N1BOS — broadcast 20261102 013000 UTC 254 transcript segments Google Speech-to-Text API Automatic Transcription (Chirp) Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive. Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record. [00:00:01] This and more on DW Science Show, welcome to Tomorrow [00:00:05] Today. [00:04:18] of [00:04:25] of [00:09:12] on Moon: At first glance, the moon looks [00:09:16] a bit like a desert, and for a long time scientists were sure there [00:09:20] was no water on it. Now though, we know that [00:09:23] there is, but where is it? And could we use [00:09:26] it? Most the [00:09:30] moon's water is found its south pole. Many [00:09:34] craters there have no access to sunlight, and says [00:09:37] NASA, are some the coldest parts the entire solar [00:09:41] system. The... water here is permanent ice, some has been [00:09:45] frozen for 3.5 billion years. temperatures are as low [00:09:48] as min 240 degrees celsius. the [00:09:52] LRO lunar orbitor revealed that there is ice lying just [00:09:56] below the surface here, either as solid deposits or mixed with lunar [00:10:00] dust, and there's a lot of it. estimates suggest [00:10:03] hundreds of millions of metric [00:10:05] tons. there's also water in [00:10:09] moondust, what's known as lunar regulith. [00:10:13] NASA's Lady mission showed that when rocks from space strike the [00:10:17] moon's surface, they kick up not only [00:10:21] dust, but also traces of water, even in areas subject to sunlight. [00:10:26] and they are traces. The Sahara desert contains around [00:10:30] 100 times more water than lunar [00:10:32] dust. [00:10:36] Can we access it? That's something for future lunar [00:10:40] missions to find out. Either way, it won't be easy [00:10:44] to extract. Temperatures are very low, the terrain is [00:10:48] difficult, and it'll take a lot of [00:10:50] tech. Water access will be [00:10:54] crucial for. future lunar missions, it could be treated [00:10:58] and turned into drinking water, or broken down [00:11:02] into its components, hydrogen and oxygen, using [00:11:05] electrolysis. These could be used for [00:11:09] breathing or for rocket fuel. [00:11:13] Until then, however, astronauts will still have to bring their water with [00:11:16] them from [00:11:17] earth. [00:11:25] Space Exploration is all the rage among Genziers. That's [00:11:29] because it boasts more opportunities than ever before. [00:11:32] SpaceX and Blue Origin as well as numerous satellite startups are [00:11:36] stirring things up. It's no longer just government [00:11:40] agencies that get to explore up [00:11:42] there. The space industry is [00:11:45] expanding and attracting [00:11:48] talent. [00:11:55] With the help of this simulator, Alias Loisell is training his mining [00:11:59] skills. He hopes to one day extract raw materials far away [00:12:02] on the moon. Leissell studies space technologies at the [00:12:06] Fryberg University of Mining and Technology in Eastern Germany and has [00:12:10] big plans. It would be cool to have the [00:12:13] opportunity to go to the moon, but on the other hand, it's also really cool just to be [00:12:17] part of developing all of this and to find solutions essential for it [00:12:21] to work, solutions without which it wouldn't be possible. [00:12:26] extracting raw materials in space is laborious, dangerous [00:12:30] work, the low gravity makes it difficult, as do the meter thick layers [00:12:34] of lunar dust and the lethal radiation, a challenge for the [00:12:38] scientists, we're looking for [00:12:42] simple, hardwaring solutions that are robust, on the moon you can't [00:12:45] easily repair equipment for example, so everything has to be lightweight, [00:12:49] reliable and robust, like this rover [00:12:53] for example developed by students here at the university, it moves [00:12:57] across the rugged lunar surface, locating, extracting and [00:13:00] transporting raw materials, soon it'll be possible to [00:13:04] produce rovers like this on the moon [00:13:06] itself. [00:13:10] 3d printing is key, we're already able to print entire cars [00:13:14] and so we want to use this technology to produce rovers directly on the moon [00:13:17] using local materials, rather than having to transport [00:13:21] every single piece of material we need to the moon. [00:13:27] crude lunar landing is planned for 2028 as part [00:13:31] the Artemis 4 mission. The plan is to then build a [00:13:35] lunar station up there. It will be too expensive to restock [00:13:39] this base with deliveries from earth, so astronauts will need to use [00:13:42] resources very [00:13:43] carefully. Luna [00:13:47] astronauts will have to breathe the same air over and over, drink the [00:13:51] same water, eat the same carrots, recycle like crazy. [00:13:55] and by finding solutions we're developing technologies that are useful on [00:13:59] earth too. data collected by the [00:14:02] artemis 2 mission which launched in April 2026 will be [00:14:06] used to prepare for the planned crude lunar landing in [00:14:09] 2028. [00:14:15] This is what dwellings on the moon could look [00:14:17] like. Together with the [00:14:21] European space agency, London-based design and architect. a firm [00:14:25] has developed a master plan for modular lunar [00:14:29] base in which human beings could work and live [00:14:32] long-term. one big challenge is the lunar [00:14:35] radiation, so thick walls could be [00:14:37] essential. but how to build [00:14:40] them? we're not going to bring our own concrete [00:14:44] to build shell structures or caves to protect our [00:14:48] astronauts. we better use local materials, so therefore we're going to [00:14:52] use regulate, which is lunar dust. to create [00:14:55] blocks that then what we called tetrapods that we can actually [00:14:59] interconnect and create these structures, these shell structures, [00:15:03] cave like structures under which our astronauts can live [00:15:07] inside their inflatable habitats. [00:15:11] it sounds great and the model looks impressive [00:15:14] too, but what about putting it into [00:15:16] practice? [00:15:19] researcher is helping to develop the building [00:15:23] material, although [00:15:37] glass like sand. An alternative however is to cinter [00:15:41] it. Cintering is similar to firing clay, it doesn't completely [00:15:45] melt the regulis, but it does make the grains soft enough so that they can bond [00:15:49] together. And afterwards you end up with a porous, solid [00:15:52] composite material which could be used to make something like bricks for [00:15:56] example, bricks you could then use to build walls [00:15:58] with. We also use heat resistant plastics for [00:16:02] 3D printing, and we mix in Regalith to boost the [00:16:06] overall volume that... we can achieve a larger volume and so need to take less [00:16:10] plastic with us for [00:16:11] printing, with a [00:16:14] special high temperature printer, it's even possible to process pure [00:16:18] Regulith. It can be used its own or mixed with [00:16:22] plastic. 3D printing has great potential for lunar [00:16:25] construction work. NASA conducted tests with [00:16:29] large format printers. One good option is to design [00:16:32] lightweight inflatable structures and then clad them in [00:16:36] regalice. 'and the [00:16:40] plan would be to incorporate the assistance of small robots. What [00:16:44] at first glance looks like vacuum cleaner, is actually mobile [00:16:48] 3D printer. It applies Regulis layer by [00:16:52] layer directly onto the lightweight base structure. All [00:16:56] this is still just vision, but this, or something similar, could be what [00:17:00] living on the moon looks like one day. Humanity is heading [00:17:04] off to new realms and this exploratory urge drives'. [00:17:07] find [00:17:17] myself thinking, wow, i'm really working on these frontiers that we're [00:17:21] currently pushing back, and working on lunar projects is [00:17:24] incredibly inspiring, it fills me with enthusiasm, [00:17:28] and i'm so grateful to be allowed to be so close to it all, it's totally [00:17:32] crazy [00:17:32] dran sein zu dürfen, das ist total [00:17:34] verrückt. Imagine [00:17:38] it's the year 3000. What would archaeologists dig up from our [00:17:41] time? Very likely bits of plastic and fragments of [00:17:45] synthetic clothing, which are already found in dense layers in the [00:17:49] ground, thanks to our appetite for disposable [00:17:52] fashion. [00:17:56] T-shirts emblasoned with the latest designs, bang on [00:17:59] trend, super short distressed look hot pants and [00:18:03] must have. The latest fast fashion collection. [00:18:08] will doubtless have a shorter product life cycle as [00:18:11] ever. [00:18:16] fon works to improve sustainability in fashion. she says one [00:18:20] hurdle is the disposable [00:18:21] mindset. what actually happens to the [00:18:25] things we buy? if we take a look inside a typical closet, we [00:18:29] see lot of tags still on [00:18:30] the clothes, [00:18:35] neue Sachen Kleiderschrank hängen. about 20% of all [00:18:39] clothing produced and top [00:18:41] of that, roughly 10 to 30% is never even sold in the first [00:18:45] place, it's destroyed, burned, disposed of, that means more [00:18:49] than half of what we produce goes straight into the trash, [00:18:53] unused, that in itself is a massive [00:18:56] problem, and fast [00:18:59] fashion giants like primark seem almost harmless in [00:19:03] comparison to online Chinese sellers like shien, [00:19:07] more about ultra fast [00:19:09] fashion, [00:19:13] product life cycles are getting significantly shorter, things need to be replaced [00:19:17] more quickly and consumption increases. ever more products are [00:19:21] bought and as result the mountain of waste generated by this short-lived [00:19:24] system continues to grow. at the federal [00:19:28] environment agency in Desaw, eastern Germany, scientists like [00:19:32] Karim Zaidi are working on ways to make textiles last [00:19:35] longer by creating [00:19:56] There is a whole range of product information currently being [00:19:59] considered, one might be the durability the fibers [00:20:03] used in the textiles. In other words, how long-lasting is the fiber. [00:21:25] Here at Berlin's University of Applied Sciences, Elizabeth [00:21:29] Epinger investigates the sustainability of fibers and [00:21:32] textiles by putting them to the test in the [00:21:35] laboratory. Most fast fashion [00:21:38] items are not made to last, it takes just [00:21:42] few test cycles to reveal weaknesses, although [00:21:46] these can easily be missed in the store. [00:22:50] how to recognize true [00:22:52] quality? [00:22:56] when we look at the textiles sector, it's clear that things are getting [00:22:59] worse, and it's not just brands [00:23:03] associated with ultra fast fashion that are doing it. we see [00:23:07] the same trend in higher price segments as [00:23:09] well. it's far from the [00:23:13] case that higher prices mean better quality, and no [00:23:17] matter how much it costs, isn't fassioned by it. nature, [00:23:21] fleeting. Sustainable fashion like that sold [00:23:25] in this Slow Fashion store in central Berlin remains a [00:23:28] niche concept, and even if consumers are given more information about how a [00:23:32] garment is made, will they actually use it, and how much does [00:23:36] this information influence purchasing decisions [00:23:38] anyway? Oliver McConnell, [00:23:42] innovation strategist and fashion expert has his reservations about the [00:23:46] digital product passport, [00:24:04] You could for example say that if you buy fair fashion you get [00:24:08] climate points which you could then redeem for cheaper [00:24:11] electricity [00:24:12] or to otherwise cut your household budget kind of [00:24:16] payback program where you get immediate reward. [00:24:50] digital product passport could be key to enabling buyers to make [00:24:53] decisions based on facts and I'm certain that it will also be [00:24:57] key to changing purchasing Kaufentsheidung [00:25:01] sein wird. Following a preparatory and [00:25:05] introductory phase beginning in 2027, the digital [00:25:09] product passport for textiles in the EU is set to come into [00:25:12] effect in [00:25:13] 2028. [00:25:21] Archaeological discoveries, [00:25:25] water on the moon and building [00:25:27] a lunar base. We'll be back soon with more stories from [00:25:31] the world of science. See you then tomorrow today. [00:25:35] Take [00:25:35] care! [00:26:48] Ovako izgleda aktuelna američka box office [00:26:51] lista, na mestu broj 10 američke box office [00:26:55] liste ove nedelje se nalazi naučno fantastična horor akcija [00:26:59] pod nazivom resident evil. kurira [00:27:03] zaduženog da isporuči paket u udaljenu bolnicu, ubrzo se [00:27:07] nađe usred epidemije i mora da se bori kroz horde mutiranih [00:27:11] stvorenja da bi preživeo. Režiju potpisuje Zak [00:27:14] Krager, a uloge tumače Austin Abrams, Paul Walter [00:27:18] Hauser, Zak Cherry i drugi. Film je nakon šest nedelja [00:27:21] prikazivanja zaradio 153 miliona i 680 [00:27:25] hiljada dolara, a pod nazivom pritajano zlo, na domaćoj [00:27:29] listi zauzima mesto broj 10. [00:28:02] Sa šeste na devetu poziciju silazi romantična Krimi triler [00:28:06] drama pod nazivom Verity. Loven Ashley dobija [00:28:09] angažman od Džeremija Croforda da piše romane za njegovu [00:28:13] suprugu Verity, autorku Bestselera koja ne može da [00:28:16] završi roman nakon nesreće. Loven otkriva veritine [00:28:20] uznemirujuće istine dok boravi kući Crawfordovih da bi [00:28:24] radio. Režiju potpisuje Michael Show Walter, a uloge tumače [00:28:28] Anne Hattaway, Dakota Johnson i Josh Hartnet. Verity je [00:28:32] nakon... četiri nedelje prikazivanja inkasirao 71 milion i [00:28:36] 531 dolara, i na domaćoj listi [00:28:39] zauzima mesto broj [00:28:41] devet. [00:29:24] pad sa četvrte na osmu poziciju beleži avanturistička triler [00:29:27] drama pod nazivom wale fall priča prati ronioca koga [00:29:31] dok tražio. ostatke svoga oca, proguta kit visok [00:29:35] 24 m težak 60 i on ima [00:29:39] samo jedan sat da izađe pre nego što mu ponestane [00:29:42] kiseonika. Brian Duffield potpisuje režiju, a uloge [00:29:45] tumače Austin Abrams, Jane Levi, Josh Brollin i [00:29:49] drugi. Nakon dve nedelje prikazivanja film je inkasirao 14 [00:29:53] miliona i 73.000 dolara, a pod nazivom u [00:29:56] dubinama, na domaćoj listi zauzima mesto broj [00:30:00] šest.