IRINN — broadcast
20261012 213000 UTC
477 transcript segments
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Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:00:24] The UK Maritime Trade Operations Organization reported
[00:00:28] another maritime incident in the Strait of Hormuz. The UK Maritime
[00:00:32] Trade Operations Organization announced that it had received a report about a container
[00:00:35] ship being targeted
[00:00:38] by an unknown projectile while entering the Strait of Hormuz.
[00:00:41] The report did not provide further details about the extent of
[00:00:45] possible damage, the status of the ship's crew, or the cause
[00:00:48] of the incident. Hours earlier, the UK Maritime Trade Operations Organization
[00:00:52] also reported an unknown projectile hitting a tanker
[00:00:56] while exiting the Strait of Hormuz. According to Reuters,
[00:00:59] the UK Maritime Trade Operations Organization announced that
[00:01:03] the crew's health had been confirmed and that the extent of the environmental
[00:01:07] impact of the incident was currently unknown. Authorities are investigating
[00:01:10] the matter.
[00:01:14] The Ministry of Foreign Affairs' statement condemning the UK's baseless
[00:01:17] accusations against Iran. The Ministry of Foreign Affairs of the Islamic Republic of Iran strongly
[00:01:21] condemned the claims by British officials attributing
[00:01:24] the alleged security incident at Fairford Air Base to Iran,
[00:01:28] calling it a heinous conspiracy to advance the anti-Iran
[00:01:31] campaign and evade accountability for the UK's
[00:01:35] involvement in the US-Zionist military aggression
[00:01:38] against the Iranian nation. The statement said that the UK's
[00:01:42] track record of fabricating security claims against other
[00:01:45] countries, which has in some cases led to damaging tensions and conflicts
[00:01:49] in West Asia, is no secret to anyone,
[00:01:52] and the British government must be held accountable
[00:01:56] for insisting on this approach that undermines international
[00:01:59] peace and security. Our country's Ministry of Foreign Affairs,
[00:02:02] while strongly rejecting the baseless accusations
[00:02:05] made against Iran, held the British government
[00:02:09] and the designers and perpetrators of this clumsy
[00:02:13] false flag operation
[00:02:16] responsible for all the consequences of this deception.
[00:02:19] The head of the judiciary, emphasizing informing the public about the disciples
[00:02:23] of corruption gangs and those claiming influence, said that some people
[00:02:27] defraud people by forging titles and falsely claiming
[00:02:30] influence in the judiciary, and the public must
[00:02:33] be made aware. Mr. Mohsen Ejei, in a meeting of the Supreme Judicial Council,
[00:02:37] after detailing a case he had recently examined,
[00:02:40] added that the judiciary is like a white
[00:02:44] canvas, where the slightest stain is prominent,
[00:02:48] and we will deal decisively with corruption within the judiciary.
[00:02:51] کنیم.
[00:02:54] These types of cases, they are among those
[00:02:58] who damage the reputation of the judiciary,
[00:03:01] and sometimes their blow affects the entire system.
[00:03:05] The efforts that truly
[00:03:07] our honest, noble,
[00:03:13] have been bombed, especially in the UAE, in hardworking
[00:03:14] Bahrain, in Jordan, in judges have made day and night, under bombardment, under missile
[00:03:18] fire, they do their job. When such individuals appear,
[00:03:21] they defame, and sometimes people, unfortunately,
[00:03:26] and in Bab al-Mandab, affecting believe them. The honorable Prosecutor General,
[00:03:30] the honorable head of each section, the Disciplinary Prosecutor's Office,
[00:03:34] and similar protection
[00:03:36] should pay more attention. If some
[00:03:40] of these cases can be explained more transparently
[00:03:43] to the people, documented, and recounted.
[00:03:46] بشه
[00:03:49] The head of the judiciary also referred to the recent assassinations in Sistan
[00:03:52] and Baluchestan and said, "Our nation
[00:03:55] was their inability to will become more cohesive with these
[00:03:56] assassinations."
[00:04:21] In the face of the enemy's conspiracies,
[00:04:24] they feel responsible. The Islamic Republic of
[00:04:27] Iran will be more determined than ever.
[00:04:31] More resolute than ever, it will
[00:04:34] in no way give in to the arrogant
[00:04:37] power of today's America and the Zionist
[00:04:41] regime. It will not back down. It will not surrender.
[00:04:45] Surely, God willing, God will grant it victory
[00:04:48] as always. And we
[00:04:52] will see with our own eyes their demise.
[00:04:56] را
[00:04:58] The Yemeni army announced an attack on Saudi airports.
[00:05:02] The Yemeni armed forces announced that tonight they targeted
[00:05:06] King Khalid International Airport in Riyadh with a ballistic missile
[00:05:10] and Khamis Mushait Air Base with drones.
[00:05:13] The Yemeni armed forces also reported targeting
[00:05:17] Khamis Mushait Air Base with a drone
[00:05:21] and announced that the attack directly hit
[00:05:24] the target. The Yemeni armed forces,
[00:05:28] while warning all international airlines,
[00:05:32] experts, personnel, and passengers
[00:05:35] worldwide about the consequences of flying to
[00:05:38] Saudi airports, announced that Saudi airports are not
[00:05:42] safe, and only the airports and airspace of the
[00:05:46] holy cities of Mecca and Medina
[00:05:49] are exempt
[00:05:51] from this warning.
[00:05:55] A prominent professor at Columbia University in the US called
[00:05:59] a war with Iran extremely foolish. Professor Jeffrey Sachs,
[00:06:02] referring to Trump's statements that six presidents
[00:06:06] before him had not attacked Iran, said that attacking Iran
[00:06:10] is not an honor but rather a shocking indication of the most
[00:06:13] extreme level of incompetence. This university professor called the assassination
[00:06:17] of Iran's leader and the attack on our country a clear
[00:06:21] aggression and said that this war will only end with the US
[00:06:24] leaving the region. Sachs also said about the US
[00:06:28] agreement with Iran, "We don't even need an agreement with Iran,
[00:06:31] because if the US leaves the region, the Iranians will
[00:06:34] fully open the Strait of Hormuz for oil sales, and the people
[00:06:38] of other Persian Gulf regions will return to their normal lives."
[00:06:42] Sachs continued, "If you do something extremely foolish,
[00:06:46] stop doing it and go home."
[00:06:49] برگردید
[00:06:52] And that owners of diesel cars in the UK faced an additional
[00:06:57] 2.5 billion pounds in diesel fuel costs this year.
[00:07:00] The Guardian wrote that this amount was less than
[00:07:04] 6 million pounds last year, but initial estimates suggest
[00:07:08] that this amount will jump to 8.5 million pounds this year.
[00:07:12] This has led diesel vehicle drivers to call on
[00:07:15] the government to cancel the fuel duty increase plan.
[00:07:19] Diesel prices have reached their highest level due to a global fuel shortage
[00:07:23] caused by the US-Zionist regime's war against Iran and Ukrainian attacks
[00:07:26] on Russian oil facilities. The average fuel price at
[00:07:30] gas stations exceeded two pounds per liter,
[00:07:34] which represents an increase of more than 40% compared to before
[00:07:38] the war and the closure of the Strait of Hormuz.
[00:07:40] Until the next segment.
[00:08:10] Iran bombs these countries.
[00:08:13] The Zionist entity and American bases are also bombed in this
[00:08:16] very effective and significant way. It seems that
[00:08:20] the amount of destruction is truly enormous, large. 14 bases
[00:08:27] Kuwait. It seems he said,
[00:08:31] and who would have expected
[00:08:33] that a crisis would occur in the Strait
[00:08:36] of Hormuz
[00:08:39] the global economy? The economic situation now, even
[00:08:42] the issue of the economy within countries, in Britain now
[00:08:46] and in the Western world, the highest
[00:08:50] prices in history for diesel, for example,
[00:08:53] are a result of the war with Iran. That all
[00:08:55] colonialism or all Western
[00:08:59] invading powers
[00:09:02] that ultimately stopped them or ended
[00:09:05] their project
[00:09:08] continue. That is, as long as the Zionists
[00:09:11] feel that they have enough support
[00:09:15] to continue, they will continue. Yes, Iran has been
[00:09:18] talking about something called strategic patience all the time.
[00:09:22] They wage war on Iran, and not only that, they bring
[00:09:25] the biggest leader in the world, Trump, and drag him
[00:09:29] into a losing war with Iran. This losing war, which he said
[00:09:33] would last three or four days,
[00:09:36] and then it would be over, and the Iranian leadership
[00:09:39] would fall, and the Iranian people would revolt, and the equation would
[00:09:42] change. And Netanyahu clearly announced
[00:09:46] and boasted and said that we will change the Middle
[00:09:50] East, and we will change the regime in Iran, and we will
[00:09:52] do all that. Then now, the issue that exists
[00:09:56] is not overthrowing the regime in Iran, or changing the regime in Iran.
[00:09:59] The only story mentioned now is how
[00:10:02] to open the Strait of Hormuz, which was open,
[00:10:05] and whether to open it or not. Well,
[00:10:09] we prevent you, we don't prevent you, a siege and so on.
[00:10:33] That country, that nation that can prove
[00:10:36] that it is ready to stand up for its independence,
[00:10:40] for preserving its identity, for its ideals,
[00:10:43] for its existence, and defend it bravely,
[00:10:47] that nation is dear. The honor of that nation
[00:10:51] is recognized even by its enemies.
[00:11:25] Today, Mr. Farhangdoost has repeatedly
[00:11:27] captured and narrated the image of the martyred leader
[00:11:31] through the lens of his camera.
[00:11:35] Mr. Mehdi Motahar, producer and
[00:11:38] documentary filmmaker, welcome. I want to
[00:11:41] ask you about your first meeting and first
[00:11:44] memory of the martyred leader of the Islamic Revolution. When
[00:11:48] and where does it date back to? In the name of
[00:11:51] God, the Most Gracious, the Most Merciful. If I'm not mistaken, this is my second
[00:11:55] interview on the topic of His Holiness and I'm happy
[00:11:59] to have been chosen for this interview. I
[00:12:03] was perhaps
[00:12:05] one of the lucky people to have
[00:12:08] met him, and it can
[00:12:11] be said that this opportunity arose for me from the early 70s.
[00:12:15] I was a child, perhaps eight or nine years
[00:12:18] old, but I was able to attend
[00:12:21] His Holiness's meetings, and after, for example, attending
[00:12:25] these public meetings, I attended one or two
[00:12:28] of his private meetings, which were held in a room
[00:12:31] with perhaps 40 or 50 people on the day of the martyrdom
[00:12:34] of some imams. That meeting was a very
[00:12:38] interesting event because of my father's job and some
[00:12:41] of my relatives, who created this atmosphere so that
[00:12:45] we could, so to speak, reach him more than others.
[00:12:48] That's why I had seen him many times in public meetings.
[00:12:51] And a part of your speech
[00:12:55] from one of the semi-private meetings that documentary
[00:12:58] filmmakers had with the martyred leader was widely re-published.
[00:13:02] Can you tell us about that meeting? In many of these
[00:13:06] sessions with cultural and artistic figures, he would also hold
[00:13:09] specialized sessions. That is, filmmakers had one session, documentary filmmakers had
[00:13:13] one session, and if I'm not mistaken, painters and graphic artists had one session.
[00:13:17] I, thank God, I think
[00:13:19] it was my luck that even though I work in both cinema and documentary,
[00:13:23] I was invited to the session that he had
[00:13:27] with documentary filmmakers, and we met
[00:13:30] him. One of the guys in that
[00:13:33] session, it can be said,
[00:13:37] I won't say he tried to be clever, but he wanted to say everything he had to say,
[00:13:40] so he disrupted the program a bit, and he spoke for about
[00:13:43] 20 minutes, which even drew a remark
[00:13:47] from him himself. He said, "Well, you've said this several times, but
[00:13:50] I don't care." But that group of, for example, 30 or 40 documentary filmmakers didn't all
[00:13:55] get to speak. But fortunately, the moderator of the session
[00:13:58] was kind enough to give me permission to say a few things in that short time,
[00:14:02] if I'm not mistaken, about 3 or 4 minutes, which were naturally about documentaries,
[00:14:06] and a part of it, as you said, was broadcast in that unofficial documentary
[00:14:10] under your guidance. They did some things regarding social harm issues.
[00:14:13] If they can make much of this information more accessible
[00:14:17] to us, we will try to convey it to the people with patience
[00:14:20] and compatibility. They were training a large
[00:14:24] number of students and film enthusiasts.
[00:14:28] This training didn't solve anything. Making films is important, but making people
[00:14:31] is more important than making films. What was
[00:14:34] the most important characteristic you saw in the martyred
[00:14:38] leader of the Islamic Revolution from the perspective of a documentary
[00:14:40] filmmaker? You know,
[00:14:43] if I had become a military person, or if
[00:14:46] I had become a politician, I think there were many places
[00:14:50] that I could go to under the pretext of documentary filmmaking that I wouldn't have been able to reach otherwise. If
[00:14:54] I had become a military person, well, I could have gone to many military places, but thank God,
[00:14:57] under the pretext of this media and documentary filmmaking, I think
[00:15:01] I was able to gain special opportunities. Well, if we want to talk
[00:15:05] about him, his trip to North Khorasan, if
[00:15:08] I'm not mistaken, was in '89 or '90. And I'm
[00:15:11] a producer in most of the works, so in these kinds
[00:15:15] of trips, if they want to invite a documentary filmmaker, they prefer
[00:15:19] to bring a cinematographer or a director of photography with them.
[00:15:22] That's why we are less likely to be involved. But well, I was one
[00:15:25] of the few, so to speak, producers who had this opportunity,
[00:15:29] and I went on that trip. I remember that we had a program
[00:15:33] called "Gereh" on Channel 3 that we were
[00:15:37] airing, and that program was about lifestyle.
[00:15:40] Exactly, until that trip, his main
[00:15:43] emphasis in his speeches was about lifestyle,
[00:15:47] and he had a multi-paragraph statement
[00:15:51] emphasizing lifestyle. Well, this was a very good thing for us,
[00:15:53] that we had reached the same aspirations of His Holiness
[00:15:57] and were working in that field. But what I remember
[00:16:01] about that trip, for example, is that some of the guys,
[00:16:05] both writers and documentary filmmakers,
[00:16:08] had also been with him on other trips. The fact that not
[00:16:12] a single second there goes unplanned,
[00:16:16] and for example, perhaps three or four shifts of the security team
[00:16:20] would get tired, meaning he would work from morning, from noon, from afternoon.
[00:16:23] Before he gave his speech, in
[00:16:27] the corridor leading to where His Holiness was going to give
[00:16:31] his speech, they would again arrange some meetings and some people for him.
[00:16:34] He would use that interval and that
[00:17:07] before and is no longer available to us. Well, we
[00:17:10] had put the camera in check and
[00:17:13] then we were just following the crowd and him in a car.
[00:17:16] But I was so excited that I ran into
[00:17:20] the crowd, and then, of course, I left
[00:17:23] the check and was still filming him, but I couldn't
[00:17:27] go back to the car that the security team was accompanying
[00:17:31] to prevent anything from happening. But well, I mean it was
[00:17:35] a strange event that I wanted to again
[00:17:39] follow him, even though dozens of other cameras were also doing the same
[00:17:42] thing. Besides that, I was fortunately able to do it several other times.
[00:17:46] Well, many people were the cinematographers of the organizations related to
[00:17:50] the office, but we, for example, perhaps once a year, once every two years,
[00:17:53] once it was also at the military academy. The Imam Hussein Military Academy was a very
[00:17:57] good event, in my opinion. It was a student meeting with him.
[00:18:00] I myself, as a student, had met him many times, but as a documentary
[00:18:04] filmmaker and a media person, for which I also made a documentary.
[00:18:08] If you don't mind,
[00:18:11] let me tell you that I had made three or four documentaries about him during his lifetime.
[00:18:15] One is the documentary "Exam," which is about his
[00:18:18] information during his premiership, the then prime minister,
[00:18:22] when he was president, and that prime minister
[00:18:26] who was during his time, there was some information,
[00:18:29] there were some challenges that perhaps the leadership was the reward
[00:18:33] for his patience and tolerance. There was another documentary
[00:18:36] called "Ziad al-Din," about his Quranic life
[00:18:40] in Mashhad, and I think it was a good
[00:18:43] film. It's good to know that Ziad al-Din was the name
[00:18:47] he used in his signatures until he was 17 or 18 years old.
[00:18:50] Ziad al-Din. For example, regarding the martyrdom of Hajj Qassem, I have a documentary called
[00:18:54] "72 Hours," which we made with a team of guys about the days leading
[00:18:57] up to the hour, the days leading up to the martyrdom, and then the story of the martyrdom,
[00:19:01] then the story of finding the pure bodies of the martyrs, Abu Mahdi
[00:19:05] and Hajj Qassem and their companions. Seyyed Hassan
[00:19:08] recently, television was kind enough to show this film several times, "That Night," which
[00:19:11] is about Seyyed Hassan. This incident, the radical incident,
[00:19:15] from him, I never wanted such an incident to happen to him.
[00:19:18] That is, the same days that I was making the film about Seyyed Hassan,
[00:19:22] it was always in my mind
[00:19:25] that God forbid we should have to do such a thing about him. But unfortunately,
[00:19:29] this happened. Now, that needs to be discussed in another topic, in another place,
[00:19:32] but well, on the day of the martyrdom that it happened, this idea that such
[00:19:36] a thing should also be done
[00:19:40] about him started, and two or three very strange interviews
[00:19:44] were taken in those first days about what happened and the rest
[00:19:47] of the events. And that, God willing, will probably be ready
[00:19:50] around the anniversary of his martyrdom in Esfand. God willing.
[00:19:54] Documentary is
[00:19:57] one
[00:20:02] of the
[00:20:06] artistic achievements of the Islamic
[00:20:10] Republic today. Fortunately, good documentaries
[00:20:13] are being made. Basically, documentary is a valuable
[00:20:17] thing, and
[00:20:20] thankfully, its direction is
[00:20:24] revolutionary, religious,
[00:20:27] and values-based. Try to maintain this direction.
[00:20:31] You certainly followed his speeches in the field of
[00:20:34] culture and art, especially cinema. What was his
[00:20:38] view on cinema, and how much
[00:20:41] has the cinema community moved in the direction he
[00:20:45] mapped out?
[00:20:47] Look,
[00:20:49] first, I suggest that the majority of the audience of this
[00:20:52] program read Mr. Azarshab's book "A Heart that Became a Jewel,"
[00:20:56] which contains His Holiness's own writings. Mr. Azarshab compiled it. Read
[00:21:00] it. The main, so to speak, point of that book and the main
[00:21:04] way of looking at His Holiness's life is that his
[00:21:07] life had a strong cultural attachment.
[00:21:10] If he has a view on the Quran, if he has a view on foreign novels,
[00:21:13] if he has a view on any writings,
[00:21:17] on any topic, it's fundamentally all a cultural thread, and then
[00:21:20] media. After all, His Holiness, with all this
[00:21:24] occupation and with all this diversity of themes
[00:21:28] he had to deal with, his artistic and media
[00:21:31] sessions with media and cultural and artistic figures
[00:21:34] were extremely important and had to be held on time,
[00:21:38] and he benefited from those sessions, and
[00:21:42] he would convey the themes
[00:21:43] to those friends.
[00:21:46] Many years ago, perhaps in the late 70s,
[00:21:50] he gave an analysis of cinema that filmmakers
[00:21:53] recently say that the statement and the themes he had mentioned
[00:21:56] were truly the Achilles' heel and weakness of cinema,
[00:22:00] and how we wish we had realized it then, and that our
[00:22:03] main flaw is in the screenplay. That is, in many
[00:22:07] technical aspects, in many equipment,
[00:22:10] in many industries that fall under cinema,
[00:22:14] we have truly seen significant growth, but what can make Iranian cinema
[00:22:18] different is truly the script. After all, some filmmakers
[00:22:22] fortunately had the chance that even before their screenplay was turned
[00:22:25] into a film, their screenplay had reached him, and he had taken the time
[00:22:29] to give his opinion. For example, "The Glass Agency" is one of the famous
[00:22:32] cases, or he would visit Mr. Majidi's project,
[00:22:35] visit Mr. Mirbagheri's project. I deliberately want to name them
[00:22:38] so that we know it's not only a certain type of filmmaker or
[00:22:42] a specific class, and he truly dedicated time.
[00:22:46] Another story about that library was that Mr. Azarshab
[00:22:50] recently had a video of his
[00:22:53] circulating, which is a very good video, and it might be useful
[00:22:56] in your program. He met Seyyed Hassan and him
[00:23:00] in their last meetings with very little time in between. He says
[00:23:03] that there were six or seven of us with Seyyed Hassan Nasrallah,
[00:23:07] and at the end, Seyyed Hassan Nasrallah hugged me. When he hugged
[00:23:10] me, he made a joke that his laugh
[00:23:14] scared me, meaning it was as if it was the last meeting. Then he
[00:23:17] said that exactly one month later, we
[00:23:23] had such an experience with him one month before his
[00:23:27] martyrdom, and when he hugged me, he said,
[00:23:29] "I have the same feeling,
[00:23:33] the same thing happened." Now, the story is that Mr. Azarshab is again a person
[00:23:37] who is known in the field of writing, in the field
[00:23:40] of Arabic language. He had contacts with many media
[00:23:44] people. Now, the office is gradually releasing some of them. For example,
[00:23:48] a certain poet had willed to be buried
[00:23:52] in a certain place for his death, but because he was perhaps not very
[00:23:56] religious, they didn't coordinate. He said, "No, it must be done in the middle."
[00:23:59] There was a famous writer, and he had said that he
[00:24:03] must see him. Then, because he had short sleeves, they were
[00:24:07] taking him forward, then I want to say again
[00:24:10] that the story was so important to him, I even heard an interview
[00:24:14] from Mr. Haddad who said that he had meetings with some people that he himself
[00:24:17] was surprised by. He expected that he would at least involve him or tell him
[00:24:21] that they had arranged the meeting. That is, he truly had opened
[00:24:24] a separate window for the story of culture and art, and he wouldn't wait
[00:24:28] for others to plan for him. He would plan for himself in this story.
[00:24:31] Why don't we use chemical weapons? It's forbidden. For them, it's permissible. For us, it's forbidden.
[00:24:35] Chemical weapons are unfair.
[00:24:38] Now do you understand why we don't use chemical weapons? Gradually,
[00:24:41] you have to learn. Then, things you don't like to see, take pictures
[00:24:45] and let everyone know that anyone who enters this land and takes a wrong
[00:24:48] step will either leave with their back or with a red face.
[00:24:52] But if the commander
[00:24:55] is on the front line and tells his forces to come,
[00:24:58] it's very different from
[00:25:00] telling them to go.
[00:25:06] My life for
[00:25:07] Iran.
[00:25:10] Iran has this number of actors.
[00:25:14] Truly valuable. Some of
[00:25:18] our actors are truly in the top rank.
[00:25:21] All-round artists.
[00:25:23] هنرمند
[00:25:27] This commitment exists both
[00:25:31] in the form of art and the framework
[00:25:35] of art itself. It has commitment.
[00:25:37] I consider the dignity of cinema to be this.
[00:25:40] I say this country is highly advanced. Today,
[00:25:44] to a large extent, it is in your hands. You can raise
[00:25:47] this generation as a progressive generation. Hopeful,
[00:25:51] passionate, believing in themselves, believing
[00:25:55] in their Islamic and national values.
[00:25:59] You can raise them this way.
[00:26:03] You can make this generation
[00:26:05] ashamed, regretful,
[00:26:09] questioning past glories,
[00:26:12] questioning the glory of the Revolution, the glory
[00:26:16] of the Sacred Defense. You can raise
[00:26:19] them this way.
[00:26:25] There is really nothing like cinema now.
[00:26:28] If you yourself want to make a film about the martyred leader of the Islamic Revolution,
[00:27:02] I am making a documentary in the sense that it is his
[00:27:06] own writing, that is, it is his
[00:27:10] own narration, and it is very strange, and since he was also
[00:27:13] very good at, so to speak, both writing and
[00:27:17] reading other people's memoirs and reading novels,
[00:27:20] I think it's a very good manuscript,
[00:27:23] and as far as I know, he used to write daily
[00:27:26] memoirs from the age of 17 or 18 onwards. Well, we have seen
[00:27:30] many memoirs from some of our officials, but he wrote his memoirs moment by moment,
[00:27:34] and with great detail, for example, "My view there was this,
[00:27:38] I will do this this way." Very detailed and special
[00:27:41] events. And one of my regrets is that this book, even though
[00:27:45] it was published during his lifetime, I read this book
[00:27:49] after his martyrdom. I wish I had read this book during his lifetime.
[00:27:52] I think it's a very good way to get
[00:27:56] to know him, to understand his essence.
[00:28:00] First, I say I recommend that all friends read it, and I
[00:28:15] thank you very much. I would like to hear
[00:28:19] the final words of this part from Mr. Farhangdoost
[00:28:22] from you.
[00:28:25] You know, I mean, I myself knew during his lifetime
[00:28:29] that a lot of work needed to be done about him. I,
[00:28:33] to the extent of my ability, was a bit clever.
[00:28:36] I made three or four documentaries. I say clever in the sense that many times
[00:28:39] the publishing office, due to his own emphasis, prevented
[00:28:43] a film from being made about him. I'm not saying I had bad taste
[00:28:47] that he had said he didn't want expenses or spiritual
[00:28:51] discussions to be spent on introducing him,
[00:28:55] but everyone has their own duty, and it was my duty to do this.
[00:28:58] I feel that I myself should do more than five or six works
[00:29:02] about him. This cinematic film of mine that you kindly watched
[00:29:06] was also in the recent festival. "Kooch." Well, "Kooch" is about a great
[00:29:10] personality, about Hajj Qassem Soleimani, but from '98 to
[00:29:13] '44. Well, for six years, different groups went. Now,
[00:29:17] perhaps on paper, I don't have a chance
[00:29:20] to make a film about him, a cinematic film, but I
[00:29:23] know that because I have faith in the story, there will be a period
[00:29:27] of his life that is my destiny, and I must make that film,
[00:29:30] and I hope you pray that this happens to us. I hope that if this happens
[00:29:34] to me, I will create a good event for that film.
[00:29:37] Thank you very much. God willing, the time frame chosen for "Kooch"
[00:29:41] is, I think, a very attractive time frame.
[00:29:45] From childhood to youth. That same
[00:29:49] film "Kooch" is from childhood to the first day of the war.
[00:29:53] This book of his is mostly about his life
[00:29:56] before the revolution, and how interesting it was.
[00:29:59] For example, I want to mention a characteristic of his that I myself
[00:30:03] am very weak in. He had a very organized and systematic
[00:30:06] view, meaning he would divide. so-and-so
[00:30:10] the deputy did such and such so-and-so is the result of the news
[00:30:13] others about Imam Khomeini they worked in a very organized way
[00:30:16] Mr. and it's very strange, meaning perhaps in the 1960s
[00:30:19] no one, not even the most optimistic person, would have thought that these
[00:30:23] struggles would lead to the establishment of the Islamic Republic, I mean, I want to
[00:30:26] say, but Mr. during those same days, this formation, this text that belongs to that time
[00:30:30] is not something we can say Mr. is saying orally after the revolution. No, I thought so from the beginning, no, these are the writings from that time,
[00:30:34] Mr. and it's very strange, this event that Mr. thought in an organized way and
[00:30:38] in my opinion, the most important event during the leadership of Agha is this very story
[00:30:42] of being organized, meaning it seems that a person's emotions and
[00:30:45] individual decision would not return. Thank
[00:30:48] you very much for your presence. We benefited greatly from your
[00:30:51] words. Thank you for your presence, Mr. Farhang.
[00:30:55] My friend, I also thank
[00:30:56] you very much.