CANALCATORCE — broadcast
20260920 223000 UTC
159 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive.
Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:01:31] I don't know if the janitor will
[00:01:48] the prison with a panoptic model
[00:04:40] I'm in a hurry. But will you crap, but this one was one of the
[00:04:51] uncle. If it were serious I wouldn't ask
[00:05:05] Aarón, director of
[00:08:21] a doubt came up, what did grandpa do in the army? What do you mean
[00:08:24] daughter? He was in charge of the civil protection
[00:08:28] area nationwide
[00:08:31] nacional
[00:08:35] every
[00:08:35] time
[00:08:42] again? Yes, that's what you've always
[00:08:43] told
[00:08:48] us, but what exactly did he do? Well, how
[00:08:51] daughter, when there was a
[00:08:53] hurricane, it's impossible to prevent the past from
[00:08:56] returning, earthquake, sometimes it comes
[00:08:59] calmly, sometimes
[00:09:02] suddenly,
[00:09:04] suddenly, why do we hide a truth and
[00:09:07] invent another distorted one,
[00:09:11] why did they give him that recognition?
[00:09:13] Because he was supposedly a hero who helped in natural disasters, but
[00:09:17] then I saw the photos in the drawer, it's that
[00:09:20] no way, obviously he was
[00:09:22] a soldier, or what are you just finding out what
[00:09:26] they do,
[00:09:28] no, no, but I thought he was my
[00:09:31] grandpa, let's see, Freud, lesson 1,
[00:09:35] people only see what they want to see, what suits
[00:09:37] them, but seriously, I can't believe you were never
[00:09:41] curious to know. let's see, and who
[00:09:44] is this gentleman, this is his boss in Gutierrez
[00:09:48] Barrios, the one who's on the corner, let's
[00:09:51] see,
[00:09:57] dude, what a gem eh, Gutiérrez
[00:10:00] Barrios, the dark character
[00:10:03] behind the massacre of students on October 2,
[00:10:06] 1968.
[00:10:13] Here's the other one, and Miguel Nazar
[00:10:17] the DFS, responsible for thousands
[00:10:21] of detentions,
[00:10:24] tortures, extrajudicial executions, and
[00:10:37] sinister oppressor who is credited with having designed and
[00:10:40] led the massacre of young people in
[00:10:43] 1968. He was the commander of the Federal
[00:10:47] Security Directorate, the place from where the
[00:10:50] repression of social movements and their
[00:10:53] militants was ordered. military, then they made him Undersecretary
[00:10:57] of the Interior, Secretary of the Interior, Governor of
[00:11:00] Veracruz, a perverse sociopath, a reflection of the
[00:11:04] authoritarianism of the paranoid PRI
[00:11:06] regime, a government that disappeared,
[00:11:10] kidnapped, tortured, and killed critics and those
[00:11:14] who dared to
[00:11:15] dissent.
[00:11:23] His main student and successor in the Federal Security
[00:11:26] Directorate was Miguel Nazar Aro. He is the
[00:11:30] representative of repression, impunity, and the
[00:11:34] excesses of a criminal state determined to protect the
[00:11:37] political status of that era. Nazar
[00:11:40] Aro was the torturer par excellence, cold,
[00:11:44] cruel, a policeman with the ability to imagine and
[00:11:47] execute the most atrocious tortures, in the name of the
[00:11:51] Mexican state.
[00:12:50] Dad, mom, where is my mom? I need to talk to her. She'll be back soon. Did something happen? Why didn't you tell me anything?
[00:12:51] Liars?
[00:12:59] Why did you hide what Grandpa Antonio was doing?
[00:13:13] What are you talking about?
[00:13:16] Yesterday I accidentally saw Grandpa's past
[00:13:18] drawer. There's nothing that has to do with
[00:13:22] civil protection, and those are supposed to be all Antonio's things.
[00:13:25] Liars, not telling things is not
[00:13:28] lying, sometimes it's to protect
[00:13:31] others, don't screw with me, Dad, do you think I'm
[00:13:35] an idiot?
[00:13:42] In the famous drawer there are things like these.
[00:14:04] Not saying things is lying, okay,
[00:14:31] mom about this, she buried this past a long time ago,
[00:14:35] did you hear me, yes,
[00:14:54] your grandpa was part of the dirty war, there are no clean
[00:14:58] wars, Dad, I know, they're all
[00:15:03] nastiest, what are
[00:15:07] you talking about,
[00:15:09] in the 70s the government ordered the torture,
[00:15:13] killing, and disappearance of all
[00:15:16] dissidents, including their families,
[00:15:20] your grandpa was part of that, how involved he was, I don't
[00:15:24] know, your mom never wanted to talk about it and I
[00:15:27] didn't want to make her uncomfortable by asking her things she didn't
[00:15:31] want to say, and whatever he did, whoever he was, she
[00:15:35] loved him.
[00:15:44] What is the harm we do to ourselves and to others
[00:15:48] by hiding the truth from them, by
[00:15:51] lying to them, by hiding the past, soon
[00:15:54] we would have to know the answer.
[00:16:22] I was terrified to go to the General Archive of the Nation for the first time, not
[00:16:25] only because of what I might discover about my family's origin and
[00:16:29] my grandfather, I really didn't know anything, but
[00:16:33] the uncertainty made my heart race and took
[00:16:36] my breath away.
[00:16:41] Also because of what the space that now houses the
[00:16:44] archive represented, so much information about the old Lecumberri
[00:16:47] prison scared me
[00:16:49] so much,
[00:16:53] I had no choice, I had to enter the old
[00:16:56] Penitentiary of Mexico
[00:16:58] City
[00:17:02] to face my own history, the
[00:17:05] history of cruelty in Mexico.
[00:17:09] tread the ground of one of the most sinister places in my
[00:17:12] country,
[00:17:19] the black palace of Lecumberri, a branch of
[00:17:22] hell in Mexico City,
[00:17:26] in which common criminals, dangerous
[00:17:29] prisoners, as well as artists, intellectuals, writers, and
[00:17:32] social fighters whose only crime was to fight for a more just
[00:17:36] and free country.
[00:20:49] They dissented. Dissenting and protesting against injustice was almost treason
[00:20:52] against the homeland,
[00:20:55] agrarian reform, social justice, and freedom of expression were not
[00:20:58] achieved after the revolution of
[00:21:00] 1910,
[00:21:03] the revolutionary governments responded with persecution,
[00:21:06] threats, torture, disappearances, and
[00:21:09] assassinations, they defended large estates and
[00:21:12] local bosses, not peasants,
[00:21:15] for decades many lost their lives fighting against the impunity of
[00:21:19] governments.
[00:21:29] Genaro Vázquez and Lucio Cabañas in Guerrero and
[00:21:33] several hundred more men and women whose indignation at so much abuse
[00:21:37] and injustice only found one path, armed struggle.
[00:23:58] quickly, I wanted to borrow this photo, it's for a docu I'm going
[00:24:02] to make, a docu, what
[00:24:04] docu, better not tell you and then I'll
[00:24:07] show you, where is
[00:24:10] this,
[00:24:14] that's where your grandpa worked, the Federal
[00:24:16] Security Directorate, although when the photo was
[00:24:20] taken the directorate was no longer there, but your grandpa loved
[00:24:24] that building, it brought back many memories,
[00:24:27] he never detached himself from here, when he
[00:24:31] retired he just went to see his friends and
[00:24:35] his old boss,
[00:24:38] his boss was Gutiérrez Barrios,
[00:24:40] no, Gutiérrez Barrios was the boss of
[00:24:44] bosses, his boss was Roberto Pérez
[00:24:47] Gallego, his compadre, the godfather of your
[00:24:50] uncle Toño, my love, you knew him when you were a little girl, you don't
[00:26:53] what,
[00:26:54] yes,
[00:26:57] what is my grandfather's, well this will be his
[00:27:00] temple. the honorable Federal Security
[00:27:04] Directorate, it used to depend directly on
[00:27:07] the Ministry of the Interior, it's been years since I came
[00:27:10] here,
[00:27:16] now it's a museum of pure nonsense, the truth is I don't even know what
[00:30:51] comes up with this, what
[00:30:54] for?