IRINN — broadcast
20261102 090000 UTC
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[00:00:00] We massacred the people of Iran. They are aware of this event
[00:00:03] and these issues have angered them severely.
[00:00:07] In my opinion, before the war began, there were still concerns among
[00:00:11] the people of Iran. Economic dissatisfaction also
[00:00:14] certainly existed. People were asking what happened to the economy and
[00:00:18] came to the streets to protest. The Iranian government said, "We hear your voice,"
[00:00:22] but the CIA and Mossad tried to use these
[00:00:25] protests to achieve other goals. Before the
[00:00:29] war, there was opposition from the people to the government, but
[00:00:32] America and Israel started a war against Iran. They assassinated Ayatollah
[00:00:36] Khamenei, attacked Minab school,
[00:00:40] and killed people. How did the people of Iran react? They come to the streets every
[00:00:44] night and stand together in unity and say, "We are Iran. There is no separation
[00:00:48] between us and the government. Any differences we had before
[00:00:52] are no longer relevant today. We are united
[00:00:55] to defend Iran, to defend our
[00:00:58] country, our faith, our constitution,
[00:01:01] our rights, and our humanity." This is the best model they can
[00:01:05] display, and the beauty of this movement is that there is no violence
[00:01:09] in it. Another positive point is that
[00:01:12] as an American, I believe that if I go to these
[00:01:16] gatherings, the people of Iran will not kill me. They will
[00:01:20] tell me, "Come here, stand, listen, and learn." Yes, they might chant
[00:01:23] "Death to America." But I think everyone knows that this
[00:01:27] slogan has a political meaning. It should not be interpreted
[00:01:30] literally. This slogan expresses Iran's anger at those who
[00:01:34] hate Iran. They try to harm its people and intend
[00:01:38] to kill them. If I, as an American, were in Tehran
[00:01:42] and heard people chanting "Death to America,"
[00:01:45] I would not run away. The people's message is that they don't want anyone to harm
[00:01:49] Iran and isolating them. They want to live in peace. I was in Iran in
[00:01:53] 2005. Iran is a beautiful country and its people
[00:01:56] are also beautiful and lovely. It was truly an amazing experience.
[00:02:01] If more Americans could travel to Iran, see Iran up
[00:02:04] close, and understand the realities, we would not support such a war.
[00:02:08] But unfortunately, Americans today do not have a correct
[00:02:12] understanding of the reality of Iran. We see images that opponents
[00:02:15] of Iran provide us.
[00:02:17] The
[00:02:23] International Resistance Film
[00:02:25] Festival.
[00:02:28] In the name of God, hello. We are at Mellat Cinema Campus,
[00:02:32] the home of the 19th International Resistance
[00:02:36] Film Festival. From today, we are at your service with a series of
[00:02:39] conversations with cinema people regarding this
[00:02:43] festival and about the fundamental concept of resistance.
[00:02:47] Hello, Dr. Ghaffari, peace be upon you. I am at your service.
[00:02:50] We hope you are well. We have reached the 19th
[00:02:53] period of the festival, Mr. Ghaffari, a period that has come after two
[00:02:57] imposed wars, the 12-day war and the 40-day war.
[00:03:00] Please talk about this meaning. How much was the
[00:03:04] festival affected by this event?
[00:03:07] In the name of Allah, the Most Gracious, the Most Merciful.
[00:03:10] Thank you and your colleagues for
[00:03:13] being present at the festival, and
[00:03:16] hopefully, this program can reflect the clear voice of resistance,
[00:03:20] especially in these special
[00:03:23] circumstances. You see, the Resistance Film Festival was created in the heart of war.
[00:03:27] It is the legacy of the first Sacred Defense. In the
[00:03:31] 8-year war, with the capacity building that our artists created
[00:03:34] in the Sacred Defense cinema, it prompted some
[00:03:38] concerned individuals to, I might say, hold
[00:03:41] the first national Iranian festival under the name of the Sacred Defense Cinema
[00:03:45] Festival. Therefore,
[00:03:47] it can be said that the Resistance Film Festival,
[00:03:51] with the antiquity of the Sacred Defense Film Festival, was created
[00:03:54] in the heart of war and is actually
[00:03:58] a child of war.
[00:04:00] Exactly in the 19th period, a special
[00:04:04] maturity is achieved for it. I believe that
[00:04:07] the Resistance Film Festival is undergoing its most
[00:04:11] mature manifestation in its 19th period, because it was
[00:04:14] born of war, born of the Sacred Defense,
[00:04:17] and now it is experiencing this maturity in the second and third Sacred Defense.
[00:04:20] What do you see as the maturity of 19 years?
[00:04:23] Has our filmmaker reached that maturity to talk about this
[00:04:27] important concept? Resistance?
[00:04:30] The presence of people in the fields for more than eight months
[00:04:34] has made the Resistance Festival a kind of
[00:04:37] support for itself. Perhaps in none of the previous
[00:04:41] 19 periods that the festival has been held,
[00:04:44] the connections between the concept of Sacred Defense film and Resistance
[00:04:48] film have been established. The discursive signifier
[00:04:51] has never been this strong and intense
[00:04:54] with the nation, and with the people.
[00:04:58] And I am happy that the festival headquarters is
[00:05:01] at Mellat Campus. My understanding of this word is that in this period,
[00:05:05] three words have been connected to each other: cinema,
[00:05:09] resistance, nation,
[00:05:12] and the discursive transformation of resistance. Today,
[00:05:16] a new phenomenon in the world of politics
[00:05:20] and social resistance has emerged under the name of the nation,
[00:05:23] the resurrected nation, whose example we do not have in history,
[00:05:27] and it has become well-known, and you can see that the international
[00:05:30] media and world public opinion have paid a lot of attention to it.
[00:05:34] You pointed out a very important point in the international
[00:05:37] arena of people's resistance during these eight months in the streets and squares.
[00:05:41] It has come to the attention of the whole world, a powerful
[00:05:45] and direct model for all those whose issue is
[00:05:49] fighting oppression and, of course, resistance, especially
[00:05:52] countries that have usually been under oppression. Now, if we want to reflect
[00:05:56] this in a festival like the Resistance Festival, how can
[00:05:59] we? I think this 19th period has very special dimensions and pillars.
[00:06:03] It's all amazing, not in terms of the festival, but in terms of the
[00:06:07] emergence of a new meaning in the field of film, art, and cinema.
[00:06:11] Now, I will talk about the reception
[00:06:19] of works and so on. A global manifestation of the story
[00:06:23] of the oppression of Gaza,
[00:06:25] and this reception from over 100 countries to register
[00:06:29] their works in the festival, for their works
[00:06:32] to be present. The conceptual and
[00:06:35] discursive core of it is the oppression of the oppressed people
[00:06:37] of Palestine. And well, this has actually become
[00:06:41] a global trend today. After, as they say, the October
[00:06:45] week, after Operation Al-Aqsa Flood and, in any case, the crimes
[00:06:49] committed by the regime in Palestine, today a global genre
[00:06:52] called Gaza Cinema, Palestine Cinema
[00:06:55] has emerged, which we extensively covered in the 18th
[00:06:59] festival. But in the recent
[00:07:02] period, the attention we have paid to establish
[00:07:06] the relationship between cinema and the people, and the field, and the resurrected nation,
[00:07:09] is the screenings that we hope to have
[00:07:13] in the fields. The cultural centers of Tehran province
[00:07:17] have done a good job in this regard, and the screenings have taken place
[00:07:20] for the audience with the capacities that were available at the cultural centers.
[00:07:24] And also the squares of Tehran city, which
[00:07:27] have especially paid attention
[00:07:30] to the issue of screening resistance films, which are actually
[00:07:34] a representation of this resurrected nation, this resistant
[00:07:37] nation. You see, resistance cinema can only claim
[00:07:41] to fulfill its mission if the image that exists
[00:07:44] outside and in the field has been seen in cinema.
[00:07:48] The fact that we should assign a special share for people
[00:07:51] in festivals comes especially from a festival like the Resistance
[00:07:55] Festival, stemming from the very presence of people and the
[00:07:58] resurrection that people themselves have shown in the streets, because the emphasis of the
[00:08:02] festival, especially in the 19th period, is the issue of the people.
[00:08:05] The support it has defined for itself is the people. Your statement
[00:08:09] is correct. That is, indeed,
[00:08:13] we must make films for the people, and the
[00:08:17] people in the field are showing their identity. When
[00:08:20] does a gap appear between people and cinema? When cinema
[00:08:24] blackens the image of these same people, the people are alienated from
[00:08:28] this cinema because it does not tell their true
[00:08:31] story. Therefore, the most important connection is this.
[00:08:35] I am truly saying that no one in the world
[00:08:38] can claim to be a film connoisseur or cinema connoisseur and not say
[00:08:41] that people
[00:08:51] feel they see themselves. I think the reception
[00:08:55] that has started from the 18th period for watching films
[00:08:58] is due to the trust that has been built between resistance
[00:09:02] cinema and the people. Fortunately, regarding your statement about the issue
[00:09:05] of people, a very important point exists, which is whether
[00:09:09] it is merely displaying works
[00:09:12] at the Resistance Festival that is the issue, or given
[00:09:16] that there is also a growth and educational perspective, especially
[00:09:19] for the young generation who are interested in filmmaking, which is probably happening at the festival.
[00:09:23] This determines a part of the people's share in the festival.
[00:09:27] Do you have a plan for such an issue? A successful festival
[00:09:30] asserts its success, in my opinion,
[00:09:33] and gains acceptance when it can successfully
[00:09:37] educate the generation, the generation of filmmakers,
[00:09:40] young people who come
[00:09:44] and actually learn the narrative and the method
[00:09:48] of work from their predecessors and can make films for the second 40 years
[00:09:51] of the Islamic Revolution and the events and incidents they live through.
[00:09:55] This is evident, thank God, in this 18
[00:09:59] plus one period, which is the 19th period of the Resistance Film Festival.
[00:10:02] 19 is the number of this period. 19 special classes
[00:10:05] with prominent professors of the country,
[00:10:09] whose names are available,
[00:10:12] are being held. The difference is this:
[00:10:16] the effort is not to establish a technical relationship
[00:10:19] with cinema. We are not just technique. As my
[00:10:22] good teacher, Mr. D.
[00:10:44] How much does the festival take responsibility
[00:10:47] for educating the generation for this war of narratives?
[00:10:50] The event that happened in this period for the young generation
[00:10:54] is that they have, in any case, experienced their own Sacred Defense.
[00:10:58] Perhaps until a year ago, if we talked to the young generation, we would always talk
[00:11:01] about the achievements of the first Sacred Defense.
[00:11:05] But with, as
[00:11:08] the Supreme Leader of the Revolution,
[00:11:11] His Holiness Mojtaba Khamenei,
[00:11:14] said in his message on the anniversary of the Sacred Defense,
[00:11:18] he said that the phoenix risen from war and
[00:11:22] the pressure of the first imposed war and the pressures in the second
[00:11:25] and third imposed wars that these young people actually
[00:11:29] experienced, this phoenix risen from the fire
[00:11:32] of war has created a shadow
[00:11:35] of fear over enemy countries, and our
[00:11:39] youth fully feel and understand this. And I saw an
[00:11:43] interesting expression today while browsing social media.
[00:11:47] Someone, I think, had a good taste. He said that in a situation where
[00:11:51] the country is in a "neither war nor peace" situation, we might enter war
[00:11:55] at any moment, but we are continuing to live. All
[00:11:58] international festivals in the Persian Gulf countries,
[00:12:01] the little ones, all of them are canceled,
[00:12:04] but we have two or three important festivals during these
[00:12:08] days that are being held in the country with enthusiasm and vitality,
[00:12:12] with reception. This "courageous" (jigar) as he put it,
[00:12:15] courageous festivals and the phoenix
[00:12:18] risen from war, which is the slogan of the festival, how much has it materialized
[00:12:21] in the festival this year? Please
[00:12:24] tell us about the works, the quality of the festival's organization,
[00:12:27] and the presence and interest
[00:12:30] of filmmakers in
[00:12:33] actually addressing the concept of resistance at the festival. Well, this
[00:12:37] expression of our dear
[00:12:39] Leader became the idea for the poster of the
[00:12:43] Resistance Film Festival, and the poster of the Resistance Film Festival
[00:12:46] somehow evokes this risen phoenix.
[00:12:50] The phoenix is also a symbol of immortality.
[00:12:53] And our dear country,
[00:12:55] except for, well, as I said, 100 or 200 years during
[00:12:58] the Pahlavi and Qajar periods, which suffered
[00:13:01] a setback and was actually in a dead end,
[00:13:04] has always been at its peak and phoenix-like, and this
[00:13:08] historical perspective, I once mentioned regarding resistance. When
[00:13:11] we talk about resistance, we are not just talking about
[00:13:15] these 40 years after the revolution. We are talking about 500 years of
[00:13:19] resistance history in Iran and in the Persian
[00:13:23] Gulf.
[00:13:25] We talk about Ra'is-Ali Delvari. We talk about Mirza Kuchak Khan Jangali.
[00:13:29] We talk about many of our legends
[00:13:32] who for many years preserved the borders and integrity of this country
[00:13:35] against foreigners, and this should appear
[00:13:39] and manifest in its soft layers
[00:13:42] in cinema, and we should have that human aspect of
[00:13:45] resistance. We should see the aesthetics of
[00:13:49] resistance, the aesthetic element of resistance that
[00:13:52] is positive, not negative. Yes. It has history,
[00:13:56] it has continuity, it has philosophy,
[00:13:59] it has mysticism, it has created humanity.
[00:14:03] I think this is the issue of resistance cinema, and I think
[00:14:07] we see its manifestation in international works,
[00:14:10] and its manifestation has meaning. I definitely invite
[00:14:13] dear ones to come. The international section has good screenings.
[00:14:17] God willing, with the presence of dear ones from those countries
[00:14:21] in Iran, their films will be screened, and their ambassadors will be invited,
[00:14:24] God willing. And I think we are witnessing good things
[00:14:28] in this period of the festival, God willing. Thank you very
[00:14:31] much for your good health. Thank you. We spoke with Dr. Jalal
[00:14:34] Ghaffari, Secretary of the 19th International Resistance
[00:14:38] Film Festival. We will be with you,
[00:14:41] God willing, in the coming days.
[00:14:44] Goodbye. International Resistance Film
[00:14:48] Festival.
[00:15:26] In the name of God, hello and good time to you, dear and esteemed
[00:15:30] viewers. Welcome to the sports news. Iranian athletes
[00:15:34] in the second day of the Dakar Youth Olympics
[00:15:38] will compete in Wushu, Badminton, Tennis, Judo, and Beach
[00:15:41] Volleyball against their opponents.
[00:15:44] Yesterday, Parsa Shahshahani won the first
[00:15:48] medal for Iran in these competitions.
[00:15:50] The first light of the Shahid Makan Nasiri caravan was lit by the national swimmer.
[00:15:54] Parsa Shahshahani, in the 20-meter backstroke,
[00:15:58] with a time of 2 minutes, 2 seconds, and 74 hundredths
[00:16:01] of a second, was able to win the
[00:16:05] silver medal at the Youth
[00:16:07] Olympics in competition with his opponents. I tried very hard for
[00:16:11] gold. I'm ashamed of my people that it wasn't gold.
[00:16:14] God willing, I can make up for it in the Olympics,
[00:16:17] and
[00:16:19] this is just the beginning. I hope I can win more
[00:16:23] and brighter medals later. In table tennis, Benjamin
[00:16:27] Faraji, who had defeated his Egyptian opponent 3-0 in his first
[00:16:30] match, also defeated the Thai athlete
[00:16:34] 3-0 in his second match. It was a tough opponent.
[00:16:38] Considering that, I think, about a month ago, he was ranked
[00:16:41] eighth in the world.
[00:16:44] But in girls' futsal, we were able to
[00:16:47] defeat Costa Rica 3-0 in their first
[00:16:51] match. We tried our best
[00:16:54] to make sure only the winning team came. In
[00:16:57] Wushu and barehand form, our athlete was able
[00:17:01] to place fifth among 12 people, and on Monday,
[00:17:04] he will compete against his rivals to reach
[00:17:08] the top. Of course, in armed form,
[00:17:11] is your specialty with arms or without? No, my specialty is this form.
[00:17:15] My Guvin form is also good. I can be better
[00:17:18] in it. Our badminton players, Amirali Ahmadlou and Zahra Robati,
[00:17:22] also defeated their opponents and are ready to
[00:17:25] face their next opponents. But in beach volleyball,
[00:17:29] despite our guys losing against Austria, because of the two wins
[00:17:32] they achieved on Saturday, they reached the knockout
[00:17:36] stage. The Shahid Makan Nasiri caravan from Iran
[00:17:39] with 29 athletes in 14 sports
[00:17:43] has been dispatched to Dakar, Senegal. Babak Kazemi,
[00:17:47] correspondent of IRIB News Agency, Dakar,
[00:17:50] Senegal.
[00:17:52] The competition of Iranian representatives with cold steel begins. Two Iranian
[00:17:55] weightlifters will compete today in the World Championships.
[00:17:59] In continuation of these competitions, which are being held in Ningbo,
[00:18:03] China, today in group A of the 85 kg category, Mir-Mostafa
[00:18:06] Javadi and Abdollah Beiranvand
[00:18:09] will compete against their opponents from 2:30 PM.
[00:18:13] Reihaneh Karimi, Hamid Reza
[00:18:16] Zareei, Alipour, Alireza Moeini, Alireza
[00:18:20] Nasiri, Ali Davoodi, and Alireza Yousefi
[00:18:23] are other representatives of our country in these competitions
[00:18:26] who will face their international opponents in the coming
[00:18:30] days. The end of Iranian karatekas'
[00:18:33] participation in the Russian Grand Prix competitions with 12 medals.
[00:18:38] In these competitions, which were held in Moscow, Fatemeh Zahra
[00:18:41] Saeidabadi won the gold medal in kumite.
[00:18:44] Athena Mahboub, Morteza Nemati, and Mahmoud
[00:18:47] Nemati won the silver medal, and Ali Asghar
[00:18:51] Asiabari, Mehdi Ashouri, Fatemeh Sadeghi,
[00:18:54] Melika Ezzati, Masoumeh Mohsenian, Yalda Naghib
[00:18:58] Iran, and Mobina Heidari won the bronze medal.
[00:19:01] Also, Ali Zand won the
[00:19:05] silver medal in individual kata. He became
[00:19:13] a champion. News from the Asian Champions League football. Tractor seeks its first victory in the fourth week of the group stage of these competitions
[00:19:17] tonight at 7:30 PM. Tractor Iran will host
[00:19:20] Neftchi Uzbekistan in Muscat, Oman. Tractor, which has
[00:19:23] one draw and two losses from its previous three games,
[00:19:27] is looking for its first win in these
[00:19:30] competitions tonight. The goalkeeper, bad luck
[00:19:34] for Tractor, and now overcoming that bad luck.
[00:19:44] We hope to succeed, but the situation that
[00:19:47] has arisen for our team is not ideal at all,
[00:19:51] unfortunately, and there is no cooperation with
[00:19:54] our team, and for this reason,
[00:19:57] our team is going through a very difficult
[00:20:00] situation. Also, Esteghlal,
[00:20:04] another representative of our country in the Champions League, arrived
[00:20:08] in Basra, Iraq, last night for their match against Al Shamal
[00:20:11] Qatar. Sohrab Bakhtiari's players will host
[00:20:15] Al Shamal tomorrow night at
[00:20:18] 7:30 PM. Let's go to Spanish La Liga football. Real reduced its gap
[00:20:22] with the top of the table by winning its ninth game.
[00:20:25] In the continuation of the eleventh week of these competitions, Real
[00:20:28] Madrid defeated its host, Racing Santander, 3-0 last night
[00:20:32] and recorded its ninth win of the season. The goals
[00:20:36] of the Galacticos in this game
[00:20:59] In other games, Sociedad lost 2-1 to Bilbao,
[00:21:03] Sevilla lost 3-1 to its host Getafe,
[00:21:06] and Valencia defeated its host Elche 1-0.
[00:21:10] In the last game of the week tonight, Deportivo La Coruña
[00:21:13] will host
[00:21:14] Osasuna.
[00:21:24] Verstappen won the Mexican Formula 1.
[00:21:28] He celebrated his season championship. The
[00:21:31] 18th round of the Formula 1 World Championship was held last night
[00:21:34] at the Hermanos Rodriguez track in Mexico
[00:21:38] City, and after 71 laps of competition,
[00:21:41] Dutch driver Max Verstappen from Red Bull, with a time of
[00:21:45] two hours, 20 minutes, 28 seconds, and
[00:21:48] 772 thousandths.
[00:22:33] continues his training in Tehran. The training camp of the national table tennis team for
[00:22:37] veterans and disabled athletes is ongoing with the aim
[00:22:41] of a strong presence in the Asian and Oceanian
[00:22:45] competitions. We have three children with Down syndrome and four
[00:22:49] with intellectual disabilities.
[00:23:50] If you consider it, both in singles, doubles, and
[00:23:53] mixed, over 100 medals are awarded in the Paralympics.
[00:23:56] The first stage of the table tennis team's training camps for
[00:24:00] veterans and disabled athletes for the Asian and Oceanian competitions will continue
[00:24:04] until November 6th, and the second stage will begin
[00:24:07] on November 22nd. Seyyed Mehdi Pourhini, IRIB News Agency.
[00:24:11] In
[00:24:13] continuation, a review of a few other news
[00:24:15] in the continuation of the eighth week of the first division football league.
[00:24:26] Rafsanjan will play against Pars Jonoubi Jam, Naft and Gas Gachsaran against Mes Kerman,
[00:24:30] Palayesh Naft Bandar-Abbas against Foolad Novin
[00:24:33] Khuzestan, and Shahin Bandar Ameri against Jazireh Qeshm.
[00:24:36] The matches will start.
[00:24:37] The Iranian
[00:24:42] youth football team drew 1-1 against
[00:24:46] the Thai youth team in their first friendly match in Thailand.
[00:24:50] Hamid
[00:24:56] Alidoosti, former Iranian national football player, passed away
[00:25:00] at the age of 71 after a period of battling illness.
[00:25:03] Alidoosti had 15 national team appearances
[00:25:07] and played for Homa, Darayi, Keshavarz, Saipa, and
[00:25:10] Salmrohr of Germany in his career.
[00:25:13] The
[00:25:17] Iranian national handball team ended its training camp in
[00:25:21] Turkey with two wins and one loss,
[00:25:24] by winning its third
[00:25:26] friendly match.
[00:25:31] And in the third week of the Women's Futsal Premier League, Palayesh Naft Abadan,
[00:25:35] Golbarg Takestan, Sepahan Isfahan, National
[00:25:38] Haft Tepe Ahvaz, and Foolad Hormozgan defeated
[00:25:42] their opponents.
[00:25:43] And
[00:25:47] two more news from tennis. In the final match.
[00:26:01] he won and
[00:26:32] claimed the championship title for himself. Vachiro, after
[00:26:36] losing the first set 6-2 to his opponent, won the next two
[00:26:39] sets with the same score of 6-3
[00:26:43] and won the competition.
[00:26:44] Thank
[00:26:47] you for your attention to the sports news.
[00:27:19] Merely acknowledging Iran's role, merely going to Iran,
[00:27:22] merely announcing this direction
[00:27:25] for security partnership with Iran to discuss pending
[00:27:29] issues in the region with Iran is first
[00:27:32] and foremost an acknowledgment of the advancement of Iran's role, an acknowledgment
[00:27:36] of Iran's important role now and in the future,
[00:27:40] an acknowledgment of Iran's victory in this war, because the war was
[00:27:43] aimed at changing the regime in Iran, at destabilizing
[00:27:47] Iran, at eliminating Iran's role, at besieging
[00:27:51] Iran. All of this is now coming to an end
[00:27:55] with this meeting. This is a big indicator. If Iran had been defeated
[00:27:58] and had been, meaning, crushed,
[00:28:02] as the Israelis said, then Iran's role
[00:28:04] would have been eliminated and the matter
[00:28:07] would have ended there. But Iran's success in proving
[00:28:10] its capabilities was by controlling the Strait of Hormuz,
[00:28:13] by having cards of power, by an important mission,
[00:28:17] by achieving, meaning, painful strikes
[00:28:20] against the Americans, forcing the Americans to retreat
[00:28:23] and withdraw their forces from military bases,
[00:28:27] closing the Strait of Hormuz. No American ship has passed through the Strait of Hormuz,
[00:28:30] no warship, not even
[00:28:33] American ships have not passed through the Strait of Hormuz, neither
[00:28:36] towards the Fifth Fleet command in Bahrain nor exiting nor
[00:28:39] entering. And this is clear.
[00:28:42] So this level that the Iranian
[00:28:46] forces have demonstrated has changed
[00:28:49] the equation. So we are facing a very important transformation.
[00:28:52] This meeting is very important and will change the map
[00:28:55] of alliances in the Middle East, the map of influence in the Middle
[00:28:59] East for decades to come. It will change.
[00:30:23] Good time to you, dear viewers. Welcome to this news section. The head of the judiciary
[00:30:27] warned that those who abuse the market turmoil
[00:30:30] will be dealt with without compromise.
[00:30:34] The Supreme Judicial Council said that the judiciary will differentiate in dealing
[00:30:38] with economic activists who have faced problems due to
[00:30:41] enemy sanctions or conditions imposed on the country.
[00:30:43] If someone has a
[00:30:46] product and doesn't offer it, if there are people who offer
[00:30:50] low-quality goods, for example, suppose someone gives
[00:30:53] bad quality goods to people, the judiciary must deal with them quickly,
[00:30:56] preventively, and decisively. On the other hand, if really