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20260806 060000 UTC
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[00:00:15] This in of sour's top headlines: Iran's president says the
[00:00:19] assassinations
[00:00:20] of the murder leader
[00:00:21] of the Islamic Revolution, military commanders and scientists
[00:00:24] proved the falsehood
[00:00:25] of the aggressor's claims to human
[00:00:27] rights. Palestinian media
[00:00:31] group warns that human rights violations against Palestinian
[00:00:35] abductees in
[00:00:35] of Israeli prisons have reached unprecedental levels
[00:00:38] and finally the US state
[00:00:42] of New Mexico sues the department of justice over access to
[00:00:46] unredacted Upsteen
[00:00:48] of files saying the department refuses to provide the
[00:00:50] documents.
[00:00:54] of
[00:00:56] of
[00:01:06] Hello
[00:01:06] of and welcome everyone, you're watching Press TV world news, let's go ahead and get started with this hour's
[00:01:10] top stories. Iran's president says
[00:01:14] all enemy plans and pressures are aimed at making the people
[00:01:17] dissatisfied and
[00:01:18] of provoking them to protest, but the Iranian people will stand for their
[00:01:22] country.
[00:01:23] of Masarl posien added that the entire Iranian nation helped to
[00:01:27] keep the country together, even those who had.
[00:01:39] but the fact that we could
[00:01:41] of continue, it's because
[00:01:42] of the noble people of Iran, not just the people
[00:01:45] who gathered in the streets, everybody who endears
[00:01:48] and holds iran dearly in their heart,
[00:01:52] despite all the difficulties, it's not just the people in the streets, it was
[00:01:56] not just them preserved iron every...
[00:02:00] person who sees the difficulties and tolerates
[00:02:04] of them, they are working for their country
[00:02:09] a sanctions. speaking
[00:02:13] a in a televised interview, pasashkan said, the government has managed the country under the most difficult
[00:02:17] conditions since Islamic revolution by relying on the people's
[00:02:20] solidarity. he cited war, sanctions, energy and balance
[00:02:24] and water crisis as the
[00:02:26] of most important
[00:02:27] in challenges facing the nation. posi that the enemies plotted to
[00:02:31] cause social collapse and force a country into submission through missile strikes
[00:02:35] and destruction, but the people's support prevented that. the Iranian
[00:02:39] president asserted that the assassination
[00:02:41] in of in the murder leader
[00:02:42] of the Islamic Revolution as well as military commanders and
[00:02:46] of scientists by the U.S. Israeli aggressors have proved the falsehood
[00:02:50] of their claims to human rights, freedoms and similar topics.
[00:02:54] he praised the new leader
[00:02:55] of the Islamic Revolution
[00:02:57] of (ayatullah) Sayid Mushtaba Khamenei, describing his character in terms
[00:03:01] of ethics, logic and humility as truly
[00:03:05] exceptional.
[00:03:12] we earlier talked to former US government government
[00:03:15] advisor,
[00:03:16] Paul Lerudi. he said the US pressure campaign against the Iranian government
[00:03:20] and nation cannot meet Washington's interest in the long run, and
[00:03:24] Iran has
[00:03:25] of already proved
[00:03:25] this.
[00:03:30] overall
[00:03:30] of goal is to make Iran basically submit
[00:03:34] to the will
[00:03:35] of the
[00:03:36] of the US and to control the the
[00:03:39] government of Iran. I think that the Iran
[00:03:43] is perfectly within its rights and it
[00:03:47] is the
[00:03:50] logical kind of position to
[00:03:53] take that that they will not accept this
[00:03:57] and that they will... not be
[00:04:00] dominated by by such things actions
[00:04:04] of the United States have been against both the
[00:04:08] people and the the government
[00:04:11] of these countries, and
[00:04:14] so I think that holds
[00:04:17] perfectly well, the United States does
[00:04:21] not act on behalf
[00:04:23] in of the
[00:04:23] in people, it has created so many death
[00:04:26] me and and misery and...
[00:04:30] refugees, this is
[00:04:31] this is the attacks and
[00:04:35] the invasions and the attempts to use
[00:04:38] force to get the will
[00:04:42] of of the United States to be the
[00:04:46] primary force in the government of of a
[00:04:48] country. um, this is,
[00:04:51] this
[00:04:56] in has been, it's a foolish way of trying to do things, in the long run it me cannot work, and and Iran certainly is proof of.
[00:05:03] that meanwhile, Iran's foreign ministry spokesman says a joint statement between
[00:05:07] Iran and arman on the
[00:05:09] of straight of horm is now at the stage of final review and
[00:05:14] described the talks with ourman on managing maritime traffic in the strategic
[00:05:18] waterway as a professional, adding that both sides have agreed
[00:05:22] on the route coordinates. he stress that the closure the straight of hormus was the
[00:05:26] result of US and israeli regimes aggression against
[00:05:29] Iran. the spokesman said and Iran Oman understanding
[00:05:33] alone cannot mean that the straight has become safe for passing vessels
[00:05:37] as a factors causing insecurity, including the
[00:05:41] US's naval... cade still remain. He also said talks
[00:05:45] between Iran and Daman as the two coastal states the straight of
[00:05:49] Hormus have been underway over the past two months to establish safe
[00:05:52] route for commercial
[00:05:53] shipping.
[00:05:59] Iran's deputy foreign minister Calsim gharbabadi says reaching an
[00:06:03] understanding with our man over the straight of hormus does not mean the
[00:06:06] waterway will be reopened. Garbabbadi said the understanding
[00:06:10] will be solely between Iran and and oman, adding that Tehran
[00:06:14] does not accept any foreign interference. He stressed that
[00:06:18] reopening the straights is subject to its own conditions,
[00:06:21] including US commitments under the Islam abad memorandum of
[00:06:25] understanding. He added that Washington has violated the
[00:06:29] Mou, citing the naval blockade and the reimposition of
[00:06:33] sanctions against
[00:06:34] Iran.
[00:06:40] Moving now over to a Palestinian media. group which has released a new
[00:06:44] report warning that human rights violations against Palestinian
[00:06:47] abductees in Israeli prisons have sharply risen during
[00:06:51] July. According to the Assara media office, as number of
[00:06:55] palestinian abductees in the regime's jails reaches unprecedented
[00:06:59] levels. There has been a remarkable uptick in such rights,
[00:07:02] violations as torture, starvation, medical neglect and
[00:07:06] isolation. The office said it has documented
[00:07:09] escalation in the use of repressive. tactics inside
[00:07:13] Israeli prisons, including raids on sections, beatings of
[00:07:17] prisoners, the use of rubber bullets and police stocks and
[00:07:21] solitary confinement. it added that torture in Israeli jails is
[00:07:25] not limited to physical harm, but also extends to
[00:07:28] psychological damage, leaving prisoners with lasting trauma
[00:07:32] and fear with nightmares. the office noted
[00:07:35] that there are about 9500 Palestinians in Israeli jails,
[00:07:39] including hundreds of women and children, and over 32... 200
[00:07:43] administrative detainees who are being held without charges or
[00:07:46] trial.
[00:07:52] The Israeli regime launches new attacks on southern Lebanon in
[00:07:55] violation of a cease fire deal with the Arab country. The latest
[00:07:59] strikes targeted areas in and around the city of Tyre, wounding at
[00:08:03] least four people. The attacks force many residents to leave their
[00:08:06] homes. Witnesses also reported continuous Israeli artillery
[00:08:10] shelling in the area. The attacks came after the Israeli regime
[00:08:14] confirmed the killing of two of its soldiers and the injury of
[00:08:18] several others in an explosion in the tire district. according to
[00:08:22] Lebonon's health ministry, since March the 2nd, Israeli attacks
[00:08:26] have killed over 4,300 people and wounded more
[00:08:30] than 12,250
[00:08:32] others.
[00:08:37] The Yemani armed forces have struck a Saudi oil tanker in the Gulf of
[00:08:41] Aden with a ballistic missile, forcing it to turn back. The
[00:08:45] Yemani arms force spokesperson announced they successfully hit
[00:08:49] the Saudi tanker Daisy, marking the latest operation under the
[00:08:53] siege for siege maritime blocade. He warned that no Saudi oil
[00:08:57] vessel will be allowed to pass through either the southern or northern
[00:09:01] red sea until the Saudi blockade on Yemen is lifted. The
[00:09:05] incident followed Yeman's strike on the Saudi vessel Wafa
[00:09:09] north of Yumbo which Ansodel official called a new
[00:09:12] phase in the maritime confrontation, proving that efforts to bypass
[00:09:16] a blocade are
[00:09:17] futile.
[00:09:23] and other news, the US state of New Mexico has suwed the department of
[00:09:26] justice for access to unredacted files on Jeffrey
[00:09:30] Upstein, saying the federal agency is stonew
[00:09:33] stonewalling investigation into the late sex offender by
[00:09:37] refusing to provide the documents. The Democratic State Run
[00:09:41] States reopen is Ubsten investigation in February
[00:09:44] requesting unredacted files to identify visitors and
[00:09:48] staff a property owned by Ubstein in New Mexico.
[00:09:52] The department of Justice says it can provide some files but cannot
[00:09:55] supply other material due to privacy protections.
[00:09:59] The New Mexico lawsuit argues that federal inaction does not
[00:10:03] merely solve the investigation, but also prolongs and compounds
[00:10:07] the suffering of survivors. He has requested that the US
[00:10:11] District Court for the District of Colombia compell acting
[00:10:14] attorney general Todd Blanch to release the requested
[00:10:18] files. The developmentts came after New Mexico legislators release
[00:10:22] an interm report on their independent investigation into the
[00:10:26] Upsteen case. They said evidence to date shows Upsteen
[00:10:30] abused at least five women and girls at his New Mexico Ranch
[00:10:34] between 1996 and
[00:10:36] 2012.
[00:10:42] Well with that viewers like to thank you very much for watching this hours top headlines for latest
[00:10:45] updates, please stay tuned surpress TV world news. Goodbye for
[00:10:48] now.
[00:11:19] مامانم میگه اسمش همیشه خلیج فارس
[00:11:22] بوده. ما بچه های خلیج.
[00:11:25] فارسی اینجا برای ما فقط یه دریا
[00:11:28] نیست هویتمونه
[00:11:32] جاییه که کنارش بازی می
[00:11:34] کنیم
[00:11:38] روزیمونو ازش می گیریم
[00:11:42] باهاش شادی می کنیم و با صداش آروم
[00:11:45] میشیم جاییه که
[00:11:49] اجازه نزدیک شدن دشمنامونو بهش
[00:11:52] نمیدیم و تا همین. همیشه ازش محافظت می
[00:11:56] کنیم. خلیج فارس ما انگار یه کتاب
[00:12:00] تاریخه. هر کدوم از موجاش قصه های
[00:12:04] قدیمی سرزمینمونو تو دلش
[00:12:06] داره. خلیج
[00:12:10] فارس برای همه ما
[00:12:12] ایرانیاست.
[00:13:07] There are journalists that look past the headlines to capture the quiet
[00:13:10] resilience found in the world's most volatile regions from the
[00:13:14] frontlines of Ukraine to the post war landscapes of Iran. They
[00:13:18] risk everything to bear witness to our shirt humanity. My
[00:13:22] guest today is one such storyteller. Welcome to SOAP, I am
[00:13:26] Bahman, your
[00:13:27] host.
[00:13:35] Lauren Streller is an award winning Austrian photo journalist
[00:13:39] dedicated to telling the human stories behind the
[00:13:42] headlines. From the frontlines of Ukraine to the streets of
[00:13:46] Lebanon, and now the post war landscapes of Iran, his work
[00:13:49] captures both the brutality of conflict and the resilience of those
[00:13:53] who endure it. guided by empathy and a commitment to
[00:13:57] bearing witness, Strela uses his lens to give voice to the
[00:14:01] unheard and reveal the shirt humanity that connects
[00:14:05] us
[00:14:05] all.
[00:14:15] Mr. Lauren Streller, it's a pleasure to have you on Sob. Thank you so
[00:14:19] much for having me. Uh, it's the pleasure is
[00:14:22] all ours. You've said, I saw
[00:14:24] an interview, um, of you in which you said powerful
[00:14:28] images in your parents photo books, those were especially from
[00:14:32] the Vietnam war, um, went beyond words and opened
[00:14:35] new worlds to you, do you remember a specific image that
[00:14:39] changed you? it's not about specific images
[00:14:43] that inspired me to do what I'm doing, it was more
[00:14:47] like these worlds that
[00:14:51] opened to as a teenager, as a child, I couldn't disc
[00:14:55] tribe what is happening, i just it evoked the feeling in
[00:14:59] me that i have to do the same, i want to go
[00:15:03] out there, explore, document, and i want to become a
[00:15:06] photo journalist, and you speak about photography's
[00:15:10] ability to connect us through time and space with
[00:15:14] shared emotions, um, when did you first truly feel that
[00:15:18] connection yourself? i think for
[00:15:21] as a European um als
[00:15:25] person that of course learned a lot about the
[00:15:29] second world war, um, it was always very important to
[00:15:33] see the images the war, because they
[00:15:37] sh...
[00:16:07] but i feel like the emotions that you can see and feel from photographs
[00:16:11] in the faces of people that have to go through
[00:16:15] hardship or certain events create like a
[00:16:18] bigger image and a bigger feeling that you can gain
[00:16:22] even if time passes how people must
[00:16:26] have felt during that time and um i remember
[00:16:30] once somebody told me that the lines on the faces the people are kind of
[00:16:33] reminders the kind of journey they've been on and they've taken in.
[00:16:37] lives, um, are you also working on
[00:16:40] documentaries? um, I'm doing
[00:16:44] mostly documentary work with my photos, so
[00:16:48] these these documentary essays, they
[00:16:51] can contain up to 50 photographs
[00:16:54] and some them work
[00:16:57] has a single image, because the single images are that
[00:17:01] strong or some photos they work together well with other photographs
[00:17:05] and This is what I tried to
[00:17:09] create here, for example, I tried to create one
[00:17:13] big photo essay that really um
[00:17:16] shows the current situation the country.
[00:17:19] Right, and you often talk about very important figures and
[00:17:23] photography as um, your inspiring figures in this
[00:17:27] field, um, the likes of um,
[00:17:31] don, we have Robert Carper, Henry
[00:17:34] Cartier Bresson, Dorothy Lang and the... turnly
[00:17:38] brothers, what specifically you about the philosophy
[00:17:41] the work, not just technicalities, um, are so
[00:17:45] inspiring to you, if you can give us examples, I feel it's the
[00:17:49] mix between what they have shown through the
[00:17:53] work, and also how they did
[00:17:56] it, because it is one thing to go somewhere and
[00:18:00] take photos of a certain event, but to have this kills
[00:18:04] and do it a beautiful and respectful way,
[00:18:09] um you have to have some talent and some
[00:18:13] um perspectives that not
[00:18:16] everyone has and that's what i respect about the big
[00:18:20] legends or the big names in photography and which one these
[00:18:24] names would you uh consider like the main your
[00:18:28] main inspiring figure in your journey? i think
[00:18:31] don mccallin is is i think one the
[00:18:35] biggest inspirations i had that? Why is
[00:18:38] that? It has multiple um
[00:18:42] reasons. First of all, he he documented a world that wasn't
[00:18:46] changed during that time in the in the 50s, late 50s,
[00:18:49] 60s, he did a lot of work in Europe, um, when
[00:18:53] europe was tragically changing, then he also did
[00:18:57] a lot of work in in areas of crisis
[00:19:01] of conflict, he was in the Vietnam war, lot of different
[00:19:04] wars, but as I'm a big Beatles fan, he als took photos
[00:19:08] the Beatles, which I think is nice contrast,
[00:19:12] yes, absolutely, and what took you from
[00:19:15] that world, the European style of living, style of
[00:19:19] photography, to um, conflict
[00:19:22] photography and crisis photography, I think
[00:19:26] it's just um, a personal feeling that is
[00:19:30] interesting for me to be part of history that is
[00:19:34] in the making right now, in the moment when I'm there, It's
[00:19:37] a feeling you can't describe um
[00:19:41] knowing that the place that
[00:19:45] you are in right now is all over the news and it will be all
[00:19:49] over the school books in the next
[00:19:51] generations um and of course the
[00:19:54] feeling and my belief that through my work
[00:19:57] I might have a positive impact on the future and
[00:20:00] future generations so in best
[00:20:04] case these
[00:20:06] bad things don't happen again. and but I was looking
[00:20:10] at of course I'm going to talk about um your experience, you're now
[00:20:14] in Iran, well Iran is in the middle of a conflict with the US
[00:20:18] and Israel, you've been to some the impact sites in southern Iran, I'm
[00:20:22] going to talk about that later, but something that I could feel from the photography on
[00:20:26] your website and also um on your instagram page
[00:20:30] uh was that people are the main characters of your
[00:20:33] photography and your photos um what do you find
[00:20:38] um so inspiring when it comes to
[00:20:41] the faces of people, i think
[00:20:45] faces and mostly the eyes of a
[00:20:48] person. can tell more than
[00:20:52] anything else you can take photos of, i think
[00:20:56] um, seeing a certain
[00:21:00] face, looking into a child's
[00:21:03] eyes, taking a photo a honest,
[00:21:06] raw moment where the door to the
[00:21:10] soul is open, um, you can tell more
[00:21:14] than any written essay or any film documentary
[00:21:18] can can tell,
[00:21:19] and my... goal is always evoke
[00:21:23] anything, any emotions or questions
[00:21:27] or answers within the person that looks at my photos,
[00:21:30] so if I have the
[00:21:33] success that the viewer might
[00:21:36] be, might feel discomfort
[00:21:40] or might feel um confusion or
[00:21:43] whatever, just some emotions that are evoked into
[00:21:47] the in in the in the viewers. um
[00:21:50] eyes, then everything is is achieved that
[00:21:54] I want to do with my photos and I think the easiest way to do
[00:21:57] this is showing face that
[00:22:01] has um lift through lot of um
[00:22:05] experiences and I can only imagine Lauren
[00:22:08] that um that brief moment that the window to the heart and
[00:22:12] to the soul the person or that character in front of you is
[00:22:16] open um also I can only imagine
[00:22:20] once again places immense amounts amount of
[00:22:23] responsibility on your shoulders as a photographer, isn't that the
[00:22:27] case? it's definitely the case, but um,
[00:22:31] always compare like creating
[00:22:33] a portrait, it's
[00:22:37] an immense moment of trust between
[00:22:41] two people that don't know each other, sometimes don't even speak the
[00:22:45] same language, all they share is this very
[00:22:48] moment, and it's and create some really
[00:22:52] magical um connections
[00:22:55] between totally strangers
[00:22:57] and I think it's always like
[00:23:01] how you approach a person, the body
[00:23:04] language, respect, calmness,
[00:23:08] and the other
[00:23:10] person will feel it and will feel comfortable and will let
[00:23:13] you into their space and let you photograph
[00:23:17] their soul in the best way. and have you
[00:23:21] ever what of course because you've been also photographing the
[00:23:25] Ukrainian conflict um have you ever felt like um
[00:23:28] the person in front of your lens is a way in
[00:23:32] that look in that momentary window to their
[00:23:36] soul as you beautifully described it are asking
[00:23:40] for some sort of help like physical help you
[00:23:44] mean no just to kind of
[00:23:47] what i mean is to help them have the voices
[00:23:50] heart
[00:23:51] on the global stage, i feel from
[00:23:55] my experience, people who are in the
[00:23:58] deepest need or in moments of
[00:24:02] despair, they are mostly the ones
[00:24:06] who want to get their photo taking, because they want their
[00:24:09] story to be told, and they want the world to
[00:24:13] look and see their atrocities that they have to live
[00:24:17] through, and I think... That's a very
[00:24:20] very um important thing um to not step back
[00:24:24] when things get very hard and
[00:24:27] sad, these are mostly the moments the people who
[00:24:31] are affected they want
[00:24:33] you to take the photo the most and at the same
[00:24:37] time um those moments are could be also very
[00:24:40] dangerous for a photographer, how do you handle the risk and the
[00:24:44] dangers that come with this job? I mean it takes
[00:24:48] a lot of preparation beforehand. um, if you go into an
[00:24:51] active war zone, for example, you have to to be
[00:24:55] prepared, you have to um take all the
[00:24:59] necessary
[00:25:02] um um life saving like vest, the the press
[00:25:06] vest, the helmet, like a turn a kit, first eight kit
[00:25:10] and so on, but then you also have to prepare a
[00:25:13] a very professional way, who i working
[00:25:17] with, who is my driver, who is my translator? do I have a way
[00:25:20] out if if things get really dangerous? um, so
[00:25:24] there is lot of aspects that you have to think about to reduce the
[00:25:28] risks, um, but in the end
[00:25:32] nobody can predict the future and nobody can predict what really
[00:25:36] is happening, so I had moments where I was
[00:25:39] perfectly prepared, but in
[00:25:41] the end everything went a whole different path, and
[00:25:45] we ended up being a very different, tell me about a couple of those
[00:25:49] moments. um, I found myself
[00:25:53] um, accompanying a drone unit in
[00:25:56] Ukraine, and the plan was to stay with them for
[00:26:00] two or thre hours and they were... 100 or 150
[00:26:04] away from the from the Russian soldiers, so it
[00:26:07] was directly at the frontline, and I was brought
[00:26:11] there to take some photos to document like how they live
[00:26:15] and so on, and I did my work, and while I was in this
[00:26:19] bunker, it started raining very heavily outside,
[00:26:23] and there is no, obviously no real roads, it's
[00:26:27] just some some dirt dirt paths and because of
[00:26:31] this rain, the...
[00:26:34] path has become very muddy and it was not possible for
[00:26:38] any car to pick me up again, so I had to stay in this
[00:26:42] bunker, and we were all down there and
[00:26:46] all of sudden we heard an engine howling
[00:26:50] and one the soldiers went outside and we saw that
[00:26:54] a big truck from the
[00:26:57] Ukrainian who wanted to to bring new ammunition
[00:27:01] and so to the front. got stuck in the mud directly in front
[00:27:05] of our bunker, so everyone went
[00:27:08] absolutely um crazy, because they thought we
[00:27:12] going to get shot now
[00:27:14] in every minute, direct it, so I was just sitting
[00:27:17] there and I thought, okay, this is it, because the
[00:27:21] moment I felt that the soldiers around me, they were losing their
[00:27:25] their cool, I know that this is serious,
[00:27:29] and basically we were just sitting there waiting for an...
[00:27:32] impact of of artillery or drones and so
[00:27:35] on, but thank god um this driver made it
[00:27:39] out and nothing happened, but i it happened
[00:27:43] that i stayed 20 hours in this place before i got
[00:27:46] evacuated, 150 meters is basically
[00:27:50] nothing, so um we're like the russian
[00:27:53] soldiers, russian forces also aware of your presence
[00:27:57] and they somehow keep you and people
[00:28:01] of your profession. exempt from fire and firing lines
[00:28:05] or no, you were like using some sort of
[00:28:07] camouflage? i don't think that um they make
[00:28:11] difference, because none of both parties
[00:28:15] make difference, who who is in this area is in danger,
[00:28:19] and i think they don't have the the time to make difference
[00:28:23] between soldier or press or journalist, um,
[00:28:27] i think you have to be aware the dangers that you put
[00:28:30] yourself in when you're... close to the
[00:28:33] frontline and but always compare it
[00:28:37] like lot of people they ask me why do you even find yourself
[00:28:40] again a situation like that and i compare it to be
[00:28:44] like imagine you have the
[00:28:47] flu, you're very sick and then you think wow
[00:28:51] this is the worst feeling ever and never
[00:28:55] want to be that sick again and then the moment you're
[00:28:58] you're healthy and healed again you forgot how
[00:29:02] it was, yeah, right, so um, it was
[00:29:06] basically like that, in that moment i thought never again i want
[00:29:09] to to be that um close to
[00:29:13] danger, and then one day passed and i found myself on the frontline
[00:29:17] again, and and these jobs are they
[00:29:21] commissioned or do you that for your own personal
[00:29:24] interest? no, um, it depends some
[00:29:27] the the the places that i'm going or the stories, very
[00:29:31] dangerous. no, that was for a big um German media
[00:29:35] outlet that I did a a whole story on on the drone
[00:29:39] um units of of Ukraine and some other places
[00:29:43] um but also of course it's my own interest as
[00:29:47] well but um I don't think I would I would go to
[00:29:50] places like this if it's not um
[00:29:53] a um yeah master
[00:29:57] personal of course yeah yeah yeah so both are
[00:30:00] important at the same time of course. it comes to such
[00:30:03] situations, um, you describe, I'm I'm going to go
[00:30:07] back to the interview that I read from you, you describe your dream as following
[00:30:11] in their footsteps, these important figures,
[00:30:15] um, don mccallin to be particular, to shed some
[00:30:19] light on untold stories, what does bearing
[00:30:22] witness - mean to you today after
[00:30:26] years in conflict zones and
[00:30:28] photographing in difficult situations, I mean that's...
[00:30:32] always the the noble thought of all the people
[00:30:36] that work in this field to um being
[00:30:40] able to create some sort of change in the
[00:30:44] future and i think you have to really believe in this
[00:30:47] otherwise you would not um
[00:30:51] stand doing this kind of job for very long
[00:30:54] time um so this is my belief and i think
[00:30:58] bearing witness