N1SRP — broadcast
20260806 203000 UTC
409 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive.
Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

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[00:05:57] And further, Sandrijom Kuzmanović, about
[00:06:00] growing up, then and now, young people
[00:06:03] and old souls, culture and
[00:06:06] what's left of it, students and sin,
[00:06:09] politics and life, have we...
[00:06:12] "despite everything, learned to recognize the moment when
[00:06:16] we stop moving forward and start
[00:06:19] spinning in the same old, well-
[00:06:23] known vicious circle, from
[00:06:26] which it's hard to get out, but even harder
[00:06:29] to admit that we are in
[00:06:31] it.
[00:06:34] when you find yourself in a situation where that Yugo
[00:06:37] Florida made a story that is
[00:06:40] everyone's, here..." That's that story, then it ends
[00:06:44] like that, then it comes to me, then it comes to me personally, then
[00:06:47] it comes to, to to to
[00:06:51] a meeting with life that is real,
[00:06:54] because it is in a way a true story, not just because it's
[00:06:57] a true story for many people, that's right, not just the man who
[00:07:01] made that film, but we are now talking about all of us, we all went
[00:07:05] through a situation where
[00:07:09] our dignity was taken away, and in life and in
[00:07:12] dying, I will say, I cannot say in death, but in dying,
[00:07:16] yes, now you know when when you meet that
[00:07:20] character and when you carry with you
[00:07:23] that that double
[00:07:27] uh double misfortune, first
[00:07:29] your own, because you are somewhere in
[00:07:33] some, some environment that you
[00:07:36] accepted, clearly, accepted, you don't have to accept it, I mean, I'm talking now
[00:07:40] about the character in that, I clearly know everything. So, how someone accepts, and
[00:07:44] must accept, to be there, that around him is some
[00:07:48] reality show, that then suddenly he starts to understand
[00:07:51] that as the only possible option, then not
[00:07:54] happiness, but personal misfortune
[00:07:57] awakens him and he becomes someone who has long
[00:08:01] forgotten himself, uh that is the man Zoran whom I
[00:08:04] play uh
[00:08:07] I don't know, they taught me at the academy everywhere that when I talk about
[00:08:11] a character I play, that... to speak in the first person, to say, I am
[00:08:15] this and that, but I have already played him, so I can freely make some
[00:08:19] kind of distance, uh Zoran, the character I play in
[00:08:22] Jugo Florida is really a man from
[00:08:25] this time we just talked about, you and I, and the time
[00:08:29] that is here like a perpetuum, constantly changing its
[00:08:32] form, but the essence is the same, I say
[00:08:35] the vicious circle, yes, the vicious circle, well, it's not without reason that the saying is as old
[00:08:39] as uh he is, he is a man... he agreed to
[00:08:43] spend the whole day
[00:08:47] with a minimum, a minimum, how much is a minimum, so that's, that's it
[00:08:50] that that that he spends the whole day with 200 dinars, I mean
[00:08:54] I'm just making it up now, sorry for throwing in some monetary definition, but
[00:08:58] today it's impossible to survive a day with 200 dinars, we know and everyone if you want
[00:09:02] to eat something or drink something, not
[00:09:05] to mention luxuries like cigarettes or some other things,
[00:09:09] uh,
[00:09:12] he... he agreed to all that, he agreed to
[00:09:16] to below the margin, then there's sometimes
[00:09:19] the next margin, then below that margin he holds on somewhere, let's
[00:09:23] say, that dregs, but dregs, I don't mean human,
[00:09:27] yes, that's right, human uh, he's used to it and he's
[00:09:30] agreed to it and he's uh, given
[00:09:33] up on life a little, regardless, he didn't get into,
[00:09:36] how should I say, he didn't get into some problems like
[00:09:40] alcohol, gambling, some things that also
[00:09:43] surround us today, drugs or I don't know what, he didn't get into
[00:09:46] that, but he simply gave up on himself, I mean, I want to say he had no
[00:09:50] helpers in all that
[00:09:52] to make it happen to him, then illness happened
[00:09:56] at home and he has to wake up, he has to be
[00:09:59] forced, moreover, moreover,
[00:10:02] this film, we made it again with Vlada Tagić,
[00:10:05] of course, uh, we made it very,
[00:10:08] very, very precisely, very dedicatedly. We made
[00:10:12] it as if we were making some film over there, and everything was very
[00:10:16] modest, and we lacked nothing, that's
[00:10:19] for example, something in which we can find
[00:10:23] ourselves as as... as in our work, that it's
[00:10:26] enough for us from what we talked about globally, here in our
[00:10:30] region, that is, we are all now somehow acquiring these habits that we
[00:10:33] acquired all of that, maybe we don't know any other way, so we can't,
[00:10:37] it would be unpleasant for us at this moment to tell someone, "Here, go work," that's
[00:10:41] how it was, really, I have to praise the production and everything, really, from all
[00:10:45] that they got and fought
[00:10:48] for, we were all very nicely snuggled, it was a phenomenal
[00:10:51] one, Nikola, this Nikola Peković said
[00:10:55] that it was probably one of the most beautiful sets he had been on, and
[00:10:59] we really all had that impression, but I think
[00:11:03] Yugo Florida, well, again, now that film wasn't really followed,
[00:11:07] I'm not complaining, I'm sorry, of course, as a protagonist that
[00:11:10] that film wasn't more followed, and I think
[00:11:14] that people could have gone to the cinema to see it, more of them.
[00:11:18] I think we had 35,000. Mhm, I'm not sure, pardon, but I think there were about
[00:11:22] 35,000. Some other... things
[00:11:25] have, I mean, again, that also tells us, that's
[00:11:29] a mirror image for me, the mirror for me is the theater, and I think I'm involved
[00:11:32] in it, I don't know how much time I would have if I wasn't involved strictly in this, how much I would go to
[00:11:36] the theater, to the cinema, honestly I admit, to the cinema probably more,
[00:11:40] but uh, that's also a mirror of the society we
[00:11:44] are in and the region we live in. Mhm, yes, now
[00:11:47] well, and it's quite a difficult film, I have to say that I understand people who have been through
[00:11:51] that. I wanted to tell you that, you know, you talked about how we are all somewhere unhappy
[00:11:55] and in our own way reduced to no longer
[00:11:58] expecting, giving up because some are tired, some have
[00:12:02] inherited their destinies or the destinies of their
[00:12:05] parents or the destinies, I don't know,
[00:12:08] of our region, but
[00:12:11] essentially when you translate that to
[00:12:14] a whole, all that we today every day watch, that bad news we
[00:12:20] many televisions, should be or in some newspapers, right?
[00:12:24] I don't see that. "And that's what we live, and then when the
[00:12:27] moment comes for me to see myself
[00:12:30] having sunk and
[00:12:33] I see all possible
[00:12:35] scenes that I
[00:12:39] personally experienced, I'm talking now about many people who live in this
[00:12:43] country, you're almost fine, you know, then I
[00:12:46] tell myself, I can't do this anymore,
[00:12:49] I won't find good news, true news, truthful news,
[00:12:52] we gave up on that long ago..." You know, and look, now we have, look,
[00:12:56] we gave up on truth, we gave up on good news, we gave up
[00:12:59] on then what's in front of us, we give up on that, and
[00:13:03] you say why do we give up on that, because someone forced us to
[00:13:06] give up, because someone is constantly serving us something, because we
[00:13:10] don't know how to find the present, current moment, that moment
[00:13:14] of happiness, I must first say one thing that
[00:13:18] these people here, meaning primarily
[00:13:21] Serbia, God bless them.
[00:13:25] "How are they still normal given everything that's happening to them? I'm
[00:13:28] not just talking about the recent past, I'm talking about a
[00:13:31] past from which I date, meaning I'm 42
[00:13:35] years old, nothing here has
[00:13:38] ever been normal in terms of everyday
[00:13:41] life, people live very
[00:13:44] hard, and people are still or I look at people, I look at faces a lot, and when
[00:13:48] I drive a lot around the city and I look at people on the bus, I look at people
[00:13:52] at stations, I look at people uh..."
[00:13:55] Uh, there are some visible breakdowns in some
[00:13:58] people, but people still
[00:14:01] hold on, I don't know where they get the strength, and I don't know,
[00:14:05] because I have to look, I, as an artist,
[00:14:08] uh, I, as an artist, always have to look,
[00:14:11] that, that, that's what they taught us, and Bjelja and some older team, we always have to
[00:14:15] approach critically uh the regime,
[00:14:19] the society we are in, anything,
[00:14:23] anything that surrounds us, we have to... react critically so that society can be
[00:14:27] better, not so that I would profit from it, I have never
[00:14:30] profited from anything, and I always say, whoever attacks
[00:14:34] any of mine or anything, I say, "Okay, let's do a listing, to
[00:14:38] see what you've been through, my love, and where you've established yourself,
[00:14:42] and then you criticize someone else." I'm
[00:14:45] for it, I'm for seeing who got what and how.
[00:14:49] And now, we really are a heavenly people, because
[00:14:53] it's incredible how... people are still here, as you and I are talking, I see
[00:14:57] people outside walking, pushing children in strollers, not singing,
[00:15:01] laughing, waving, not at us, at each other,
[00:15:05] God bless them, how can I, I mean, because I can't look at it subjectively, to go
[00:15:08] back to that, because of the nature of the work that I
[00:15:11] do, we have a strong influence, we used to have at least a strong influence
[00:15:15] on the society we live in.
[00:15:17] People think when they see you on the street that, because I was at home through the
[00:15:21] television, and it's the same, and you know yourself, whoever
[00:15:25] sees you, they think they've been friends with you for a while, that's
[00:15:28] very charming, for those who know how to approach politely,
[00:15:32] memorable, but I can't look at it subjectively and I shouldn't look at it subjectively.
[00:15:36] where my generation, I can say again, was taught to look at some things
[00:15:39] subjectively, we went through it, yes, let's talk more, I,
[00:15:43] no matter how well I lived
[00:15:48] things happened to me, because I was
[00:15:52] simply born when I was born, simply a peak
[00:15:55] for me as a person, as a man, as
[00:15:58] an artist, is now and I must
[00:16:01] enjoy it now, but I still see that many people around me don't
[00:16:05] enjoy it. Then I must say that
[00:16:08] I don't enjoy it either, and I think
[00:16:12] it's like at a table in a pub, you know, I don't have to
[00:16:16] tell you how sometimes you have people
[00:16:19] who don't care, and then you have those
[00:16:22] who say, "Wait, I can't if someone is sad at
[00:16:26] the table in a pub, I will do everything to somehow or we all order
[00:16:29] a sad song, we all cry for him and we all find ourselves in
[00:16:33] it, so there's no third option," you know, that's that's it, we are
[00:16:36] me. I see that, I see that again in in in in traffic, in
[00:16:40] everything, everything is there, one nation is seen in
[00:16:43] everything,
[00:16:45] uh, I repeat again, I believe that we are one of the best nations in the world,
[00:16:48] the most talented, certainly,
[00:16:51] uh, but again we have been crumpled so many times and then we picked
[00:16:55] ourselves up, and so many times they throw us into some
[00:16:58] corner, so much so that people have become a little
[00:17:02] selfish, mhm, well the planet has also become a little selfish,
[00:17:05] yes, globally, I wanted to say globally. "We are now taught that everything
[00:17:09] is for yourself, don't you, boy, try to
[00:17:13] act smart
[00:17:15] and uh I agree that it's some global
[00:17:19] trend and global fashion, if I may say so, but we are not those
[00:17:23] characters, if we haven't enjoyed it like the whole world in some beautiful things, let's not
[00:17:27] be in these ugly ones either, let's step out again or at least
[00:17:30] stay where we are, so
[00:17:34] I think this nation is great for what it has
[00:17:36] been through." Well, okay, but do you now have the impression
[00:17:40] that it's not just that
[00:17:44] our bad choices, because you know what,
[00:17:48] we chose, brother, I mean, many times we chose, it's not like
[00:17:51] absolutely yes, absolutely yes, we can't say now, well, we didn't think
[00:17:54] so, we can, but we can't say we messed up 100 times, we can't
[00:17:58] say that, I can say I messed up, well
[00:19:32] the older you get, the less you lie, but does this
[00:19:35] lie bother you, this big lie?
[00:19:37] Social lie, when they lie to you, when they smear you, no, but how
[00:19:41] do you react, I know it bothers you, but how do you react, here I go back
[00:19:44] to it, we don't even react anymore, I can't, you see yourself in
[00:19:47] the mood, well, I mean, that's some laughter now, because it starts
[00:19:51] to affect me inside me, it starts to eat at me,
[00:19:54] it starts to annoy me, it starts to frustrate me, it starts to,
[00:19:58] it starts to raise my blood pressure, I'm still 42 years old, so now I'm
[00:20:02] entering a pressure zone, I'm entering a worry zone, I'm 60,
[00:20:06] no, I don't press
[00:20:21] this, so I mean, I want to tell you you still have time to
[00:20:25] uh, if I survive all
[00:20:28] this, but yes, I want to say that I must, I must somewhere save myself,
[00:20:32] I must uh I must, so that I don't take medication, I
[00:20:36] must then react with laughter, "So that I don't get into
[00:20:39] a situation of thinking about leaving the country, I must
[00:20:43] then enjoy this sun that is given to me
[00:20:46] here, because I'm not that young anymore."
[00:20:50] That I can achieve some new beginning
[00:20:53] abroad, you can always find your way anywhere, I think
[00:20:56] I will do some things abroad at some point, but
[00:21:00] to start some new life with the great love I
[00:21:04] have here for this country, that's hard for me to do anywhere
[00:21:08] because I'm already
[00:21:09] tripping.
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[00:26:03] you. Experience a true Ultra 5G
[00:26:06] experience. At A1, an even lower installment for 5G
[00:26:10] phones for even 36 months awaits you.
[00:26:13] Choose Xiaomi Redmi Note 15 Pro Plus
[00:26:16] 5G. Honor 600 or
[00:26:20] Samsung Galaxy S25.
[00:26:23] A1 starts with you. Come on. Many
[00:26:27] things are important to us.
[00:26:29] They are important because of you with whom we share them. I am
[00:26:33] always for Zaječarsko. Heat
[00:26:35] dries your hair. Pantene Heat and Glow Cream. Our formula
[00:26:39] uses heat to activate four times more nourishing
[00:26:43] ingredients. Transforms dry hair into hydrated hair. Transforms.