OMAN — broadcast
20260920 190000 UTC
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[00:00:01] strongest performance during the summer period, with a growth rate of
[00:00:05] 24% compared to the same period last
[00:00:09] year. Oman Air also operated up to
[00:00:12] 15 flights daily to
[00:00:16] Salalah
[00:00:16] city in August.
[00:00:20] The Muscat Securities Market index closed at 7,580
[00:00:24] hope and salvation. we don't know. points compared to the last
[00:00:27] trading session. The trading
[00:00:32] of the modern texts, Tahiyya Al-Rawahi value exceeded 31 million and 800 thousand Omani riyals.
[00:00:36] where human value The report issued by the Muscat Securities Market indicated that the market value decreased
[00:00:40] by 19%
[00:00:43] from the last trading day
[00:00:45] this world, Bartleby
[00:00:46] a word, and when and reached approximately 39 billion and 350 million Omani
[00:00:52] the series "36 riyals. Dear viewers, the economic bulletin has ended, and now we return to
[00:00:56] my colleagues.
[00:00:58] for Writers and Authors Sohar Port and Free Zone: We develop trade
[00:01:02] and create opportunities.
[00:01:08] it remained present More than 189 million Omani
[00:01:11] riyals were spent on experimental research and development
[00:01:14] in the Sultanate of Oman during
[00:01:17] 2025. Data issued
[00:01:21] closer to humanity by the National Center for Statistics and Information indicated
[00:01:24] that the number of
[00:01:27] It is an Omani workers involved in experimental research and development in
[00:01:40] Omani Riyal, the total expenditure on experimental
[00:01:43] Takumi Hojo won the research and development activities in the Sultanate of Oman in
[00:01:46] 2025
[00:01:49] lines, in a mysterious compared to 98 million and 260
[00:01:52] thousand Omani riyals in 2021,
[00:01:56] reflecting a significant increase in interest in strengthening
[00:02:01] Zhang Chiyuan, who won the knowledge-based economy. The results of
[00:02:03] the survey conducted by the National Center for Statistics
[00:02:09] becoming one of arrived. Letters and Information revealed that the total number of workers participating in experimental research and development
[00:02:13] approached
[00:02:13] 3540
[00:02:18] was as if workers last year. The data also showed that the private
[00:02:21] was a letter sector accounted for the largest percentage of the total
[00:02:25] number of workers, at 42%,
[00:02:28] followed by the government sector at 32%,
[00:02:32] then the higher education sector at
[00:02:34] 26%.
[00:02:36] Regarding the distribution of workers by occupation, the
[00:02:40] results showed that researchers represent the largest category of
[00:02:43] total workers at 51%,
[00:02:47] reflecting a significant growth in the number
[00:02:50] of research personnel, followed by technicians and
[00:02:53] their equivalents, then support staff. At
[00:02:57] the sector expenditure level, the private sector accounted for the highest
[00:03:01] percentage of total expenditure on experimental research
[00:03:05] But behind the end and his governorates of the Sultanate of Oman and development at 46%,
[00:03:07] followed by the government sector at 31%,
[00:03:11] then the higher
[00:03:13] but to question education sector at 23%.
[00:03:16] The national survey of experimental research and development aims
[00:03:20] to provide accurate statistical indicators on human
[00:03:23] resources and expenditure allocated to these activities and their
[00:03:27] funding sources, contributing to supporting the decision-making
[00:03:30] process and policy-making aimed at promoting scientific
[00:03:34] research and innovation and achieving the
[00:03:37] goals of Oman Vision
[00:03:40] 2040.
[00:03:43] Dear viewers, we now move to sports news with our colleague Abdul Aziz
[00:03:46] bin Mansour Al-Wahaibi. Abdul Aziz, the microphone is yours. Thank
[00:03:50] you, Hanifa. Welcome, viewers,
[00:03:53] landmark in Japanese and let's start our sports 22, he
[00:03:54] tour. Our
[00:04:00] national team qualified for the World Cup for tent pegging, which is scheduled
[00:04:04] be solved? Khayyam to be held in the Hashemite Kingdom of Jordan next November. Our national
[00:04:09] opens multiple team qualified after finishing
[00:04:10] Governorate, to first in Group C of the qualifying tournament for
[00:04:15] Bartleby begins to the World Championship, which was hosted by the Omani
[00:04:17] Equestrian Federation, with the participation of teams from America,
[00:04:21] Qatar, Iran, Pakistan, and Uzbekistan. The Pakistani
[00:04:25] team also qualified for the World
[00:04:26] ten more artworks Championship, finishing second. In
[00:04:30] the individual competitions of the tournament,
[00:04:33] paintings. It is the Pakistani team dominated the
[00:04:34] believed that this podium with a victory for the trio of Tasawwar Abbas, Muhammad
[00:04:37] Sagheer, and Muhammad Nasser
[00:04:39] Abbas.
[00:04:44] Our national football team continues its preparations in
[00:04:48] Jeddah, Saudi Arabia, for the Gulf Cup tournament,
[00:04:51] which starts on the 23rd of this month.
[00:04:54] The Reds, led by Moroccan coach Tariq
[00:04:57] Sektioui, are preparing for their first match against
[00:05:01] the Iraqi national team at Prince Abdullah Al-Faisal Stadium, within
[00:05:04] the first group competitions,
[00:05:07] sharp lines and which also includes the Saudi and
[00:05:09] Kuwaiti national teams, the record holders with 10
[00:05:12] titles.
[00:05:13] القاب.
[00:05:17] Our national U-17 football team began an internal
[00:05:20] camp in Muscat, which will last until September 24th,
[00:05:24] led by national coach Ahmed bin Salem Bait
[00:05:27] Saeed, in preparation for their participation in the West Asian Football
[00:05:31] Federation U-17 Championship in Aqaba, Jordan, from
[00:05:35] September 16th to October
[00:05:38] 5th. The young Reds
[00:05:41] are in Group B, alongside hosts Jordan
[00:05:45] and the UAE, while Group A includes
[00:05:48] Yemen, Lebanon, Syria,
[00:05:51] and Palestine.
[00:05:55] Globally, in the fifth round of the English
[00:05:58] Premier League, Liverpool defeated Bournemouth by one
[00:06:02] goal to nil, and Manchester City thrashed Sunderland
[00:06:05] five goals to three, while the match
[00:06:08] between Leeds United and Crystal Palace ended goalless. In other
[00:06:12] matches, Manchester United drew with Fulham
[00:06:15] one-all.
[00:06:19] In the seventh round of the Spanish Football League,
[00:06:23] Real Madrid lost their match against Atletico Madrid
[00:06:26] by two goals to one, and Getafe beat
[00:06:29] Malaga by one goal to nil. Deportivo
[00:06:32] La Coruna drew with Real Betis by one goal, and
[00:06:35] Villarreal defeated Levante by three goals to one.
[00:06:39] Valencia is currently playing Real Sociedad.
[00:06:47] Japan, the host nation, won its first
[00:06:50] gold medal at the Asian Games in Ichinomiya after
[00:06:56] men's individual triathlon race. Hojo emerged
[00:07:00] from the warm Mikawa Bay waters in fourth place and
[00:07:03] from the cycling stage in fifth place before accelerating
[00:07:07] in the running race and snatching first place by
[00:07:10] nine seconds from China's
[00:07:13] the silver medal, and Kazakhstan's Ayan
[00:07:17] Zhynbay, who won the
[00:07:19] bronze medal.
[00:07:23] That's the most important thing we have, and
[00:07:27] all that remains is
[00:07:28] goodbye.
[00:07:33] The Environment Authority organized the first environmental camp at Al Hajar
[00:07:37] Al Gharbi Reserve for Stargazing, with the participation of environmental observers
[00:07:41] from Al Dakhiliyah, Al Dhahirah, and South Al Batinah
[00:07:44] Governorates. The camp aims to develop
[00:07:47] environmental monitoring and inspection skills and exchange field
[00:07:51] experiences to protect the reserve and conserve
[00:07:53] its natural resources.
[00:07:56] The mountains of Al Hajar Al Gharbi Reserve for Stargazing
[00:07:59] extend over a land where wildlife thrives,
[00:08:03] and above it, a sky
[00:08:06] maintains its purity away from light
[00:08:09] pollution. Protecting this environment finds
[00:08:12] its way with environmental observers from various
[00:08:17] in the first environmental camp organized
[00:08:20] by the Environment Authority, where participants reside among
[00:08:23] its mountains and learn firsthand about
[00:08:27] the life it contains and the care it
[00:08:30] requires. The ultimate goal of this camp
[00:08:33] or environmental camp is the intellectual development
[00:08:37] of environmental observers from
[00:08:41] the legal and supervisory
[00:08:44] aspects, including technical workshops
[00:08:47] and legal workshops, as well
[00:08:51] as monitoring patrols. Through field tours,
[00:08:54] observers move between the reserve's
[00:08:57] locations, using GPS devices
[00:09:01] and camera traps to monitor
[00:09:04] wildlife and document observations
[00:09:07] in reports that specify their locations, nature, and the
[00:09:11] necessary actions for their
[00:09:14] protection. This is the first camp to be held in the Al Hajar
[00:09:18] Al Gharbi Reserve for Stargazing, Al Dakhiliyah
[00:09:23] learn about the reserve and gain
[00:09:26] experience. The practical program involves conducting
[00:09:30] foot patrols and installing camera traps
[00:09:33] to observe the wildlife present within
[00:09:37] the reserve, such as birds,
[00:09:40] Arabian Tahr, and the existing plant
[00:09:44] life, such as Al-Alan trees,
[00:09:47] Al-Atom trees, Al-Bot trees, Al-Shahsa trees, and
[00:09:51] some small wild plants such as Al-Qa'dah
[00:09:54] and many others. The camp
[00:09:57] brings together observers from diverse environments in terms of
[00:10:00] their nature and work requirements, which allows
[00:10:04] for the exchange of experiences and
[00:10:07] the discussion of practices that have proven effective
[00:10:10] in performing their duties, expanding the
[00:10:13] benefit of what each participant
[00:10:15] offers in knowledge
[00:10:18] and experience. The protection of rare
[00:10:21] environmental sites remains dependent on the awareness of
[00:10:25] those who frequent them and their
[00:10:27] commitment to preserving them as they were found. From
[00:10:30] the Al Hajar Al Gharbi Reserve for Stargazing, Ali
[00:10:34] Dear viewers, at the end of our bulletin, here's a reminder of
[00:10:37] its main
[00:10:40] headlines. His Majesty the Sultan, may God protect
[00:10:43] him, congratulates the Armenian President and the Maltese President
[00:10:47] on the occasion of
[00:10:47] their countries' independence.
[00:10:52] The US President says he
[00:10:55] has made a decision on Iran, and Tehran warns Washington against
[00:10:59] launching new attacks and promises a greater
[00:11:02] response.
[00:11:06] Ukrainian attack on Russia with more than 1600
[00:11:10] drones, and Moscow announces a meeting with
[00:11:13] Washington to discuss the end
[00:11:15] of the war.
[00:11:18] The bulletin has ended. We send you our
[00:11:21] regards from the news center team. Thank you very
[00:11:25] much for following us. Goodbye.
[00:12:41] Culture is not just what we know, but
[00:12:45] what makes us see the world differently.
[00:12:48] Here our story begins, from the word
[00:12:51] when it transforms into an idea, and from the idea when
[00:12:55] it becomes knowledge, and from knowledge when it
[00:12:58] leaves an impact on people. Here, we don't
[00:13:02] just read what is written, but we try
[00:13:05] to read what is behind it. We approach literature
[00:13:08] and listen to poetry, and search through the pages
[00:13:11] of history, and stop at art
[00:13:14] and heritage, and meet names that made their presence felt with
[00:13:18] words, ideas, and entertainment. Al-Jahiz
[00:13:21] says: Meanings are scattered along the
[00:13:25] way. Arabs, non-Arabs, villagers, and Bedouins
[00:13:28] all know them. But the point is in establishing
[00:13:31] the weight and choosing the word. Perhaps
[00:13:35] this is also the story of culture. Ideas
[00:13:38] are abundant around us, but their value
[00:13:42] lies in the way we see them and
[00:13:45] the story we create from them. In
[00:13:49] every episode, we open a new door and
[00:13:52] let wonder lead us to a
[00:13:55] book worth reading, a poet worth listening
[00:13:57] to, a place that preserves the memory
[00:14:01] of a nation, and a character behind
[00:14:03] whom lies a story
[00:14:11] we don't know. Welcome to Matoun. This
[00:14:15] time, Matoun from Oman doesn't come from the pages
[00:14:18] of a novel or a collection of poetry, but
[00:14:22] from the stage, where human issues are transformed
[00:14:25] into characters, and society's questions into dialogue,
[00:14:29] and sometimes silence into a scream. Omani
[00:14:31] writer Tahiyya Al-Rawahi windows on
[00:14:35] humanity in her plays. She writes about
[00:14:39] corruption and mismanagement, about migrants driven
[00:14:42] by wars into the unknown, and about
[00:14:46] fear standing in the way of duty, and
[00:14:49] about loss and wars, and even about the
[00:14:53] values of justice, love, and independence that
[00:14:56] she addresses to children in one of her
[00:15:00] plays. A city submerged in waste becomes a
[00:15:03] metaphor for mismanagement and officials' evasion of
[00:15:07] their responsibilities. In another, we hear a mother's
[00:15:10] cry searching for her child amidst destruction and
[00:15:13] migration, while another text reveals how
[00:15:16] fear can make a person abandon their
[00:15:19] duty. As for children's plays, the
[00:15:22] story is more innocent, instilling more humane
[00:15:26] values in the world of children. What
[00:15:29] distinguishes this experience is that some of these
[00:15:33] texts did not remain confined to paper. They
[00:15:37] won competitions at the Literary Forum in the
[00:15:41] Sultanate of Oman and were transferred to the
[00:15:44] stage, winning awards at theatrical festivals during the period between
[00:15:48] 2004 and 2012.
[00:15:52] Five stories and five faces of humanity, from
[00:15:55] the landfill and the shackles to the task
[00:15:59] and the crystal ball and royal coffins,
[00:16:02] all the way to children's plays. In these
[00:16:06] does not merely present the problem, but
[00:16:09] leaves her questions suspended before the
[00:16:12] recipient: What happens when fear
[00:16:16] becomes stronger than truth, and when
[00:16:20] duty becomes merely
[00:16:23] a person becomes a victim of decisions
[00:16:26] they cannot change? All of this was
[00:16:30] collected by the writer in one book, published
[00:16:33] by the Omani Society
[00:16:36] in cooperation with Al-Ain Publishers
[00:16:39] and Distributors in Jordan, in 110
[00:16:42] pages. It is
[00:16:43] the text of Royal
[00:16:51] Coffins: Five plays, but at their core,
[00:16:55] five attempts to get
[00:16:58] when it is surrounded by fear, loss,
[00:17:01] power, and reality.
[00:17:04] text worth reading. What if the copyist
[00:17:07] who used to transcribe the words of others
[00:17:11] hid within himself a story that no one
[00:17:14] could read? In the world of novels,
[00:17:17] stories are not
[00:17:20] always found in the written words. Sometimes,
[00:17:22] they lie between the
[00:17:26] character, an old secret, or a
[00:17:30] question that haunts the reader until the
[00:17:33] last page. A novel published in
[00:17:37] 1853. Its pages contain
[00:17:41] a story that takes us into the world
[00:17:45] of scribes and books, where knowledge intersects
[00:17:48] with power, and writing becomes more than
[00:17:51] just a profession. It becomes a means
[00:17:54] of preserving memory and perhaps a
[00:17:58] means of confronting oblivion. We get
[00:18:01] closer to a character who stands between
[00:18:04] two worlds: the world of paper and ink,
[00:18:08] and the world of life with its secrets,
[00:18:11] conflicts,
[00:18:14] and questions. As the story progresses,
[00:18:18] it seems that what the copyist writes
[00:18:21] is not just a text he transcribes,
[00:18:24] but an effect that leads him
[00:18:27] to a greater story. So, who
[00:18:31] is this copyist, and what do the
[00:18:34] papers in his hands hide? And
[00:18:37] where does the task of transcribing words
[00:18:42] story begin?
[00:18:44] Bartleby, the Scrivener. In
[00:18:48] 1853, American writer Herman
[00:18:50] Melville published his famous story, "Bartleby,
[00:18:54] the Scrivener." It is a short story
[00:18:57] that would become one of the most
[00:19:00] mysterious and influential literary texts in
[00:19:04] American literature. In
[00:19:07] a law office on Wall Street,
[00:19:11] Bartleby appears, a quiet, pale,
[00:19:14] and taciturn man. He comes to work
[00:19:18] as a copyist of documents. He sits
[00:19:22] behind a screen in the office
[00:19:25] and spends long hours copying papers
[00:19:28] without drawing attention until one
[00:19:31] day the office owner asks him
[00:19:34] to help review a document. Bartleby
[00:19:38] raises his eyes and calmly replies,
[00:19:42] "I would prefer not to." A
[00:19:45] simple sentence, but it would transform
[00:19:48] his entire world. Gradually,
[00:19:53] refuse everything he is asked to
[00:19:56] do. He stops
[00:19:57] copying, then
[00:20:00] refuses to leave the office, then
[00:20:03] refuses to return to his previous
[00:20:06] life, without raising his voice, explaining
[00:20:10] his reasons, or declaring his rebellion.
[00:20:13] And here, the story transforms from
[00:20:16] a tale of a strange employee
[00:20:18] into a question about humanity itself.
[00:20:21] What makes a person withdraw from the
[00:20:25] world in this way? Is it
[00:20:29] laziness, despair, or illness? Or
[00:20:33] has Bartleby reached a point where
[00:20:36] he can no longer live according
[00:20:39] to the rules imposed by the
[00:20:42] world? The most painful thing is
[00:20:46] that Melville doesn't give us a
[00:20:49] clear answer. He doesn't tell us
[00:20:52] about Bartleby's past, nor does
[00:20:55] he reveal the secret behind his
[00:20:59] silence. He leaves him
[00:21:02] before us as he is, a
[00:21:06] mysterious human being, as if a part
[00:21:09] of him died in a place
[00:21:14] And the law office itself seems
[00:21:17] like a microcosm
[00:21:22] world: a world
[00:21:26] is measured by one's work,
[00:21:29] productivity, and speed. And in
[00:21:32] the midst of
[00:21:35] comes to say in his quiet
[00:21:38] voice, "I prefer not to participate."
[00:21:41] But what's interesting is that Bartleby,
[00:21:45] who refuses everything, manages to change
[00:21:48] others. The office owner moves from
[00:21:52] anger to pity, then to an
[00:21:55] attempt to understand. It's as if
[00:21:58] Bartleby's silence forces those around
[00:22:01] him to see the human being
[00:22:05] hidden behind the job. At the
[00:22:21] end of the story, his withdrawal from
[00:22:25] the world reaches its extreme, to
[00:22:29] prison, after he refused to leave
[00:22:32] the office. And there, he dies alone. Then the
[00:22:36] narrator reveals a small detail, but one that
[00:22:40] is highly significant:
[00:22:43] Bartleby had previously worked in a
[00:22:46] dead letter office. Letters that never
[00:22:50] reached their recipients. Letters whose recipients
[00:22:54] died before they
[00:22:56] written with love or anticipation
[00:23:00] or hope, but lost along the
[00:23:04] way. And it
[00:23:08] Bartleby himself
[00:23:11] that never arrived, that he could
[00:23:14] have had a place in the
[00:23:17] world, but he couldn't find his
[00:23:20] way there. And so, Bartleby, the
[00:23:24] Scrivener, doesn't seem like a
[00:23:28] story about an employee who refuses
[00:23:31] to work, but rather an elegy
[00:23:35] for a human being who can no longer connect
[00:23:38] with life. Perhaps Bartleby was ill,
[00:23:41] and perhaps he was rebellious, and
[00:23:45] perhaps he was a victim of
[00:23:48] a world that didn't know how
[00:23:51] to hear his silence. And therein
[00:23:54] lies Melville's power. He doesn't
[00:23:58] ask us to judge Bartleby,
[00:24:03] him. How many people have passed
[00:24:06] through our lives and we thought
[00:24:10] them cold, lazy, or strange,
[00:24:13] when they were carrying something within
[00:24:17] them that we couldn't see? And
[00:24:21] how many times have we heard
[00:24:24] someone say, "I prefer not to,"
[00:24:28] and we didn't ask the most
[00:24:31] important question: Why?
[00:24:35] In our segment today, we talk
[00:24:38] about a painting described as a
[00:24:43] art: The Great
[00:24:52] Wave off Kanagawa by the Japanese
[00:24:55] painter and artist Katsushika
[00:24:59] Hokusai, created between
[00:25:03] 1829 and
[00:25:06] 1833. He was over
[00:25:10] seventy years old at the time.
[00:25:13] Hokusai added
[00:25:16] to this series, bringing the total to 46
[00:25:24] painting is the most famous and
[00:25:28] reproduced artwork in the world and is
[00:25:31] considered a landmark and inspiring work
[00:25:35] in Japanese art. The painting depicts
[00:25:38] towering waves threatening fishing boats off
[00:25:42] the coast of Kanagawa, in a
[00:25:45] scene that pits humans against the
[00:25:48] power of nature. The wave dominates
[00:25:52] the center of the painting with its
[00:25:57] flowing movement, giving the viewer a
[00:26:00] sense of danger and helplessness, while
[00:26:04] the fishing boats appear small and
[00:26:08] fragile before them. Hokusai used
[00:26:11] cool and muted colors, most notably
[00:26:14] dark blue and white, which evoke
[00:26:18] coldness and fear, while white can
[00:26:22] be interpreted as a symbol of
[00:26:27] The painting was created using the
[00:26:30] Japanese woodblock printing technique, which involves
[00:26:34] carving the design onto a wooden
[00:26:38] block and then printing it onto
[00:26:41] paper. In the background, Mount Fuji
[00:26:44] appears, stable and calm amidst the
[00:26:47] turmoil of the sea, a recurring
[00:26:50] presence in Hokusai's works, especially
[00:26:55] Views of Mount Fuji." The mountain
[00:26:58] was not merely an element, but
[00:27:01] a symbol of stability and strength and a deep
[00:27:05] spiritual place in Japanese culture. Therefore,
[00:27:10] in his works from various angles,
[00:27:14] seasons, and weather conditions. Thus, the
[00:27:17] painting combines the turbulence of the
[00:27:21] wave with the stability of the
[00:27:23] mountain, the fragility of humanity before
[00:27:27] nature and the strength of the
[00:27:30] symbol that remained steadfast in the
[00:27:34] background. A writer, but
[00:27:37] not like all writers. Ghazi
[00:27:41] Al-Gosaibi was a man who combined
[00:27:45] in his personality the subtlety of
[00:27:48] a poet and the wisdom of
[00:27:52] an administrator, and the pen of
[00:27:55] a writer and the responsibility of
[00:27:58] a minister, and thought and action.
[00:28:02] He was present in literature as
[00:28:05] he was present in state fields,
[00:28:11] the most prominent Saudi and Arab
[00:28:15] names in the twentieth century.
[00:28:18] Ghazi Abdul Rahman Al-Gosaibi was born
[00:28:22] in 1940
[00:28:25] in Al-Ahsa and grew up
[00:28:28] in Bahrain, where the features
[00:28:39] a writer, nor about a minister
[00:28:43] or an ambassador, but about a
[00:28:46] human being who lived more than
[00:28:49] one life in a single life,
[00:28:52] and left something worth telling in
[00:28:56] each one. When we mention
[00:28:59] Omar Khayyam, the poet, the author
[00:29:03] of the Rubaiyat, comes to mind.
[00:29:07] poet was an extraordinary scholar in
[00:29:11] mathematics, astronomy, and philosophy, a man who spent
[00:29:15] his life pursuing great questions about
[00:29:19] the universe, time, and humanity. Khayyam's
[00:29:22] journey began early when he left
[00:29:25] Nishapur for Samarkand, which was then
[00:29:29] an important center of science and
[00:29:32] knowledge. There, his extraordinary talent
[00:29:36] in mathematics emerged, and he began
[00:29:38] a scientific journey that would make
[00:29:42] him one of the most prominent
[00:29:46] scholars of his era. At the
[00:29:48] age of approximately
[00:29:52] authored one of his most important
[00:29:55] works on algebra and addressed a
[00:29:58] mathematical question that had occupied scholars
[00:30:02] for centuries: How can cubic equations
[00:30:07] realized that the tools of traditional
[00:30:10] Greek geometry, such as the
[00:30:14] ruler and compass, were not sufficient
[00:30:18] on their own. He developed a
[00:30:21] method based on geometric sections, such
[00:30:24] as circles and parabolas, to find
[00:30:28] solutions to these equations. Nevertheless,
[00:30:31] he continued to look forward to
[00:30:35] the day when they could be
[00:30:39] solved using algebra alone, without the
[00:30:42] need for geometry. and whoever saw in it a pessimistic
[00:30:45] or nihilistic tendency,
[00:30:48] and perhaps Omar Khayyam did not leave a final
[00:30:52] written message before his departure, as mentioned on the
[00:30:55] Arageek website, but he left his message to existence in
[00:30:59] his books.