CCTV13 — broadcast
20261010 181500 UTC
251 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive.
Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:00:08] This is China Central Television. News
[00:00:11] Channel .
[00:00:15] History in the making, news behind the
[00:00:18] news
[00:00:20] .
[00:00:23] News Investigation
[00:00:24] .
[00:04:30] You should never think that I can succeed with one sitting , you can't rush it
[00:04:33] . I think the highest level in this industry is to say what
[00:04:36] ?
[00:04:38] And there's no turning back. Also, you must become a saint,
[00:04:42] the victor is king, it's the one who remains, not the one who
[00:04:45] wins.
[00:04:48] After 9999 kinds of tests are completed, there is no way to measure it
[00:04:52] .
[00:04:56] In the animation industry ecosystem, such
[00:05:00] theatrical films are compared to towering trees. They require
[00:05:04] large investments, long cycles, and high risks. Once successful, the
[00:05:07] returns are huge
[00:05:08] .
[00:05:44] 24 enterprises, including Kekaodonghua and other three enterprises, are among the top
[00:05:47] 30 nationally growing cultural enterprises. Wu Honglian
[00:05:51] said that making original Chinese feature-length animated films is the ultimate
[00:05:55] dream of many practitioners . Generations of creators
[00:05:59] have explored with passion and effort
[00:06:01] .
[00:06:04] Wu Konglian was a graduate of the first class of the animation program
[00:06:08] at Sichuan Fine Arts Institute. In the 1990s.
[00:07:14] In 1995, American Pixar released the world's first
[00:07:18] full CG 3D animated film, Toy Story,
[00:07:22] marking a technological leap
[00:07:24] in the animation industry.
[00:07:42] Second, at that time, the software was still relatively valuable and expensive
[00:07:46] , and the cost of learning it was also very high
[00:07:49] .
[00:07:51] In 2000, Wu Honglian graduated from the animation class
[00:07:55] of Sichuan Fine Arts Institute. He did not choose to do OEM outsourcing, but
[00:07:59] joined the newly established Digital Domain company. For him,
[00:08:02] participating in the production of original Chinese animated films was
[00:08:06] extremely appealing . There's a very interesting
[00:08:10] detail here. Someone came to our company.
[00:08:13] At that time, many of our colleagues said, "What are we doing? We want to make movies.
[00:08:16] We want to make Chinese animated movies." The
[00:08:20] founders of Digital Domain were Leung Ting-pong and Leung Ting-hung,
[00:08:24] brothers from Hong Kong . Leung Ting-hung worked in the American
[00:08:28] animation industry for many years . Traditional animation production is inseparable
[00:08:31] from manual drawing, and production efficiency is not high. But with
[00:08:35] the application of CG, which is computer graphics technology, in the field of animation,
[00:08:39] it can be done with computer software.
[00:09:13] Because this is a comprehensive and complex talent that
[00:09:16] needs to work together . When the first batch of us went there,
[00:09:20] there were people from Sichuan Academy of Fine Arts, and
[00:09:24] also from Xi'an Academy of Fine Arts, Central Academy of Fine Arts, Central Academy of Fine Arts
[00:09:28] , who taught animation . And Capital Normal University
[00:09:31] , there were many people, it was really new at that time
[00:09:35] . At that time, we didn't even understand
[00:09:38] the help files of 3D software very well
[00:09:42] . Right? At that time, art students generally didn't have very good English
[00:09:46] . After that, we were still learning slowly
[00:09:50] .
[00:09:54] Just a year before Digital Domain was founded , the American science fiction film
[00:09:58] Star Wars: Episode I, which made extensive use of CG technology,
[00:10:02] became the global box office champion in 1999.
[00:10:06] In fact, the Star Wars sci-fi IP
[00:10:10] had already started a long line of
[00:10:13] comics, toys, novels, and other derivatives back in the
[00:10:17] 1970s. The success of the film once again triggered
[00:10:20] large-scale development of related
[00:10:21] derivative products.
[00:11:25] We turned on the computer, zoomed in, it was still a bit blurry
[00:11:29] . So, for such a detailed requirement, does it have
[00:11:33] practical significance? Yes, because there were more than 470 people involved in the production
[00:11:36] at that time. There were more than ten departments. If everyone did not
[00:11:40] adopt a standardized production method, then many
[00:11:44] problems would arise without anyone knowing how. Our work habits
[00:11:48] were synchronized with Hollywood . Every night, we submitted
[00:11:51] the progress of the day's work. After submitting
[00:11:55] it in the morning, there would be a meeting in the morning where all department
[00:11:59] heads and overseas directors would sit together in the screening
[00:12:03] room to review the work results of each department from the previous
[00:12:07] day. After that, they would give feedback
[00:12:10] to us. Then everyone would start working, and some people would work until
[00:12:14] the evening, some would leave after work in the afternoon, and some would have to work
[00:12:18] overtime until evening to complete these modifications. Then they would submit
[00:12:21] it again, and so on. The work intensity was very high.
[00:12:26] That year, Digital Domain established 500 professional graphics
[00:12:29] workstations, employed more than 400 3D animators, and invested
[00:12:33] 130 million yuan over 15 years. They produced
[00:12:36] 176 character models, 461 scene models,
[00:12:40] 242 prop models, 106 scenes,
[00:12:44] 1602 shots, and the total number
[00:12:47] of production files exceeded 110,000
[00:12:51] .
[00:12:57] In August 2006, Mobius was officially released in China.
[00:13:23] 2006 was also the year
[00:13:55] of their students, or people they had guided, went to universities
[00:13:59] . So, at that time, many 3D animations were actually
[00:14:03] related to them. At that time, our academy had a skeleton
[00:14:07] teacher named Xu Li, who came from Digital Domain
[00:14:09] .
[00:14:12] In 2004, several opinions on the development of China's
[00:14:16] film and animation industry were issued . This document opened
[00:14:20] the prelude to the industrialization of domestic animation. In the following decade,
[00:14:23] the central and local governments,
[00:17:07] "One Hundred Thousand Bad Jokes" was a grassroots original comic series. Although the
[00:17:11] art style was rough and simple, its nonsensical吐槽 and meme-generating
[00:17:15] ability were unique, fitting the spiritual and emotional
[00:17:19] needs of young netizens. Therefore, it accumulated over a billion
[00:17:22] clicks . Have you
[00:17:26] seen this comic? Yes, do you like it? Yes, and his
[00:17:29] humor has wisdom behind it. He's not just being crude
[00:17:32] for laughs
[00:17:34] .
[00:17:47] In other words, "One Hundred Thousand Bad Jokes" is a successful IP that has been verified by the market. The online platform invited Li Shujie and Lu Hengyu to create a secondary
[00:17:50] work, turning the comic into an animated series with richer
[00:18:10] ? Abroad, whether it's Marvel or Japan, there are many
[00:18:13] manga adaptations into animation and film . This model is very
[00:18:17] mature, but why not in China ?
[00:18:20] 。
[00:18:28] In 2012, Li Chujie and his team produced an animated series that went
[00:18:32] viral across the internet . After that, they produced
[00:18:35] two more seasons of "100,000 Cold Jokes".
[00:19:07] More than 1 million of these came from crowdfunding, but the box office
[00:19:11] revenue was 119 million yuan. Almost at the same
[00:19:15] time, the animated short film "Hit a Big Watermelon"
[00:19:18] by Jiaozi Productions became an instant hit online. At that time,
[00:19:22] animation teams in Chengdu were generally small and had limited
[00:19:26] funding. They would do animation outsourcing, commercial advertisements, and even
[00:19:29] produce games, while learning and honing their skills. More
[00:19:33] importantly, they were driven by their inner passion for animation.
[00:20:37] First, make a living.
[00:20:50] He is not an exception, nor an isolated case. He is one of a group
[00:20:53] of dedicated animation creators in the民间
[00:20:56] . They are still driven by their inner passion from childhood
[00:21:00] .
[00:21:03] At some point, when capital comes in and good policies
[00:21:06] support it
[00:21:07] ,
[00:21:13] our opportunity will come. We need to wait for opportunities, first create opportunities, then wait for opportunities
[00:21:16] .
[00:21:50] Finally, run through the last kilometer to win the championship. It must
[00:21:53] be a different form of expression of IT, which ultimately
[00:21:57] constitutes its entire industrial chain
[00:22:00] .
[00:22:04] Secretary-General of Chengdu Digital Culture Creative Industry Association. He talked about the long-term development of IP in the digital cultural
[00:22:08] and creative industry
[00:22:09] .
[00:22:13] The first step is a good story. Next are comics, animation, movies,
[00:22:17] games, theme parks, and derivative products.
[00:22:50] One IP universe after another, but I think
[00:22:53] the most charming aspect of these six major digital creative tracks is that you don't necessarily
[00:22:57] have to run all of them. As long as you do one track well and specialize
[00:23:01] in it, it can still become an excellent IP, and even support a team
[00:23:05] . In 2016, Lu Heng and Li
[00:23:08] Shujie's team once again adapted the popular web comic "Rakshasa Street"
[00:23:12] into an animated series . After its release, it quickly
[00:23:16] topped the platform's domestic animation chart.
[00:23:20] In 2017, the two co-directed the animated film "One Hundred Thousand
[00:23:24] Bad Jokes 2", which still grossed over 100 million
[00:23:27] yuan. Hello everyone, I'm Su Moting
[00:23:31] . We are a new fan , everyone is not. In 2019,
[00:23:35] the team launched its first original animated series "Daily
[00:23:44] Child" was released, with a cumulative box office of 5.035 billion yuan
[00:23:48] . Step by step.
[00:26:02] With him as the representative, and with this leading enterprise, the chain enterprise as the representative,
[00:26:06] we have gradually attracted a large number of animation-related
[00:26:10] enterprises to settle in our park. We have carried out corresponding industrial chain investment
[00:26:13] .
[00:26:16] That is, how can we forge a new path for the development
[00:26:20] of this industrial
[00:26:21] park?
[00:26:24] From the perspective of our industrial capacity, we consider
[00:26:28] how to organically integrate it . At present, we are concentrating
[00:26:32] resources on the upstream, that is, from the planning stage to our
[00:26:35] production stage, to the special effects stage, to dubbing and mixing. This line is very
[00:26:39] strong. For downstream distribution and the production of derivative products,
[00:26:43] we are still a bit weaker. We hope to support the entire industry
[00:26:47] and the commercial cycle, support the entire industrial chain to be connected. This is our pursuit
[00:26:51] and goal. In recent years, Chengdu has promoted the high-quality
[00:26:54] development of the digital creative industry, and at the 14th Plenary Session
[00:26:58] of the Municipal Party Committee held in December 2025, it for the first time raised
[00:27:02] the acceleration of the construction of a national important cultural creative center and a digital
[00:27:06] creative industry cluster to the height of the city's development positioning and
[00:27:10] overall planning. In 2025, we introduced a package of policies
[00:27:14] covering film and television, games, e-sports, science
[00:27:17] and technology innovation, and incubation of enterprises . In 2026, we
[00:27:21] launched special financial policies for the digital cultural and creative industry, with 10 key
[00:27:25] measures, to build a policy system that covers the entire
[00:27:29] life cycle of the industry . Our considerations are mainly as follows:
[00:27:33] First, to highlight the systematic promotion of industrial ecosystem construction.
[00:28:02] Combined with a diversified investment mechanism, we have established multiple specialized
[00:28:06] funds in sub-fields, and launched financial products such as "Wenchuangtong"
[00:28:09] to alleviate enterprise financing difficulties. In 2025,
[00:28:13] the total scale of the city's digital creative core industry reached
[00:28:17] 413.97 billion yuan,
[00:28:20] an increase of 8.3% year-on-year. The industry scale
[00:28:23] ranks first in the country . Under the policy
[00:28:27] incentives, Chengdu's local animation industry has flourished and diversified
[00:28:30] .
[00:28:33] Different types of products and production entities coexist, forming
[00:28:36] a multi-layered industrial ecosystem. At the same time, with
[00:28:40] the settlement of leading domestic visual effects companies in Chengdu, Chengdu
[00:28:44] has a more solid foundation in high-difficulty 3D special effects, realistic
[00:28:48] rendering technology, big movies, and rendering capabilities
[00:28:51] . This team has actually always
[00:28:55] relied on projects to constantly explore and grow
[00:28:59] .
[00:29:16] But now, the visual effects market for domestic heavy industry films
[00:29:19] is basically undertaken by domestic teams , with overseas teams only
[00:29:23] participating in a small amount of subcontracted shots and capacity supplements
[00:29:26] . Korean visual effects companies
[00:29:30] are very cost-effective. They,
[00:30:02] the character of the project.
[00:33:45] In over three years, over 180 episodes have been updated, and
[00:33:48] a 90-minute online theatrical version has been launched. The development
[00:33:52] of IP is much longer than a single game or a single
[00:33:56] animation. Because a brand is an idea
[00:34:00] to people. It's a thought that echoes, it's not
[00:34:04] a product that I might forget after playing today. But if you can implant this
[00:34:07] brand into people's hearts, then it will last a long time, just like
[00:34:11] now .
[00:35:54] This is where the Science Fiction World magazine editorial department is located. It is also
[00:35:58] a spiritual check-in place for science fiction enthusiasts
[00:36:01] . This magazine, founded in 1979, which serialized "The Three-Body Problem,"
[00:36:05] has a unique appeal . The magazine's editors
[00:36:09] take turns receiving science fiction fans from all over the
[00:36:13] country.
[00:37:27] It can become a peripheral product that is reflected in my life
[00:37:31] , whether it's the pattern on my clothes or the pattern on my stationery, or
[00:37:35] some of my small dolls and ornaments. So,
[00:37:39] this means I've incorporated science fiction into my life. Yang Guoliang
[00:37:43] said that science fiction literature was born with the wave of the Industrial
[00:37:46] Revolution. Its audience needs modern urban life
[00:37:50] experiences and an understanding of technology. The public's
[00:37:54] interest in science is essentially rooted in technology.
[00:40:57] AIAI can independently complete content expression
[00:41:06] In 2026,
[00:41:07] the city grew.
[00:41:11] The OPC community small team provides complete support. Developers can complete company registration, accounting, and space rental here.
[00:41:28] And today's main topic is that we are targeting
[00:41:32] the funding problem of our slow C or OPC,
[00:41:36] which may be different from other industries .
[00:43:03] While actively embracing new technologies and exploring new organizational forms
[00:43:07] , the next success is just around the corner
[00:45:35] Hello, audience friends, this is CCTV Channel 3.
[00:45:40] Welcome to this news live broadcast. On the 10th, the State
[00:45:44] Council Information Office held a series of 155 themed news conferences
[00:45:47] . The relevant负责人 of the Ministry of Human Resources and Social Security introduced
[00:45:51] the relevant situation of promoting employment and high-quality development of social
[00:45:55] security. The relevant负责人 introduced that from January to September this year, China's
[00:45:59] employment situation.