N1SRP — broadcast
20260806 030000 UTC
468 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive.
Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:00:17] Donald Trump again announces the rapid opening of the Strait of Hormuz with a threat
[00:00:20] to Iran. The capital of Ukraine was again the target of a fierce attack
[00:00:24] by Russia. UNICEF warns of hundreds of unaccompanied children after
[00:00:28] migrant chaos in Ceuta. The UN warns of the devastating
[00:00:31] El Niño. The US Secretary of Health called for new
[00:00:35] research on vaccine safety. Welcome to
[00:00:38] Global.
[00:00:45] Preparations for an agreement on navigation in the Strait of Hormuz are in their final stages.
[00:00:49] Although Donald Trump announced the quick opening of this passage, Iranian
[00:00:53] state television reports that any agreement with Oman will not
[00:00:56] mean an immediate opening. Tehran states that negotiations
[00:01:00] are being conducted without US participation and that the opening of the passage depends on
[00:01:04] the cessation of American attacks. Despite this, announcements of a temporary
[00:01:07] agreement have already lowered oil prices by more than 5%.
[00:01:10] At the same time, sources close to the Pentagon warn that US
[00:01:14] ammunition stockpiles are dangerously low. Since the
[00:01:17] beginning of the conflict, the US has spent nearly 80% of its missiles for the
[00:01:21] THAAD system and half of its stockpiles for Patriot, which is causing
[00:01:24] concern among allies in the
[00:01:26] Gulf.
[00:01:30] from is they say only consequential
[00:01:33] presidents and I am definitely consequential. I mean, if you look at the
[00:01:36] economy, if you look at what's happening. Iran as an
[00:01:39] example will never have nuclear weapon, they already can't, but
[00:01:43] they'll it's going to be formal. The straight's going to be open very soon
[00:01:46] or they're going to get hit very hard and then the straight's going to be
[00:01:49] open. And we were going to a tremendous attack, the biggest since World War
[00:01:53] II.
[00:02:02] In overnight air attacks on Kyiv and its surroundings, at least 17
[00:02:06] the nine models I've tested, none of people died, while 44 were wounded, the Ukrainian
[00:02:09] president confirmed. Russian forces fired 28 missiles and
[00:02:13] 115 drones.
[00:02:16] bowed to the applause Warehouses, logistical centers, and a railway station were hit.
[00:02:18] Zelensky again appealed to allies to urgently deliver
[00:02:21] additional air defense systems. At the same time, the Russian
[00:02:25] Ministry of Defense announced that over several Russian regions and
[00:02:29] the Black Sea...
[00:03:01] you ask for people. that in
[00:03:10] In the Moroccan city of Fnidek, hundreds of people are looking for information about
[00:03:14] relatives missing during the mass crossing of the border with the Spanish
[00:03:17] enclave of Ceuta. Out of 72,000 people who
[00:03:21] crossed the border after fake news on social media, about
[00:03:24] 70,000 have been returned to Morocco. In Ceuta, about
[00:03:27] 2,500 migrants remained, including more than 800 unaccompanied
[00:03:31] children. UNICEF warns that the number of unprotected
[00:03:34] children on the streets could be significantly higher. From Brussels, they announce
[00:03:38] the strengthening of the Union's external borders, accelerated return of those who do not have
[00:03:42] the right to asylum, while authorities in Madrid claim that the situation is under
[00:03:45] control.
[00:03:50] We want to go to continental Spain to work. It's hard to find a job
[00:03:53] in Morocco, so we hope to find a job in Spain.
[00:03:57] Swimming here was very difficult. At one point, I thought I was going to
[00:04:01] drown. Some people went missing while trying
[00:04:03] to swim across.
[00:04:07] When we arrived in Ceuta, there was no one to help us. A bottle of water
[00:04:11] cost 22 dollars, a baguette was 16.5
[00:04:14] I wanted to see things for myself, but a
[00:04:18] Moroccan from Ceuta attacked me with a knife. After that attack, I returned.
[00:04:22] humanity isn't a
[00:04:30] The rapid development of the El Niño weather system could push about
[00:04:33] 50 million people into acute hunger before the end of next year,
[00:04:37] warns the World Food Program. This
[00:04:40] would increase the number of 225 million people
[00:04:44] with us. who are already facing severe food insecurity in
[00:04:47] 45 countries. Experts estimate that this year's
[00:04:50] El Niño could be the strongest in the last 70 years.
[00:04:54] The most severe consequences are expected in Central and South America, the
[00:04:57] Caribbean, and Southern Africa, while drought in Asian countries
[00:05:01] could threaten agriculture and cause a
[00:05:03] global jump in food prices. Although the UN has secured 80 million
[00:05:07] dollars for early action measures, lack of funding and data
[00:05:11] from the field make prevention difficult, and experts
[00:05:14] appeal to exporting countries not to suspend food placement on
[00:05:18] markets.
[00:05:26] US Secretary of Health Robert Kennedy Junior called for new
[00:05:30] research on vaccine safety and a review of previous
[00:05:33] health messages.
[00:05:36] You have been placing nearly all the blame on the
[00:05:40] COVID pandemic and way that the US responded to
[00:05:44] it squarely with Dr., but of
[00:05:47] course, he worked for President Trump. Does President Trump also
[00:05:50] deserve some of the blame?
[00:05:53] Well, President Trump, as you recall what it
[00:05:56] do and the lockdowns. I
[00:05:58] think the the thing that did the most damage to our country
[00:06:02] was the lockdowns, the lockdowns that shut down
[00:06:06] 3.5 million businesses in our country with no due
[00:06:10] process, no just compensation, all of our... churches closed
[00:06:14] our schools and our children are still paying the price for
[00:06:17] that, and yet we had the
[00:06:20] worst outcome of any country in the world, how
[00:06:23] so? we are the highest death rate from covid of any nation on earth, well
[00:06:27] let me just let me just say cuuse I've heard you say that before on the death
[00:06:31] rate from COVID, it's not accurate
[00:06:34] because
[00:06:37] public health experts say that there is a combination of
[00:06:40] factors that went into that higher. rates of chronic illnesses, which I
[00:06:43] know you would agree with, gaps to our healthcare system, and
[00:06:47] misinformation about vaccines, you just said what
[00:06:49] I was in accurate, what I said was accurate, we had the
[00:06:53] highest death rate from covid, there
[00:06:56] are there are other countries that had higher, but you
[00:07:00] can argue about why we had
[00:07:02] that, but um, you nobody can
[00:07:06] tell you, I mean we have the as you say, we have the highest chronic
[00:07:10] disease in the world, I mean... "anthony found she was
[00:07:13] mismanaging the COVID pandemic and he was doing it under the
[00:07:17] Biden administration. President Trump wanted to end the lockdowns
[00:07:20] and in fact in Anthony
[00:07:23] F's diaries he talks about how President Trump is
[00:07:27] calling him every day trying to get them to reopen the country.
[00:07:31] Yeah, well, the lockdowns were done by
[00:07:33] governors. I mean, certainly Anthony Fouchy and the president had
[00:07:37] opinions, but the lockdowns were done by governors and largely because,
[00:07:41] and largely because." exciting largely because they were hearing, they
[00:07:45] were hearing from hospitals saying that their ICUs were
[00:07:48] overrun and they needed some help while that was happening,
[00:07:52] that's just not true, you're saying it's not true, no they were doing it
[00:07:55] because Anthony Falgy was telling
[00:07:58] them from the top you need to lockdown, there were ICUs that were
[00:08:02] empty all over the country, including in New York at the
[00:08:05] height, I i'm asking you to go
[00:08:09] back to what I asked you at the beginning, which is... president
[00:08:12] Trump and he was the guy in charge and he you
[00:08:16] tweeted back in 2024
[00:08:20] that he let bureaucrats like Anthony Fauti shut down the
[00:08:24] entire country
[00:08:26] um again he the president was in charge the president was trying to
[00:08:30] reopen the country when he left the country
[00:08:33] was state was kept closed for another year almost a year and a half
[00:08:37] after that let's talk about how to
[00:08:40] prevent the next pandemic. um because there's a lot of litigating and
[00:08:44] relitigating that I don't think uh is really helpful to do with regard
[00:08:48] to COVID, and the question is about uh
[00:08:52] so-called gain of function, which uh, for people who
[00:08:55] aren't entirely clear about it, it is, it is a
[00:08:58] highly risky research process that includes
[00:09:02] manipulating virus to study how it behaves as it
[00:09:05] evolves. now what scientists say is that
[00:09:08] although it's controversial, it's necessary to prepare
[00:09:12] for the next pandemic to get ahead of it, to figure out what these
[00:09:16] viruses can do. um, what you want to
[00:09:20] end this gain of function research? some scientists
[00:09:23] say, isn't it better just to put better guard rails around
[00:09:26] it? people have been trying to put guard
[00:09:30] rails around it for generations and it hasn't worked, and
[00:09:34] clearly COVID-19 pandemic and many other
[00:09:38] global pandemics that we have have come from gain of function
[00:09:41] research. RSV
[00:09:44] epidemic that we have that is the biggest killer of kids in this country
[00:09:48] today came from these kind of experiments, the
[00:09:51] lime disease almost certainly came from this kind of
[00:09:55] research, so um
[00:09:57] and the scientists who you say are
[00:10:00] experts are making the argument that this is necessary for
[00:10:04] pandemic response, cannot point to one instance
[00:10:08] in history where research that came out of this kind of...
[00:10:12] Experimentation has actually provided
[00:10:16] us something
[00:10:17] beneficial.
[00:10:27] And with this, we conclude today's edition of Global. In the meantime, find the latest
[00:10:30] news from around the world on our web portals and social networks.
[00:10:34] We'll see you again tomorrow.
[00:11:25] guess which of these pictures is of a real
[00:11:28] person. It's this one, and this
[00:11:31] one is a virtual model. As image generation improves,
[00:11:35] more AI content is flooding the internet. Why that
[00:11:38] matters? Now, on
[00:11:40] shift.
[00:11:44] Breaking news stories, reporters in conflict zones.
[00:11:48] These videos may look convincing, but they're all
[00:11:50] fake. Content like this is spreading and it's getting harder and
[00:11:54] harder to... separate fact from fiction. We're seeing an
[00:11:58] unprecedented military convoy right here in central
[00:12:01] London. People who don't exist, reporting on events that
[00:12:05] never happened. Fake videos like these are created
[00:12:08] using generative AI, and the technology behind them is getting
[00:12:12] better all the time. There have been a
[00:12:15] real breakthrough in what is called text to video, where you
[00:12:19] type a prompt of what you want the video of, and not only
[00:12:23] does it create a video of that,
[00:12:25] but also an audio stream that's consistent with it, and
[00:12:29] essentially all you need is access to the internet. solid
[00:12:32] choice. a 14-year-old can make this, right? there's no, there's no
[00:12:36] barrier to entry for creation, distribution, and
[00:12:38] amplification. remember, the result can be bizarre photo
[00:12:42] realistic videos like
[00:12:43] these.
[00:12:47] just kidding, i'm not real. bridge, but
[00:12:50] other fakes aren't as obvious. on the ground
[00:12:53] reporters will once symbol. of credibility, but
[00:12:56] fakes are undermining that. i think it's a
[00:12:59] serious problem, and it's not understand that people, yes, they're creating
[00:13:03] fake news anchors, but what they're also doing is taking real news
[00:13:06] anchors and modifying those videos in their
[00:13:10] voice, so when you see them, you're oh, i know that person. warnings like
[00:13:14] clips are AI generated, are often missing or tucked
[00:13:17] away, but be sure to look out for the watermark and clips
[00:13:20] generated by the AI tool, and
[00:13:23] teeth the look a little... too smooth or errors in
[00:13:27] the text. In this video, HQ is misspelled
[00:13:31] and this Arabic text here makes no sense at all. A closer look
[00:13:35] reveals a lot. When
[00:13:37] you look at content on this device right here, it's
[00:13:41] really hard to see anything. It's a really small screen, you're moving fast. This
[00:13:45] is not a place to be trying to discern what is real and what is
[00:13:48] fake. It's a dangerous trend. Real news content
[00:13:51] could get lost in all the noise, and in questioning what... real versus
[00:13:55] fake, we could lose trust in genuine photo and video
[00:13:59] evidence. this has become a huge topic in the world of models and
[00:14:02] influencers too. this influencer will recommend
[00:14:06] products without having tested them, and she can't,
[00:14:09] because Itana Lopez isn't even real. created by the
[00:14:13] agency the clueless in Barcelona, Itana looks
[00:14:16] like any other influencer,
[00:14:19] a concert, on vacation, or even going for coffee. so
[00:14:22] we asked her, why should anyone trust her?
[00:14:25] as a brand ambassador when she's not even
[00:14:27] human, white ch an
[00:14:30] ambassador, easy, i have no
[00:14:33] eagle, i don't lie and i'm never late, i'm pure
[00:14:37] aesthetics with commitment, even if i
[00:14:40] don't have a pulse, i have personality and that shows
[00:14:43] in every collaboration,
[00:14:47] requirement for honesty, itana's
[00:14:49] agency decides which collaboration she takes on
[00:14:53] and the deals generate about 15.
[00:15:25] money, like Lil McKella, for example, she collaborates with
[00:15:28] well-known brands like BMW and has millions
[00:15:31] of followers on Instagram, and with virtual models, matters like
[00:15:35] workers rights and privacy concerns
[00:16:07] In the summer of 2025, an ad featuring a virtual
[00:16:11] model sparked controversy when it appeared in Vogue
[00:16:14] magazine. Pritics accused the London agency,
[00:16:17] Sarafine Valora of promoting unrealistic beauty
[00:16:21] standards with its AI models and taking away
[00:16:24] jobs from people in the advertising
[00:16:25] industry.
[00:16:29] We are not trying to replace anything, but we're really trying to
[00:16:32] give a real solution, because in
[00:16:35] classic photography you might... be able to afford due to
[00:16:39] limitations, maybe two campaigns a year, but with AI
[00:16:42] things can be faster, more flexible, we can provide
[00:16:46] content around the year, more content more
[00:16:49] cheaply, but hopefully real people still offer a certain
[00:16:53] authenticity that AI just can't match.
[00:16:57] most virtual models are designed to look
[00:17:00] flawless, this virtual model with stretch marks is more the
[00:17:04] exception to the rule, although AI could be used to celebrate...
[00:17:07] diverse range of body types and people, oftentimes it's
[00:17:11] used for just the opposite. The founders of AI marketing
[00:17:14] agency, Saraphine Valora, said that models who reflect
[00:17:18] mainstream beauty standards get the most engagement, so does that put
[00:17:21] pressure on us to attain something that's unattainable?
[00:17:25] Smooth skin, flawless curves,
[00:17:29] perfectly tone muscles. Not many people in the real world
[00:17:32] actually look like this: AI generated bodies typically
[00:17:36] align with very... stereotypical beauty standards: when you ask
[00:17:40] for a person in generative AI across
[00:17:44] them will show a disabled or fat body unprompted, which
[00:17:47] is effectively erasing people who are slightly different from our
[00:17:51] collective imaginaries, like you don't ask for a specific
[00:17:55] body size, you get kind of model
[00:17:59] sample size clothing person coming
[00:18:01] out, and with only seeing a certain
[00:18:05] type of body, it means... everything else is is
[00:18:08] marginalized and is made less
[00:18:10] desirable.
[00:18:13] Iisha Sobi is a researcher at the University of Cambridge who looks at power
[00:18:16] dynamics and digital technologies. For one
[00:18:19] study she tested the limits of AI image models. She wrote
[00:18:23] prompts to generate people with larger bodies. Most of the results were pretty
[00:18:27] absurd.
[00:18:31] There's a real sadness to me what comes out of these
[00:18:34] images and image models when
[00:18:38] a larger body, there's a real kind of like the tone, um, like the
[00:18:42] colors, the the facial expressions, the
[00:18:45] body shapes, the clothes that they're in, all become
[00:18:48] a lot less polished and lot less
[00:18:52] nice, and sad, they appear kind of sad
[00:18:55] a lot of the time, and I think that's it reflects the
[00:18:59] kind of data that's going in, and it reflects how we as society view people in
[00:19:03] bigger bodies, asking generative AI to create
[00:19:07] people. with larger bodies mainly results in men with bare
[00:19:10] chests, often with very unrealistic body
[00:19:13] shapes.
[00:19:15] women on the other hand are often shown an extremely sexualized
[00:19:19] way. this reflects the data sets used to train AI
[00:19:23] models, which often contain pornographic images. the
[00:19:26] number of porn websites distorts how the AI perceives
[00:19:30] women. this applies to the representation of body shapes
[00:19:33] too. the fact that many people aren't represented by AI at
[00:19:37] all, can have negative effects
[00:19:41] when we have this ideal type of person that isn't
[00:19:44] aligned with who we are and what who and what we are,
[00:19:47] this can cause kind of like unhappiness, people feeling
[00:19:50] negative about themselves, and I think we've been seeing
[00:19:54] a real rise in body image issues, um, disordered
[00:19:57] eating, eating disorders, and this isn't just
[00:20:00] generative AI's fault, but it's it's adding to this burden,
[00:20:04] being inundated with the seemingly perfect lives of...
[00:20:07] influencers is challenging enough, but imagine discovering an
[00:20:11] AI generated version of yourself online,
[00:20:14] created without your consent. A deep
[00:20:17] fake, your face put onto someone else's body with the help of
[00:20:20] AI. The victims are mostly women, and the videos are
[00:20:23] often pornographic. Northern Irish politician Kara Hunter
[00:20:27] knows what that feels like. Deepfects are life ruining,
[00:20:30] career ruining, relationship ruining, um,
[00:20:34] and they're impacting our democracy a rising rate.
[00:20:37] It's a very scary time. The northern
[00:20:40] Irish politician Kara Hunter was a family party when she
[00:20:44] discovered a pornographic deep fake of
[00:20:46] herself.
[00:20:49] I... just remember i felt like a hot rush of heat sort of go through my
[00:20:53] body just of complete you know fear and anxiety of what was to
[00:20:57] come next um and i don't think ever could have really anticipated
[00:21:00] i suppose what the next three weeks of my life um would have looked like
[00:21:04] the deep fake experience for me was i had messages from
[00:21:08] england from scotland from america i was stopped on the
[00:21:11] street and asked for sexual favor from a stranger strange man i'd never
[00:21:15] met um and that shows you the extent of how online
[00:21:18] harms become real life harms. what kara
[00:21:22] hunter experienced is not an isolated case.
[00:21:25] pornographic deep fakes are a global issue and they mainly target
[00:21:29] women. a research group in the US found over
[00:21:32] 35,00 instances of deep fake pornography
[00:21:36] depicting 26 members of US congress, almost all of them
[00:21:39] women.
[00:21:44] in the United Kingdom, investigation found digitally
[00:21:47] altered images of more than 30 mps.
[00:21:50] Italian prime minister Georgia Malone is also frequently targeted in
[00:21:54] deep-fake porn videos, prompting her to file a lawsuit. In
[00:21:57] Pakistan, too, deep fakes are used to try to discredit female
[00:22:01] politicians,
[00:22:03] and it's not just individuals who are suffering the consequences. I
[00:22:07] think defects are dangerous for democracy, because
[00:22:10] they impact truth itself, they blur um, fact and
[00:22:14] fiction, and it's a lie presented as a truth, and I think
[00:22:18] our democracy is built on on truth and built on trust, and myself as a
[00:22:22] political representative in Northern Ireland, it takes years to build up that
[00:22:26] sense of trust with my community, with my constituents, and with a click
[00:22:30] of a button, a deepf can completely wipe away everything that you've worked
[00:22:34] so hard for, and as this technology develops, so does the
[00:22:38] threat it poses to democracy. In just
[00:22:41] few clicks anyone can create and distribute deep fakes
[00:22:44] online. To this day, Kara Hunter still doesn't know who's
[00:22:47] responsible for what happened to her. evidence
[00:22:50] that and what I would like to see is the
[00:22:54] creation of an AI ecosystem of support for victims,
[00:22:57] that means you mental health counseling support. I'd like to see
[00:23:01] the tech giants, the tech company, social media giants stepping in and
[00:23:05] providing support and guidance and help lines to women like
[00:23:08] myself, but particularly for those who do not have a platform like me
[00:23:12] to protest their innocence and to save their reputation.
[00:23:16] In Denmark, lawmakers want to give every person copyright over
[00:23:20] on body, including their voice. The goal, to make it easier to demand
[00:23:24] the removal of deep fakes. Meanwhile, in Albania, the government is
[00:23:27] embracing AI in a whole new way. Diella started out
[00:23:31] as a virtual assistant, but now has visual form. She's been
[00:23:35] symbolically appointed as minister to oversee public
[00:23:38] procurement. The hope is to clamp down on corruption, but how
[00:23:42] will this work in practice? We'll be watching to see how this
[00:23:45] develops. That's it from me. See you next
[00:23:48] time.
[00:24:50] The Serbian Philanthropic Forum editorial team
[00:24:53] "Good in people" on the occasion of the month of
[00:24:56] accessibility and the "Serbia without
[00:24:59] barriers" campaign, on the occasion of the National Giving Day,
[00:25:02] daily present positive examples of facing
[00:25:05] limitations, facing oneself
[00:25:09] and circumstances that
[00:25:11] are most often characterized by inaccessibility and
[00:25:15] discrimination against
[00:25:18] persons with
[00:25:29] validity: strength does not come from physical capacity, but from
[00:25:33] indomitable will.
[00:25:36] You don't have to be strong and powerful to make this common world a better place for someone,
[00:25:40] you don't even have to be an adult, but you have to be
[00:25:43] big-hearted, you have to want it
[00:25:47] strongly enough. The "Cap by Cap"
[00:25:49] campaign was launched in Kragujevac two
[00:25:52] years ago with the aim of providing paraplegics and
[00:25:55] quadriplegics with necessary
[00:25:57] wheelchairs. Many Kragujevac schools responded
[00:26:00] to the campaign, whose students collected bottle caps for
[00:26:04] that purpose. Students of Moma Stanojlović elementary school
[00:26:07] who attended the drama section with teacher Mirjana
[00:26:11] Antić went a step further and decided that the play
[00:26:14] they were preparing at the time, Nušić's "Madam
[00:26:17] Minister," would have a humanitarian character, donating ticket money
[00:26:21] to the Association of Paraplegics. With that
[00:26:23] first money that they provided, which we
[00:26:26] provided to this association, the first
[00:26:30] wheelchairs were bought. "they needed it for
[00:26:34] various aids and for spare parts, and what
[00:26:37] is very interesting is that the children responded
[00:26:41] to that campaign with such joy that they would help
[00:26:45] someone from the very first collected
[00:26:48] cap until the performance itself.
[00:26:51] The children had a total of four humanitarian performances of "Madam
[00:26:55] Minister", and that was in the year when Nušić's 150th
[00:26:59] birthday was celebrated. In Nušić's play and..." a total of 16
[00:27:01] characters. Since there are eighteen
[00:27:05] children in the drama club, teacher Mirjana had to
[00:27:09] add two characters. Here not only is humanitarian work represented, but
[00:27:12] also that collectivism and, you know, when you are
[00:27:16] in front of the stage and you watch, you observe something, it's not the same
[00:27:20] as when you are behind the scenes, behind the scenes
[00:27:23] there is such a difficult, slightly more difficult job,
[00:27:26] helping someone, silencing someone when needed,
[00:27:30] whispering and so on, we did everything ourselves. Parents were there to
[00:27:33] help with costumes,
[00:27:36] I dealt with the set design myself, a little with the help
[00:27:40] of the children, mostly, uh,
[00:27:43] when something is done out of love, then nothing is difficult and you find ways
[00:27:47] to do all of that. The best example of this
[00:27:50] are precisely these little actors who unselfishly invested effort and their
[00:27:54] precious childhood time to make the world a better place
[00:27:58] for someone. I was very glad that we would help
[00:28:01] people. who really need help and I
[00:28:05] was glad to help someone, and also
[00:28:09] when we were acting and it was there
[00:28:12] present stage fright, but I was equally glad when we
[00:28:18] and how we would help someone and how
[00:28:22] these people were so
[00:28:25] happy, the little actors performed their roles excellently and
[00:28:28] did even better as a collective, enjoying the boards that life...
[00:28:32] mean they identify with their humanitarian work, which only speaks
[00:28:36] to their maturity, it was quite
[00:28:39] nice while we were acting, especially when we
[00:28:43] knew that the goal was to help someone
[00:28:46] who really needed help, it was wonderful, because
[00:28:49] during the applause somehow everything gathers as
[00:28:53] if only then we realize how proud we are of what we have already
[00:28:57] done and it
[00:28:59] was really nice for us and the teacher already taught us that
[00:29:03] we need to be humane, to help
[00:29:06] each other, not just each
[00:29:09] other, but to help other people we don't
[00:29:13] know and who really need help. Paraplegics and
[00:29:16] quadriplegics in the audience did not hide their enthusiasm for what
[00:29:20] they saw on stage, as well as the fact that children perform their
[00:29:24] first roles especially for them and are proud of it. My impression
[00:29:27] was, uh, so to speak, I couldn't
[00:29:31] believe that children of that
[00:29:34] age can prepare a play so
[00:29:37] beautifully, to act, to
[00:29:41] behave like real adult
[00:29:44] actors, they were extremely
[00:29:47] good, incredible, incredible,
[00:29:51] such, I would say, an age, so
[00:29:54] much seriousness, so much desire
[00:29:57] for everything to turn out perfectly, that was
[00:30:01] a big surprise for me.
[00:30:03] The gesture of the humane students was inspiring for everyone in the audience,
[00:30:07] but also for those who are familiar with the purpose of the play,
[00:30:10] they show by personal example that humanity
[00:30:13] is something that is, uh, noble, that is good and
[00:30:16] that is necessary and
[00:30:19] for every uh member of our
[00:30:22] society the message is from them
[00:30:26] that humanity is uh necessary and
[00:30:29] that it is very good uh...
[00:30:32] Nothing is practically lost, a little effort
[00:30:35] means a lot to someone. Good deeds must not go
[00:30:39] unnoticed. Get in touch and introduce
[00:30:42] your hero. Share the good in people