N1HRV — broadcast
20260917 210000 UTC
420 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive.
Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:00:02] The same rules apply to success in sports as in news,
[00:00:06] the combination of sports news has always inspired me. From the heart
[00:00:10] of events, I bring you the latest sports
[00:00:12] news. I am Antonijo Baković, watch me
[00:00:16] every day in the sports review only on N1 Television.
[00:00:36] Life in Ibiza, is this island just a synonym for
[00:00:40] partying or does it offer much more than that? Life in
[00:00:43] Earthship in the Netherlands is a community
[00:00:46] that turned garbage into treasure. And
[00:00:50] growing up in Munich. We follow the daily life of a
[00:00:53] teenager in this Bavarian city. All and
[00:00:57] much more awaits you in Euromax.
[00:01:16] Spectacular sunsets, energetic
[00:01:19] rhythms and non-stop partying, that's what Ibiza is
[00:01:23] known for worldwide, yet life in Ibiza isn't
[00:01:26] just about parties, welcome to Ibiza.
[00:01:30] "European capital of fun, I love it, the atmosphere is always
[00:01:34] great, I feel like I'm in another world,
[00:01:37] the nightlife is unique, unico, as they say
[00:01:41] here, but there are plans to
[00:01:44] change the island's image, people think we just
[00:01:47] party here,
[00:01:51] is the party over,
[00:01:54] the Spanish island of Ibiza, known
[00:01:57] from the internet will be my guests on as the world center
[00:01:58] Radar every Sunday on of electronic music, is located in the middle of the sea..." every
[00:02:01] year it is visited by more than three Dragan Petric, the most interesting people
[00:02:04] a large number for an island with only 160 thousand
[00:02:08] inhabitants, most people come for the famous nightlife.
[00:02:11] života.
[00:02:15] There's nothing like this anywhere else, here are four
[00:02:18] of the best clubs in
[00:02:20] many places here with it. Riding through the world.
[00:02:23] As soon as you mention Ibiza, people's expressions change. It
[00:02:26] is a mecca for everyone who loves electronic music. But
[00:02:30] before electronic music took over the island, Ibiza had
[00:02:34] a completely different party scene. Carlos
[00:02:37] Martorel from Barcelona, is a legendary public
[00:02:40] relations expert in Ibiza. For decades
[00:02:43] he has been promoting the culture of the island's nightlife. He came to Ibiza in
[00:02:47] the 60s, what was happening on the island
[00:02:50] then and why did so many hippies come
[00:02:53] to Ibiza. When I, as a hippie, left home
[00:02:57] and came to Ibiza, the Vietnam War was still
[00:03:00] going on, rich American families who didn't want their children
[00:03:04] to go to war hid them in secluded places that almost no one
[00:03:08] knew about, and what was the meaning of the hippie movement, sex, drugs and
[00:03:12] rock and
[00:03:14] It's difficult because it's performed on roll, and what is the club scene like in Ibiza
[00:03:16] today, DJ Oliver moved to the island in the
[00:03:19] 90s, he performed in some of
[00:03:22] the most famous clubs in Ibiza. We lost
[00:03:25] a part of the identity we once had, everything revolves around money,
[00:03:29] money and... money, we also lost a part of that personal
[00:03:32] connection, once the party was like one big family
[00:03:36] thing, that family, Ibiza has
[00:03:39] become a leading destination for luxury tourism that every
[00:03:43] year attracts famous DJs, celebrities,
[00:03:46] big brands and millions of visitors,
[00:03:50] but excessive tourism has raised the cost of living for local
[00:03:54] residents. Everything here is expensive, housing,
[00:03:57] breathing, walking, sleeping. Going out,
[00:04:00] drinks, dinner. Tickets for the biggest clubs
[00:04:04] in Ibiza cost from 50 to
[00:04:06] 120 euros per person. For the opening and
[00:04:10] The disaster and the resulting disruptions in closing of the season, however, you need to pay 150 euros,
[00:04:13] or even more, but for some people, it's not a problem. I've been here many
[00:04:17] times, four or five times, I enjoy
[00:04:20] it every time. It's my second
[00:04:23] The Radar every Sunday on time here. And honestly, I'm sure I'll come back again next
[00:04:25] year. Now that we know a little more about
[00:04:28] Ibiza, let's take a look at what the tourist organization has in
[00:04:32] mind, why are you trying to change Ibiza's
[00:04:34] image? We want to change Ibiza's
[00:04:38] positioning, that is, the way the island presents itself as a tourist
[00:04:41] destination. Ibiza is a very well-known tourist brand, but it is almost
[00:04:45] always associated with partying, we want to move away from that, we know that
[00:04:49] we have the best parties and they will continue to be part of our offer, but we also have
[00:04:53] other tourist facilities that are really impressive, we want
[00:04:56] to promote activities such as outdoor sports and gastronomy.
[00:05:05] The club season lasts from April to October. Eva
[00:05:09] Cercadillo from Lio Ibiza, a place that combines
[00:05:13] cabaret, top-notch gastronomy and club
[00:05:16] nights, believes that there is room for both on the
[00:05:19] island.
[00:05:22] I think Ibiza is unique, because it is the initiator of the culture of partying,
[00:05:26] entertainment and music, especially electronic
[00:05:29] music, but besides that, we have much more to offer, there
[00:05:33] are crystal clear seas, beautiful beaches and top-notch
[00:05:36] cuisine, I think attracting more families is also
[00:05:40] a positive thing, the island belongs.
[00:05:45] DJ Igor Marihuana from Bilbao in Spain moved to
[00:05:49] Ibiza in 2001. He performed in some of
[00:05:52] the most famous clubs on the island, but also at major
[00:05:55] international events, including Tomorrowland and
[00:05:59] Burning Man. The island is a real pleasure for families. I
[00:06:02] am a father, my son lives here and I think that's great. You think that
[00:06:06] families don't go out to party. These two fit perfectly. It's not
[00:06:10] one or the other. And Ibiza attracts those who seek
[00:06:13] luxury, wellness, nature and family holidays, yet
[00:06:17] the party culture and music scene of this island
[00:06:20] remain.
[00:06:24] Ibiza without partying, that will never happen,
[00:06:27] impossible, it wouldn't be Ibiza anymore, it would just be another
[00:06:31] ordinary island like any other, that won't happen,
[00:06:34] I'm convinced of that, what do you think about the party scene in
[00:06:38] Ibiza and the problems it faces, do other places
[00:06:42] face similar problems, a house
[00:06:45] that is not connected to any grid, that heats itself
[00:06:49] and is built from recycled materials,
[00:06:53] welcome to life in an Earthship.
[00:06:56] This house is an Earthship,
[00:06:59] partly built from old car tires.
[00:07:03] But what exactly is an Earthship?
[00:07:06] 44 residents of this community in the Netherlands live in
[00:07:10] houses that resemble a Hobbit village. and almost completely
[00:07:13] produce their own electricity and
[00:07:15] heating.
[00:07:18] whenever I walk around here I admire everything that grows and
[00:07:21] blooms.
[00:07:24] I enjoy this greenery, the pots around, there's plenty of it.
[00:07:27] that's exactly what my soul
[00:07:30] needs.
[00:07:35] The community consists of 23 Earthships and one conventional
[00:07:39] communal house and...
[00:07:43] is an eco-village about an hour's drive from
[00:07:45] Amsterdam,
[00:07:47] welcome, oh my dog, come in,
[00:07:50] come in, I'll show you my
[00:07:53] house, the kitchen is nice, this cladding is actually
[00:07:56] an old subfloor from our previous
[00:07:59] home.
[00:08:01] We use second-hand, local materials of biological
[00:08:04] origin, we only bought new ones when there was no other
[00:08:08] choice.
[00:08:12] The construction of these houses is quite unusual, most Earth
[00:08:15] ships have internal rear walls made of
[00:08:19] old car tires filled with
[00:08:21] earth.
[00:08:26] Especially during the cold season, the back of this house absorbs
[00:08:30] a lot of solar energy, while the earth-filled tires
[00:08:33] act like a sponge that absorbs that heat.
[00:08:37] In the evening you draw the curtains, then the sponge starts
[00:08:40] releasing heat.
[00:08:47] The Earthship concept was developed in the 70s by American
[00:08:50] architect Michael Reynolds. In the construction process he used
[00:08:54] waste
[00:08:55] materials.
[00:08:58] Today there are about 3 Earthships, more than
[00:09:02] half of which are located in
[00:09:03] the USA.
[00:09:07] An Earthship should produce 100% of its own electricity and
[00:09:10] heating, but in the colder climate of the Netherlands this is not possible
[00:09:14] throughout the year, so in winter days a heat
[00:09:17] pump is used as a supplement.
[00:09:21] Many find this concept very interesting. Estela regularly leads
[00:09:24] groups of visitors on a tour of the community. There are no
[00:09:27] paved paths here, everything is green.
[00:09:31] Residents park their cars outside the community in a common
[00:09:34] parking lot, so they have more living space. They try to do many
[00:09:38] things differently.
[00:09:41] As a community. "We try to travel less by plane,
[00:09:45] we eat less meat than average, we have
[00:09:48] electric cars, although not all of us do, we also have
[00:09:51] shared
[00:09:52] cars.
[00:09:57] The residents of Hardehoeve not only planned their community, but also
[00:10:00] built it with the help of volunteers and
[00:10:02] experts.
[00:10:06] And now that the construction is finished, the residents don't just live next
[00:10:10] to each other, they have created..." a community, for example,
[00:10:14] they planted a forest garden where nuts, berries
[00:10:17] and herbs grow. Because of this, this place has a much greater
[00:10:21] meaning for its residents.
[00:10:28] When I got involved in this project, I wanted to live in a sustainable house,
[00:10:31] but I didn't expect to feel a connection with my
[00:10:35] neighbors. Our society is structured so that people
[00:10:38] increasingly live as individuals, this is not
[00:10:42] the way we should
[00:10:43] live.
[00:10:49] The residents of Hardehoeve are aware that they are privileged
[00:10:52] in many ways. Not everyone can live like them, but they
[00:10:56] want to be an example of a sustainable way of life. What do you
[00:10:59] think about this way
[00:11:01] of life?
[00:11:05] Dirndl, beer and hearty meals at
[00:11:08] Oktoberfest. That's the image of Munich that first
[00:11:12] comes to many people's minds, but what is it really like to grow up and
[00:11:15] live here? A local teenager showed us
[00:11:19] what her day looks like. Dancing,
[00:11:22] singing, acting, it's so much fun. The energy in
[00:11:25] Munich is pure joy, it's wonderful to live here,
[00:11:29] I love this city. Munich, the capital of Bavaria and
[00:11:33] the third largest city in Germany, known for its views
[00:11:36] of the Alps, luxury offerings and Oktoberfest.
[00:11:39] It attracts tourists from all over
[00:11:42] the world. Locals call it
[00:11:45] Minga, but how do young people live here?
[00:11:49] Hi. I'm Vicky, I'm 16 and I'm from Munich.
[00:11:52] This is my life. Come with me.
[00:11:56] Vicky or Viktoria is still in school, so her day starts
[00:11:59] early, I wake up at 6:30 and usually
[00:12:03] have breakfast with my mom, I eat porridge or overnight oats, then I get
[00:12:07] ready and go to school.
[00:12:10] Viktoria lives in Schwabing, one
[00:12:13] of the most popular parts of Munich. It is extremely
[00:12:17] difficult to find affordable housing here. Munich is
[00:12:20] the most expensive large city in Germany with living
[00:12:23] costs that are about 23% higher
[00:12:26] than the national average. As for
[00:12:29] transportation, Viktoria chooses a bicycle, even for going to
[00:12:32] school. Her bicycle has never been stolen, which is not surprising,
[00:12:36] since Munich has been declared the safest large city in
[00:12:39] Germany. I like to ride a bicycle, because you can get to
[00:12:45] the English Garden or the Olympic Park, is wonderful and
[00:12:49] fun in the summer. Viktoria attends Realschule, a secondary
[00:12:52] school that finishes after the
[00:12:56] tenth grade. Graduates receive a diploma of secondary level
[00:12:59] education, but without further schooling they cannot enroll in
[00:13:03] university. She chose musical education, she plays
[00:13:06] piano and flute and performs in the school
[00:13:09] orchestra.
[00:13:18] Music and dance are her
[00:13:19] priorities.
[00:13:29] After school I will attend a three-year musical theater program
[00:13:32] here in Munich. I would like to perform in a musical
[00:13:36] like Starlight Express.
[00:13:39] roller skates, but as soon as I saw it, it became
[00:13:43] clear to me that it was my favorite. It would be really nice to be a part
[00:13:46] of that. After school, Viktoria likes to meet up with
[00:13:50] friends at Eisbach. Here, surfers ride the Eisbach
[00:13:54] wave. The legendary continuous wave in the middle of the city. This
[00:13:58] popular meeting point is located at the southern end of the English Garden,
[00:14:02] one of the largest city parks in
[00:14:04] the world.
[00:14:11] In her free time, Viktoria likes to walk around and browse the shops
[00:14:14] in the city center. Although her pocket money limits
[00:14:18] her spending, purchasing power in Munich is higher than in
[00:14:21] any other major German city. This is partly
[00:14:25] due to the unemployment rate in the Bavarian capital,
[00:14:28] which is the lowest among urban centers in
[00:14:31] the country. I really love living in Munich. There are many places to
[00:14:35] go out. You can always find people of all ages to connect
[00:14:38] with. There's something for
[00:14:40] everyone.
[00:14:46] Twice a week at 6 in the evening she goes to ballet. She started only
[00:14:49] a few years ago. Exercises help her prepare for a future
[00:14:53] career in musical
[00:14:55] theater.
[00:15:01] For Viktoria, this is a long day. In the evening, homework and
[00:15:05] studying still await her, and final exams are
[00:15:07] approaching. Still, she managed to find some time for
[00:15:11] relaxation.
[00:15:13] In my room, my favorite place is my bed. I do
[00:15:16] everything here, eat, sleep, read, watch Netflix, everything
[00:15:20] I
[00:15:21] love.
[00:15:25] This is my Dirndl, I wear it when I go to Oktoberfest or
[00:15:29] the spring festival, my most valuable
[00:15:31] item.
[00:15:43] Andrea Becker barely saw her daughter today, but she's not
[00:15:46] worried.
[00:15:49] I don't worry about my daughter, she moves freely, she's independent, she knows how to
[00:15:52] defend herself and she knows what she wants, I think she shows it too.
[00:15:56] Besides, Munich is a safe
[00:15:58] place.
[00:16:06] As the day draws to a close, Viktoria still has some energy left for
[00:16:10] ballet, she is driven by the dream of becoming
[00:16:13] a performer.
[00:16:15] That was my day in Munich, bob or as we say here, Feadi.
[00:21:50] Do you know what happens to clothes you throw away or
[00:21:53] donate? Many of these pieces end up in landfills
[00:21:57] abroad, in countries like Ghana. Artist
[00:22:01] Đorđo Gronostej draws attention to this global
[00:22:04] problem. These clothes have traveled half the world and back
[00:22:08] twice. They were once worn by dead white people or at least
[00:22:11] that's what the label says. Clothes
[00:22:14] of dead white people. The founder of the brand is this
[00:22:17] man.
[00:22:25] takes second-hand clothes from Europe and other places, and then sends them to Africa in huge
[00:22:29] quantities and uses them in his creations, with his
[00:22:33] fashion he wants to send a political message, my city is directed
[00:22:37] towards the global north to highlight waste problems,
[00:22:40] but also hierarchies that are still
[00:22:43] rooted in our world.
[00:22:46] In 2017, German artist Đorđo.
[00:22:50] who lives in Vienna, launched his art project and fashion
[00:22:53] brand that re-imports and reprocesses second-hand
[00:22:56] clothes from Ghana. This T-shirt was presented at an exhibition at
[00:23:00] the Museum of Art and Business in Hamburg during the summer
[00:23:03] of 2025. Fellow artist Chum
[00:23:07] gives the finishing touches, embellishing the T-shirt with the embroidered
[00:23:10] logo of the label. Other pieces are printed,
[00:23:13] dyed or decorated with new buttons, although all bear
[00:23:17] the recognizable letters of the label. The former
[00:23:20] art and photography student is satisfied with
[00:23:22] the results, for me it was important that it was not exactly the same
[00:23:26] color as the one on the T-shirt, but a little different, so
[00:23:30] you could immediately see that it wasn't an original part of the T-shirt,
[00:23:33] but something
[00:23:34] new.
[00:23:40] During his first visit to the Kantamanto market in Ghana
[00:23:44] in 2017, he decided to buy a dozen
[00:23:47] items of clothing and turn them into...
[00:23:53] At that time I was still studying and I was very interested in
[00:23:57] replica clothes, fake clothes and so I stumbled
[00:24:00] upon this place.
[00:24:03] I think after five minutes I thought, okay,
[00:24:06] I should make a label for clothes that come
[00:24:10] from there. And my roots are from
[00:24:14] Ghana. My dad is from Ghana, so everything
[00:24:17] immediately fit.
[00:24:20] Kantamanto Market in Accra, the capital of Ghana, is one
[00:24:23] of the largest second-hand clothing markets in
[00:24:27] the world. About 15 million items end up here
[00:24:30] every week. Some look like they have never been
[00:24:34] worn. That's why traders and visitors
[00:24:37] in the 70s of the last century, when trade
[00:24:40] began, assumed that the former owners had died, so they
[00:24:44] called these clothes dead white people's
[00:24:47] clothes. Every year Dodjo travels to
[00:24:50] Ghana to buy textiles for his brand. But this year is
[00:24:53] different because a fire destroyed a large part of the clothing
[00:24:57] market.
[00:25:00] trade exposed the problematic economic
[00:25:04] relations between Africa and the West. Africa is
[00:25:07] very important to the West. Also, I would
[00:25:10] say it is something of a dumping ground for many
[00:25:13] used items, not just clothes. Here you can
[00:25:17] see that some kind of neocolonialist still
[00:25:20] function, this really shows
[00:25:24] the hierarchy because the West could not deal with
[00:25:27] its own waste
[00:25:28] problem.
[00:25:36] the market is rapidly recovering, so Dodjo could soon
[00:25:39] see traders again, replenish his stock of second-hand clothes
[00:25:43] and continue to raise awareness about where fast
[00:25:47] fashion ends up. We return to Vienna, where a professional
[00:25:50] photoshoot is underway to document Dodjo's
[00:25:54] creations.
[00:26:00] Dodjo's work is more than clothes. It is art that criticizes
[00:26:04] consumerism and encourages us to think about
[00:26:07] our shopping habits, because fashion is not just a matter
[00:26:11] of style, but also
[00:26:12] responsibility.
[00:26:16] And with that in mind, we come to the end of the show. Thank you for being with
[00:26:19] us and be sure to follow us on social media. Until
[00:26:23] next time, goodbye
[00:26:25] and farewell!
[00:26:35] I don't think waving flags is my job,
[00:26:38] nor is it to please everyone, my
[00:26:41] job is to convey facts and tell the truth, however
[00:26:45] uncomfortable it may sometimes be to hear, because journalism is not PR,
[00:26:49] it is not politicking, it is not a reality show,
[00:26:53] journalism is a public service, because
[00:26:56] to give up asking difficult, uncomfortable questions, seeking
[00:27:00] difficult answers means to
[00:27:02] give up democracy in a time of shaken trust in
[00:27:06] institutions and fragile credibility,
[00:27:09] journalism must not remain silent. I am Hrvoje Krešić and
[00:27:13] watch me on N1 television. AI
[00:27:16] changes the rules of the game or has already changed them. In AI
[00:27:20] Central Point, we discover innovations that push boundaries from
[00:27:23] smart algorithms to technologies that are already shaping our
[00:27:27] future. Who is leading the race, who is falling behind, and
[00:27:30] what does that mean for humanity?
[00:27:32] Don't miss AI Central Point, the place where the future
[00:27:36] begins. Thursdays at 8 PM, only on
[00:27:40] N1
[00:27:40] Television.
[00:27:46] They are the creators of our digital space, the image of a civilization that is yet
[00:27:50] to come. They are geeks, YouTubers,
[00:27:53] influencers and stars of Facebook. I am
[00:27:56] Dragan Petric, najzanimljiviji ljudi
[00:28:01] N1 television.
[00:28:04] News, tests, old and
[00:28:08] new. Every second and fourth Friday of the month
[00:28:11] we bring you everything relevant from the automotive industry.
[00:28:15] We introduce you to new models, technologies, advise
[00:28:19] you on how to buy a car, and talk about the problems that
[00:28:22] affect all road users. Follow us
[00:28:25] and stay up to date with everything that the future holds for us on four
[00:28:29] wheels. Automobiliona on Fridays on... N1
[00:28:33] television
[00:28:37] faster, better and more precisely.
[00:28:41] The same rules apply to success in sports as in news,
[00:28:44] the combination of sports news has always inspired me and
[00:28:48] from the center of events I bring you the latest sports
[00:28:50] news. I am Antonijo Baković, watch me
[00:28:54] every day in the sports review only on N1
[00:28:57] television.
[00:28:59] I don't think waving flags is my job.
[00:29:03] nor is it to please everyone, my
[00:29:05] job is to convey facts and tell the truth, however
[00:29:09] uncomfortable it may sometimes be to hear, because journalism is not PR,
[00:29:13] it is not politicking, it is not a reality show,
[00:29:17] journalism is a public service, because
[00:29:20] to give up asking difficult, uncomfortable questions, seeking
[00:29:24] difficult answers means to give up democracy,
[00:29:28] in a time of shaken trust in institutions and
[00:29:31] fragile credibility, journalism must not
[00:29:35] be silent. I am Hrvoje Krešić and watch me on N1
[00:29:38] Television. AI changes the rules of the game or has
[00:29:42] already changed them? In AI Central Point, we discover
[00:29:45] innovations that push boundaries. From smart algorithms to
[00:29:49] technologies that are already shaping our future. Who is leading
[00:29:52] the race, who is falling behind? And what does that mean for
[00:29:55] humanity. Don't miss AI Central Point, the place
[00:29:59] where the future begins. Thursdays at...
[00:30:02] 8 PM only on N1
[00:30:04] Television.
[00:30:10] They are the creators of our digital space, the image of a civilization that
[00:30:14] is yet to come. They are geeks, YouTubers,
[00:30:17] influencers and stars of Facebook. I am
[00:30:20] Dragan Petric, the most interesting people on the internet will be my guests on
[00:30:43] The anatomy of the human body. Sure, it's
[00:30:45] complex, but we've been studying ourselves for centuries, and
[00:30:49] know what we're made of, right? Doctors
[00:30:52] today are supposed to learn the names and locations of every bone,
[00:30:56] muscle and organ, and they do, at least in men.