N1BOS — broadcast
20260814 153000 UTC
530 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
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Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:00:00] 50 years, I guess he wouldn't have waited for me, maybe someone would have finished it before
[00:00:03] us, and it's a simple thing, you've heard of something called
[00:00:07] bypasses, that is, highways that bypass cities, the word itself
[00:00:10] bypass means it bypasses, it doesn't go through the middle of
[00:00:14] the city, the idea and concept of a city highway in Sarajevo was actually at that
[00:00:18] time a bypass in the 60s, when there were no settlements on
[00:00:22] the other side, and you, of course, bypassed the city and passed through transit
[00:00:25] further towards Pale. Now, after all that has been built, to integrate
[00:00:28] a bypass. The category of road that a bypass is, through the middle of
[00:00:32] the city, is completely senseless. We, of course, as
[00:00:35] a municipality, live with that problem,
[00:00:39] you constantly talk about it, it's very simple, well, we do
[00:00:42] that, we did Džemala Bedića street, we provided a solution for it to be
[00:00:45] a road with four lanes with access from all sides, and that's no
[00:00:49] problem at all, it even completely revives the area, but
[00:00:52] these expressways and highways, they somehow create a barrier
[00:00:56] due to the calculated speed of driving, when you drive at 80, and
[00:01:00] there is no road where you drive at 80 km/h without
[00:01:02] access except at grade-separated interchanges, and we
[00:01:06] are against our municipality being cut off by a road where the calculated speed is 80
[00:01:10] because later you can no longer connect, you completely
[00:01:12] separate some parts of the city and I am glad that there are some
[00:01:16] experts and authorities in Sarajevo who have explained the history
[00:01:20] of this project but also what it would actually mean for the city. We
[00:01:24] have been dealing with concrete projects for over 10 years,
[00:01:28] we have built numerous roads. I invite them to build the first
[00:01:31] transverse, let them try to complete it, it has been
[00:01:34] a priority for the last eight years, everything that has been done, has been done in
[00:01:38] the new city, of new roads that we
[00:01:41] designed as a municipality and sought possible solutions in urban
[00:01:44] conditions, so you have urban conditions where both property and
[00:01:48] functional problems are real and where if you don't
[00:01:51] take care of that, you will never build it and we proposed that it
[00:01:55] be realistic to build it especially since there is no space for those
[00:01:58] two if you build a city. The highway now, that
[00:02:02] road, we are talking about Drinska and Safuta Zajke streets, is used by
[00:02:05] the surrounding neighborhoods, if you build a highway, they cannot access it, you have to
[00:02:09] build another one for them, there is simply no space on both sides for
[00:02:12] one, on the other side there are companies, on the other side there are
[00:02:16] settlements, there is no space in that corridor, there is simply
[00:02:19] no, no place for both a fast city road and service
[00:02:23] roads, one road can be both, an example is Džemala Bedića street
[00:02:26] or some others that are simply accessible. That's the whole difference, but I think the people
[00:02:30] who advocated this
[00:02:34] solution for a highway understand these things, they understand that
[00:02:38] a bypass is not built through the city, it must
[00:02:40] bypass it, the purpose of a city highway was a bypass at
[00:02:44] that time there were really no settlements on the other side, today building
[00:02:48] a bypass through the city, that doesn't exist anywhere in the world, I believe that in the end
[00:02:51] they will give up on that, because the city needs a larger capacity
[00:02:55] of traffic, but one that the city uses, when
[00:02:57] we talk about concrete projects for the regulation of Le Miljacka, so it is
[00:03:01] in some phase of work, when can citizens expect
[00:03:05] the promenade to be fully connected from the border with Novi
[00:03:08] Sarajevo to the furthest parts of the new city, given that construction currently
[00:03:12] seems to be underway? Well, most of the regulation of
[00:03:15] the area along the Miljacka River itself, we have completed,
[00:03:19] we have a part that has been finished at Meander Island, a part in the Hrasno settlement
[00:03:23] that was finished this week, we have two more sections so that from
[00:03:26] the bridge on the street, or on the boulevard, near
[00:03:30] the municipality building to the border with Novi Sarajevo we would have a promenade along the Miljacka River,
[00:03:33] and from that point we have to the border with Ilidža along the main
[00:03:37] city road, countless such projects, we have similar ones in
[00:03:40] Dobrinja, but where the state does its job,
[00:03:43] the results are visible. Our wish is that just as we work
[00:03:47] in Novi Grad, we can try to replicate some of these
[00:03:50] things at higher levels, to deal with concrete
[00:03:54] projects that must be backed by knowledge, not platitudes and
[00:03:57] not slogans, populism cannot
[00:04:00] bring real results. On the other hand, when something needs to be stopped, that
[00:04:03] also requires knowledge and backbone, and then we won't wonder how we
[00:04:07] made some mistakes, we shouldn't make them. Will you actually insist on those topics
[00:04:11] in the campaign or will national issues be
[00:04:14] dominant, given that we know that here in
[00:04:17] the elections, all who can, mostly stick to those national
[00:04:21] topics. We determine that ourselves, the campaign topics
[00:04:24] are determined by the election campaign itself, where we are not the only actors, other
[00:04:27] parties in co- this. In correlation with them, the main topics of the campaign
[00:04:31] will somehow be determined. These national topics are definitely
[00:04:35] always present in Bosnia and Herzegovina, and will be
[00:04:38] this time too. I would like there to be more
[00:04:42] topics concerning concrete life. It is impossible
[00:04:45] for our healthcare to have billions at the annual level, and in the end
[00:04:49] the patient does not have a doctor who can adequately treat them. For us to have
[00:04:52] so many funds for road construction, and for you to have these
[00:04:56] Teen Arena program traffic jams from Mostar to Sarajevo every year. The same
[00:04:59] story, we spend huge amounts of money in all areas, so it is not a
[00:05:03] lack of money, but mismanagement,
[00:05:07] lack of organization and priorities set in
[00:05:10] a correct way, and all the causes are somewhere in the political
[00:05:14] system, the system of parties that then shift responsibility from one
[00:05:18] to another, and that's how our whole mandate passes, and at the moment when
[00:05:21] a plan is established for the next four years, sometime after the elections,
[00:05:25] people take it lightly, they say the Council of Ministers was formed
[00:05:28] the fastest, what's the use of fast if there
[00:05:31] is no plan behind it? Thank you very much, Mr. Efendić, for being our guest and for discussing
[00:05:35] these topics. Thank you for the invitation. Semir Efendić, President
[00:05:38] of the Party for Bosnia and Herzegovina, Mayor of the Sarajevo municipality of Novi Grad,
[00:05:42] was with us for the past
[00:05:59] is recommended for individuals at high and very high risk
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[00:07:54] Culture in society, lack of culture in culture. Who needs it, but who
[00:07:58] is bothered by it? We bring you what to read, watch, and listen to, and how
[00:08:01] to balance between a quality play, book, or concert
[00:08:05] versus everything that social networks bring us in this new
[00:08:09] normal era.
[00:08:16] Inspiring stories about wonderful people, history, culture,
[00:08:19] customs, cuisine, every day we bring stories into your homes, stories
[00:08:23] that bear witness to the beauty of life in these
[00:08:26] areas.
[00:08:31] Sarajevo lives film again. This year, N1
[00:08:35] television will broadcast live from its open studio every night, covering
[00:08:38] the 32nd Sarajevo Film Festival. At the square in front of the National
[00:08:41] Theater, we will talk to the biggest film stars and authors,
[00:08:45] bring you details from the red carpet, film recommendations, and
[00:08:49] critiques. N1 live from the heart of Sarajevo, where the
[00:08:53] film magic begins, Sarajevo Film Festival on
[00:08:55] N1.
[00:09:01] In the general elections of 2026, you will exercise your right to vote
[00:09:05] using specific electoral technologies. Upon arrival at the polling
[00:09:08] station, you are required to identify
[00:09:13] yourself by presenting a valid ID card or driver's license
[00:09:16] or passport of Bosnia and Herzegovina. After
[00:09:19] electronic data reading, place the index finger of your right
[00:09:23] hand flat on the device sensor for biometric
[00:09:27] authentication. Upon successfully completing the identification
[00:09:31] and authentication, the device prints a confirmation which
[00:09:34] you sign. Along with the ballot papers, you receive
[00:09:37] the candidate list and a protective folder, and then proceed to the
[00:09:41] voting booth. The ballot papers have a new
[00:09:44] appearance and are marked exclusively with a special marker that
[00:09:48] is located in the voting booth. Please read
[00:09:51] the instructions carefully. On ballot papers where the
[00:09:54] names of individual candidates are listed, completely fill
[00:09:58] the circle in front of the name of only one candidate.
[00:10:02] On the left side of the ballot paper are the names of political
[00:10:05] entities, on the right side of the ballot paper are columns
[00:10:09] with serial numbers of candidates. It is mandatory
[00:10:13] to fully fill in the circle in front of the name of only
[00:10:16] one political entity on the left side of the ballot paper,
[00:10:19] or to fully fill in
[00:10:22] the circle in front of the name of only one political entity on the left
[00:10:25] side of the ballot paper
[00:10:27] and fully
[00:10:34] fill in. The Sarajevo Film Festival gathers a large number of domestic
[00:10:38] and foreign guests, film professionals, and audiences every year.
[00:10:41] In addition to film screenings, the festival days are accompanied by a rich
[00:10:44] program of events throughout the city. Is everything ready for the start of the 32nd edition
[00:10:48] of the festival? We are checking that with Andrejana Cop, spokeswoman
[00:10:52] for this biggest film event in Bosnia and Herzegovina. Andriana, good day to you and thank you
[00:10:56] for your time, given that we know you have numerous obligations at this
[00:10:59] moment.
[00:11:02] Good day, thank you for the invitation.
[00:11:05] Sarajevo, therefore, is once again from today for the next eight days under the sign of film.
[00:11:09] How demanding is it organizationally to transform the entire city
[00:11:13] into a festival stage during the
[00:11:15] SFF?
[00:11:19] It is certainly very demanding, it is certainly very challenging
[00:11:22] to have such a large
[00:11:25] festival with about 150,000 entries
[00:11:28] to film screenings, to accompanying
[00:11:32] events, with about 3,100 film
[00:11:36] professionals, so it is organizationally demanding when
[00:11:40] you talk about locations, which range from the old
[00:11:43] town to Ilidža, there are numerous festival locations,
[00:11:47] in addition, during the Sarajevo Film
[00:11:50] Festival, we have screenings in Tuzla from August 14th to
[00:11:53] 21st.
[00:11:55] It is very demanding to transform what
[00:11:59] is not a festival location, an open-air cinema, into
[00:12:03] a location where people will enjoy films
[00:12:07] in excellent conditions and
[00:12:10] watch films, so it is very demanding,
[00:12:13] but I must say that the satisfaction is great when
[00:12:17] you work on it for a long time, when it is done responsibly, when a large number
[00:12:21] of people work together on such a large
[00:12:24] project, then when you see such a special atmosphere in
[00:12:27] the city, then people in cinemas watching
[00:12:30] films, laughing together, sometimes sad together, sometimes
[00:12:34] mourning together, that is something truly irreplaceable,
[00:12:38] something for which we are very grateful to our
[00:12:41] audience. Yes, this year the audience expects about
[00:12:44] 200 films, 51 of which are competing for
[00:12:47] the Heart of Sarajevo. What makes the 32nd edition
[00:12:51] of the festival different from the previous ones? For example, from last year's
[00:12:54] or the one from two years ago.
[00:12:57] It's
[00:13:01] hard for me to say what distinguishes
[00:13:04] it, 270 films will be shown
[00:13:07] in various festival programs. What
[00:13:11] doesn't distinguish it is the quality program,
[00:13:14] I mentioned 270 films, you said 51
[00:13:18] films in competition programs, for those
[00:13:21] 51 films, the selection team reviewed a thousand.
[00:13:25] 215 films to choose the films that will be in
[00:13:29] the competition, in contention for the Heart of Sarajevo,
[00:13:32] for the Sarajevo Film Festival awards. What
[00:13:35] characterizes this year's program is its diversity,
[00:13:39] it's a diversity of themes, styles,
[00:13:42] mm, mm, different themes that
[00:13:45] authors deal with in different programs, and what
[00:13:49] I can also highlight as a novelty is the new Sarajevo
[00:13:52] Film Festival award that is awarded in the Open Air
[00:13:56] Premieres program, where we show the most anticipated regional
[00:13:59] film achievements, achievements from the former
[00:14:03] Yugoslavia, and where the audience will decide the winner of
[00:14:06] an award called Prineplex, amounting to
[00:14:09] 20,000 euros and awarded for the best
[00:14:13] film in terms of marketing services and monetary
[00:14:17] funds. What is also specific about this year's
[00:14:21] festival is the film that
[00:14:25] will close this year's festival, the restored version of Danis Tanović's
[00:14:28] No Man's Land, Oscar winner. The festival
[00:14:32] audience will be the first to have the opportunity to see that
[00:14:35] restored film, certainly an opportunity to remind ourselves of
[00:14:39] it, for new generations to perhaps get to know it, to
[00:14:43] see, to understand how relevant that theme still
[00:14:46] is. Another specificity is the film
[00:14:50] Welcome to Sarajevo, which is shown in the Open
[00:14:53] Air program, it was shown at the third Sarajevo Film Festival in
[00:14:56] 1997. We are watching it on
[00:15:00] 35-millimeter film reel, so in the same
[00:15:03] way we watched it almost 30 years ago, with one of the actors
[00:15:07] from that film, Woody Harrelson, recipient of the Honorary
[00:15:10] Heart of Sarajevo at the 32nd edition of the festival. So,
[00:15:14] since you mentioned the film that will close the festival, let's talk about the one that will
[00:15:18] open the festival. It is opening with the Oscar winner Paweł
[00:15:21] Pawlikowski's "Očevina". What somewhere
[00:15:25] decided that this particular film would be the introduction to this year's
[00:15:28] SFF?
[00:15:31] A film that had its world premiere at this year's Cannes
[00:15:35] festival and won the award for best direction, a film
[00:15:39] that in a way speaks of memory, of remembrance,
[00:15:42] it speaks of Thomas Mann who travels through a devastated
[00:15:46] Germany, through his homeland,
[00:15:48] confronting the country he remembers, which he now sees perhaps
[00:15:52] with different eyes, but who confronts
[00:15:55] his devastated family, so that
[00:15:58] this, this theme of memory,
[00:16:02] confrontation, is something that is very close to
[00:16:05] the festival audience, the Sarajevo Film Festival, of course,
[00:16:08] and the film's author Paweł Pawlikowski, whose film Cold War
[00:16:12] in 2018 opened the Sarajevo Film
[00:16:15] Festival. A year after that, Pawlikowski received the Honorary
[00:16:19] Heart of Sarajevo award for his contribution to the film industry.
[00:16:23] So the connection between Pawlikowski and Sarajevo and his
[00:16:26] films is indeed strong, and we are very
[00:16:30] glad that his latest film is opening this year's
[00:16:34] festival.
[00:16:36] SFP has long outgrown the scope of a film event, it has become
[00:16:40] a tourist and cultural brand of Sarajevo. How much does the city
[00:16:43] actually benefit economically and promotionally during this festival
[00:16:46] week?
[00:16:48] Well,
[00:16:52] the Sarajevo Film Festival's impact on culture,
[00:16:56] economy, and tourism of Sarajevo and Bosnia and
[00:16:59] Herzegovina was analyzed a few years ago with concrete data being published.
[00:17:03] Of course, its contribution cannot always be expressed only in
[00:17:05] numbers, but for example, data from the Tourist Board
[00:17:09] shows that during the week of the Sarajevo Film Festival,
[00:17:12] they record 30,000 more
[00:17:15] overnight stays than in the week before or the week after
[00:17:19] the Sarajevo Film Festival. So
[00:17:23] its impact is certainly very large. What
[00:17:25] is very significant for us is its impact on the film
[00:17:28] industry, on culture, of course, on society,
[00:17:32] because a study that was published a few years ago by an
[00:17:35] independent firm
[00:17:39] Oldsberg that deals with creative industries
[00:17:42] showed that the Sarajevo Film Festival creates a strong
[00:17:45] sense of community among the local
[00:17:48] audience, that it brings an exceptionally
[00:17:51] positive international image that goes from Bosnia and Herzegovina
[00:17:55] to the world during these few days of the festival, that Bosnia and Herzegovina
[00:17:58] is recognizable in international
[00:18:01] frameworks for a few
[00:18:05] events, among others the start of the First
[00:18:07] World War, the Winter Olympics and the Sarajevo Film
[00:18:11] Festival which has been held for over three
[00:18:14] decades. Let's talk a little about domestic film.
[00:18:17] The BH film program this year brings as many as 62
[00:18:21] titles. Is that an indication that the domestic film scene,
[00:18:24] despite all these problems that filmmakers have been talking about lately,
[00:18:27] still has a productive period that is
[00:18:30] continuing? Is it
[00:18:33] still going on? Well,
[00:18:39] Bosnian-Herzegovinian cinematography
[00:18:43] has its ups and downs, and when it comes to financing, what
[00:18:47] is clear is that
[00:18:50] the film industry of Bosnia and Herzegovina must have
[00:18:53] continuity to show its quality.
[00:18:57] It has shown that it has strong authors, that it has
[00:19:00] globally recognized authors, talented authors
[00:19:04] who create their works, who make
[00:19:07] films that win major awards,
[00:19:11] sometimes not thanks to the system but
[00:19:14] despite the system, so we are glad that the festival audience
[00:19:18] will see domestic achievements. There are several
[00:19:21] films starring domestic actors,
[00:19:24] mm, a film festival in Bosnia and Herzegovina, a large
[00:19:28] festival like the Sarajevo Film Festival, it is very important
[00:19:31] to have a strong domestic cinematography,
[00:19:34] that especially. This time, the focus will also be
[00:19:36] on student films, young authors. How important is it for
[00:19:40] the Sarajevo Film Festival to be a launching pad for a new
[00:19:44] generation of filmmakers, who, fortunately, are
[00:19:47] not lacking?
[00:19:49] Well,
[00:19:52] the Sarajevo Film Festival has always worked and continues to work
[00:19:56] to be a platform for young talented film
[00:19:59] professionals. We have several segments where the
[00:20:02] festival works on the
[00:20:05] education of young people, but also on giving them the opportunity to
[00:20:09] show what they do. You mentioned
[00:20:12] the student program, we have a competitive student
[00:20:15] program, exactly. We also have
[00:20:19] several projects where we invite young people to shoot
[00:20:22] their films, where the best films will be
[00:20:25] shown
[00:20:27] in the festival program, that is, for example, Films for
[00:20:30] Future, we have a Children's
[00:20:33] where films for children
[00:20:37] from the age of seven and older are shown, and where
[00:20:40] we invite young people to participate, to be members of the jury for these programs
[00:20:44] and to choose the best film in those programs.
[00:20:48] These are films that deal with themes that are close to
[00:20:52] young people, which in a way educate them to critically
[00:20:55] reflect on the world in which they live, the society in which
[00:20:59] they are surrounded. We also have
[00:21:01] the "I Love Film" program where a special group of
[00:21:04] film enthusiasts, i.e., film lovers, gets a special
[00:21:08] program that accompanies the program of
[00:21:11] the 32nd edition of the Sarajevo Film Festival. Also,
[00:21:15] the educational platform of the Sarajevo Film Festival for those
[00:21:19] at the beginning of their professional careers is
[00:21:22] Talent Sarajevo, mm,
[00:21:24] which, through various segments such
[00:21:28] as directing, acting,
[00:21:31] producing studio, and so on, and through discussions with
[00:21:35] mentors, where we work on advancing their careers,
[00:21:38] so about 60 of them gather in Sarajevo every year
[00:21:42] who work with their mentors and
[00:21:45] perfect the area of the film industry
[00:21:49] they are involved in, in which they want to specialize
[00:21:52] further. Andrejana, let me ask you one more important
[00:21:56] thing, this year's BH film program
[00:21:58] brings as many as 35
[00:22:01] world premieres. How difficult is it to secure that
[00:22:04] authors present their films for the first time in
[00:22:08] Sarajevo, given the multitude of other
[00:22:11] festivals?
[00:22:15] Well, if we are talking about the competitive programs of
[00:22:17] the Sarajevo Film Festival, well,
[00:22:20] a festival that has existed for 32 years, which has
[00:22:24] built its recognizable style,
[00:22:27] recognizable program, we can also say, competitive
[00:22:30] program, mm, it is certain that
[00:22:33] authors choose the Sarajevo Film Festival for a
[00:22:37] reason for the first screening of their film, that what
[00:22:40] they do, the Sarajevo Film Festival has a special
[00:22:44] energy thanks to the city in which it operates,
[00:22:47] mm, Sarajevo cinemas, the Film Festival is full,
[00:22:51] what authors do, they do it for the audience, of course, and for
[00:22:54] film critics, because in Sarajevo there are about 700
[00:22:58] accredited media representatives, there are film professionals, as I mentioned,
[00:23:01] representatives of film centers, so a strong professional
[00:23:05] scene of the film industry, but what
[00:23:08] authors want most of all is an encounter with
[00:23:12] the audience, the Sarajevo Film Festival has an audience,
[00:23:15] it has a special energy, that's what
[00:23:19] filmmakers recognize,
[00:23:23] appreciate, and that's why they come to Sarajevo and keep
[00:23:26] returning to Sarajevo. Well, since we're already talking about the audience, what
[00:23:30] do you recommend to those who might be at the Sarajevo Film Festival for the first time
[00:23:33] this year, uh, where should they start and what
[00:23:37] should they definitely see at this 32nd SFF?
[00:23:40] They
[00:23:43] often ask me that, so I prepared a good answer to that
[00:23:47] question, a bit diplomatic, to take
[00:23:50] the festival journal, because the festival journal contains our entire
[00:23:53] program, that is, all film synopses, screening
[00:23:57] schedules, to find the film, the location where
[00:24:01] they will watch it, they will surely enjoy it, to
[00:24:04] watch programs that they might not otherwise watch, such
[00:24:08] as, for example, programs mm partner
[00:24:11] programs, Partners Presents, Kinoskop, which brings
[00:24:15] new authorial film voices. Some people like the
[00:24:19] Summer Screen program, but maybe they'll discover a film they'll watch
[00:24:23] with their whole family in the Children's and Teen Arena program. There are really many
[00:24:27] films, and the goal of the Sarajevo Film Festival is
[00:24:31] shared film viewing and then discussion
[00:24:34] about those films. I must mention again confronting
[00:24:38] the past, Human Rights Day, so I invite everyone
[00:24:41] to browse festival journal, to
[00:24:44] choose a film, to watch something
[00:24:48] unexpected, something that... they are not sure if they will
[00:24:51] like it, let them try to watch something new, something
[00:24:55] different, maybe they will discover a completely new program and
[00:24:58] location where they will enjoy themselves in the future. Andrejana,
[00:25:02] finally, when the spotlights turn off on the 21st
[00:25:05] of this month, what would you like the audience to
[00:25:09] remember about the 32nd Sarajevo Film
[00:25:11] Festival?
[00:25:15] For good films, for an excellent program, for
[00:25:19] togetherness. For good energy,
[00:25:21] for, for some
[00:25:25] old feeling of socializing, watching
[00:25:28] films together, shared laughter, silence
[00:25:32] in the cinema hall while the film
[00:25:34] is playing. And I have to ask you one more thing at the end,
[00:25:38] every year SFF has some surprise for the
[00:25:42] audience, a guest who was not announced
[00:25:45] before, will there be one this time, do we have
[00:25:48] an ace up our sleeve that we are saving until the last moment, if
[00:25:52] it will surprise the audience on the red
[00:25:55] carpet?
[00:25:58] I'm trying to remember, who was the surprise last
[00:26:01] year? "But maybe I'm too much into this year's festival edition so
[00:26:05] I can't remember, mm, surprises, I don't
[00:26:09] believe there will be, but it's worth watching the festival from
[00:26:12] beginning to end, we never know what can surprise us,
[00:26:16] but I believe, I say again, that the audience will really enjoy the program and
[00:26:20] that there will be no surprises here. Andrejana,
[00:26:24] thank you very much for your time, good luck for the next eight days, lots
[00:26:27] of audience, applause, smiling faces, of course, see you when
[00:26:31] it's all over to sum up how it all
[00:26:33] looked.
[00:26:36] Agreed, thank you, Andrejana
[00:26:39] Cop, spokesperson for the Sarajevo Film Festival, whose 32nd
[00:26:42] edition starts, here, in
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