RUSSIA24 — Gorodskie tekhnologii
20260920 051500 UTC
156 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
Data courtesy of The GDELT Project (https://www.gdeltproject.org/), from the Internet Archive TV News Archive.
Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:00:00] you gave your word, and today what is happening
[00:00:04] is called keeping your word, for us it is a very significant example
[00:00:07] of cooperation, an example to follow, and I am sure that
[00:00:10] such an example of cooperation between two countries will be followed by other regions.
[00:00:14] In addition, the opening of the enterprise proves that partnership ties
[00:00:18] are strengthening, cooperation with China, which we have been deepening for more than a year,
[00:00:22] is bearing fruit, both in cultural and social, and in
[00:00:25] industrial spheres. A consequence of this is the development
[00:00:28] of trade, last year. mutual trade turnover reached
[00:00:31] 30 billion dollars, the first half of this year already showed
[00:00:35] a growth of plus 40%.
[00:00:38] We are sure that the trade turnover is growing, including
[00:00:42] due to such productions created today in
[00:00:45] the region. The plant's capacity is 4,000 machines per year, now it
[00:00:49] produces motorcycles, ATVs and road equipment. While parts
[00:00:53] are delivered from China, and already at the enterprise in Berabidjan
[00:00:55] they are assembled. Next year we want to build another workshop for
[00:00:59] metal processing, then there will be full-cycle production, from
[00:01:03] China only engines will be brought. Another of the upcoming
[00:01:06] stages of enterprise development is the production of agricultural
[00:01:09] machinery, products are manufactured to meet the needs of residents of the Jewish
[00:01:13] autonomy. We did not have such equipment here in the region,
[00:01:16] but we have already tested it, as far as I understand, and it has proven
[00:01:20] its high efficiency, that is why now we
[00:01:24] are starting to produce it here in the Jewish Autonomous
[00:01:27] Region. The implementation of the project of the machine-building plant
[00:01:31] contributes to the creation of new jobs and opportunities for development. Diana
[00:01:34] Skorik, Ale Gritsenko, Vesti
[00:01:36] Berbidjan.
[00:01:39] Since 2014, the Moscow production center has been operating in the capital,
[00:01:42] what opportunities the city provides, Ekaterina Mironova saw.
[00:02:00] Every movement of the dancer Eldar Gainutdinov is recorded
[00:02:03] by thermal imaging cameras. With the help of algorithms
[00:02:07] media artists immediately generate video and
[00:02:10] display it on the screen. The effect
[00:02:12] is hypnotic.
[00:02:16] The sound also transforms. Opera parts turn into
[00:02:20] images on volumetric threads. Everywhere
[00:02:24] screens and projections. On the walls is an LED
[00:02:27] grid. Upon closer inspection, it is like a light device,
[00:02:30] at the same time, when we move away, we already see a full panorama of
[00:02:34] the environment, which allows us in the future,
[00:02:37] including using light elements, light
[00:02:41] devices behind it, and this allows us scenographically to
[00:02:44] expand, narrow and play
[00:02:46] with space, this is the first performance from the cycle
[00:02:50] "The Race of Time", it is dedicated to poets of the Silver
[00:02:53] Age, but the main emphasis is still on something else, here
[00:02:57] classical theater combines modern...
[00:03:01] technologies, we have created a full-fledged audiovisual environment, within
[00:03:04] which we can truly create in a free form
[00:03:08] for us, and here neuro-artists,
[00:03:11] artists working in real-time, graphic
[00:03:15] designers, programmers come together, thus we
[00:03:19] get a real connection that
[00:03:22] shows us how limitless the world of creativity and the world
[00:03:26] of art is. The idea of such a bold combination
[00:03:30] was supported by the Moscow Production Center. Artists and
[00:03:33] art together experiment on the stage
[00:03:36] of the art platform in the new Manezh. The project was
[00:03:39] called: Theater of New Time. The art platform is a
[00:03:43] space that does not limit creators in their
[00:03:46] creative manifestations. We just supported this idea
[00:03:50] and allowed them to engage in creativity, but with such
[00:03:53] solid support, like multimedia technologies. And
[00:03:56] it's good that there are already six premieres ahead and until December 2000. Theater
[00:04:06] is only one of the directions of the Moscow
[00:04:09] Production Center. In parallel, the team helps those
[00:04:12] who develop in the field of music and contemporary visual
[00:04:16] art. The organization creates projects aimed
[00:04:20] at searching, supporting and promoting talents. Over
[00:04:24] 12 years of existence, a lot of work has been done,
[00:04:27] we have carried out more than 150 projects.
[00:05:01] The group "Snimki" from Novosibirsk, the team gathered
[00:05:04] when the participants were in their first year, by graduation they
[00:05:08] already had their first fans in
[00:05:10] the capital.
[00:05:29] To end up on a big stage like that, you have to go through a strict
[00:05:33] selection process. In 9 years, almost 6,00 applications were sent
[00:05:36] for the competition, only 64
[00:05:40] teams became participants in large concerts. The group
[00:05:43] "Snimki" performed, for example, at the city day celebration
[00:05:46] and at the Moscow graduation. Thanks to the
[00:05:50] producer, we get acquainted with people from the industry who invite us to
[00:05:53] various festivals. Recently we went to Tyumen, and there
[00:05:57] it was already a little easier to get to this
[00:06:00] festival, because they see how we work on large venues, we
[00:06:03] don't worry, so they trust us with other
[00:06:07] events that are no longer connected with
[00:06:09] the producer. Performer.
[00:07:12] two locations, and they are divided into categories,
[00:07:16] for example, on some you cannot use percussion
[00:07:19] instruments, on others sound accompaniment is completely forbidden,
[00:07:22] such platforms, for example, are suitable for
[00:07:25] jugglers or for poets. Now many
[00:07:28] vocal schools have also
[00:07:31] started to use street artist spots as
[00:07:34] a conditional replacement for their classical reporting concert
[00:07:37] graduation, such a little stress format, when people who
[00:07:41] have just learned.
[00:08:42] and transforms public spaces. Participating in
[00:08:46] the "Contours of Culture" project, artists can realize their
[00:08:49] large-scale author's ideas within the walls
[00:08:52] of libraries, theaters or cultural centers. In addition to the visual
[00:08:56] structure, we fill it with meaning, because we
[00:08:59] talk about some serious historical contexts in
[00:09:02] painting, in theater, in dance, in the art that
[00:09:06] was once created by great masters and we talk
[00:09:10] about it to a wide, wide audience through.
[00:10:25] manifests itself in it. These images can be seen not only
[00:10:28] inside the store, but also outside. The space
[00:10:31] of the display cases is too cramped, so the artist first had to
[00:10:35] paint these images on plywood, and then
[00:10:38] mount the sheets behind the glass. For me it was
[00:10:42] such a first large-scale project in
[00:10:45] terms of mural painting. As an artist, this gave me a lot
[00:10:48] of development, a large, so to speak, a large audience
[00:10:51] reach, very promising in general.
[00:10:55] Further work on other projects. Now
[00:10:59] the fifth season of the project "Contours of Culture" is underway. In
[00:11:02] the final, 71 artists, about 300
[00:11:05] original sketches. This time the concept of the competition is dedicated
[00:11:09] to computer games and virtual
[00:11:11] spaces. Now, when I review works, I am increasingly focused on
[00:11:15] how much the authors are in context, because
[00:11:18] this thing is not available to everyone. For example, today we
[00:11:21] have an author, whose
[00:11:26] year of birth, I think, is 1945, she
[00:11:29] also reflects on the topic of artificial intelligence, she also has sketches
[00:11:32] that somehow relate to this whole topic, so she gives her
[00:11:36] own vision, but it is very important not just
[00:11:40] that I can say something about it, but how deeply I understand
[00:11:44] it. 10 winners will create
[00:11:47] large-scale works in the Moscow video game cluster
[00:11:50] in the media technology cluster in Skolkovo, they will paint a...
[00:12:02] The proximity of objects will allow artists to work in an
[00:12:06] art residency format and get even closer to
[00:12:09] the viewer. We plan to make a fairly large
[00:12:13] block highlighting how
[00:12:16] counterculture lives in
[00:12:17] Live format,
[00:12:21] with because everyone will live on the territory of the hotel in Skolkovo
[00:12:24] and will move more or less in one location, this
[00:12:27] is a good way to show how a kind of format, well, not exactly
[00:12:31] a talk show, but some kind of way to peek
[00:12:35] behind the wall and see what is happening
[00:12:39] inside
[00:12:57] this is the exhibition "Codes of the Horse" in the space of the New
[00:13:00] Manezh, the exposition is presented by the association of free
[00:13:04] artists of St. Petersburg, everything here is about horses,
[00:13:08] paintings, sculptures and even an installation of carriage
[00:13:12] bells, it's alive, and what does
[00:13:15] alive mean,
[00:13:19] all the troikas rang out, this is another
[00:13:23] direction of the work of the Moscow...
[00:13:55] either to an artist, or a functionary, or a viewer.