CRONICA — broadcast
20260911 010000 UTC
501 transcript segments
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[00:00:01] where Micaela would be, a neighbor's testimony coincides with what
[00:00:05] Cristina just told us, this is the place during the day, not
[00:00:08] at night, forget it, it's a
[00:00:11] black hole, not to the back but forward, to the back, to the back
[00:00:16] girl, forgive me, not for there Cristina doing the tour, here is the work Cristina talked about , these are the
[00:00:20] shantytowns, right? And these are, of course, the shantytowns that are just further ahead
[00:00:23] there are three works there, three, these, you see,
[00:00:27] well, keep going, keep going, keep going to the corner. The corner to your right
[00:00:31] here this corner ah this entrance that you can't go back
[00:00:35] one block back one block, okay,
[00:00:38] here there's an empty lot further back, look, yes, well, but
[00:00:41] that's the new asphalt, that's the new asphalt that you don't see there, well, this
[00:00:45] part would be the land that is right next to the Belgrano Sur railway
[00:00:49] tracks, the one that passes through Villegas station,
[00:00:53] right? Yes, well, those are all asphalts, it's all new asphalt that was
[00:00:57] laid, but this would be the area where they would meet? Yes,
[00:01:00] here there's a wall where they light fires, they gather there, but you go to the gate
[00:01:04] where you showed first and I'll show you the shantytown, no, not there, that's a
[00:01:07] little kiosk where they stop in the morning, you already have it, okay, Cristina has a delay, let's
[00:01:11] keep that in mind, she's seeing further back there, 50, 70 meters
[00:01:15] it would be, no, further ahead, further ahead is the
[00:01:18] gate, it's not in the truck where we see a truck, no, no,
[00:01:22] no, this way, people are going to the gate you see, there's the new asphalt, you see the
[00:01:26] new asphalt, you see, uh-huh, to the other
[00:01:29] side, look, there's the new
[00:01:32] uh, there, along the edge, there are three, there are three little tents
[00:01:36] they found me and thanks to too, where the girls go in, ah, that would be the empty lot,
[00:01:38] right, Cristina, the empty lot that is by the tracks, that would be
[00:01:41] it, but if you come one block
[00:01:45] talking about, ah, good, good, good, good, clear, there's nothing here,
[00:01:50] there it's a landfill, it's a landfill, now it's paved, typical, typical,
[00:01:54] now it's paved, there's the street that goes to Crovara, let's
[00:01:57] see, look, Moreno is going to ask you, Cristina, what good
[00:02:01] information, no, I wanted to ask if about
[00:02:05] a year and a half ago, more or less, there was
[00:02:08] a case there where they found a dead boy
[00:02:11] minutes past near a landfill, could it be the same place, a year and a half or two, more
[00:02:14] or less?
[00:02:17] Yes, yes, every day it happened before they did the new works,
[00:02:20] it happened, because we went to do that case
[00:02:23] precisely,
[00:02:26] a disaster, now, all in all, it's
[00:02:28] totally, in fact, everything under police guard. But it's as if it's
[00:02:32] about to be, let's say, but you know
[00:02:35] what happens, Cristina, I'll be
[00:02:37] honest with you, uh, there what needs to be
[00:02:40] attacked is the issue, there must be something
[00:02:44] governmental that addresses addictions and if
[00:02:48] you know that in that shantytown there are mothers with
[00:02:51] children, in a state of addiction, in a state of
[00:02:55] paco, all lying there, something has to be done, how
[00:02:58] can it be that the neighbors. in everything and the authorities don't, well,
[00:03:02] let's tell it, what else, no, no, but
[00:03:04] the neighbors, the neighbors of this
[00:03:08] bus stop, the stop for
[00:03:11] the 126 is on the corner of that shantytown, if you go back with
[00:03:16] to the area of the thing, you go back to the black gate, you walk one block to your
[00:03:19] wearing now, so you can see her in right is the stop for the 126, people are
[00:03:26] a homeless situation, who have problems with out like that to tired, they work there, they work there, they feed them, not the girl where the state should be, well,
[00:03:31] the neighbors are there, let's see, there's a call,
[00:03:32] pay attention,
[00:03:41] oblige him to take him, they go to listen, I don't know, here they are talking on the news, I'm talking here with the news and
[00:03:44] they are saying that they raided the gate
[00:03:47] today,
[00:03:51] in the last
[00:03:56] the truth is go from Puerta de Hierro or from few days, when we were coming with he's talking about the San Alberto police station,
[00:03:59] there are news. There's some news about my daughter, do they know
[00:04:02] anything? No, what happens is they want to go to the place,
[00:04:05] wait, wait, what place?
[00:04:08] Let's see,
[00:04:11] uh, what, what did they tell you, Cristina?
[00:04:15] Barrio Illia, in Uh, mom, Graciela, Graciela, what did they tell you? They told
[00:04:19] me about Micaela, if I knew any news, I told them no, I was here with
[00:04:23] the news, they heard what they said, I said if I knew any news, any news
[00:04:27] about my daughter, they told me and hung up, clear. And they told you they were
[00:04:30] police?
[00:04:33] Yes, from the San Alberto police station, find out if the San
[00:04:37] Alberto police station is calling, well, no, I know
[00:04:40] it's a call from somewhere else to distract
[00:04:44] she was dressed like she looks in attention, give me, give me a minute, Graciela is
[00:04:47] sure that it's from the police station,
[00:04:49] you? Yes, they told me they called from the
[00:04:52] police station
[00:04:55] from the Vatican too, but well, they told her to go to the police station, as I understood
[00:04:59] it. To go to the place, to go to the place
[00:05:02] where her daughter would be, to this shantytown, look for
[00:05:05] the call, no, let's see, we can, I don't know,
[00:05:09] well, if we can go, I don't know, I'm saying.
[00:05:14] Could it be production well, because another thing is that they
[00:05:18] call her to talk, we have Cristina until
[00:05:21] Carlos, but I think, let's see, what happened to Gonza?
[00:05:24] Yes, here a viewer contacted us who says
[00:05:28] that she saw her in neighborhood 1114 in Bajo
[00:05:31] Flores last night, I'm sure it's her, her name
[00:05:34] was Micaela, it was her, I'm watching the news
[00:05:37] now, she says, well, I'll ask there when? Last night
[00:05:41] in Perito Moreno
[00:05:51] production, so that she can go on air, let's put her on the phone, uh, she could have been
[00:05:54] yesterday in 11:14 and today, Puerta de
[00:05:58] hierro, son zombis que son manejables, los puedes llevar para
[00:06:01] stone, they go after the stone, what
[00:06:05] is there, Cristina, paint us a picture of what there is
[00:06:09] in that place you say, these new shantytowns,
[00:06:12] yes, I go in at 6 in the morning just as
[00:06:16] uh uh I get off the bus, they walk around
[00:06:19] respectfully, they already know us, if they ask you for a
[00:06:23] cigarette, they say, "Mom, do you have a cigarette?" And I say, "No, son, I don't
[00:06:27] smoke," or if I go out to buy something at noon, they say, "Do
[00:06:30] you have a cookie?" And if I buy them a cookie, I give it to them, I don't give
[00:06:34] them money because I know it's not for the cookie, I am a mother and to see those
[00:06:38] kids so young, those girls who are so
[00:06:41] pretty, yes, and to see them deteriorated by the damn
[00:06:44] paco, it makes you angry as a mother, of course, girls from families, let's say,
[00:06:48] who had a good upbringing and ended up
[00:06:52] yes, because it seems not, but the dealers are taking our children
[00:06:56] totally totally
[00:06:59] nobody sees anything, nobody sees anything, nobody sees anything,
[00:07:02] everyone looks the other way, can it be that a
[00:07:06] neighbor tells us to go one block, turn right, the
[00:07:10] gate goes this way, go that way.
[00:07:14] And the people who should see it don't see it, well,
[00:07:17] let's believe in the good will of the police who communicated with Graciela, no, well, yes, I confirmed
[00:07:21] indeed, the people from San Alberto communicated with Graciela because
[00:07:25] there is an order from the departmental chief to, well, search and
[00:07:28] find, to take her to the place, pick her up by the
[00:07:31] car, where are we with the car so Jorge can give them the address and they can pick her up
[00:07:35] we'd be delighted, we'll
[00:07:41] that we do well, everything that is done well by
[00:07:44] the police personnel will be told, I repeat, the head of the
[00:07:48] department gave the order to the San Alberto police station to do everything possible and
[00:07:51] impossible to locate the whereabouts of this girl, well,
[00:07:55] the phone call is indeed one of the chiefs of San Alberto who communicated
[00:07:59] with the mother and they are going to coordinate the
[00:08:02] search with a family member, good, and also because it seems to me that
[00:08:06] this has to be urgent, talk to the people of
[00:08:09] the city, yes, I'm also sending them messages regarding the what's coming out now,
[00:08:13] who do I have on the line?
[00:08:16] Ah, good, good,
[00:08:19] good, now we're going to protect the name, a
[00:08:23] witness will come out who saw her last night in Bajo Flores
[00:08:26] behind the San Lorenzo stadium, she says, she says
[00:08:30] that she's sure it was her,
[00:08:33] so well, now when we have her on the line, surely
[00:08:37] we'll put her on air and that she was alone, I asked if
[00:08:41] she was accompanied, she said she was alone and what makes her sure it was
[00:08:45] her, what does she say? And when she saw the photo, she
[00:08:48] recognized her, she's from the neighborhood and usually frequents there
[00:08:52] too, she also identified her, she had also said yes, here she also clarifies that her name was
[00:08:55] Micaela, good, uh, is the
[00:08:57] witness Cristina, can
[00:09:01] you, what is there, so to speak, to go from, I don't know, is there a train to
[00:09:06] the vicinity? You have the Villegas train and you have the
[00:09:10] 180 that passes through
[00:09:12] Crovara, it's quite direct,
[00:09:16] you have the 126 too,
[00:09:20] uh, so with a means of transport, the 624
[00:09:23] too, the 193 that leaves you there at
[00:09:27] 1114, clear, clear, it all goes underneath, well,
[00:09:30] now let's hope we have this person on the line who saw her, who
[00:09:34] says uh, clear, I tell
[00:09:37] that mom that she's not at the gate, you know why? Because I have co-workers who are not at the gate. Everyone
[00:09:41] knows each other, clear, clear,
[00:09:44] well, the information the neighbors have, the authorities didn't have it because they have searched
[00:09:48] Puerta de Hierro but no,
[00:09:52] she's not at that gate, she must have taken the
[00:09:55] 97, the 193 to
[00:09:59] 11:14 because from there it goes to Crobar and the
[00:10:02] 193 passes by 11:14, yes,
[00:10:05] clear, yes, clear, clear, the
[00:10:09] witness is not answering, no, I imagine too, here I have missed calls from let's insist
[00:10:17] that she will answer, let's insist that the one who answers was just
[00:10:20] a confusion, let's see
[00:10:23] Graciela, does the information that yesterday there's a
[00:10:27] witness who is very sure that she saw your daughter in
[00:10:31] 1114 because she recognizes her, obviously, by the image and
[00:10:34] also, uh, by the name and knows that she's from
[00:10:38] the San Justo area, yes, it
[00:10:41] leaves me very calm, I hope it's her
[00:10:43] and that, yes, I hope it's her, I hope it's her and that she's alive
[00:10:47] because I hope that mom can seek help for her daughter, it's
[00:10:51] that she looked for her, the problem is that she looked for her but they don't give it to her, no,
[00:10:55] you know what happens, bald man, I'm going to tell you and Diego, I'm going to tell you,
[00:10:59] you know what they tell you, no, she's an adult and she has to admit herself, yes, but you know well
[00:11:03] clearly, you know well clearly, that the
[00:11:06] person who is dealing with the pipe
[00:11:10] uh, is not going to want to admit themselves, it's obvious that they won't want to
[00:11:13] admit themselves, no, so it's very difficult for a
[00:11:16] mom to see how her child is dying because they end up
[00:11:19] dying, uh, without being able to do anything, that's why
[00:11:22] I support the mother of Chano who fought to change the laws
[00:11:26] totally, yes, uh, totally, but Chano's mother, thank
[00:11:30] God, uh, had the possibility to put him in a
[00:11:33] private place, uh, and of quality
[00:11:37] and to be able to help her
[00:11:40] son, in this case, when you are poor,
[00:11:44] uh, it's not so easy to admit yourself, you don't have anyone, you also don't have a therapist,
[00:11:47] not a mother devoted
[00:11:50] to that, no, and it wasn't paco.
[00:11:59] No, yes, okay, okay, it's true, any drug is
[00:12:02] bad, yes, they all lead you to the same path, yes, but
[00:12:06] you can't compare someone who smoked marijuana
[00:12:09] to someone who is on the pipe or who is
[00:12:11] injecting,
[00:12:14] the one who gives the shot, you know that in three months that kid
[00:12:18] dies, but the issue of paco, two years of paco consumption, it surprises
[00:12:22] me that it lasted so long, generally. Two years is a lot for
[00:12:25] a person who consumes paco, yes, uh, the truth is that
[00:12:29] you see a lot of very sad things,
[00:12:32] to see a girl lost in
[00:12:35] the addictions of crack
[00:12:39] okay, stop, Cristi, give me a second,
[00:12:42] Cristi, let's see, give me a plate, give me
[00:12:43] a plate,
[00:12:47] breaking news, 12 minutes past 10
[00:12:50] at night.
[00:13:02] passed, very good, witness speaks who would have seen
[00:13:06] Micaela, I saw her in 11
[00:13:10] 14
[00:13:14] and we have Susana on the line, Susana,
[00:13:17] good evening
[00:13:19] and
[00:13:22] team, do you hear me?
[00:13:55] Uh, you're with Susana, I imagine she's the one who saw
[00:13:59] Micaela last night, yes, uh, let me tell you,
[00:14:02] look, uh, we,
[00:14:04] I used to live in Bajo Flores before, yes,
[00:14:08] and we work, uh,
[00:14:11] all day and we come back around 10 at night,
[00:14:15] yesterday
[00:14:19] the 193
[00:14:21] uh, I got off at Perito Moreno to buy with...
[00:14:25] and we saw her at the bus stop, very disoriented, in Perito Moreno and
[00:14:28] Varela, at San Lorenzo stadium, Perito Moreno and
[00:14:32] Varela, Varela, San
[00:14:34] Lorenzo stadium,
[00:14:37] yes, yes, look, I'll be honest with you, she asked
[00:14:41] me if we could pay for her trip and since I didn't have any more
[00:14:44] balance, I told her I didn't have any, besides
[00:14:46] where was she going? Did she tell you where she wanted to
[00:14:50] go? No, no, she asked us if we could pay for a ticket
[00:14:54] and since we didn't have any, she asked me if we could pay for
[00:14:58] a ticket and well, I was with my wife and my wife got
[00:15:01] scared, you know, and she told me no no, how was she dressed?
[00:15:05] Very
[00:15:09] the photo, like she looks in the photo,
[00:15:12] yes, did they
[00:15:14] ask her name? Yes, she told us her name was
[00:15:18] Micaela, she looked very, very disoriented, anyway, I'm telling
[00:15:21] you the truth, I'll be honest, it's a shame that, uh-huh, the poor
[00:15:25] girl is lost in paco, right? Because the
[00:15:29] truth is that nothing, I hope, I hope
[00:15:32] that she left there, from Bajo Flores, you know,
[00:15:35] because like everything else, now with... in Bajo Flores
[00:15:39] it's big and you can easily go
[00:15:42] in and ask and they'll tell her, "Look, your mom is looking for you,"
[00:15:46] or they'll show her the photo and say, "No, look, your mom is looking for you,"
[00:15:50] and that poor
[00:15:53] what I'm saying, she's lost in paco and she'll
[00:15:57] run away, I hope she appears, I just wanted to tell
[00:16:00] you that yesterday, yesterday we saw her, I
[00:16:04] saw her there at the bus stop, why do you recognize her? By her
[00:16:08] face, by her hair, by her clothes, by her face, her face, her face and
[00:16:12] her hair, yes, it was, it was her, she looked disoriented,
[00:16:15] like she was drunk,
[00:16:18] alone? Yes, alone, alone, the truth is it's a
[00:16:22] shame, you know, because many girls get lost there, you know, in
[00:16:25] Bajo Flores, it's a shame, but there in
[00:16:28] Bajo Flores, there are certain places where the
[00:16:31] Gendarmerie is, yes, no, the Gendarmerie is not there anymore, there is a, there
[00:16:35] is a...
[00:17:07] Of course, the 193 passes, the 76, and then
[00:17:11] it would be the San Lorenzo stadium,
[00:17:14] like going towards the Riestra stadium where
[00:17:17] all the loading and unloading is, and also a bunch of crack users stop
[00:17:21] there too, yes, but there, where the Marola gang is washing the
[00:17:24] Cabrales, all those guys, no, yes,
[00:17:27] not so much, look, not so much, I have because
[00:17:31] Riestra Bonorino and Riestra, yes, exactly, I'm telling
[00:17:35] you because I used to live there, I
[00:17:38] do, and I know everything, it's a shame that poor girl
[00:17:42] is lost in drugs, I'm telling you because I also went through it and lived it,
[00:17:46] now I have a family and nothing, it's a shame that poor
[00:17:49] girl is lost in drugs, no, I hope she appears, there are a lot, but
[00:17:53] well, the good thing is that you saw her, uh, because the
[00:17:56] version is a shame because I, I'm now
[00:17:59] watching, I'm watching the mom live now and
[00:18:03] and I just looked at the photo and I told my wife, "Look, that was the girl we saw
[00:18:07] yesterday at the bus stop who asked us to get her a ticket,"
[00:18:11] and since my wife is, uh, well, I'll tell you the truth, she
[00:18:15] doesn't do drugs, she doesn't smoke, she doesn't drink anything, it's like she got scared, you know,
[00:18:18] because she looked disoriented like that,
[00:18:22] clear, you're not surprised by that state,
[00:18:26] I'm not surprised because I, I also lived it, I also had
[00:18:29] addictions and the good thing is that now I
[00:18:33] recovered and I don't live in Bajo Flores anymore, but that's great, I'll give
[00:18:36] her some advice, let's see, what she could do is to
[00:18:40] go, to go and ask, there's a, there's
[00:18:43] a church called Madre del Pueblo, yes, that
[00:18:47] there, boys go there who take refuge, who have
[00:18:51] problems with paco, ask there,
[00:18:54] maybe she went to take refuge there, because at night
[00:18:57] people also tend to go
[00:19:00] distribute food, who are in
[00:19:04] paco, and maybe they rescued her and... they took
[00:19:07] her to the shelter, it's called Hogar de Cristo
[00:19:11] which is there in Perito Moreno and
[00:19:13] Cruz
[00:19:15] okay, let's look, is information coming in? We're looking, yes, yes, a lot of people are
[00:19:19] writing but well, nothing concrete, we don't want to deviate information
[00:19:22] just in case.
[00:19:25] I'm telling you the truth, I'll be
[00:19:28] honest, it's a shame because if
[00:19:31] her mother goes to look for her, she won't find her, she won't
[00:19:35] find her because it's like they say
[00:19:38] here, they're saying that first she was in Puerta de Hierro, then she goes from
[00:19:41] villa to villa, who knows, I saw her last night
[00:19:45] in Bajo Flores, who knows if now she's in Bajo Flores, in
[00:19:49] Barrio Rivadavia 1, in
[00:19:53] the villa among the Peruvians, no, no, no, I don't know, well, you saw her, what she wanted
[00:19:57] was to take a bus, right? Uh, clear, she wanted
[00:20:00] to take a bus because she looked like,
[00:20:03] clear, surely she wanted to go back to her house because
[00:20:08] I didn't understand well how she spoke to me, you who
[00:20:11] went through it, is this normal, going around from neighborhood to
[00:20:14] neighborhood? No, the truth is no,
[00:20:18] because it's a shame, it's a shame because, you know,
[00:20:22] nowadays, paco kills you, my friend, what do you want me to tell you, paco
[00:20:26] kills you, that's it, that's the phrase, paco
[00:20:30] kills you, don't have the slightest doubt, paco
[00:20:33] kills you, it's like that, and nowadays, sorry, not for...
[00:20:37] the word, for the word and for the mothers who are alive, today girls
[00:20:41] prostitute themselves for a bag and I hope those poor girls don't
[00:20:45] reach that extreme, you know, without a doubt, I
[00:20:48] don't want to disrespect mothers.
[00:20:51] Let's see, look, no, no, nothing happens, relax, besides,
[00:20:55] my friend, I'm going to be very honest with you, I trust your
[00:20:58] word much more than anyone else's, you know why,
[00:21:02] because he went through it, because he lived it and because he knows what
[00:21:05] his mother surely went through, without a doubt, clear, yes, yes, that's
[00:21:09] why I tell you, I put myself in the shoes of that poor mother who is now
[00:21:13] looking for that girl who I don't know how old she is,
[00:21:16] I only know her name is Micaela and the truth is it's a shame because I...
[00:21:23] 25 years old, look, poor girl, well, I hope nothing happens to
[00:21:27] her, what I can tell her is to
[00:21:30] go, to go and look for her, to look for her, but I'm telling you the truth, I'll be
[00:21:34] honest, the city police inside 1114
[00:21:38] don't do a damn thing because it's like that because I told her to go
[00:21:41] across the street and ask for help, that I would, yes, anyway, I
[00:21:45] think that if her mother goes or from what I
[00:21:48] know. 11, if her mother goes with
[00:21:52] a photo on her chest, a sign of who she's looking for, they won't touch her, she'll
[00:21:55] find her, they won't touch her and they'll help her, they won't
[00:21:59] touch her, no, but not because they're good
[00:22:02] people, uh, in the world of bad guys, a mother with a
[00:22:05] sign uh, not because they're
[00:22:09] good, but because she'll drag the police, ah,
[00:22:12] then clearly what they do is take her out, uh, clear,
[00:22:16] exactly, kick her out of the villa, clear, exactly.
[00:22:23] It has a reason and and and you, Jorge, know, many times in a
[00:22:26] police investigation what you do is
[00:22:29] enter that way, clear, and they know it, so in doubt
[00:22:33] of not touching a mother who lost a daughter and we don't know if
[00:22:36] you are disguised police, I expel the
[00:22:39] people outside, I take you out of the neighborhood, clear, you understand,
[00:22:42] clear, exactly, clear, it's
[00:22:45] exactly what you say and explain, uh, they kick
[00:22:49] the mother out as if, witness, taking a step
[00:22:53] forward, one understands that Micaela will appear,
[00:22:56] at least we are already discarding the worst version which was this that
[00:23:00] they found a dead girl, what advice do
[00:23:03] you give, you who were able to get out, I imagine with the help of
[00:23:07] many people, what advice do you give so that when
[00:23:11] Micaela returns, she can do something to
[00:23:14] rescue her? Nothing, look, I'll be
[00:23:18] honest with you, the advice I can give
[00:23:20] a mother, the poor mother I'm watching live
[00:23:23] now, talk to her, talk to her, accompany her and
[00:23:26] listen to her and support her, it's not easy to get out of
[00:23:29] paco, I'm telling you because I was also lost in
[00:23:32] paco, I slept in the San Lorenzo stadium, I walked among the
[00:23:35] Peruvians, I was a disaster, a
[00:23:38] mess, as we say,
[00:23:42] clear, but well, you were able to get out, right? At least I imagine Graciela gives you
[00:23:46] some hope, right? Uh, testimony from someone who...
[00:23:50] Yes, the truth is yes, uh, I thank you from
[00:23:53] the bottom of my heart, uh, the truth is I wanted to know how she was
[00:23:57] dressed, what, if she was wearing jeans, what jacket she had, if she had her hair
[00:24:00] down, no, she had her hair down, she had
[00:24:04] jeans and that shirt she's
[00:24:09] the photos, poor thing, she was freezing
[00:24:12] too, yes, I'm suffering, they're looking
[00:24:16] with my siblings, my brothers, my children,
[00:24:20] uh, we're looking for her and thanks to Crónica, to all the people who are
[00:24:24] looking for her, who had said that she had died, they had killed her at the gate,
[00:24:28] nothing to do with it, so well, I'm a little
[00:24:31] happy, I'm going to look for her tomorrow without fail, I'm going to look
[00:24:35] under heaven and earth, thanks to the people who helped me and are
[00:24:39] helping me, my brother, my children, yes, listen to
[00:24:42] me, listen to me,
[00:24:46] I'm telling you the truth, uh, I have to listen.
[00:24:54] Yes, listen, ma'am, listen, listen to what I
[00:24:57] tell you, go tomorrow to
[00:25:01] 11:14, get off at Perito Moreno and Varela,
[00:25:04] there are a lot of shanties there, yes, you see a lot of shanties there, there's like
[00:25:08] the small square, the roundabout where the 76 turns, there are a lot of
[00:25:12] shanties there, and they stop, they're all girls,
[00:25:16] it's always like that, yes, always, 24 hours.
[00:25:32] Since she's new, they'll have her inside a shanty doing drugs
[00:25:36] and well, I hope you can find her, what else can I tell
[00:25:39] you, thanks for your help, uh, thanks for your help, thanks to
[00:25:42] you and for your testimony, I hope you
[00:25:45] find her,
[00:25:47] thanks, okay, uh, black man, stay there for a bit, thanks,
[00:25:50] we ask you to wait for us, we have some urgent information and
[00:25:53] now, yes, let's see,
[00:25:56] go ahead, no, no, no, I wanted to tell you because
[00:26:00] look, yes, no, I wanted to tell you something. Gastón Jerez is with us
[00:26:03] here, come, come, Gastón, come, come, come, because I want you to see him.
[00:26:06] he was also a boy that we were
[00:26:09] looking for and we found
[00:26:12] him briefly because thanks to Crónica they were able to locate him
[00:26:16] don't turn around it's good, it's proof that
[00:26:19] Crónica will also help you surely she will find Mica, we were
[00:26:22] also looking for you and we found you, yes, the truth is I want to
[00:26:26] thank Crónica that at that time when I
[00:26:30] was also lost, I was on the coast and the truth is that
[00:26:34] Crónica, the cameramen, you
[00:26:36] who mobilized in my search, the truth is that my family
[00:26:40] was able to contact me and
[00:26:44] appeared,
[00:26:50] there are Gastones no Gaston how
[00:26:53] are you,
[00:26:57] why had you disappeared, I don't remember your
[00:26:59] case,
[00:27:02] sorry. no because well I
[00:27:05] was involved in things like for example in
[00:27:09] consumption and the truth
[00:27:12] is that the loss of my mom, of many things in my
[00:27:16] head and well I decided to go to the coast without telling anyone
[00:27:20] and my family thought that also as the lady was listening
[00:27:23] to Micaela's story, Micaela's
[00:27:25] story, that they also give
[00:27:29] bad news and everything, and the truth is that no. don't give up
[00:27:33] you will find Micaela and because
[00:27:38] Crónica, the truth is that it's a space that reaches
[00:27:41] a lot of people and it will
[00:27:44] be very well what this
[00:27:47] screen is, yes, hold on a little bit there that we'll be back with you, I have an urgent
[00:27:51] one, let me see the plate
[00:27:52] go
[00:27:56] last
[00:27:57] minute.
[00:28:08] This is an exclusive from Crónica at 27
[00:28:14] 10 at night, I said it for, never mind,
[00:28:17] police and thieves shooting
[00:28:18] at each other,
[00:28:23] federal police killed a
[00:28:24] criminal,
[00:28:28] that's how one of the criminals escaped in the
[00:28:32] hood of a car in their San olor, let's
[00:28:35] see
[00:28:38] look
[00:28:43] there you will see when
[00:28:44] it passes
[00:28:49] Jorge, what is that one coming there, there it comes, yes clear, beautiful
[00:28:53] well, I'll tell you how the situation is, this vehicle that is passing is a Volkswagen
[00:28:56] Polo that does not have a license plate in which the criminals who
[00:29:00] approach this first sergeant. the Argentine federal police escape
[00:29:04] after leaving a companion of the gang
[00:29:08] badly wounded at the scene, a criminal, a criminal, exactly, what happens, these
[00:29:11] criminals want to approach with this vehicle a first sergeant, first sergeant
[00:29:15] Verón who belongs
[00:29:18] the band eh musical of the Argentine federal
[00:29:22] police who comes from the area, well they approach him between four and five
[00:29:25] criminals, he fires several shots with a
[00:29:29] firearm, we are talking about the criminal. half
[00:29:33] they load him into a vehicle in which a neighbor they
[00:29:36] accost, they violently force him to take him to a
[00:29:40] health center, they violently force him and
[00:29:43] the UPA, the UPA that is at kilometer 38, what would be
[00:29:47] the President Peroni highway, national route number three, there well
[00:29:50] he enters already without life with a direct shot to the head and several
[00:29:54] shots in the upper extremities, we are talking about the arms,
[00:29:58] up to there is how the mechanics of the events were, this sergeant was in the
[00:30:01] area, he went to... assaulted by this number of criminals and the vehicle we see on
[00:30:05] screen which is the Polo, is where the rest of the gang escapes, this work is carried
[00:30:09] out by Dr. Rully, remember the
[00:30:12] trident, the trident is working eh the
[00:30:16] case, this person, this arrested person,
[00:30:20] this killed criminal ends up losing his life in the
[00:30:23] hospital, I understand, the police officer who
[00:30:27] has the confrontation of the federal police belongs to the
[00:30:30] band of the... band of the federal
[00:30:33] police and what did he do, he sent Cumbia ah
[00:30:37] well
[00:30:39] good good one less that's the important thing, one out of
[00:30:43] service, he sent Cumbia, yes, because he's a musician, yes, that one and the guy goes on the
[00:30:46] hood all wounded, the one who is not on the hood is a member of the
[00:30:50] band who they are about to leave stranded and he climbs onto the hood to escape
[00:30:54] the scene, he didn't manage to get in, the
[00:30:56] criminals didn't manage to get in