N1HRV — broadcast
20260920 090000 UTC
364 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive.
Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:00:01] 'This time around it's all about evolution and history.
[00:00:05] Welcome to Tomorrow
[00:00:06] Today.
[00:00:11] Why do people have different skin
[00:00:14] colors? All early humans had dark
[00:00:18] skin back when our species migrated out of Africa between
[00:00:21] 100,000 and 70,00 years ago, lighter
[00:00:24] pigmentation evolved much later. Even 5,00
[00:00:28] years ago, Utsy, the... famous icemen discovered in the
[00:00:31] Alps had a darker skin tone than present day
[00:00:34] Europeans.
[00:00:36] The reason involves two forms of melanin, pigments
[00:00:40] that dictate the color of our eyes, skin and
[00:00:43] hair.
[00:00:45] Melanin protects your skin from UV radiation.
[00:00:49] It's produced in specialized skin cells called
[00:00:52] melanocydes. When enough UV light strikes the
[00:00:55] skin, it initiates melanin production. The
[00:00:59] pigment absorbs. the short wave radiation before it can damage your
[00:01:03] DNA, the stronger the sunlight, the
[00:01:06] darker the skin becomes.
[00:01:09] As humans migrated north out of Africa into more temperate
[00:01:12] regions where UV radiation is less intense, lighter skin
[00:01:16] tones made adaptive sense. They were less
[00:01:19] effective at blocking
[00:01:23] nothing. Inside a Hi, I'm Diane Krigger. So some of radiation called UVB, which is necessary for the body to produce vitamin D.
[00:01:26] Near the equator, the sun is so strong that even. Markin allows
[00:01:30] enough UV radiation through to trigger vitamin D
[00:01:34] production. Further north, however, experts think the strong
[00:01:38] natural protection could have been a disadvantage, so over
[00:01:43] lost, that some aspects of many generations, people in northern clims evolved
[00:01:45] lighter skins to produce the vital compound.
[00:01:49] Vitamin D is essential for healthy bones, muscles and
[00:01:53] the immune system, and it's hard to get enough from diet
[00:01:56] alone.
[00:01:58] So, why are there? skin colors, because over
[00:02:02] thousands of years, humans had to adapt to different levels
[00:02:06] of sunlight, climates and environments, and
[00:02:09] melanin played a central role in that process. the
[00:02:13] many shades of human skin tell the story of our
[00:02:17] shared history, as a species that spread
[00:02:21] we launch it folded, but it will open in across the planet, continually adapting to new
[00:02:25] conditions.
[00:02:28] a recent study shows that up. Until about 3,0 years ago,
[00:02:32] most people in Europe still mostly had darker skin,
[00:02:35] like the builders of Stone Henge in England.
[00:02:39] The builders of the parthanon in Athens 2,500 years ago
[00:02:43] didn't all have like complexions either. The same
[00:02:46] broad trend likely applied to people living in what's now
[00:02:49] Germany. Ancient cultures there too gave
[00:02:53] rise to some remarkable feets of
[00:02:55] construction.
[00:02:58] History is being. written less than 500 meters from
[00:03:02] this castle in ashaffenborg,
[00:03:05] huge surprise was hidden in this construction pit.
[00:03:08] the city had decided to build an overflow basin here on the banks of
[00:03:12] the river mine. in such
[00:03:15] projects, builders have to consult heritage authorities
[00:03:18] beforehand to determine if historic remains might be
[00:03:21] unearthed. yes, so viel passiert, so much has
[00:03:25] happened here and so much has changed along this river bank that nobody
[00:03:29] really expected. anything to have survived, the fact that we
[00:03:32] found this eight meters down was completely unexpected,
[00:03:36] especially because nothing comparable
[00:03:38] exists. old maps and
[00:03:41] illustrations indicate that a baraque garden once
[00:03:44] occupied the side. in the 19th century a harbor
[00:03:48] was excavated along the river bank, then it was filled in again
[00:03:51] after the second world war. no one
[00:03:55] expected any more significant archaeological finds
[00:03:58] here, then in excavator operator uncovered
[00:04:02] shaped wooden elements in the construction
[00:04:04] pit,
[00:04:07] at first they simply appeared to be layers of timbers, it could have been
[00:04:10] anything from a medieval plank road to perhaps a key structure,
[00:04:14] we're close to river after all, but then more
[00:04:17] and more features emerged, the site just went on and
[00:04:20] on, as you can see it stretches all the way over there to the edge of the
[00:04:27] ahead, then parts of excavation, over the... geologists uncovered a structure
[00:04:31] 40 meters long, 5 meters wide and more than 2
[00:04:35] meters high. It was composed of several layers of
[00:04:39] oak timbers fronted by
[00:04:41] earth. a dry stone wall. They
[00:04:44] booming. Perhaps part of initially dated it to the late middle ages or the early modern period. To
[00:04:48] nail down the age, several wood samples were sent to dendro
[00:04:52] chronology laboratory at Bavaria's office for monument
[00:04:55] preservation. There, new discoveries can be
[00:04:59] compared with tree ring chronologies that have been determined for
[00:05:02] the same species from different regions. these records
[00:05:06] often extend back thousands of years. new
[00:05:09] fine's age is determined by matching growth rate.
[00:05:42] there was a match, but it was completely different from what anyone
[00:05:46] until then had expected, the timber
[00:05:49] was much older than the experts thought, it had been felled around
[00:05:52] 370
[00:05:53] BC,
[00:05:57] i couldn't believe it, my first question was, are you absolutely
[00:06:00] sure? this is truly the needle in the hay stack that we always hoped
[00:06:04] to find, and this time we actually found itlich einmal gefunden,
[00:06:08] also zuerst my first thought was, oh no, we're going to delay the construction
[00:06:12] project. but then I thought, wow, actually, this is
[00:06:15] fantastic, it's not like a pyramid, it's all hidden
[00:06:18] underground, and we can learn so much from it, we're only at the very
[00:06:21] beginning.
[00:06:24] 370 BC was during the early laten
[00:06:27] period. Plato was philosophizing in Athens, Rome
[00:06:30] was still a republic, and in central Europe, the kelts were
[00:06:34] flourishing. No comparable structure from this
[00:06:37] period has yet been discovered anywhere else in Germany,
[00:06:40] especially not one preserved in such.
[00:08:13] some models try to reconstruct major cheltic
[00:08:16] settlements like this one in upper swabia around 5:30
[00:08:19] BC, or this one, known as the opidom
[00:08:23] of Menos Gada, only established around 150
[00:08:26] BC, so roughly 200 years after the
[00:08:30] newly discovered structure on the mine was
[00:08:32] built.
[00:08:35] what Keltic ashaffenborg looks like will probably remain a
[00:08:39] mystery. too much construction has underground,
[00:09:19] exposure to
[00:09:33] air is already taking a toll, years of
[00:09:37] conservation work lie
[00:09:40] the structure are expected to go on.
[00:09:51] Abbey museum. Spectacular archaeological discoveries are no longer unusual. Around the globe, the field is
[00:09:57] the appeal is what these discoveries offer, a glimpse
[00:10:00] into worlds that feel very different from our own.
[00:10:04] Immersing yourself in the past helps filter out noise from the
[00:10:07] present, like wars, climate change or
[00:10:11] the AI revolution.
[00:10:14] looking back to times when everything was wonderfully analogue can be
[00:10:17] strangely comforting, the fascination even has a
[00:10:20] name: retro mania a
[00:10:24] photographer. dream, a mysterious role of film has
[00:10:27] surfaced, the possibilities are endless. a
[00:10:31] friend gave me this role to develop a little while ago, he found it in his
[00:10:35] grandmother's house. she passed away last year and he has
[00:10:38] absolutely no idea what's on it, neither do
[00:10:41] we?
[00:10:43] photographer milaslatinov is going to develop the role today,
[00:10:47] will the images be masterpieces or irreplaceable memories? every
[00:10:51] step she takes has consequences. alles kann schief
[00:10:54] gehen, also... can go wrong, you really do get just one shot at
[00:10:58] it, if you mix up the chemicals or expose the film to light, all the
[00:11:02] images will be gone. i'm
[00:11:04] actually a little nervous, can pull it
[00:11:06] off?
[00:11:10] that thrill is why mila shoots and develops film the old fashioned
[00:11:14] way.
[00:11:16] you can't immediately see whether it looks the way it did in your head. i
[00:11:20] think that's what's most exciting about analog photography. you
[00:11:23] don't how itl turn out.
[00:11:27] Ironically, many digital natives are now embracing
[00:11:30] technology recently considered obsolete junk.
[00:11:34] What are they looking for in the old that the new can't do better?
[00:11:37] Many young people have started going to the movies more often and
[00:11:41] DVDs are back in.
[00:11:46] the stuff that I picked are just films that bring bring up
[00:11:49] memories.
[00:12:17] and young adults are buying vinyl. around 5 million records are sold in Germany annually, more than any point
[00:12:20] in the last 20 years. places like spin,
[00:12:56] Listening bars are a throw back to 1950s Japan, they
[00:13:00] were born out of necessity, audio systems back then were
[00:13:03] expensive as we imported jazz records. Today the
[00:13:07] technology seems incredibly dated, albums are heavy,
[00:13:10] expensive and easily
[00:13:12] scratched.
[00:13:15] But I think it's really important to preserve that analog
[00:13:18] vibe, that you still have something tangible, something you can
[00:13:22] actually pick up, because if everything.
[00:14:55] and measure everything, but human life and meaning in human life
[00:14:59] is not just about convenience and not just
[00:15:02] about measurement and quantification and profit, and
[00:15:05] again from this point of view, something like analog record
[00:15:09] as a symbol of slow culture, it can be a
[00:15:12] symbol of potential resisting of those tendencies,
[00:15:15] right? a counterweight to the digital,
[00:15:19] here the air smells of chemicals and dust, of experiences
[00:15:23] and time, I need to concentrate, this is the second
[00:15:26] chemical, the first was the developer, now comes the
[00:15:29] fixer. The film is placed inside
[00:15:33] developing tank filled with chemicals and gently agitated,
[00:15:36] every step has to be time to the second, analog
[00:15:40] media promises a more direct connection to
[00:15:43] emotions, a more intense experience of
[00:15:46] art, something unique, made
[00:15:49] distinctive by a work's
[00:15:50] imperfections.
[00:15:54] Sophia, this is in Sofia, and this is my hometown of
[00:15:57] Hascaval. These films were actually stored
[00:16:00] properly in a refrigerator, but they're very old. That
[00:16:04] whole purple reddish look comes partly from the film.
[00:16:16] old memories, familiar and cozy, like favorite sweater, the past is gone making it bitter sweet and
[00:16:18] comforting, the feeling is universal, it rolls
[00:16:22] through pop culture in waves. for the last
[00:16:25] decade and a half, critics have accused culture of suffering from
[00:16:29] retro mania, lack of innovation, where everything seems to
[00:16:33] be recycling the past.
[00:16:36] remix is aside, "I'd
[00:17:09] rather sit in my room and mess around with cultural artifacts from the
[00:17:12] past, but nostalgia can also be
[00:17:15] mobilizing. If I feel that certain things have been
[00:17:20] the past were better or more desirable, whether it's a
[00:17:24] stronger welfare state, job security, affordable housing,
[00:17:27] whatever, then I can project those aspirations into the future as
[00:17:31] well, which I then also project into the future.
[00:17:34] projiziere.
[00:17:37] less about how things were then and more about what we're
[00:17:41] searching for today. old family
[00:17:43] photographs convey ideas of community, caring for older
[00:17:47] generations and sharing knowledge and
[00:17:50] experience. back in milas studio, the old film
[00:17:53] is finally ready. i think our visitors
[00:17:57] arrived.
[00:18:01] let's see what's on it. you're just in time, we just finished
[00:18:04] developing it. oh shit.
[00:18:07] crap, there's still something on there, but the roll wasn't completely
[00:18:11] finished.
[00:18:13] the photographs were taken by a younger relative using the grandmother's
[00:18:17] camera, everyday
[00:18:19] scenes.
[00:18:24] maybe my cousin was walking around there with the camera. here they're
[00:18:27] sitting together at the table, see? it's
[00:18:30] really nice to see something
[00:18:32] that probably nobody else in the family. was
[00:18:36] probably? not from the
[00:18:38] family, moment that seems to
[00:18:42] explain something about our understanding of time.
[00:18:45] much like old family stories, we relegate
[00:18:48] analog media to the past, but is the past
[00:18:52] really behind us? perhaps that's what analog media
[00:18:55] promises. can nostalgia give us a useful
[00:18:58] perspective for the
[00:19:00] future?
[00:19:03] i think we need to critically question the past, but also be able to say:
[00:20:07] is planning to launch mission with an ambitious goal, to find
[00:20:11] the ultimate getaway destination, a planet that's similar to
[00:20:18] distance star, thousands of light years away, with
[00:20:22] planets and orbit around it. we're the
[00:20:25] first generation to know there are planets orbiting other
[00:20:28] stars.
[00:20:31] in princip suchen wir, essentially we're looking for second earth,
[00:20:35] we're really trying to find and identify
[00:20:51] It's it's really amazing,
[00:20:54] the European space agency is about to open a new window onto the
[00:20:58] universe, its space telescope play-doh was assembled its facility
[00:21:02] in the Netherlands, using a model, the heads of the
[00:21:05] mission scientific and technical teams explain the telescope, which
[00:21:09] is equipped with 26
[00:21:11] cameras.
[00:21:15] will be capable of discovering earthlike planet orbiting a sunl star,
[00:21:19] something previous.
[00:21:29] Basically we observe stars and their light intensity and how that intensity
[00:21:33] changes over time. When a planet passes in front of its
[00:21:36] star during its orbit, light intensity drops. From that
[00:21:40] we can infer the planet's mass, radius and orbital
[00:21:43] characteristics.
[00:21:45] Play-doh is designed to detect rocky planets like earth.
[00:21:59] Only a little over 100 of them are small planets for which we have
[00:22:02] reliable density measurements, so when it comes to
[00:22:06] small planets, there are still huge gaps in our knowledge,
[00:22:09] in other words, we still know almost
[00:22:13] clean room at ESA's facility in the Netherlands,
[00:22:17] engineers and scientists tested the spacecraft.
[00:22:50] the forces, vibrations and shocks during launch are enormous
[00:22:54] and once the satellite is deployed in space, its power
[00:22:57] supply also has to work flawlessly. we are talking
[00:23:01] about 3 kw or 3,00 watts and for this reason we
[00:23:04] have the sunshial and solar race, so we are talking about a
[00:23:07] structure that is folded,
[00:23:11] a space, and we are talking about 9 meters from one point to
[00:23:14] another, we need all the surface in order to fulfill the requirements and
[00:23:18] power of the spacecraft.
[00:23:20] "the greatest technical challenge was the optical bench, it
[00:23:24] carries the 26 cameras that will simultaneously observe
[00:23:28] thousands of stars.
[00:23:32] we have to ensure the telescopes and cameras aren't looking directly
[00:23:35] at the sun, that's why we have the sun shield at the
[00:23:38] back. we always have to fly in such a way that the sun shield
[00:23:42] blocks the
[00:23:42] sun,
[00:23:46] from space, will measure the effect planets have when..."
[00:24:50] earthlike planet then we believe we'll find one, but I want emphasize
[00:24:53] that we simply don't know, there's no reliable estimate of how many
[00:24:57] such planets actually exist, we have talk a
[00:25:00] lot of gaya, james web, I hope that also plateau will be also in
[00:25:04] the same constellation that the people will see really, okay, we have
[00:25:08] detected another earth like, we are quite sure that it is there,
[00:25:12] early 2027, Plata will be launched into
[00:25:15] space to begin its
[00:25:16] search.
[00:25:20] That's all this time around from the world of science, technology
[00:25:23] and history, but we hope to see you again soon tomorrow
[00:25:27] today. Bye for now.
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[00:29:47] One film spent six full weeks on
[00:29:50] the list of those that achieved the highest earnings not only in
[00:29:54] America but in the rest of the world. Who did it knock off the
[00:29:57] throne, find out in today's show. Welcome to
[00:30:01] movie top. On N1 channel,
[00:30:39] This is what the current American Box Office
[00:30:42] list looks like. At number 10 on the American Box Office
[00:30:46] list this week is the action crime thriller titled
[00:30:49] "By Any Means." The infamous
[00:30:52] mafia hitman and young black FBI agent
[00:30:55] join forces to investigate the murder of a civil rights
[00:30:59] leader.