CANALCATORCE — broadcast
20261011 033000 UTC
383 transcript segments
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[00:00:00] I manage to peek out and the
[00:00:04] relatives of the neighbors who were
[00:00:07] there were complaining to the
[00:00:11] operator that we had taken too
[00:00:15] much time to arrive,
[00:00:17] and it wasn't just
[00:00:21] that they were complaining verbally, but they came to blows.
[00:00:25] So, unfortunately, violence also
[00:00:29] sometimes we have
[00:00:32] experienced it in that way.
[00:00:35] I understand that people,
[00:00:38] well, when one is a patient,
[00:00:41] it is difficult to wait, but
[00:00:45] sometimes
[00:00:47] the organization, they don't understand that
[00:00:50] the vehicles didn't move in time, that
[00:00:53] traffic,
[00:00:55] or that you are not the only person asking for help,
[00:00:59] right? Another thing is that sometimes
[00:01:03] it's literally like in the tortilla shop, there's a line, no, there aren't
[00:01:07] that many ambulances in Mexico City, even though there is a
[00:01:10] quantity
[00:01:14] that in number would sound
[00:01:16] like a lot,
[00:01:18] reflected against the size of the city that
[00:01:22] about 10 or 15% of we have, against the number of
[00:01:25] emergencies that occur daily, also the
[00:01:28] number of false alarm calls,
[00:01:32] that makes
[00:01:35] food, wait, let me an ambulance in an 8-hour shift
[00:01:37] have an average of 16
[00:01:41] emergencies to cover
[00:01:45] bank is taken out to be or attend to, it's a lot, on weekends there are more,
[00:01:47] weekend afternoons and nights, and it has to do with
[00:01:51] alcohol consumption, with alcohol consumption, unfortunately,
[00:01:55] yes, that increases a lot,
[00:01:58] during the week there are also many emergencies
[00:02:02] that with the day to day of the city, traffic and so on, that makes it
[00:02:05] take a long time,
[00:02:09] couldn't tell you the so in this city currently an
[00:02:11] emergency call from when you call to when the
[00:02:14] ambulance arrives, at the fastest, it
[00:02:18] could be 10,
[00:02:21] perishables, it's what 15, 20, 30 minutes even, right? So yes, but it's not due to
[00:02:24] lack of desire, but exactly, it's because of the
[00:02:27] traffic.
[00:02:42] camaraderie between you, yes,
[00:02:45] the truth is that despite
[00:02:49] being a big city, eh, the brotherhood that
[00:02:52] is lived in the emergency
[00:02:55] part, yes, there is a good group and
[00:02:59] and and. they help each other, police, firefighters,
[00:03:02] ambulances, they have those
[00:03:06] connection codes among yourselves to
[00:03:09] facilitate work, I
[00:03:12] but I think what think it varies a lot depending on the part of the city, okay,
[00:03:14] there
[00:03:17] and it varies a lot depending on the shifts, there are shifts
[00:03:21] where we are very united and there are others that
[00:03:24] are not so much, the jealousy between one institution
[00:03:27] and another, well. in the
[00:03:31] end, everyone wants to say I was the one who
[00:03:33] attended or I was the one who did
[00:03:37] such and such, right? So
[00:03:40] this
[00:03:42] about you, about is why that happens,
[00:03:45] that there are shifts where people
[00:03:48] have been in the field for many years.
[00:03:52] How many have you been working? 38 in
[00:03:56] this area, right? So over 38 years, I
[00:04:00] have met many
[00:04:01] or food for yourself people and at least in my shift, I
[00:04:05] to sun is what try to be one of the people who does seek
[00:04:08] to work amicably with everyone and leave professional
[00:04:11] jealousy aside, in the end, the
[00:04:14] patient will be the beneficiary, of course, and not just the
[00:04:18] institution, it's very nice for everyone to be in the
[00:04:21] photo, but in the end, the important
[00:04:24] thing is the patient, right? Yes, of course, I was just thinking
[00:04:28] that you mentioned, right? Unfortunately, alcohol
[00:04:31] consumption of any substance increases
[00:04:35] emergencies, right?
[00:04:39] But young people, right? I mean, young people
[00:04:43] are in danger, I don't know, for example,
[00:04:45] concerts, right? This thing we saw
[00:04:48] some time ago at a concert where a
[00:04:52] crane fell, this type of
[00:04:56] massive entertainment
[00:05:00] must also generate many emergencies if they are not
[00:05:04] correctly well organized,
[00:05:07] right? Well,
[00:05:10] yes, emergencies do happen at
[00:05:14] concerts. Most of these emergencies
[00:05:17] sometimes have to do with the
[00:05:20] tienen a ver con el
[00:05:22] consumption of the
[00:05:25] kids. It's
[00:05:28] not so much about the emergency you
[00:05:31] mentioned, for example, it doesn't tend to be
[00:05:35] due to a lack of organization. The
[00:05:38] organizers
[00:05:40] tend to follow all the
[00:05:44] regulations, and when emergencies
[00:05:47] do occur, it's more due to people's
[00:05:51] imprudence than
[00:05:54] the actual organization,
[00:05:59] exactly. I'm thinking that
[00:06:03] there must also be many elderly
[00:06:06] people who are very alone, right?
[00:06:10] Yes, yes. And in fact,
[00:06:14] coincidentally, there is also a
[00:06:18] significant number of emergency calls from
[00:06:21] elderly
[00:06:22] people
[00:06:26] that are attended to daily. I believe
[00:06:29] that they represent
[00:06:34] emergency calls per day, and homeless
[00:06:38] people are attended to.
[00:06:41] Everyone is attended to.
[00:06:44] However,
[00:06:46] embargo,
[00:06:49] with these homeless people, we have
[00:06:53] found on many occasions
[00:06:56] that despite us attending to them, they refuse
[00:07:00] attention, meaning there are people who are not
[00:07:04] afraid, right? They are afraid, of being treated,
[00:07:07] of being given attention, of being taken to
[00:07:11] a hospital. of being attended to as
[00:07:14] such. Eh, why?
[00:07:17] I wouldn't know or
[00:07:21] reason, yes, or for the police to intervene, right?
[00:07:24] Probably, there is a social
[00:07:27] support unit that is in charge of
[00:07:31] these situations on many occasions, okay, so when
[00:07:34] we arrive and detect that it is a person in
[00:07:38] a street situation of
[00:07:40] abandonment, we ask for the support of the person,
[00:07:43] well, of the social support unit,
[00:07:47] there is also another one that is for gender support
[00:07:50] when it has even happened to me
[00:07:53] to arrive in situations where they say he is
[00:07:57] a man and I don't want him to attend to me, but
[00:08:00] there is no woman, at least in my crew, the
[00:08:03] closest ambulance with a woman will take longer to
[00:08:06] arrive, this, well, there is the gender
[00:08:09] police who will gladly be present here
[00:08:13] so that they can see that they will be attended to with all due
[00:09:13] These are the five good news of the performance of the Mexican
[00:09:16] economy: the first: the minimum wage increased and labor
[00:09:20] poverty is at its minimum, second, we are one of the
[00:09:23] countries with the lowest unemployment in the world, third, inflation and the cost of the basic
[00:09:27] food basket decreased, four, the
[00:09:31] peso is one of the strongest currencies in the world, five,
[00:09:34] a record year in direct foreign investment and there have
[00:09:37] been no gasoline price increases, with honesty we
[00:09:40] deliver results. Government of Mexico.
[00:09:46] Get to know the writer whose life was marked by
[00:09:50] activism and repression in great figures of Mexican
[00:09:53] art this Sunday at 14:45
[00:09:56] hours. The love that exists between
[00:10:00] José Silvestre and Fermín. Silvestre is
[00:10:04] even in some of José's stories, they were
[00:10:07] naturally communist fighters,
[00:10:09] anti-bourgeois.
[00:10:45] news, in the newspapers, my problem became media,
[00:10:48] no, who believes in an addict, nobody
[00:10:52] believes in an addict, nobody believes in a criminal,
[00:10:56] my family does not accept my change and does not believe me,
[00:11:00] this is the new Nayeli, a new Nayeli without luxuries, a new
[00:11:04] Nayeli without so much ego, letters for
[00:11:08] freedom, premiere Saturday 22
[00:12:35] you mentioned the 1985
[00:12:38] earthquake, yes,
[00:12:42] and surely you've had the opportunity
[00:12:45] to help in many natural disasters,
[00:12:49] right? Yes, that's right, in fact, well, in '85
[00:12:52] you could say that
[00:12:55] I started helping with disasters, as I
[00:12:58] told you, I went with my parents, well, mainly with my dad, my mom
[00:13:02] was mostly at the collection center
[00:13:04] preparing all the food that we
[00:13:08] were going to deliver to the different
[00:13:11] places, eh, I went to
[00:13:14] Nicaragua, I also went to many
[00:13:18] here in Mexico, Hurricane Paulina, Hurricane
[00:13:21] Gilberto, eh, San Manuel.
[00:13:25] I experienced Manuel in Acapulco
[00:13:28] it was
[00:13:31] impressive to realize the power of
[00:13:34] nature,
[00:13:37] I kept and keep
[00:13:41] keeping is precisely with the emergency
[00:13:44] services, right? I mean, how they
[00:13:48] turn to help,
[00:13:51] also how society gets involved in helping.
[00:13:55] you, not to organize everything in a
[00:13:59] better way, yes, the truth is that now that you
[00:14:02] mention it, eh, Mexico is an
[00:14:06] impressive country, it will have many
[00:14:10] things, but one very valuable one is its people and
[00:14:13] their human qualities, as you well mention, in disasters,
[00:14:16] when one goes to
[00:14:20] help, despite bringing things, equipment,
[00:14:26] or for your team so as not
[00:14:29] to take food from a place that already has a
[00:14:33] problem, people in Mexico,
[00:14:37] despite everything, look for a way to help you, give you a
[00:14:41] plate of food, give you something,
[00:14:44] always in the 2017
[00:14:46] earthquake,
[00:14:48] eh, I was at the building at Álvaro Obregón
[00:14:51] 286, a very
[00:14:55] complicated
[00:14:56] building,
[00:14:59] and if I can tell you anything, it's that food, at least
[00:15:03] there, was never lacking, there
[00:15:06] was always a person with a sandwich, with a
[00:15:09] torta, with some tacos, I remember very well,
[00:15:13] a gentleman came with the trompo literally of
[00:15:16] pastor, he stood nearby and said, all
[00:15:20] those who are helping, come and eat here
[00:15:23] for free, I'm providing it and giving it away for all of you
[00:15:26] who are helping, right? So you got to
[00:15:30] find people, many people, I got to
[00:15:34] help take out the last
[00:15:38] living people from that building,
[00:15:40] help recover the bodies of all the other
[00:15:44] people we couldn't get out alive,
[00:15:46] many bodies there,
[00:15:50] and it was complicated, I can imagine it a
[00:15:53] little bit, and well, also other
[00:15:57] places where we've been, Hurricane Paulina,
[00:16:01] as I told you, in Acapulco was also
[00:16:04] devastating at that time, and
[00:16:07] currently with Notis and with Notis I didn't get
[00:16:11] to help there, but yes here
[00:16:14] in Mexico to help in the collection centers,
[00:16:18] to sort all the food, as I told you, the
[00:16:21] Mexican always wants to give with full hands
[00:16:24] and well, they try
[00:16:28] to give everything they can,
[00:16:30] right? But it's very good that they give us,
[00:16:34] but we have to classify it and order it. So
[00:16:38] that when it arrives at the disaster site, they don't
[00:16:41] waste time cataloging and so on, so in the collection
[00:16:45] centers, that's part of what's done, you help a lot
[00:16:48] indirectly so that when help arrives,
[00:16:52] it arrives so that it can be channeled and it's a
[00:16:55] faster way to help them, right? And help
[00:16:58] arrives, right? Because there's a lot of
[00:17:01] skepticism, yes, it does arrive,
[00:17:03] eh,
[00:17:06] also. there are food
[00:17:09] banks that
[00:17:12] have to be renewed on many
[00:17:15] occasions, there's aid that goes to the food
[00:17:19] banks and what's in the food
[00:17:22] sent immediately,
[00:17:25] so while the classification and so on
[00:17:29] is done, it's not something
[00:17:32] you say I deliver today and it goes out today, right?
[00:17:36] Because you deliver it, but you have to
[00:17:39] classify it, you have to see if
[00:17:41] it's a perishable product or not perishable,
[00:17:44] there's the custom, so to
[00:17:47] speak, that they tell you: oh, don't donate perishable
[00:17:51] things, because they will spoil, however,
[00:17:54] if you do donate
[00:17:58] all the rescuers, all the paramedics, firefighters
[00:18:02] and the people who are helping in the collection centers,
[00:18:06] well, they will also need to eat at that moment, of course,
[00:18:10] of course, of course, because, I mean, there are
[00:18:14] emergencies, there are disasters that can be
[00:18:17] 3-5 days and others that can be months,
[00:18:20] so eating tuna or canned
[00:18:23] products for a whole month
[00:18:27] is complicated, so many of those perishables are
[00:18:30] then donated to restaurants or to
[00:18:34] kitchens that are preparing the food for the
[00:18:37] day to day and that makes
[00:18:40] it so that, as we were talking about a little while ago, this dish is very
[00:18:43] balanced in terms of food groups and
[00:18:47] not everything is specifically from one only, right?
[00:18:51] Because sometimes with cookies and tuna
[00:18:53] you end up over here, right? Yes,
[00:18:57] yes, of course, hey, if you had the opportunity to
[00:19:01] be heard by many people,
[00:19:04] how would you like them to, or rather what
[00:19:08] would you like them to take
[00:19:11] away and
[00:19:14] to think and to feel
[00:19:19] the people who dedicate themselves to saving
[00:19:21] lives?
[00:19:23] Gosh, the
[00:19:27] reality is that I know
[00:19:30] that for some we pay for
[00:19:33] many, I know that like everywhere
[00:19:37] else, there are many
[00:19:40] people who seek to do good continuously
[00:19:44] and well, some who don't so much, however
[00:19:47] in the day to day,
[00:19:50] as
[00:19:53] a slogan says, the good guys are more
[00:19:56] and there are many people who
[00:19:59] well, they leave their family,
[00:20:03] they leave their lives on
[00:20:06] an ambulance, a fire truck, a rescue
[00:20:09] unit to help and sometimes
[00:20:12] people often
[00:20:16] can't even say thank you, right? So
[00:20:19] I think we understand
[00:20:22] that the traffic,
[00:20:26] that the same situation in the emergency
[00:20:29] makes, as we saw with your son,
[00:20:32] that you get out of
[00:20:35] control, we are also
[00:20:38] people who come to attend to you and
[00:20:42] that I understand your
[00:20:44] frustration, but don't take it out on
[00:20:47] us, right? If we take
[00:20:51] a long time to arrive, many times
[00:20:54] it's because maybe we're coming from the other side of the city or because traffic
[00:20:58] doesn't allow it or because we were coming from attending another
[00:21:02] emergency that delayed us
[00:21:06] because sometimes we are not
[00:21:08] enough, right? So I think
[00:21:12] that gratitude towards those of us who
[00:21:15] are constantly attending to people,
[00:21:18] sometimes they forget it.
[00:21:21] And it shouldn't be, we shouldn't
[00:25:43] Riney Templeton left visual testimony of social
[00:25:46] struggles in Mexico, Central America, the Caribbean and the United States.
[00:25:51] Her iconic black and white drawings were reproduced in
[00:25:54] flyers, brochures, books, posters and magazines of
[00:25:58] urban-popular,
[00:26:00] student, union and neighborhood movements of the
[00:26:04] 1970s and 1980s.
[00:26:08] Rini was born in Buffalo, New York in
[00:26:11] 1935. She studied art in the United States and
[00:26:15] England in the mid-1950s, she studied engraving in Mexico
[00:26:19] City. In the 1970s, she came to Mexico to
[00:26:22] join the Popular Graphics Workshop.
[00:26:26] Rinnie began her artistic life as a sculptor,
[00:26:29] but very soon her political activism would lead her to
[00:26:32] drawing with India ink on paper, with the idea that
[00:26:36] they could be easily reproduced in different formats
[00:26:40] and, therefore, be at the service of any social cause or popular
[00:26:44] expression. Her trajectory was marked by
[00:26:47] constant displacements between Mexico and the United States,
[00:26:51] as well as by trips to different Latin American countries,
[00:26:54] linked both to her artistic activity and to her
[00:26:57] participation in social movements.
[00:27:01] Riney lived in Mexico intermittently between
[00:27:04] 1974 and 1986.
[00:27:07] During that period, she participated and documented meetings,
[00:27:11] demonstrations, strikes and other actions in favor of social
[00:27:14] justice throughout the country, which were captured
[00:27:18] in more than 70 sketchbooks. In her work,
[00:27:21] she also portrayed girls, boys, women and men in
[00:27:25] scenes of daily life, with special emphasis on community
[00:27:28] bonds and affections, because, as
[00:27:31] she used to say, where there is life, there is
[00:27:33] struggle. Riney worked for 9 years
[00:27:37] on the design of the magazine Punto Crítico, founded by
[00:27:40] leaders of the 1968
[00:27:42] student movement.
[00:27:44] She also participated in the creation of the Mexican Workers' Front.
[00:27:48] culture. She collaborated with numerous
[00:27:51] social organizations such as the National Front against
[00:27:54] Repression, led by Rosario and Barra de Piedra, and the
[00:27:57] Independent Union of Workers of the Metropolitan
[00:28:00] Autonomous University. After the 1985
[00:28:03] earthquake, she joined the mobilizations that
[00:28:06] demanded from the government the construction of new housing in Mexico
[00:28:10] City. Riney Templeton died in June
[00:28:14] 1986 in Mexico City, after a life
[00:28:18] of graphic activism that contributed to the visual memory of social
[00:28:21] struggles in
[00:29:28] for Freedom.
[00:29:36] Rating B: Teenagers.
[00:30:07] I'm Nayeli. I've been here for a year in the Santa
[00:30:11] Marta Catitla prison for the crime I'm accused of, aggravated
[00:30:15] car theft.