives. Okay, okay,
[00:56:27] my love. I can't take it anymore, Bahadir. I can't
[00:56:30] stand Levanten being with us anymore. He and his mother are driving me crazy with their actions.
[00:57:05] Are you done? Can we go in now?
[00:57:06] Oh, my heart. He looks so
[00:57:10] handsome.
[00:57:15] Wow, you look amazing, my love. Look how good he looks in it,
[00:57:19] right, Ms. Olivia? Yes, of course. He's the one who makes the pajamas
[00:57:23] look good. And when he speaks, he'll be even more handsome than he is now.
[00:57:26] Look, this is your aunt Eysal,
[00:57:29] and she'll stay with you here today. Whatever
[00:57:33] you need, ask her. Okay, honey?
[00:57:36] Levanten, let's
[00:57:38] go.
[00:57:45] Levanten, you all go, and I'll stay with him
[00:57:49] today. No, my son, you go and rest, and I'll stay
[00:57:52] with him. Okay, let's
[00:57:55] go. Okay, then we'll
[00:57:59] leave.
[00:58:01] Good night, everyone. I'll see her tomorrow morning. Okay, I'll go
[00:58:05] downstairs with you. I need to get coffee. Tell Shari to
[00:58:09] bring me the car back.
[00:58:12] Okay, I'm leaving. Do you need anything, honey? I'll see you
[00:58:16] tomorrow.
[00:58:35] Excuse me. Yes.
[00:58:38] Did you finish cleaning the rooms?
[00:58:41] Yes, I'm done. What's
[00:58:43] your name? Maryam.
[00:58:47] You're a new employee. I've never seen you here before.
[00:58:50] And it says
[00:58:54] Aisha.
[00:58:58] The phone.
[00:59:01] This call is very important. I have to answer it. Okay.
[00:59:04] Answer it. Hello, Aisha. It's good
[00:59:07] you called. Hello, Maryam. Where are you? I was
[00:59:10] worried about you. I called you many times, and you weren't
[00:59:13] answering. Where are you now, and what are you doing? And how's Omar?
[00:59:18] Omar is sick now, and he's in the hospital. In the hospital?
[00:59:22] Tell me, how is he now? Thank God, he's
[00:59:25] better.
[00:59:28] Your father came with another person named Dewan and asked
[00:59:32] about you. And what did you tell them? What should I tell them? I told them I don't know. I honestly
[00:59:36] don't know where you are, Maryam. Where are you, and what are you doing? Tell me
[00:59:39] about yourself.
[00:59:42] Listen, listen, there's no need for you to come here. I'll take Omar, and we'll leave.
[00:59:46] No, that's not right. Tell me where you are, and I'll come to you. Aisha, I need
[00:59:49] to hang up now. I'll tell you later what happens
[00:59:53] Goodbye.
[01:00:00] Mr. Levanten? Yes, there are some papers you need to sign. Please
[01:00:03] come with me, if you don't mind. Okay.
[01:00:44] Welcome, welcome my daughter.
[01:01:21] Oh, you're here. Hello, Mom. Hello, my
[01:01:25] daughter. Oh, if you only knew how tired I am
[01:01:28] today. How is the boy? I mean,
[01:01:31] what was his name? I don't know his name yet. He must have a name,
[01:01:34] right? Yes, he must have a name, but we don't know it
[01:01:38] yet. How do you mean? You carried him and ran
[01:01:41] with him to the hospital, and you don't know him or his name? What
[01:01:44] were we supposed to do? He was sick. Were we supposed to leave him
[01:01:48] on the ground because we don't I didn't mean it like that, Mom. But
[01:01:52] seriously, you didn't ask his name? And why was he in front of the house alone? I'm just
[01:01:55] asking because I was worried about you. We don't know anything,
[01:01:59] my daughter. As soon as Levanten saw him, he fainted before
[01:02:04] on the ground. That's really strange. What if he was a thief
[01:02:08] and was faking it? You know how many stories we hear like that? They use
[01:02:11] children to enter and rob houses. What kind of talk is that now?
[01:02:15] I'm saying "what if" because life is no longer safe at all. No,
[01:02:19] my daughter, don't worry. He's a small boy. If you could see his face, how beautiful
[01:02:23] he is, like an angel. May God protect him and heal him quickly.
[01:02:26] Bahadir, when did you arrive? Julia told me what happened, and I came to
[01:02:30] check on him. Enough already. You're exaggerating too much. He's
[01:02:34] just a small child. How can you think he could harm us?
[01:02:37] Well, it's not necessarily him who would harm us. Maybe the one who sent
[01:02:40] him to us...
[01:02:43] How do we know this? I'm sure no one sent him.
[01:02:46] He was probably playing near the house and got lost and came to us. That's the whole
[01:02:51] nothing. I hope it's like that. Mom, if
[01:02:55] you could see how Levanten cared for him because he's small and alone
[01:02:59] and has no one. I felt like the old Levanten
[01:03:03] home, and he'll stay by his side today. That's nice. I wish
[01:03:07] the old Levanten would come back, wouldn't you, my love?
[01:03:09] Bahadir.
[01:03:12] Honestly, because we missed the old Levanten so much. We missed
[01:03:15] him so much. Yes, we missed him.
[01:04:11] I know you're awake and haven't
[01:04:12] slept yet.
[01:04:15] There you go. Good for you.
[01:04:17] Now, tell me, what's
[01:04:20] your name?
[01:04:25] So you're not going to tell me? Okay.
[01:04:27] Who was the girl with you?
[01:04:31] And what were you doing
[01:04:32] on the boat?
[01:04:37] Come
[01:04:37] on, speak.
[01:04:41] Who is
[01:04:42] the girl?
[01:04:48] She told you to take the box.
[01:05:02] Look, you're still young, and I don't want
[01:05:05] to scare you because you're not to blame. But please, tell me who
[01:05:09] the girl is, if you
[01:05:10] please.
[01:05:16] I'll keep asking you until you speak and answer, so there's no need for us to tire
[01:05:20] ourselves out. It's a shame, but he's
[01:05:23] not...
[01:05:32] the palace? Wasn't stealing the boat enough for her? She sent you
[01:05:36] to steal the palace
[01:05:37] too?
[01:05:40] If you don't talk, I'll call the police.
[01:06:06] Sorry if I bothered you, but I was just cleaning here, and I need to take
[01:06:09] out the trash.
[01:06:17] Wait a minute.
[01:06:32] Take these too.
[01:06:56] Oh God, what should I do? I have to take Omar and get out
[01:07:00] of here quickly before he calls the police
[01:07:02] and we get caught. But
[01:07:04] how?
[01:07:07] Oh God, help me find a way.
[01:07:22] I know you're not sleeping. You can open
[01:07:24] your eyes.
[01:07:27] It seems you love this girl.
[01:07:30] But you know what? I think she doesn't
[01:07:33] love you. Yes, come on, open your eyes
[01:07:37] wider.
[01:07:40] Open your eyes and let's talk to each other.
[01:07:53] Hello, hello. Mr. Levanten?
[01:07:57] The doctor asked me to tell you he wants to talk to you.
[01:08:01] He's waiting for you in his office now. Okay,
[01:08:04] I'm coming. I'll be
[01:08:07] right back.
[01:08:57] Oh my
[01:08:58] God.
[01:09:03] What's wrong with you? Why are you standing like that? Let me walk.
[01:09:06] Look, brother. What is
[01:09:11] this you're doing?
[01:09:13] Tell me what you want
[01:09:20] from me.
[01:09:21] What do I
[01:09:25] want? What
[01:09:27] do you think? We're going on a trip, you and I,
[01:09:31] and we'll have some fun together. And we need to talk a little, Darwish.
[01:09:34] I mean, what does one want from you? To have fun
[01:09:38] with you, for example? Brother, I really didn't know you were the
[01:09:42] car. If I had known, I wouldn't have said that. I'm sorry, brother. I'm sorry,
[01:09:46] Darwish. Come on, get in. We
[01:09:49] found them, and they'll be with me soon.
[01:09:53] Really? Where did you find them? It's
[01:09:56] none of your business. Come on, get in. Come on, get in. Omar.
[01:11:11] You.
[01:11:17] What are you doing here?
[01:11:34] Mr. Levanten, what's
[01:11:35] wrong with you?
[01:12:06] Stop,
[01:12:07] boy.
[01:12:11] I told you to stop. Where are you going?
[01:12:44] Look, this is him. Hurry up a little. Hurry,
[01:12:46] hurry.
[01:12:54] Come on, Durm, hurry up a little. Come
[01:12:56] on.
[01:13:03] Go away a little.
[01:13:07] Come to me. Here, here, stop here.
[01:13:09] Stop.
[01:13:12] Grab him. Grab him. Send him away like that, and take the boy's hand. Take him
[01:13:15] to them. Send him
[01:13:18] away. Come on, go. Where are you taking him? Come here.
[01:13:22] Lift him up. Come on.
[01:13:34] Get in the car and give me, brother. Help me, sister. Help me,
[01:13:37] brother. Someone
[01:13:41] help me!
[01:13:46] Help me!
[01:13:49] Omar! Brother!
[01:13:52] Brother!
[01:14:07] Look why they stopped, Dumoush. What's happening? Where are you going, you monkey?
[01:14:10] Come here! Come here!
[01:14:12] Let go
[01:14:17] of the boy's hand! Let go of him! What's it to you? Who
[01:14:21] are you? Bring him here! Mind your own business and get out of my way! Bring him here! What's it to you?
[01:14:25] Where did you come from? Don't you understand? Bring him here!
[01:14:28] Come on, let's go quickly! Why did he take
[01:14:32] Omar?
[01:14:37] Get in the car
[01:14:38] quickly!
[01:14:46] What are you doing? Stop there!
[01:14:49] Dumoush, get in quickly! Get after him! Start the car! Chase him
[01:14:52] quickly! Omar!
[01:14:59] Omar! Omar! Brother!
[01:15:02] Brother!
[01:15:04] Omar!
[01:15:11] Who are these men? And why did they
[01:15:14] want to take you?
[01:15:19] Aren't you going to say anything?
[01:15:23] I want to go to my sister.
[01:15:28] worry, I'll take you
[01:15:30] to her.
[01:15:33] You're unbelievable, you're such a slowpoke. Brother, hurry up a little! They got away
[01:15:36] from us! What should I do? This is the fastest
[01:15:38] I can go!
[01:15:42] I think I saw you in the fields. Were you looking for
[01:15:44] something you lost in the ground? So all
[01:15:48] this time you've been pretending, and you're just looking ahead
[01:15:51] and speeding up in this old car? Come on, we're going to lose them!
[01:15:56] Yes, yes, your wish is my command. You keep looking left and right, maybe they turned into a alley. What will Brother
[01:16:00] Tekin do? If he finds out we took him and then
[01:16:04] lost him again, what will he do to us? I don't want
[01:16:07] to imagine. God knows what he might do. He'll bury us alive,
[01:16:10] you and me. What does that have to do with me? This is your fault! This is the fastest
[01:16:14] the car can go! I can't do anything!
[01:16:15] Done!
[01:16:45] Come
[01:16:45] on, get out.
[01:17:02] Welcome, Mr. Levanten. The hero has come
[01:17:05] to us.
[01:17:09] Welcome, my dear. How are you? Tell me about her. How are you doing? I hope
[01:17:12] you're better. You were crying. Why are you sad?
[01:17:16] Why?
[01:17:20] Probably because he's sick. Don't worry, my dear, you'll get well and be fine. Come
[01:17:24] on, let's go inside the house.
[01:17:48] Welcome, my darling.
[01:17:50] How's my little darling
[01:17:52] doing? Better?
[01:17:56] Thank God, he's better, my love. Thank God you're
[01:17:59] safe. You must be hungry. Aunt Eysal prepared
[01:18:03] delicious food for you. Come on, come and see what she prepared
[01:18:05] for you.
[01:18:09] Welcome back. Bravo, Levanten, the kind-hearted one who
[01:18:13] does good for everyone.
[01:18:16] boy is?
[01:18:19] The boy must be hungry now, and Aunt Eysal will feed him.
[01:18:22] Oh, so Eysal is the boy's
[01:18:23] aunt.
[01:18:32] It doesn't matter who the boy is, my daughter. The important thing now is that
[01:18:36] Levanten is fine. I feel like his mood has improved little by little, and that's
[01:18:40] what matters now. The problem, Mom, is that Levanten is treating
[01:18:43] this strange boy as if he were his own son. And this will remind him of his real son.
[01:18:47] Think about what will happen later. This boy will go back to his family, and Levanten will be
[01:18:51] heartbroken again after he gets attached to him. Levanten is fine
[01:18:53] now, believe me, my daughter. It's as if all the sadness in his heart has started
[01:18:57] to lessen little by little, and this is what's important now. Okay, what will happen to him
[01:19:01] when the boy goes back
[01:19:01] to his family?
[01:20:07] Yassin reads well, but
[01:20:11] the notebook.
[01:20:14] Even Farah suffers from the quality
[01:20:17] of the paper. Since the day they discovered the new Techno
[01:20:21] notebook, their dreams came true. High quality
[01:20:24] paper, clear lines that are easy on the eyes, a durable
[01:20:29] the notebook. Even their father, since the day he discovered the Techno
[01:20:32] Challenge notebook, he stopped wearing his glasses.
[01:20:36] Available in a variety of classic and practical
[01:20:39] designs. Attractive colors and designs.
[01:20:42] Techno, the brand that thinks of you.
[01:23:12] This story is a work of fiction. It has not happened
[01:23:15] in any time or place, but it could happen in
[01:23:19] any
[01:23:20] time and place.
[01:23:26] I told you, Abdo, decent people don't ride
[01:23:29] in our type of cars. They do
[01:23:33] only when there is no malice and meanness in people's hearts.
[01:23:37] Yes. Stay on your senses and see where
[01:23:40] it will take you, other than to the gallows.
[01:23:42] And even get me down from the
[01:23:45] gallows.
[01:23:46] It's a game of luck, Abdo.
[01:23:50] The important thing now is
[01:23:52] what brought you to me?
[01:23:55] Hajji. And I am
[01:23:58] your servant. And I am
[01:24:02] before you. I told you, Abdo.
[01:24:05] Now I don't need anything, Neshmi.
[01:24:09] But I might need you later. You and your injustice
[01:24:13] to the rabbits.
[01:24:14] The rabbits.
[01:24:18] Hello, Abdo. Stay, stay. I'll
[01:24:34] open it.
[01:24:35] Who's
[01:24:44] there? Abu
[01:24:45] Salim?
[01:24:49] What's wrong? Tomorrow we'll send
[01:24:51] the women to separate the cash
[01:24:54] and the dowry. And as you know, the best
[01:24:57] good is that which is hurried. Let's finish all this
[01:25:01] and get back to our work and get things
[01:25:04] back to normal and even better. What do you say, Khanum?
[01:25:07] Okay.
[01:25:10] Let it be. Congratulations,
[01:25:13] a thousand times over.
[01:25:15] We entrust you to God.
[01:25:52] He's going to send the women to separate the dowry and the valuables
[01:25:56] and set a date for the marriage contract
[01:25:57] and the wedding.
[01:26:02] So, is the deal done?
[01:26:17] Hey, Namora, did you tell the mistress anything?
[01:26:22] Better not, or I'll take
[01:26:26] worry. Hello, Umm Hamza. I hope
[01:26:28] everything is well. Yes, by God, Namora shocked me. And you also seem
[01:26:32] shocked and pale. Let me see what you told
[01:26:35] Namora. What did I tell
[01:26:37] Namora? I didn't
[01:26:40] tell her anything. Stop beating around the bush. Namora told
[01:26:44] me everything. Everything.
[01:26:46] Namora, didn't
[01:26:50] I warn you a thousand times not to say a word to the lady so
[01:26:54] she wouldn't get upset? By God, I didn't mean to. I tell you, lady, I don't
[01:26:57] like to see you like this. But now
[01:27:00] that it's happened, and you know, it's okay.
[01:27:03] It's better than everyone talking about it and you being oblivious.
[01:27:06] So what's up? Tell me.
[01:27:09] Tell me.
[01:27:11] They say Abu Hamza is defending Balqis and siding
[01:27:15] with her against Abu Salim. He's not letting anyone near her. And he's the one who
[01:27:19] got her out of the police station when the man who had money
[01:27:22] with her complained about her. And what else
[01:27:25] are they saying? By God, I don't know, Umm Hamza. I mean, you know
[01:27:29] I'm a straightforward person and I don't like to spread gossip.
[01:27:32] After all, why are you shaking my body? Take it easy. Don't
[01:27:35] think ill of me. I mean, Abu Hamza has always been known
[01:27:39] to not like to leave a woman who has no one. It's not
[01:27:42] in his nature. He's kind to women who are alone.
[01:27:46] The helpless. Namora, didn't
[01:28:04] I tell you not to open your mouth a single word? Get
[01:28:07] out with this silver coin because you don't deserve it. By God,
[01:28:10] my heart hurts for her. Come on, get
[01:28:14] out with the silver coin, or I'll get
[01:28:15] the stick out for you.
[01:28:18] Come on.
[01:28:22] Enough, enough, let it be. I forgive you. My heart has always
[01:28:26] been generous, but from now on, you
[01:28:30] also have to tell me the news, not just me. Do you understand my
[01:28:33] news? Oh, Badour Khanum, life is about
[01:28:36] give and take. Goodbye for now. May God
[01:28:40] be with you. We're done, Dad. We're done
[01:28:43] with this girl. Don't ever bring her up again, understand?
[01:28:46] Why? Why? We have
[01:28:49] something bigger and more important. Open your eyes like normal people.
[01:28:53] What is it? What is it? You
[01:28:57] know, Dad, what's the worst label a person can be given that makes people
[01:29:00] spit on them their whole lives and hate them and remain
[01:29:04] outcast? No, I don't know. A thief.
[01:29:07] Yes, and who's going to call him a thief?
[01:29:11] Who else but the accursed
[01:29:13] Abdo? I'll send a load with him, and I'll send
[01:29:17] men to steal it from him. Let's see how he's going to get out of this one.
[01:29:32] No, no, no, it's not working for me, it's not convincing. Are we not supposed
[01:29:35] to die in front of our eyes while we watch him like
[01:29:37] women? We're still young
[01:29:40] and inexperienced. Especially with Abu
[01:29:43] Hamza. Let him die, man.
[01:29:46] No, and on top of all that, he left Abdo
[01:29:50] in the neighborhood. By your eyes, Abu
[01:29:53] al-Zakl, it won't pass you by. What
[01:29:57] can we do? Maybe tomorrow Abdo will bring a teacher
[01:30:00] over us, a vendor.
[01:30:04] Peace be upon you. Peace be upon you. Welcome, teacher. Welcome,
[01:30:07] hateful one.
[01:30:10] What's wrong, Haraysi? You're not yourself. Who's
[01:30:14] bothering you? Tomorrow, I want everyone ready
[01:30:17] from early morning, and whoever calls, God be with you, to death. What's
[01:30:21] the matter? It's a head-breaking job. I want
[01:30:24] to end this matter, by God. That's why
[01:30:27] I brought it with
[01:30:29] me. Where did you get it? I paid for
[01:30:37] to death, it's permissible for you.
[01:30:40] Hide it. No one should see it.
[01:30:44] But my payment will be
[01:30:45] tomorrow.
[01:30:52] May God grant him
[01:30:55] a way out,
[01:30:57] and provide for
[01:31:03] where he does not expect.
[01:31:08] And whoever trusts
[01:31:11] in God, He
[01:31:13] is sufficient for him.
[01:31:16] Indeed, God will accomplish
[01:31:19] His purpose. God has appointed
[01:31:22] for everything a measure.
[01:31:26] The Great Truth of God. The Great
[01:31:29] Truth of God. Are you ready, my
[01:31:33] son? What, Sheikh? Come
[01:31:37] with me for a bit. Do you see
[01:31:53] this? Yes, I see it. Say
[01:31:56] God's name and go grab it.
[01:31:58] God is the
[01:32:07] greatest.
[01:32:08] Pull
[01:32:11] it. Pull
[01:32:18] it! God is the greatest! Let it go! Let it go! Let it go!
[01:32:21] There is no god but God.
[01:32:24] What's wrong? What is it,
[01:32:25] Sheikh?
[01:32:28] I had a feeling that relief was at your hand.
[01:32:33] God is the greatest. There is no god but
[01:32:37] God. God
[01:32:39] is the greatest.
[01:32:44] Are you sure about the story you heard from Mansour? Yes, I heard
[01:32:48] with my own ears what Abu Hamza and his mean son said.
[01:32:51] Tomorrow, they're going to frame you, so be very careful and keep your
[01:32:54] eyes open. Thank
[01:32:57] you very much.
[01:33:00] Now, rely on God. You owe me a lot.
[01:33:04] Take care of yourself. I don't owe
[01:33:07] you anything, and your love is a duty.
[01:33:10] I want to see you leaving, and send
[01:33:13] Chirkas with you. Say "Oh Lord." Always
[01:33:16] "Oh Lord."
[01:33:24] Tomorrow, get ready. We're going to see
[01:33:27] the governor.
[01:33:31] Okay. I did
[01:33:34] the roofs.
[01:33:37] Tomorrow, I'll go myself.
[01:33:38] After your brother, there's no
[01:33:42] problem. It's not a big deal.
[01:33:45] Okay. It's fine.
[01:33:49] Okay, good night. Hasni.
[01:34:35] Hasni.
[01:34:42] Oh, Hasni, how did you know I was coming? My heart told me.
[01:34:57] I worked hard today. I worked so hard because I had a lot of work.
[01:35:00] Oh, may God give you strength. Namora, go
[01:35:04] make him dinner. I don't want anything.
[01:35:09] the pillow
[01:35:09] and sleep.
[01:35:13] What's wrong, Abu Hamza? What are you
[01:35:15] thinking about?
[01:35:20] Are you going to marry another woman?
[01:35:23] No.
[01:35:26] Go get the galabiya and put it on. Go.
[01:35:43] Come on, guys, let's go!
[01:35:51] Whose load is this, Abu Saadi? It's for Abu Essam, master.
[01:35:54] Unload the cargo and put it in Abdo's cart.
[01:35:57] From today onwards, all the loads
[01:36:01] that Shoman used to take, you give them to Abdo, understood? I obey,
[01:36:05] master. I obey, but boss, this load is ours, and we worked hard for it.
[01:36:09] It's my right to decide, not yours.
[01:36:11] And after that, there's no discussion, understood? Put it
[01:36:15] on Abdo's cart, and you'll settle accounts with him. I obey,
[01:36:18] master. I obey. Abdo, bring the cart over here
[01:36:22] and follow me inside, and I'll tell you where you need to take it.
[01:36:26] the plates. I hope everything is fine. I hope everything is fine.
[01:36:40] Zouzou, let's fix a few
[01:36:44] men.
[01:36:59] He promised me that in two or three days, they would be finished.
[01:37:03] Good.
[01:37:06] But can I understand what made you prepare warehouses at this
[01:37:09] time?
[01:37:12] I want to break your uncle's back.
[01:37:17] How can I collect wheat from the farmers
[01:37:21] and fill
[01:37:21] our warehouses?
[01:37:26] But allow me to say that
[01:37:29] you will be the one who loses in the end.
[01:37:32] This is your livelihood and ours. And the khan is not registered in my uncle's and his son's
[01:37:36] names alone. Even if it were, I'm willing
[01:37:39] to cut out my tongue if it makes me say something I don't want to say.
[01:37:42] So what if someone forces me to work as
[01:37:45] they wish?
[01:37:47] But such a move won't break my uncle. You
[01:37:51] know him, he'll find a fatwa and manage. Even if he has to buy
[01:37:54] wheat at a high price and sell it cheaply, Khanum.
[01:37:56] Yes, he can do
[01:38:00] bakeries and mills. But not
[01:38:03] if the governor asks for half the wheat
[01:38:05] for the soldiers. The world is heading for war, and God
[01:38:09] is its guardian. The Grand Vizier will surely issue
[01:38:13] an order for half the wheat
[01:38:15] to go to the front. Can you tell me where your uncle
[01:38:19] is going to get the wheat to please the wali
[01:38:22] and the governor?
[01:38:26] He'll give them the wheat he can collect, and he'll leave the people
[01:38:29] hungry. And you're not unfamiliar with my uncle's diplomacy.
[01:38:33] In both cases, he'll be in a position no one would envy.
[01:38:36] Neither starve the people nor starve
[01:38:40] the soldiers. But Khanum, these people are the
[01:38:43] poor and unfortunate. They are your workers in the khan and their families,
[01:38:47] and the people who serve you, Khanum. How can you cut off their wheat?
[01:38:51] In war, there is no mercy. Everyone
[01:38:53] must sacrifice so that in the end, good prevails.
[01:38:58] I myself am willing to lose from my livelihood to win my war with
[01:39:01] your uncle.
[01:39:04] That's why, if you want to become great and rule
[01:39:07] people, you must
[01:39:11] leave a single speck
[01:39:12] of mercy in it.
[01:39:22] Strike the loose, Harasi. Watch out!
[01:39:24] Watch out! I don't want anyone killed, Commander
[01:39:27] Al-Kabeer. My heart is not reassured, by God.
[01:39:31] Don't worry, only what your Lord has decreed will happen. He's
[01:39:33] just playing games. Besides, this is
[01:39:35] death. Why be afraid of death?
[01:39:39] Who isn't afraid of death? Uncle Abdo.
[01:39:42] Death is easier than this life we're living. Get ready, guys.
[01:39:46] And I like
[01:39:54] it. Oh, fast spears.
[01:40:32] Go, fly! Do what I told
[01:40:34] be late.
[01:40:43] Teki, let me take your path. Take your time, Khanum. I'm waiting
[01:40:46] for you here.
[01:40:50] Auntie, put something on your head. I brought a man to fix the roof
[01:40:54] of the room. Good. May God be pleased with you.
[01:40:58] Asmar, put something on your head. Get out and hide outside. The man needs to enter the room
[01:41:02] to fix the roof.
[01:41:05] Come on.
[01:41:11] Come in, God. God,
[01:41:15] God. Here, God.
[01:41:17] And what, Mrs. Badour? Look
[01:41:20] at this wall and this ceiling. By God, I'm afraid it will fall on our heads. No,
[01:41:24] God forbid. It will not fall. Let me
[01:41:27] see. Oh,
[01:41:31] on the wall. Now, for the cracking, don't
[01:41:34] willing. But for the wall, we need to check. The mud looks very bad. But
[01:41:38] the wood...
[01:41:39] No, the wood is strong.
[01:41:42] Don't worry, this just needs mud. I'll fix it for you, but please,
[01:41:46] you'll have to bear with me for these two days because I'm very busy. I have work
[01:41:50] for the khan. Yes, just come to me tomorrow for two hours.
[01:41:53] The work will be done in your hands. I can't wait for you. Tomorrow, just bring the tools. Go in peace. May God protect you. Go, don't mix the lentils with
[01:42:25] 400. Come on, move,
[01:42:29] move. Well done, Abu
[01:42:33] Diab.
[01:42:35] Muhammad.
[01:42:39] They stripped us of our load. They stripped us.
[01:42:41] I told you
[01:42:50] let's put our hands together and make up.
[01:42:52] Is that right?
[01:42:55] The scoundrel remains a scoundrel.
[01:42:59] Hamza go back to Subhi.
[01:43:03] Sir Nshmi
[01:43:18] you will go out, God willing, and move.
[01:43:22] It happened. Come on,
[01:43:25] men, move.
[01:43:33] The traitor remains a traitor.
[01:43:36] And the stab in the back is your characteristic, you lowly one.
[01:43:40] You will admit to the load, by God,
[01:43:44] I will make you wish for death and not reach it,
[01:43:47] you dog.
[01:43:53] the tiles.
[01:43:55] But like your covenant, I have never seen, Abu Hamza,
[01:43:59] a dirty head.
[01:44:02] Look, Abu Subhi, you want to whiten pots, whiten
[01:44:05] them as you like, you want to darken them in prison, I don't care,
[01:44:09] it makes no difference to me. But if you raise your hand against me,
[01:44:13] by God, I will rip it out from its roots.
[01:44:14] Do you understand?
[01:44:19] Abu Hamza, I will give you a chance
[01:44:22] to defend your rotten
[01:44:24] honor. Now you go out to the square
[01:44:28] outside and you confess before
[01:44:31] all witnesses that you arranged this thing for me,
[01:44:34] only then will I forgive you.
[01:44:37] Otherwise, by Almighty God,
[01:44:40] I will make you see something from me that you have never seen
[01:44:43] in your life.
[01:44:51] I tell you, Abdo,
[01:44:55] life
[01:44:58] since I was in Anbar
[01:44:59] until now.
[01:45:02] No one has ever dared
[01:45:05] that.
[01:45:07] And I don't think you will repeat
[01:45:10] it. To talk about it again,
[01:45:13] Abu Subhi, take him outside.
[01:45:16] I want to punish this
[01:45:19] dog myself. Take him.
[01:45:23] Walk, walk.
[01:45:34] Come on,
[01:45:35] Abudi.
[01:45:56] The lowly one.
[01:46:00] I put my hand in his
[01:46:01] and forgave
[01:46:04] him.
[01:46:05] And gave him
[01:46:09] a load.
[01:46:10] He delivered it to his friends. What was
[01:46:14] the result?
[01:46:17] He stole the camel with
[01:46:20] its load.
[01:46:23] And for everyone to know,
[01:46:24] الجميع
[01:46:27] I could have put him in prison
[01:46:30] to rot. But
[01:46:33] no, I don't
[01:46:36] do that. The elder
[01:46:42] bears the younger's mistakes.
[01:46:46] But he disciplines him.
[01:46:49] And now he will be disciplined in front of you.
[01:47:17] What did I tell you, Mansour? By God, just as I am telling you, teacher Hassan.
[01:47:20] They tied him in the middle of the square and they want to whip him in front of all
[01:47:23] كلها
[01:47:31] You go so that teacher Abu Hamza doesn't know that I brought him
[01:47:33] news.
[01:48:17] Abu
[01:48:17] Hamza.
[01:48:25] There is your load in front of you. Undo
[01:48:27] it for Abdo. The other thief came.
[01:48:31] Tie him next to his friend. First, I came here
[01:48:34] on my own two feet. Second, I am not a thief. Legitimate money does
[01:48:38] not go to waste, and you will get it back.
[01:48:42] Watch your words. We are not the ones who stole the load, uncle. If
[01:48:46] you think by saying this that you are fooling us,
[01:48:49] you are very mistaken, you jerk. Abu
[01:48:52] Subhi, take him and tie him next to his friend. Come on,
[01:48:55] stop.
[01:49:00] No one will approach him until we hear what
[01:49:02] he has to say.
[01:49:04] Speak, jerk. You are with me,
[01:49:06] uncle Hassan. See who the thief is.
[01:49:20] You have to, you have to, you have to.
[01:50:27] What do you want us to do, teacher?
[01:50:41] Damn their honor, where did these come from?
[01:50:45] He came upon us like a demon, he and his men.
[01:50:48] In my opinion, these scoundrels were hiding for us, maybe they were hiding.
[01:50:53] Anything is possible. Let me go back to the neighborhood to see what we will tell
[01:50:56] the elder. Why did they take his wife? What do
[01:50:59] I know? Now they will kill him and torture
[01:51:02] him. Let's recite Al-Fatiha.
[01:51:17] Amen. God willing, you and I will be like
[01:51:20] siblings. And once you come home, you will be very
[01:51:23] happy. God bless you, Zahra. By God, my heart
[01:51:27] fell in love with you from within. You made a mistake. By God, his mind is flying
[01:51:31] with joy. But, I mean, what can I tell you, Abu Salim?
[01:51:34] God bless his soul, he only has one
[01:51:36] problem.
[01:51:43] What happened? What happened is that I found out about the thing your uncle
[01:51:46] was preparing for me. I let him carry the load
[01:51:49] of goods and think that he fooled me.
[01:51:54] But by God Almighty, for every
[01:51:57] lash that dug into my skin, I will make a drop
[01:52:00] of blood fall from his eye. I don't just want to step on
[01:52:03] his dignity, I want to step on his head
[01:52:06] and crush it. I don't understand why
[01:52:08] you didn't speak before they hit you. Why
[01:52:12] did you let them assault you? Every time my resolve weakens,
[01:52:15] I remember how he whipped me, and I get angrier
[01:52:18] and angrier until his neck is in my hands.
[01:52:22] And once his neck is in my hands, I will squeeze
[01:52:25] it tightly. And if my hand loosens,
[01:52:29] I will remember how he whipped me and crush
[01:52:32] it like a rotten tomato.
[01:52:46] By God, it's not your fault.
[01:52:49] It's the fault of whoever thought you were a man and relied on you. Men
[01:52:53] emerged from under the ground like a spring, and the
[01:52:57] beating started from all sides.
[01:52:59] Who are they? What do I know?
[01:53:03] We were walking in the procession, and then
[01:53:06] bullets, many bullets. I was lucky to escape
[01:53:09] the bullets.
[01:53:10] Liar.
[01:53:13] This is one of your lies to save yourself. You are right,
[01:53:17] elder. You have the right to say whatever
[01:53:20] you want about me. If you want to throw me in the hot neighborhood, throw me.
[01:53:24] Punish me however you want. But God is my witness, this is what
[01:53:27] happened. These men knew
[01:53:31] about the incident from beginning to end.
[01:53:35] And this one named Abdo knew about the trick from the beginning
[01:53:38] before you carried the load.
[01:53:41] My groom. Where do you want to wander, you and I?
[01:53:45] I repeat, son of the elder,
[01:53:48] we have a spy, a pimp. If
[01:53:51] we catch him, all
[01:53:52] our problems will be solved.
[01:54:02] What I don't understand is why you brought me with you.
[01:54:05] We will keep talking about the matter. Your brother
[01:54:08] has no say. Welcome, Durriya Khanum. Stay, stay.
[01:54:12] Stay, stay, Durriya
[01:54:13] Khanum.
[01:54:16] Welcome, Durriya Khanum. Welcome.
[01:54:20] جنابك اهلا حسن اهلا بك
[01:54:23] اهلا
[01:54:28] الغطا اللي رفعته مبارح هذا غطا الفرج عن
[01:54:31] العباد الله سخرك لي. كون الحل
[01:54:35] is in your hands.
[01:54:38] Solution for what? Forgive me, Sheikh. By God, I don't
[01:54:42] understand you. You will understand with me.
[01:54:46] You will understand. Are you memorizing Surah Al-Baqarah?
[01:54:49] Yes, I'm halfway through it, thank
[01:54:52] God. Great. May God be pleased with you
[01:54:55] and open doors for you.
[01:54:59] Oh, Lord. Oh,
[01:55:01] God.
[01:55:12] Khalil.
[01:55:14] Let's go, Sheikh. From tomorrow morning, go to the
[01:55:18] Nashwatiyah neighborhood. Send for his servant.
[01:55:21] Yes, but there's something. No, there's
[01:55:24] nothing. Tell him your brother Karmo wants you. May God prolong
[01:55:28] your life, Sheikh. May God be pleased
[01:55:29] with you.
[01:55:34] How is
[01:55:43] my mother today? She's fine. She said she's coming to visit you these days
[01:55:46] and check on you. Woe is me.
[01:55:50] Badia, where did you go today
[01:55:53] at noon? I was bringing things
[01:55:55] for the lady.
[01:55:58] From tomorrow morning, empty this room for me. The
[01:56:01] man is coming to fix our wall. Yes, I'm on it.
[01:56:14] God be with you, madam. Please.
[01:56:18] My dear.
[01:56:21] Health. But this is a large quantity.
[01:56:24] Your honor, it's all accounted for. Durriya Khanum, it's all
[01:56:27] accounted for. The state doesn't leave anything
[01:56:31] behind. Besides, the world is heading for war.
[01:56:35] The army needs to be smart.
[01:56:37] Of course. May God honor our noble state
[01:56:41] and grant it victory over its enemies. But
[01:56:44] I don't think Sharif can complete the work if he is asked for
[01:56:47] such a quantity. Haudri, Madam,
[01:56:51] this is where your work begins. I don't care who delivers
[01:56:54] the khan. I care about
[01:56:56] the quantity.
[01:56:59] And when will the delivery begin? Tomorrow,
[01:57:01] there will be a decree regarding this matter.
[01:57:06] Yes, it happens.
[01:57:10] Your Excellency, the governor. Can we talk about something other than
[01:57:14] work? Yes, Durriya Khanum, you can say whatever
[01:57:18] you want. I would like to ask for the hand
[01:57:21] of the protected Shafinaz for my son, according to the
[01:57:25] Sunnah of God and His noble
[01:57:26] Messenger.
[01:59:23] Behind every idea there are details.
[01:59:25] Understood?
[01:59:29] And every detail requires colors and
[01:59:33] Tecno Sync Up pens. Now with 12 high-quality ink colors
[01:59:36] for clearer explanation. Erasable tip
[01:59:40] and leaves no trace.
[01:59:42] Tecno Think Up, the number one
[01:59:46] pen used in Algeria. Available in a size
[01:59:51] libraries and stationery stores. Tecno, the brand that
[01:59:55] thinks of you.
[02:00:44] Ladies and gentlemen, hello, good morning.
[02:00:48] We are happy to see you again after a summer season,
[02:00:51] I hope you had good holidays. Indeed, we are back
[02:00:55] with the whole Bonjour d'Algérie team. We will be at this moment and we are at this
[02:00:59] moment on our new set, also with the whole team
[02:01:02] which is ready to serve you with, of course, beautiful surprises. In
[02:01:06] Bonjour d'Algérie, this season we will have around this table different
[02:01:10] columnists and presenters who will come to talk to us about this new schedule for the
[02:01:14] new school year with, of course, guests and...
[02:01:17] especially beautiful surprises. We, of course, will also talk
[02:01:20] about the start of the school year which is scheduled for tomorrow, the official
[02:01:24] start, so we will talk about it with our friend for
[02:01:28] psychology, so how to approach this new school year, with, of course,
[02:01:32] some advice. We will also have some nice surprises, a
[02:01:36] lady who was honored and above all who received
[02:01:39] a very important prize, the gold medal, she will also be Fella's
[02:01:42] guest, it is Nanora who won the gold
[02:01:46] medal for best of... gastronomy at an
[02:01:50] international gastronomy competition, it's called the
[02:01:53] 10th edition of the International Gastronomy Village
[02:01:56] in Paris. In any case, she will come to present
[02:02:00] this beautiful medal, all proud. She was also
[02:02:03] congratulated by the President of the Republic who was proud
[02:02:06] of this beautiful success which highlights
[02:02:09] Algerian gastronomy. We will talk about it later on
[02:02:12] our show and then, of course, the return
[02:02:16] of ML. Karibi for the weather. Hello Amel, hello
[02:02:20] Amel, how are you? I'm very well, thank you. Oh, you didn't
[02:02:23] leave, yes, it makes us very happy for, of course, the
[02:02:26] return of the weather, and above all, we will, of course, talk about the
[02:02:30] news from the sky now today, especially for tomorrow,
[02:02:34] exactly, yes, there is news, there is news, a lot of
[02:02:38] news, new things in a very short time, you will learn a little
[02:02:42] more, and good news too, and good news. So the summer was
[02:02:45] hot and we don't forget... hot and humid
[02:02:48] uh and of course many Algerians
[02:02:51] will be, have been bereaved,
[02:02:54] Algeria has been bereaved by these fires, unfortunately
[02:02:58] in the regions of Jijel, Bejaia also, we extend
[02:03:02] once again all our condolences to the
[02:03:04] families of the victims and above all we think of the
[02:03:07] start of the school year in this region of Algeria as well, we
[02:03:11] will also talk about it during our Bonjour d'Algérie shows
[02:03:15] throughout this week, of course, we will come back and then we will
[02:03:18] start with you, Amel, right away for the weather, here it is, just after the jingle.
[02:03:37] Mobilis presents to you the weather
[02:03:40] conditions. Mobilis, together we build
[02:03:44] the future.
[02:03:47] to say that it has cooled down a bit in the morning and the
[02:03:50] return of rain especially, oh my, it's a pleasure, it's a pleasure.
[02:03:53] Listen, thank you Amel, hello everyone and good morning, and
[02:03:57] well for this afternoon Meteo-Algerie forecasts
[02:04:00] cloudy passages almost throughout all the northern regions which
[02:04:03] will be accompanied by some rain, sometimes in the form of
[02:04:07] thundery showers, but these rains will be locally quite heavy and even
[02:04:11] sometimes accompanied by hail towards the interior and the western plateau,
[02:04:15] center and east of the country and... some rain in the form
[02:04:18] of showers and even quite marked towards the far east, note
[02:04:22] strong winds on the western coasts, the Saharan regions
[02:04:25] also, well they will be spoiled by quite marked rains, sometimes
[02:04:29] thundery towards Bechar, northern Sahara, oases, eastern
[02:04:33] Sahara, far south, along the Algerian-Malian borders,
[02:04:37] Ghardaïa and northern eastern Sahara where
[02:04:41] quite marked showers and even sometimes thundery and which will be
[02:04:44] locally accompanied by falls of... towards
[02:04:48] Bechar, northern Sahara, oases also, far south, central Sahara,
[02:04:52] note strong winds on the Tindouf side, central Sahara and along the
[02:04:55] Algerian-Malian borders which will generate
[02:04:58] sand drifts, of course, before the arrival of rain towards the far
[02:05:02] south, temperatures as for them, well they will be
[02:05:05] rather pleasant overall with however a maximum of
[02:05:09] 36° towards Relizane, Mascara
[02:05:12] 30°C Algiers, Tizi Ouzou 32 in Oran, 29
[02:05:15] in Tlemcen, 28° in Annaba, 27 in Guelma,
[02:05:18] 26° towards Batna, 21 in El Bayadh,
[02:05:22] 23 in Djelfa, to the south 26° in Bechar,
[02:05:25] 34 in Ghardaïa, 37 Hassi Messaoud and 34
[02:05:29] in Tamanrasset and Djanet, 39 in Tindouf, Adrar,
[02:05:32] In Salah, Timimoun 41 to 44°
[02:05:35] towards the far south, and well, the sea today will
[02:05:38] be rather rough on the western coasts but slightly rough on the central and
[02:05:42] eastern coasts with winds that will reach up to 60 km/h on the western coasts and the winds
[02:05:46] are from the northeast sector up to 40 km/h on the central coasts, the winds are
[02:05:50] from the east-northeast sector and 10 to 20 km/h on the eastern coasts
[02:05:54] and the winds will be variable and we finish with the ephemeris.
[02:05:58] For today, the sun will set around
[02:06:02] 6:48 PM. For more information, as always, you can consult the Meteo Algerie
[02:06:06] websites. Have an excellent morning with the rest of
[02:06:09] the program on Bonjour d'Algérie and see you at noon. the weather
[02:06:30] Mobilis together we make
[02:06:33] the future
[02:06:35] So there you have it, you know all about the weather
[02:06:38] across the country and in particular Algiers, because
[02:06:41] today it's nice, it's 30°C in Algiers and I hope that
[02:06:45] tomorrow it will be nice too for the start of the school year for the
[02:06:48] children. We'll see at 7 PM later.
[02:06:52] So, welcome back to you Amel and we'll
[02:06:55] see you tomorrow. See you tomorrow with pleasure. Otherwise, we'll
[02:06:59] see you later for the second weather bulletin right after the
[02:07:02] television news at noon on Canal Algérie and
[02:07:05] also at 7 PM tonight. There you go, exactly, very well,
[02:07:09] see you later for the surprises, we're going to have some great encounters
[02:07:13] behind the scenes. That's it, and then we're going to let you
[02:07:16] leave with a beautiful song as usual, a song that
[02:07:19] brings all Algerians together through this beautiful
[02:07:23] song, a beautiful title that says
[02:07:26] we'll see you right after. You are
[02:08:02] Western,
[02:08:02] and why
[02:08:08] shouldn't I be happy and increase
[02:08:11] and celebrate my heart
[02:08:14] and celebrate
[02:08:16] my origin is clear
[02:08:19] with love
[02:08:21] originating from the best
[02:08:24] of lands and for this
[02:08:28] I rejoice in it and boast
[02:08:31] and celebrate my heart
[02:08:34] and live
[02:08:36] my origin is clear
[02:08:39] with warning
[02:08:41] for the best
[02:08:44] of lands my Algerian identity
[02:08:46] is a letter
[02:08:49] of a strong and powerful character
[02:08:52] that cannot be hurt
[02:08:53] it does not beg
[02:08:57] nor lose hope with a raised head
[02:09:01] path
[02:09:04] Algerian, your sanctity is strong,
[02:09:08] it does not
[02:09:08] get hurt.
[02:09:12] And it does not beg or lose hope.
[02:09:15] His head is high.
[02:09:20] This quality is in us, a gift
[02:09:23] and a call
[02:09:27] forever.
[02:09:30] Madjdor, I'm tired.
[02:09:32] Let's start
[02:09:35] who
[02:09:37] made mistakes.
[02:09:45] No, you enlighten
[02:09:51] You must
[02:09:52] always
[02:09:55] appear Algerian.
[02:09:57] I am one
[02:10:03] all of them are
[02:10:04] from the lineage of
[02:10:08] men, Amazigh Shaw.
[02:10:11] here we will introduce you to our columnists,
[02:10:37] some of them at least, those who will be part of, of course, Bonjour d'Algérie, who will
[02:10:41] also accompany you, whom you also know.
[02:10:45] Hello, happy to see you again, very, very well.
[02:10:48] Likewise, happy to see you again. The return
[02:10:50] after a few days of vacation, of course, well deserved.
[02:10:54] We'll talk about it in a moment and also Ramzim Hamdi who returns
[02:10:58] every week at the beginning of the week
[02:11:01] especially. We used to find you every time for the
[02:11:05] news, yeah, all the sports news, whether it's football or
[02:11:10] was also for you a fairly busy
[02:11:13] summer. You didn't stand idle, a lot of news,
[02:11:16] yeah, with the World Cup and the Mediterranean Games and that will
[02:11:20] continue throughout this season, throughout this season,
[02:11:23] he has a new, of course, well, the team of the
[02:11:26] sports show is large, so the team is
[02:11:30] numerous, yes, for several sports shows, yes, two weekly
[02:11:34] shows, whether it's football, we are
[02:11:38] uh we talk about football and we will talk about multisport, basketball,
[02:11:42] judo. uh badminton, handball,
[02:11:45] volleyball, the cycling tour which will arrive in Algiers
[02:11:49] in a few days, from September 3 to 9, October
[02:11:52] sorry, and also the league, the Mobilis League 1, League
[02:11:55] 2 and the national team, okay, and the championship
[02:11:59] which has already started, yes, we are already on the third day, already, already,
[02:12:02] also news uh the main
[02:12:05] news will be the return of the national team with a new
[02:12:09] coach, Ibrahim Hamdani, uh with.
[02:12:12] a new list, some dropped, some
[02:12:15] returnees and it will start on Friday
[02:12:18] against Zambia in the context of the
[02:12:21] qualifications for the 2027 Africa Cup of Nations, we are
[02:12:25] preparing on Friday and Tuesday against Burundi,
[02:12:28] Burundi, uh and on October 6,
[02:12:31] a friendly match against Niger
[02:12:35] coached by the former Algerian assistant coach
[02:12:38] Nabil Niz, okay, I used to
[02:12:42] review my sports lessons and especially football, now I've pretty much let
[02:12:46] everything go, the holidays are
[02:12:49] over, yes, always, but we're getting back to it, we're going to get back to it with, of course, this
[02:12:53] news, there will also be some nice surprises in Bonjour
[02:12:57] d'Algérie, guests but also presenters whom you
[02:13:00] know well, whom we will be happy to find again in Bonjour d'Algérie in a
[02:13:04] very short time. Samira, we are happy to find you too, it was
[02:13:08] a very busy summer for you too. Oh yes, a
[02:13:11] new show called "Une expérience",
[02:13:15] it's a great experience, I replaced Radia, our colleague Radia
[02:13:19] Boulmali who retired, we send her our love, we
[02:13:22] salute her very much and we thank her for all the work she does
[02:13:26] for heritage, for the promotion of Algerian culture
[02:13:29] and she had a show that was called "Passion"
[02:13:33] which I took over for two issues in July
[02:13:36] and August, the first was with the director
[02:13:40] Abdelkarim, we went to...
[02:13:44] and he worked, so it's it's the, I believe,
[02:13:48] according to archaeologists, it's the first time this has been done on underwater
[02:13:51] heritage, so it's all the richness and in particular the
[02:13:54] cannons, the 23 cannons, exactly, it's a heritage that is still
[02:13:58] uh unexplored, uh well, there is work
[02:14:02] being done but a lot of things still need to be done and it was a
[02:14:05] first, so then
[02:14:08] then he worked with a young artist.
[02:14:13] Uh Rimal Homri, so uh very good
[02:14:17] experience, very good experience, of course. So we are used to
[02:14:20] seeing you on our sets almost twice a week and
[02:14:24] sometimes three times a week, so
[02:14:27] on Monday, Friday and, of course, when there are
[02:14:30] exceptions, you are here with us in the "Ecume et patrimoine" section which
[02:14:34] will be renewed this year again to stay and
[02:14:38] uh I hope it will be on Thursday, Friday, Saturday, uh yes, yes, yes,
[02:14:41] why not? To present my section with, of course,
[02:14:45] always the news around our heritage, mainly
[02:14:48] archeology, prehistory, culture in
[02:14:52] general, traditions. There is an event, I am really
[02:14:55] very, very, very happy that will take place in October, so it's from
[02:14:59] October 19 to 24 in Djanet, that corresponds roughly to
[02:15:02] the opening of, to the launch of the period, well, of the
[02:15:05] Saharan tourism, the holidays,
[02:15:08] and there will be the rock
[02:15:11] art festival, what is it, if it's especially
[02:15:14] about, it especially highlights the cave
[02:15:18] paintings, Djanet is a site protected
[02:15:22] worldwide by UNESCO, of course, it is classified.
[02:15:25] But it is also a site that contains more than 15,000
[02:15:28] cave paintings, representations and engravings because there are not only
[02:15:32] engravings, there are drawings, there are uh there are more than
[02:15:35] 15,000 in Djanet and so there will be this
[02:15:39] festival, this festival will be, there will be a colloquium, days
[02:15:42] dedicated to archeology films, there will be a
[02:15:45] film club, there will be all the artistic side, that helps
[02:15:49] promotion, that helps documentation, that helps protection.
[02:15:52] conservation and that
[02:15:55] puts all Djanet
[02:15:58] all year round, so throughout
[02:16:02] already its circuit, its
[02:16:05] nature, its immense
[02:16:09] park, it's a continent and it's still
[02:16:12] unexplored, not everything has been discovered yet, but what has been discovered, it would be
[02:16:16] good to protect it and this kind of event because there
[02:16:19] will be films that will be shot, there will be
[02:16:23] book editions that.
[02:16:33] That's it, and of course the news will always remain about
[02:16:36] identification, preservation, scientific research in the field of
[02:16:39] heritage especially and culture, isn't it,
[02:16:42] that's always in the news, always at the forefront of new things
[02:16:46] contributes strongly, it participates strongly in national identity, in
[02:16:50] Algerian culture, in heritage, but above all it...
[02:16:53] it raises public awareness, there is a lot of tourism, more
[02:16:57] and more, I would say Djanet captures the essence
[02:17:01] of winter, well, the whole autumn period until
[02:17:04] even in summer there were people, it's good
[02:17:08] contrary to what one might think,
[02:17:11] which is on a straight line
[02:17:13] so uh it's
[02:17:17] high and so the climate is different, it
[02:17:20] rains during the summer season so it's good.
[02:17:24] Very good, so
[02:17:56] sports news, whether it's sports or cultural or all the
[02:18:00] shows, absolutely, well, in any case, thank you
[02:18:03] Ramzi, you had some news to give, yes, tonight at
[02:18:07] 9 PM as I said, Foot Zone, your
[02:18:10] weekly football meeting, and tomorrow
[02:18:14] Monday, sports with Mokhtar Hammani, from 5pm to 6pm, very good.
[02:18:18] Well, thank you very much. Let's recap the news. There will be a friendly match,
[02:18:20] not a qualifying match, a qualifying match for
[02:18:24] the next Africa Cup in 2027, Algeria
[02:18:27] against Zambia at Ahmed Stadium
[02:18:31] in Tizuzo on Friday and next Tuesday, the second qualifying match
[02:18:34] against Burundi and on
[02:18:38] October 6th, a friendly match against Niger under the guidance of the new
[02:18:42] coach Brahim Hamdani. We hope he will have more success than
[02:18:46] the former coach, inshallah. And we wish good luck to our national
[02:18:49] team. Thank you very much, Ramz. Thank you. Have a good journey home and
[02:18:53] see you next week.
[02:18:55] So, let's continue our show. I invite you right away to follow this exhibition.
[02:18:59] So it has already started, a beautiful exhibition by the artist at
[02:19:03] the Aicha Haddad gallery.
[02:19:05] So, right away, we'll see you right
[02:19:09] after.
[02:19:15] In the heart of Babelwaid, a bookstore
[02:19:17] called Letness reinvents the very idea
[02:19:21] of memory. Here, books are not objects.
[02:19:25] but voices intertwined with music, painting with
[02:19:29] a cross-gaze, creating a place where culture is
[02:19:32] lived, shared, and transmitted, a
[02:19:36] place that simply reminds people that they have a story to write
[02:19:40] together.
[02:19:42] It was officially inaugurated on June 30th and it is
[02:19:46] not just a bookstore, it is the soul of Algerians through its
[02:19:49] art, through its music, through its writers, its
[02:19:53] poets, its artists and... It is an artistic and
[02:19:56] artistique et
[02:19:57] cultural crossroads.
[02:20:02] September, school bags are filling up, classes
[02:20:05] are coming alive and in Beble Wead another back-to-school season opens, not
[02:20:09] that of whiteboards, but that of pages that we
[02:20:12] turn.
[02:20:15] We don't learn to pass an exam, but to
[02:20:18] inhabit the world with
[02:20:19] words.
[02:20:25] In a bookstore in general, as children or teenagers, we are a
[02:20:29] little intimidated and we don't know what we are going
[02:20:32] to buy. So, we create a crush so that this book is not
[02:20:36] punished on a shelf. So, by holding literary cafés for children,
[02:20:39] they will be a little immersed in the world of the author who
[02:20:43] will explain to them how she wrote or he wrote,
[02:20:47] and when he finishes this literary café, he will be the one to
[02:20:51] choose his book with his parents, the same for students,
[02:20:55] high school students and even adults, so to resume reading or to resume
[02:20:58] reading poetry, there must be a place, a magical
[02:21:02] place with a piano, with our
[02:21:04] artists.
[02:21:38] that's why because she
[02:21:41] was dead but she didn't know she would
[02:21:44] come back to life thanks to the will and passion of people and here we
[02:21:48] are in an almost familiar space, we know
[02:21:51] each other so there are retirees who come, former senior executives who
[02:21:55] discuss everything from literature to politics, art,
[02:21:59] shabie, music and that's the vocation of this
[02:22:02] bookstore.
[02:22:17] We plan, inshallah, from September to create a reading club
[02:22:20] for children and adults, so around
[02:22:23] a book that we will read then we will debate and
[02:22:26] there you go, draw the morals,
[02:22:29] exchange, uh, reading also includes poetry recitation.
[02:22:32] How can we love poetry without reciting it with a piano
[02:22:36] or a phantasm?
[02:22:44] And so that's a bit the goal, it's that there are meetings between
[02:22:47] several generations
[02:22:51] each other.
[02:22:57] The library is a threshold, a door between shadow and
[02:23:01] light, between silence and speech. Books are
[02:23:04] bridges, encounters are flashes of life. In this modest
[02:23:08] yet immense place, culture ceases to be a
[02:23:11] privilege to become a breath that says that whatever
[02:23:15] happens, there will always be a place where words will
[02:23:18] always have the last
[02:23:19] word.
[02:23:22] There you have it, this beautiful bookstore, it's in any case the novelty of this
[02:23:26] back-to-school season, a new bookstore that will please all lovers of
[02:23:30] reading, of books, you were able
[02:23:34] answered the questions of our friend.
[02:23:38] our journalist who introduced us to this beautiful bookstore, in
[02:23:41] any case welcome to this
[02:23:45] beautiful bookstore, we find our friends and those you will
[02:23:49] find on the screens of Canal Algérie, namely
[02:23:52] Amine, hello Am hello, hello to all Canal Algérie
[02:23:56] viewers, and especially those of Bonjour d'Algérie, have a good
[02:23:59] back-to-school season. Thank you, a good back-to-school season to you too with
[02:24:03] many new things and as always, we are used to receiving you. In
[02:24:07] Bonjour d'Algérie occasionally with also a section
[02:24:11] possibly also in Bonjour to adapt a little
[02:24:14] to our themes that we offer every week and we should also
[02:24:17] return to its origins I think Bonjour d'Algérie is a good
[02:24:20] springboard even after having done many years on TV
[02:24:24] in front of the camera I think it's a good television exercise
[02:24:28] exactly, the one who is making her debut with us is
[02:24:31] good that we find with great pleasure, hello Aida,
[02:24:34] hello Amel, hello
[02:24:38] a very long way together, a
[02:24:41] I would say, there you go, it's a space for sharing but also a real school where we
[02:24:45] shared key themes and I have the honor of coming to see you
[02:24:49] today to share this moment with you. So there you go, a big
[02:24:52] hello to all our viewers but also
[02:24:56] to all those who love this space for exchange and knowledge. Absolutely, absolutely.
[02:25:00] And we couldn't have a back-to-school season without you too, Aida,
[02:25:03] because psychology, the little ones.
[02:25:07] also given on the eve of a back-to-school season, it's very important,
[02:25:11] it's true that there was a summer, there were holidays, there were
[02:25:15] some perhaps traumas for some, there were
[02:25:18] changes, there were many things, so advice is
[02:25:22] always welcome to approach this new school year,
[02:25:25] absolutely, I would say it's an obligatory step, but there you go
[02:25:29] that, well, we reframe
[02:25:31] things, we allow our children to live real learning
[02:25:35] experiences, holidays... exchange, knowledge in which there
[02:25:38] is no learning structure,
[02:25:42] these remain beautiful life experiences, but education
[02:25:45] is a whole important journey for our
[02:25:48] children. The families who allow their children to
[02:25:51] become autonomous and to build their well-being, their future and
[02:25:55] to learn to fly with their own wings, but also
[02:25:59] for the educational community too, all the professionals who
[02:26:02] work in this area, let's not forget that these are educational
[02:26:05] programs, it's a long journey
[02:26:08] of exchange, of updating data and
[02:26:11] learning in which many education professionals
[02:26:15] work enormously and now the challenge has come
[02:26:18] today so that we can really return to the Algerian
[02:26:21] school, to everything that has been built and how we professionals
[02:26:24] in different capacities can bring
[02:26:28] new things, the best so that we can allow these children to
[02:26:31] find themselves in a healthy and safe
[02:26:35] and motivating learning environment that strengthens their self-esteem
[02:26:38] and allows them to progress in their lives. There you go, strengthening self-esteem, that's a point
[02:26:42] to raise, to
[02:26:45] always give advice to children, to value them, it's
[02:26:49] very important so that they can start the year well. I would
[02:26:53] say there's more than that, it's to allow them to really
[02:26:56] understand that this is their story, because often we meet families
[02:27:00] but with the current problems of parents
[02:27:04] who watch over and who want the best for their children,
[02:27:07] it has somehow taken over the child's territories and then there you go, in a
[02:27:11] world where he evolves with his rights, we are protecting
[02:27:15] his context, we are planning
[02:27:18] a better future for the child. I believe it is up to this child to
[02:27:22] take back the voice and understand that we are here to
[02:27:25] allow him to continue the journey, to understand
[02:27:29] and to say things, and I believe that this is the key moment today so that
[02:27:33] we can reflect and give the
[02:27:36] time, the necessary listening and benevolence
[02:27:40] to allow this child to enroll, to decide, to
[02:27:43] choose, to say things, to live the
[02:27:46] key moments, sometimes with...
[02:27:50] with emotions, there you go, we're going to say with tears and
[02:27:54] nerve crises like that during separations, but there you go, these are beautiful
[02:27:57] experiences to eject, to live really
[02:28:01] profound moments in the child, it's a real
[02:28:04] learning, it's up to us to be very
[02:28:07] attentive to these small movements in the child so that we can allow
[02:28:10] him to experience true emotions. This remains
[02:28:14] to be instilled in the little ones, a learning
[02:28:17] space, it's a space for play, for meeting...
[02:28:22] and at different levels, because it starts very early, there's preschool, there's the first
[02:28:26] year which is also very important, school, this
[02:28:30] pivotal part between early childhood and of course the child who
[02:28:34] starts to grow up and will be in an educational
[02:28:36] learning environment and so on,
[02:28:40] it's very important and also working on the different levels,
[02:28:44] from middle school to high school, the experience
[02:28:47] also that, well, it's here now...
[02:28:53] I think you're hinting at something we've worked on together for a very long time, which are the problems of learning, it's the child
[02:28:56] c'est les problématiques de l'apprentissage c'est l'enfant
[02:29:00] the child who has the normal capacities
[02:29:04] in his learning aspect, we're going to say we're going to respect everyone's pace,
[02:29:07] but it is also very important
[02:29:11] today that we can look after these children with special
[02:29:14] needs, these children who have learning difficulties, these children who have
[02:29:17] difficulties enrolling, these children who have
[02:29:21] separation difficulties, there are parents who are tearing each other apart, there are
[02:29:24] conflicting families, there are very
[02:29:27] difficult situations, well, we're going to
[02:29:31] say of family situations, there are children who live with their
[02:29:34] grandparents, people,
[02:29:38] there are always themes in which
[02:29:41] we can probably highlight the
[02:29:44] differences but also the necessities or the
[02:29:48] tool in which we can contribute. to the well-being of these children, today, if we
[02:29:52] talk about a successful school year and a successful back-to-school season, we must
[02:29:55] consider all these aspects, we must consider the child in all
[02:29:59] these small uh, well,
[02:30:02] to allow them to evolve, to understand
[02:30:06] and to give their maximum, well, we are not all perfect, but
[02:30:10] there are many different children in whom we can
[02:30:13] really integrate, highlight,
[02:30:16] strengthen self-esteem, allow them to evolve in a process.
[02:30:20] absolutely, that's what you do at the national body, you work
[02:30:24] so that these children are fulfilled, are supervised,
[02:30:27] are listened to above all, so
[02:30:30] I imagine that for many children this year it won't be
[02:30:34] easy, the regions that were also affected by the fires,
[02:30:38] so it will be a different back-to-school season. I thank all
[02:30:42] my colleagues who work carefully on these small
[02:30:45] problems for support, support to find key
[02:30:49] solutions, I truly believe that today there is a much
[02:30:52] broader perspective to allow these
[02:30:55] children to benefit and to
[02:30:58] benefit from their rights. Today, the Algerian child, like
[02:31:02] all children in the world, needs to be supervised,
[02:31:06] supported so that he can truly live
[02:31:09] with the minimum of tools and
[02:31:13] of clarity, of a
[02:31:16] pedagogical framework so that he can truly give the best of
[02:31:19] himself, and then to protect the child
[02:31:22] is to find the reporting modalities, to highlight what can be
[02:31:26] dangerous, to highlight first their rights,
[02:31:29] how they can truly bathe in this mental health, physical
[02:31:33] health, but also the entire relational framework. Today, it
[02:31:37] obliges all of us professionals to respect
[02:31:40] this relationship, but also to respect his dignity so that he
[02:31:44] can truly evolve within the
[02:31:47] family context and the extended family cocoon, we'll say
[02:31:50] in his neighborhood, in his commune, in the
[02:31:54] richness that all Algerian children on national territory
[02:31:57] will truly benefit from the same things, I believe
[02:32:00] that today all programs. All ministries, all our colleagues who
[02:32:04] work closely or from afar, directly or not
[02:32:07] directly linked, work on these issues. Today, parents are very
[02:32:11] aware, they strongly demand the rights of their children so that they can
[02:32:14] benefit from an adequate schooling framework,
[02:32:18] and it is now up to us to allow
[02:32:21] these parents to highlight, to help the
[02:32:25] administrative processes to carry their voice and to allow
[02:32:29] all these children to truly find themselves, it's... about
[02:32:32] back to school, well, to find a back to school adapted to
[02:32:36] all these children, otherwise we report, we study,
[02:32:40] we allow people to read and then professionals to act so that we can
[02:32:44] really find solutions, there are numbers, there is of course
[02:32:47] listening that is very very important, we'll come back to it in a
[02:32:51] little while, the advice to give especially in a few points
[02:32:55] for this good back to school 2026/2027 and
[02:32:58] the one who is making his back to school is Amir with us today and then he will
[02:33:01] also make it. on the schedule, you have several shows, two shows
[02:33:05] practically, yeah, two programs, uh, which will
[02:33:09] be complementary, I think, because uh, the
[02:33:12] previous season, we had uh, focused on history with
[02:33:16] a show, uh, which, which came
[02:33:19] practically, yes, which came
[02:33:22] uh, every week to, uh,
[02:33:25] uh, have a look, another look at history, that is to say, a more
[02:33:29] in-depth look, and then more, more, I was going
[02:33:32] to say, more adapted to, to this
[02:33:35] generation that we are talking about today because the role
[02:33:39] also of television is to transmit and to
[02:33:42] perpetuate these uh, this history because
[02:33:46] history is not just a subject uh,
[02:33:50] absolute, history has a relationship with culture, with
[02:33:53] education, with pedagogy, with science, with knowledge, with the
[02:33:57] development of our country and and that's precisely how we imagined
[02:34:01] a mission that can connect
[02:34:05] all of that, which is called Faces of Algeria, the faces
[02:34:08] of Algeria, originally the idea was a work and a life, it was to
[02:34:12] revisit the important figures of Algerian culture, not just that, because
[02:34:15] in the meantime there are interactions between the world of
[02:34:18] politics, of culture, of sport,
[02:34:21] uh, and in all fields, there is always something that converges
[02:34:25] towards our national and identitarian
[02:34:29] foundation that defines us as Algerians, so Algeria,
[02:34:33] that's it, it's precisely this
[02:34:36] public service mission that provides pedagogical
[02:34:40] material uh, maybe even
[02:34:43] that could help our teachers, our
[02:34:46] female teachers, our students, our pupils to
[02:34:49] open a big window on what is the history of Algeria, it's
[02:34:52] important and especially since we are seen through
[02:34:56] Canal Algérie, through the bouquet and on satellite, so
[02:34:59] our community is large everywhere in the world. And in
[02:35:02] particular in France, so it is very important to be able
[02:35:06] to broadcast programs
[02:35:10] Algeria, exactly. I say it and repeat it every
[02:35:13] time, uh, Algerian television is a very
[02:35:17] strong institution, moreover, by its history, that is to say, it is a
[02:35:20] singular history, it is a fighting television, it is a militant television,
[02:35:24] it is a television that was created in particular conditions, obviously in
[02:35:28] uh the principles were inspired
[02:35:32] or... instilled by the proclamation of November 1954, it's
[02:35:35] dignity, freedom, all that, it's important to repeat it
[02:35:39] and today this television has its great mission in the
[02:35:43] development and and and I was going
[02:35:46] to say the advancement, I don't know if the word is correct, of the
[02:35:49] nation, yes we have archives, it's a
[02:35:53] treasure, it's a great treasure, it's emancipation, yes, it's a great
[02:35:56] treasure, I was going to say or I'm saying something very important, an
[02:36:00] archival document is a
[02:36:03] national treasure, it's worth more than
[02:36:06] billions and billions, because finally when you manage
[02:36:09] to, to, to piece together the puzzle, you manage precisely to
[02:36:13] find our very meaning. Without our history, we cannot
[02:36:17] engage in a current or future approach. Now, for example,
[02:36:20] I'm just going to give an example so that viewers can perhaps a little
[02:36:23] understand what I'm developing. If we take the career for
[02:36:26] example of Malik Haddad, Mal Haddad
[02:36:29] as a writer, it's "I will offer you a gazelle", it's
[02:36:33] the "eleven lessons", it's but
[02:36:36] if we just dig a little in the archives, we will find that Malik
[02:36:39] Haddad had an incredible relationship with Alo.
[02:36:43] which will lead in the 80s to what is called the trilogy,
[02:36:47] the "Juid" and
[02:36:49] and and all the theatrical
[02:36:53] pieces that indeed gave rise to
[02:36:56] what Madame says, that is to say pedagogy,
[02:37:00] uh and we will look further and find that there is another
[02:37:04] interaction with Ab, for example, who makes an
[02:37:07] adaptation of several novels by Meldad. So that's
[02:37:10] the meaning of this show, it's to get to
[02:37:14] make.
[02:37:19] whether literary, when it comes to books, of course, or
[02:37:23] cinematographic, theatrical, that way there will always be something
[02:37:26] new to learn, meaning we will no longer see toys in the same way with
[02:37:30] Sarato Medine, we will no longer see, for example, or we
[02:37:34] will read differently, perhaps the washing of the lesson and many, many others.
[02:37:38] This is one example, but in any case, always passionate about
[02:37:41] culture, history and cinema, so. another
[02:37:45] show that will bring together, no, the other show
[02:37:48] is directly linked to history,
[02:37:51] "Living Memory", there's a wordplay, "Living Memory",
[02:37:55] long live Algeria, long live memory, and a living
[02:37:58] memory, that is to say, it's not a memory that forgets, it's not a memory
[02:38:02] that doesn't recognize or that doesn't make a dynamic
[02:38:06] homage, that is to say, it always continues, it
[02:38:09] continues, it will be an event-based meeting because
[02:38:12] you see, there are events that we cannot forget, it's
[02:38:16] true, now, once again, it's complementarity, we must
[02:38:19] always find a connection, today, you have
[02:38:23] uh, you know that today with social networks, there are formats that
[02:38:26] invite themselves, young people are in a speed, in
[02:38:30] an incredible development, we must manage to find
[02:38:33] ourselves as as as people
[02:38:37] or people who work in the media world to find precisely the right
[02:38:41] formula to give them content that has competition today.
[02:38:53] Honestly, because when you talk to young people, it's true that they are on social
[02:38:57] networks, but then when you ask them, for example, if they've seen such and
[02:39:00] such an Algerian film, they say yes, we would like to see it, we follow it on Algerian
[02:39:04] television, so there is interest, it cannot be replaced, television is
[02:39:08] television, the Internet is the Internet, except that we will
[02:39:11] perhaps try to establish ourselves on social networks to
[02:39:15] bring them towards a controlled medium, as
[02:39:18] master said, because uh uh with everything
[02:39:22] that's happening, we need to set a boundary to
[02:39:25] protect our memory, our history, our identity, our
[02:39:29] values, our youth and consolidate, extract all the best from
[02:39:33] networks, that is to say, this accessibility, this
[02:39:35] availability, this speed in accessing information, culture, that's
[02:39:39] the idea, I think, of course, and then, of course, we had the pleasure of
[02:39:43] finding you throughout the year.
[02:39:45] 2026 with shows of course drawn from that
[02:39:49] spoke of history but also
[02:39:52] so quite a few personalities who were very
[02:39:56] rich and interesting shows but also co-animations
[02:40:00] with open days also that Canal Algérie initiated
[02:40:04] for big events, big meetings,
[02:40:07] isn't it?
[02:40:08] It was
[02:40:12] Algeria, these are important moments for us because I will
[02:40:15] say it, I am someone who loves television
[02:40:21] television, of the television family, I am always
[02:40:24] happy when we share sets, it's important, it's an experience, I would
[02:40:28] like us to even be in a perhaps monthly program where
[02:40:32] the entire Canal family meets where everyone can develop
[02:40:35] in their field, so we will see you soon,
[02:40:39] yes, of course, it's official, I think we will keep Friday
[02:40:43] evening, I hope. will come after 9pm
[02:40:47] to offer you this time
[02:40:50] Lanka, it can talk about B, it can talk about Lankis as
[02:40:54] it can talk about Melk Had of
[02:40:57] Mamerie or all the directors.
[02:41:00] for coming for this back-to-school season, good luck for the
[02:41:04] restart and for this new back-to-school schedule and see
[02:41:07] you very soon for the announcement of the
[02:41:10] first broadcast. Aida, one last piece of advice for the
[02:41:13] children, I would say? Perhaps to parents not to
[02:41:16] transmit a constraining and threatening
[02:41:19] image of school, today it is a space for exchange
[02:41:23] and learning and evaluations.
[02:41:27] We can really allow these parents to transmit really
[02:41:30] a better future for their children through their journey and their
[02:41:34] gifts, let's be very confident and it's up to us to
[02:41:37] transmit a little of this confidence to our children and then good luck for
[02:41:40] the year, thank you very much, always a pleasure
[02:41:44] to have you, good luck to you too for the return and
[02:41:48] good luck to all these children who will be joining school
[02:41:52] tomorrow, I invite you right away to follow this loop and we'll be
[02:41:56] right back.
[02:42:06] She changes medium as she changes material,
[02:42:09] canvases, fabrics, wood open up under her
[02:42:12] brushes, so many fields of expression. After
[02:42:17] education, Horia Aidqasi chose to
[02:42:21] dedicate her retirement to art, a retirement
[02:42:24] that rhymes with freedom, creation, but especially
[02:42:28] fulfillment.
[02:42:32] I retired, so I had to keep myself busy. I am an
[02:42:35] active person, so I
[02:42:38] first discovered painting,
[02:42:41] glass painting, and then
[02:42:45] during exhibitions I
[02:42:49] found that there were other techniques and I embarked
[02:42:51] on painting on wood,
[02:42:55] then... uh, on
[02:42:59] canvases and of course with all the techniques, all
[02:43:02] that, and right now I also started ceramics.
[02:43:05] I like it, I like the colors, I like
[02:43:09] creation, I like
[02:43:13] uh, I like
[02:43:14] drawing.
[02:43:20] abstraction to figurative with
[02:43:22] ease, bright
[02:43:26] as her favorite color, declined
[02:43:30] in all its nuances, as in this painting that evokes a
[02:43:35] water and waves.
[02:43:39] Yes, I love color, yes, I love colors, yes,
[02:43:43] I like bright colors, yes, blue is my favorite
[02:43:46] color, and why blue? Well, I don't
[02:43:50] know, it's a very very bright color, perhaps
[02:43:53] it reminds me of the sea, I like the sea.
[02:43:58] Generous, colorful here, the flowers occupy
[02:44:01] the space, their embossed petals make the composition very
[02:44:05] tactile.
[02:44:10] On a bright turquoise background, these
[02:44:13] floral compositions of tulips seem almost
[02:44:16] to float. Among her favorite subjects,
[02:44:20] African women occupy a special place.
[02:44:24] Her brushes celebrate their beauty, but also their
[02:44:27] courage, strength and dignity.
[02:44:31] I knew African women and so I appreciated
[02:44:35] them very much, I frequented
[02:44:38] them, I knew them. Why do you appreciate them? They are
[02:44:42] very courageous, very devoted, very
[02:44:45] courageous African women.
[02:44:49] Last stop on this artistic journey, calligraphy,
[02:44:53] bathed in gold. The artist
[02:44:56] transposes verses from the Quran, a new way for
[02:44:59] the artist to combine color, beauty and
[02:45:03] spirituality.
[02:45:08] There you go, that was a beautiful report by Lamiabet Bouddha, who
[02:45:12] introduced us to this beautiful exhibition by
[02:45:15] Heite at the Aisha Haddad gallery. You will have the opportunity to
[02:45:19] follow and see it, and you announced a nice surprise,
[02:45:23] that's it, the surprise is here, they are installed in Bonjour
[02:45:27] d'Algérie. Currently you will find for this new lineup
[02:45:30] two presenters you know well and probably love,
[02:45:33] well they are here, I will introduce them, Lilia Baled
[02:45:37] hello, hello Amel, how are you doing? It's
[02:45:41] good, welcome. Happy to find you, thank you,
[02:45:45] it's in Bonjour d'Algérie, yeah, after 9 years, after
[02:45:48] 9 years, we're going to talk about those 9 years and
[02:45:51] also a great comeback, that of Mahraz Rabia, hello Mahraz,
[02:45:55] hello, how are you? I feel like I just
[02:45:58] came out of a box of archives. We are
[02:46:01] happy and the whole team is happy too, the pleasure
[02:46:04] is shared in Bonjour d'Algérie, oh yes.
[02:46:07] So the floor is yours,
[02:46:10] oh I can leave it. No, we usually start with women
[02:46:13] but today we're going to make an exception.
[02:46:17] No, it's, it's special because when we talk about 9
[02:46:20] years for Lilia, for me it's been 7 years but I feel like it was yesterday,
[02:46:24] that's true. I
[02:46:27] don't want to use terms that could be misinterpreted, but for
[02:46:31] me nothing has changed. It's good, maybe
[02:46:34] this studio, you know it well, it has had some
[02:46:37] changes of course, but it was the school. I mean personally
[02:46:41] for me, I had started with Bonjour, so when I remember
[02:46:44] 2004, 2005 until then, so it feels a little
[02:46:48] strange. I wouldn't necessarily find the words that
[02:46:52] fit, but in any case, there were good memories, uh, there were
[02:46:56] many, and there were, there were many, and we learn that
[02:46:59] at our own expense when that is, when we live there for 15
[02:47:03] years, we don't have the impression, we will
[02:47:06] often see more constraints than anything else, and then when we
[02:47:10] when we leave and take distance for many years,
[02:47:13] when we after when we think about it, of course we only remember the good,
[02:47:17] never never the bad, because the bad was formative, let's say, of course.
[02:47:21] And then with hindsight, you both spent
[02:47:24] uh, many years live like this
[02:47:27] on television, a morning show, guests, then
[02:47:30] you changed, you went to other programs, other
[02:47:33] things in life, of course, and today with hindsight
[02:47:37] you come back with a new vision of audiovisual, of the
[02:47:40] morning show, perhaps.
[02:47:43] I
[02:47:45] I don't know about her, but for me at least,
[02:47:48] uh, I don't think I've changed
[02:47:51] my course or my vision of how a morning
[02:47:55] show should unfold. It should be energetic, it should be
[02:47:58] when I thought about it, I told you just a moment ago, I said my
[02:48:02] only stress before starting this season was to know if we were going to be
[02:48:06] sitting or standing on a set, but seeing that,
[02:48:10] for me it's a continuity, it's putting in just as much energy,
[02:48:13] discussing with people, exchanging with people, the
[02:48:17] simplest people who can sometimes become extraordinary through
[02:48:21] interviews, and I don't think there's a big change,
[02:48:24] I promise absolutely nothing on that front. I just promise to be perhaps
[02:48:28] a little less borderline because I'm not that age anymore and I don't have the hair to go with it, but
[02:48:32] otherwise, but otherwise to keep the same energy, the same pleasure of meeting
[02:48:35] people again, of telling them things how we feel without
[02:48:39] artifice. Without anything else, but
[02:48:43] but but that's it, accompanying the viewers daily,
[02:48:46] what we tried to do and then it continues.
[02:48:49] Lilia, who has touched on a little bit of everything, who was on variety shows,
[02:48:53] also current affairs, cultural also on the radio, who
[02:48:57] accompanies listeners, so it's really a lot
[02:49:01] of work that you've done over these years, yes, it's 9 years.
[02:49:05] Yes. But
[02:49:07] Bonjour d'Algérie, as he said. He started with Bonjour,
[02:49:10] I also started with Bonjour, and unlike him,
[02:49:14] he came from radio, with me it was the
[02:49:17] opposite, and Bonjour d'Algérie helped me a lot
[02:49:21] for radio, because you know Bonjour d'Algérie, you know
[02:49:24] it's a live show, so you already have the reflexes, and so
[02:49:28] it was easy for me for radio, and Bonjour d'Algérie, well I learned
[02:49:32] everything finally, I learned everything. If afterwards I was able to do talk
[02:49:36] shows in the evening, it was his show especially that continued for years.
[02:49:40] Mm-hmm. Which is still a highly anticipated show and a
[02:49:43] flagship show of Canal Algérie as well. There you go, there are quite a few coming
[02:49:47] soon, Inshallah, that we recorded, uh, so Bonjour
[02:49:51] d'Algérie taught me a lot of things, well it was a very beautiful experience, then
[02:49:54] life happens, you have to change, you
[02:49:57] have to go elsewhere, and then life happens again, you have to come back to Bonjour
[02:50:01] d'Algérie, so here we are to work, and it's true that Bonjour is
[02:50:05] very special because it requires a lot of energy, it requires
[02:50:09] waking up very early, but even if you're tired, if you
[02:50:13] don't feel like it that day, once the camera turns on, that is, in the
[02:50:16] morning, you have to be in a good mood, to be able to transmit
[02:50:20] that energy to the person watching you, so we're going to try
[02:50:24] to do our best so that your viewers, your
[02:50:27] fans will follow you regularly, they will be, they
[02:50:30] will also be very happy to find you on Bonjour d'Algérie, I can tell you that, it's true that
[02:50:34] that makes me happy, I didn't think Bonjour, well, I thought it was a very popular show
[02:50:38] with people who often asked
[02:50:48] me afterwards and said to me,
[02:50:52] "Why don't you come back to Bonjour d'Algérie?" Oh, but you really left your mark on Bonjour
[02:50:55] d'Algérie, and that always warms my heart, so there you go.
[02:50:59] Exactly, there have been male and female presenters of Bonjour
[02:51:02] d'Algérie. Boulafa
[02:51:06] and may God have mercy on her.
[02:51:30] No, but you, you know, the more you step back, the more you move away from TV, the more you see
[02:51:33] that finally the analysis is different from
[02:51:37] what we experienced and what we should experience. Between you and me, my vision today
[02:51:41] is much simpler, a little less, as
[02:51:44] I said earlier, a little less about artifice, but
[02:51:48] but but above all, and the point I would
[02:51:51] insist on is
[02:51:53] "I'm not putting any pressure on myself today about a fantastic,
[02:51:57] extraordinary return. A lot of people had grabbed me saying, 'Yeah, it should be something
[02:52:01] grand, grandiose and so on.' I don't see TV that way anymore,
[02:52:04] I really see it as how we would do it on a
[02:52:08] local media, talking to people, exchanging with people, putting a little
[02:52:11] bit of positivity into the negativity because we live a lot of negativity
[02:52:15] in the world right now with everything that's happening around us, but
[02:52:19] but also, above all, making people want to believe
[02:52:23] and highlighting people who may have
[02:52:25] journeys Ah yeah who, oh you
[02:52:28] started the goal this year is to
[02:52:32] regain the same weight that I think I was
[02:52:34] fired for my weight, I'm coming back for the same weight. No, but it's
[02:52:38] it's perhaps physically changed a little, but
[02:52:42] but but inside I think we've stayed the same.
[02:52:45] And in any case, we are happy to still be part of the same
[02:52:48] family. He had great events, great moments too, he had, let's hope
[02:52:52] the show lasts, the big events in which you also took part
[02:52:56] through the heritage with
[02:53:00] Charmat, he had, let's hope it lasts, with a certain
[02:53:04] number of people, and these were extraordinary experiences here on TV, there was
[02:53:09] independence with a superb evening, yes there
[02:53:13] was that, that was for the outbreak of the war in the Jardin
[02:53:17] d'Essais, so there were indeed great things that were experienced and I was
[02:53:20] happy to do them, but... I just want to say one thing, I don't
[02:53:24] forget the I was very little
[02:53:28] attached to what we call today notoriety when you are
[02:53:31] a presenter, but I was very attached to the
[02:53:35] phone calls I received during those 7 years, and they could be counted on the
[02:53:38] fingers of one hand, there was you and I say
[02:53:42] it, there was Miriam Hack who I will never forget, but if
[02:53:45] tomorrow she asks me to swim across the sea, I couldn't do it
[02:53:49] physically, but I would be there mentally. There was
[02:53:52] Yazid, there were a certain number of people, well, he is today
[02:53:56] someone who has done a lot for me to be here today,
[02:53:59] I salute him, but these are the people I think
[02:54:02] of today, and it is to these people that I would like to offer
[02:54:06] the best, well, my mother is also very happy, of course, yes,
[02:54:10] we salute her because she used to watch
[02:54:13] regularly, she was your first fan, my
[02:54:16] alarm and my first
[02:54:19] and and and and then that's it, and then... I don't think there's any point in
[02:54:23] saying more, at least on my part, the most important thing is that I'm
[02:54:27] very happy to, I'm very happy to be back, it's
[02:54:31] not that simple, I'm very happy to be here. So let's
[02:54:34] say that finally we'll be accompanying you alternately throughout the
[02:54:38] week. I know it's because
[02:54:41] if he hadn't talked about your mother, uh, I wouldn't have had that
[02:54:45] reaction, but I could say the same about my
[02:54:47] father who is no longer here, but maybe I tell
[02:54:51] myself that because he was very faithful when I was doing Bonjour d'Algérie, he was really very
[02:54:55] faithful and he never missed the morning, so I tell myself that
[02:54:58] maybe it's a sign, maybe today he will
[02:55:01] follow me wherever he is, that's all. There you
[02:55:05] go. She's going to make us all cry first thing in the morning. He's the one who started
[02:55:08] it. No, that is to say, today for those who are no longer here,
[02:55:12] yes, the only thing I could tell him, we see you there too, you
[02:55:16] started very young with,
[02:55:18] with, no, but what I would like to tell him is that sometimes
[02:55:22] sometimes indeed it hurts to think of those who are no longer here,
[02:55:26] but doing things, it's like
[02:55:29] doing them for them, yes, doing it in their memory and doing it
[02:55:33] because they would have wanted to be here, so there's no point in wanting to die, we should
[02:55:37] rather want to live for them, just as they lived for us
[02:55:40] as parents. There you go, there you go, in any
[02:55:43] case, you're the first one to make me cry on a set, sorry but it's because of
[02:55:47] him, fortunately I spoke about a woman who was still
[02:55:50] alive, yeah... Yeah, well, we say hello to your mom,
[02:55:53] by the way, her and my mom, we'll
[02:55:56] also say that you'll be there regularly in Bonjour d'Algérie
[02:56:00] every morning. So Lilia will be there on Sundays
[02:56:03] and Mondays, so exceptionally I'll be there this Thursday because
[02:56:07] you'll have worked too much on Monday and Sunday. Tomorrow is the start of
[02:56:10] the school year, so there you go, for the little ones I won't be able to be
[02:56:14] there, it's normal, it's the first, it's the first year and
[02:56:18] I'll be there Thursday, Inshallah, and then it will be Sundays and Mondays,
[02:56:21] Inshallah. It will be Friday and Saturday, so
[02:56:25] that suits me, you told me there's no
[02:56:27] traffic jams, I'll be practically alone with you every morning,
[02:56:31] that's it, and it will be a pleasure, but I had a real question and I wanted to
[02:56:34] ask it, what time does
[02:56:38] it start? We discussed a lot, we start at
[02:56:41] 8am, even on the weekend, the week, even on the
[02:56:45] weekend, and let's not forget there will also be the appointment with our regional
[02:56:48] stations, so from Constantine and Oran as
[02:56:52] usual. So it will be Tuesdays, Constantine
[02:56:55] and Wednesdays uh, Wahran of course and
[02:56:59] there will also be duplexes of the little ones, so an appointment with the
[02:57:02] Bachar and Wergla station. Starting from Wergla and
[02:57:06] Friday, that's it. And when will we find you? Yes, we will find you on
[02:57:10] Thursday, you announced it earlier. You will
[02:57:12] find him there on Thursday, Inshallah, and of course,
[02:57:16] we remind you that we are also here for our
[02:57:19] community established abroad. We will of course have the opportunity to
[02:57:24] abroad, who will come today, she has a nice surprise.
[02:57:28] We will have the opportunity to do zooms with our
[02:57:32] guests from here and elsewhere, of course.
[02:57:35] There you go, thank you, thank you, see you
[02:57:38] soon, thank you, long life to you, and I wish you good luck,
[02:57:42] good courage, good courage to Amel because you will be in front
[02:57:45] of the camera and behind the scenes, absolutely, absolutely, and good
[02:57:49] courage to all of us, finally, there you go, good season to all those who will watch TV,
[02:57:53] let's not forget that we have just one mission, a public
[02:57:56] mission to accompany, to inform and to entertain as
[02:57:59] best we can with the means we have, there you go, very good.
[02:58:03] Well, thank you, thank you very much. So very happy to see you again
[02:58:06] on the set of Bonjour d'Algérie, good luck to you,
[02:58:10] may a new adventure begin, let's go, a new adventure begins, there you go, stay
[02:58:13] with us right away, we'll be back right after this with of
[02:58:17] course our guest and especially also, goodbye.
[02:59:59] Back on our set, once again the team that
[03:00:03] continues to parade in Bonjour. Algérie this morning is a bit of a
[03:00:06] special reunion show and especially
[03:00:09] the show in the new lineup of course for the back to school
[03:00:13] season with us Lilia Bennasar hello Lilia hello good to
[03:00:16] see you hello and hello to our guest
[03:00:20] there you go and we are happy to see you again in a little while you will
[03:00:24] tell us about the show that you will
[03:00:27] host this year once again and then we find as every
[03:00:31] Sunday morning it was not intentional but on Sunday it's always with the
[03:00:35] community and I'm delighted to find the rhythm
[03:00:38] of the left to right of the left to right and after a few days of vacation find
[03:00:42] the whole team absolutely and today a beautiful
[03:00:45] news and a beautiful comeback also when
[03:00:48] a lady a great lady who
[03:00:52] does us the honor of starting this season
[03:00:55] uh and telling us a little
[03:00:58] bit about it...