SKAITV — broadcast
20261011 080000 UTC
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[00:00:01] So, so we want to say that you know sometimes it's the lyricist, the
[00:00:04] creator, sometimes it's also the singer who
[00:00:07] of course, of course promotes, not
[00:00:10] always, not always, as you said, Mr. Nikolopoulos, all this
[00:00:13] atmosphere now that exists, thousands
[00:00:17] of euros, millions, 800 thousand,
[00:00:21] 1.5 million he asks for this.
[00:00:24] How does this seem to you in a
[00:00:27] society that has issues, has problems, do you
[00:00:31] like it, what impression does it give you?
[00:00:35] Look, these are individual agreements, I think
[00:00:38] you agree that such a discussion
[00:00:41] comes up suddenly, such
[00:00:44] a discussion to the surface, what
[00:00:48] impression does it give you?
[00:00:51] What can I tell you, everyone
[00:00:53] manages their rights as they see fit.
[00:00:57] Also, you're talking about...
[00:01:04] I appreciate them both, he's a very good
[00:01:07] composer and lyricist, Kardelas has also written
[00:01:10] folk songs, folk and he's also, I'm telling you
[00:01:14] that he's also a lyricist, I'm emphasizing it because his
[00:01:17] rights are double, meaning if he goes to a court
[00:01:21] he can, as a composer and as
[00:01:24] a lyricist, have an advantage which he
[00:01:27] already has as a creator, right.
[00:01:32] Yes, but wait a minute, Mr. Nikolopoulos, I'm going to ask you
[00:01:35] the crucial question and you're going to answer me with your
[00:01:38] hand on your heart, if you, if
[00:01:41] you had a
[00:01:44] life's journey with a singer and you
[00:01:48] had written 450 out of the 500
[00:01:51] songs he sang, would you ever reach a
[00:01:55] point where you would tell him or
[00:01:58] leave him a message that sir, look, there's a
[00:02:01] chance I won't let you sing my
[00:02:05] songs again, would you ever reach such a point? Look, I'll
[00:02:09] tell you, Theodorakis in his will,
[00:02:11] uh, one of the conditions he
[00:02:15] left for his heirs to continue, is that it's forbidden, it's forbidden
[00:02:18] for my songs, uh,
[00:02:22] I wouldn't do it, I can't do it, I'm
[00:02:25] a different kind of person, uh, something
[00:02:28] though, and in the past, they have done it, the heirs
[00:02:31] forbid songs. Yes, Mitsias said Giannis
[00:02:35] the killer, the killer, he recited it in the summer,
[00:02:39] who performed it
[00:02:42] first, it became a success
[00:02:44] and some heirs forbid it. So think
[00:02:47] about how the creators themselves
[00:02:50] perceive it when others make a lot of money
[00:02:54] from their songs, and keep in mind that
[00:02:58] composers and lyricists are the most wronged in the
[00:03:02] field of music and song, they are the most
[00:03:05] wronged, the money they get from the
[00:03:09] organizations is minimal, while singers are promoted, they get
[00:03:12] huge wages, I know singers
[00:03:16] and singers that I have helped, who, with one song they
[00:03:20] made 40 years ago, continue to make a very good
[00:03:23] living, for example, composers don't have that, and especially
[00:03:26] if they fall by the wayside, their era passes.
[00:03:30] It's a question of what we say, it's
[00:03:34] true what you say, Mr. Nikolopoulos, I repeat, it's our honor and
[00:03:37] pride and we thank you very much for having you on the show today because
[00:03:41] besides being a great creator, you are also a wonderful person and I think
[00:03:45] in the end of the day, that's the most important thing, thank
[00:03:48] you very much, I repeat, stay with us, stay
[00:03:52] with us to hear what Mr.
[00:03:55] Dimitriou, who is with us, and
[00:03:58] Mr.
[00:04:06] Who owns the rights to the songs? What applies? What does the law say so that we can
[00:04:10] clarify it? Look, I'm following the case
[00:04:13] which has surprised me that it has gained such an extent. We are
[00:04:17] ready to declare national mourning.
[00:04:20] He's mine. I see it. It's interesting,
[00:04:23] though. Therefore, I will tell you why it is interesting
[00:04:26] in my opinion, that's why you invited me, after all, you honor me so much. To
[00:04:30] reassure our fellow citizens
[00:04:33] nationwide, this prohibition applies
[00:04:36] only to public live performance, where
[00:04:39] the girls and boys go on pilgrimage
[00:04:43] to entertainment venues, which this kind of catering in Greece has
[00:04:46] been elevated to almost a sacred
[00:04:49] ιερή
[00:04:51] entertainment event. It applies only to
[00:04:55] public live performance. Our fellow
[00:04:58] citizens will continue to listen on Spotify and Youtube and on the radio
[00:05:02] normally to the songs that he performs. He was crazy
[00:05:06] here. He wanted to listen to the Aegean. We listen to it 20 times a
[00:05:08] day.
[00:05:17] Let me also speak as a musician, because I have been very involved with music since I was 5 years old, right?
[00:05:20] Nikos Karvelas is a great composer, but the way
[00:05:24] his work is presented, it's as if
[00:05:27] he's also a classical creator. He has written classical pieces, he has also written very
[00:05:31] cheap folk-pop. Okay, no objection.
[00:05:35] Yes, he has also written two operas, Malla and Demons. I have watched
[00:05:38] both. I was 12 years old for Demons. No, it doesn't matter for our dialogue.
[00:05:42] So what is this relationship? I will tell you about intellectual property rights, which are very easy legally.
[00:05:46] Yes, but let's say it for here.
[00:05:49] It is a public divorce outside of marriage, which has
[00:05:53] gained public attention, with the result that
[00:05:57] both sides feel the need to settle
[00:06:00] their personal accounts. That's why we see
[00:06:04] undignified expressions
[00:06:07] on both sides
[00:06:09] regarding financial transactions between them. These always happen
[00:06:13] based on strong emotion. Now, I have nothing
[00:06:16] more to add to what Mr. Nikolopoulos said.
[00:06:19] The composer, the lyricist, is the absolute
[00:06:22] boss in a musical work. The
[00:06:26] and I'll tell you this and I'll finish, the singer, the performer, also has rights
[00:06:30] to their performance, they can protect it independently,
[00:06:33] but the composition and the lyrics are not synonymous
[00:06:36] with the performance as rights. Very quickly, Mr. Dimitrakopoulos
[00:06:40] said that Anna Vissi
[00:06:43] has given added value to these songs with her performances and
[00:06:46] that under this prism it is perhaps disputed that
[00:06:50] Mr. has all the rights. The
[00:06:53] provision in the law that if something is characterized as a cultural
[00:06:56] monument of national heritage, a cultural idiom,
[00:07:00] indeed the creator's permission can be bypassed.
[00:07:04] Look, for this to be declared, the
[00:07:08] Ministry of Culture must propose it, the competent authorities,
[00:07:10] the Aegean. Excuse me, now,
[00:07:14] I'm not, I'm a Vissikias, I've declared it
[00:07:17] 10,000 times, but a cultural monument,
[00:07:20] now the, I don't know, that is, I've flown with you, how I've died with
[00:07:23] you, I've died with you, okay, it's not a cultural thing either, there's a song by Nikos
[00:07:27] Karvelas called "My dog is gay," and that's included in his intellectual
[00:07:31] work, he didn't sing it, but I'm telling you that the summer holidays, though,
[00:07:34] it's a great piece, and "Summer Holidays" was also not sung by him,
[00:07:38] please, I want the panel to return to the issue.
[00:07:42] And to conclude with something important, Nikos Karvelas.
[00:07:46] He removes and takes back the rights of public live performance, and
[00:07:50] this concerns all performers, not just
[00:07:53] Anna Vissi. Yes, but let me tell you something, Mr. Dimitriou, if Anna Vissi doesn't
[00:07:57] sing his songs publicly, he won't get
[00:08:00] any rights either. But that's why I told you, it's about emotion, there's a passionate
[00:08:04] relationship here that I don't think is so much about passion, period.
[00:08:08] So, Mr. Tsagkarakis, because I
[00:08:11] come back to the topic, because I hear a lot of thousands being thrown
[00:08:15] around, what's happening here now? I hear about checks at
[00:08:19] concerts, about loans,
[00:08:22] at home, about tax returns that were forgotten,
[00:08:25] not done, will be done, what exactly is happening now? Tension
[00:08:29] and tension.
[00:08:32] Yes, we see another case, just like before when
[00:08:35] we were discussing Mr. Kampourios, where a random event
[00:08:38] starts bringing to the table tax
[00:08:41] issues of a huge concert, which,
[00:08:45] apart from what arises from the public personal confrontation between the two
[00:08:48] artists, also brings much bigger issues
[00:08:52] that are connected to the previous event we were discussing, which have to do
[00:08:56] with how such a big concert ended up being unprofitable. That's what I'm
[00:09:00] asking since yesterday, how did this happen? Yes, that is, we are dealing with the
[00:09:03] companies involved. The big interest is not here, whether
[00:09:07] the receipts were cut or whether the tickets were issued, but whether
[00:09:10] these companies, which managed the contracts,
[00:09:14] exist, whether they have, in fact, I heard
[00:09:17] something about offshore companies, whether these companies will
[00:09:20] ultimately pay their taxes,
[00:09:24] because usually in such big events, as I told you before, all over
[00:09:27] Greece, companies are established which
[00:09:31] issue all the receipts and then close down and leave the debts to
[00:09:34] someone, like Mr. Kolotoumpas. This
[00:09:37] is a phenomenon, this is why I told you that
[00:09:41] it is an issue,
[00:09:43] it is about how the tax mechanism institutionally
[00:09:47] manages these issues, and another issue is that
[00:09:50] we have a bloated
[00:09:53] situation with companies that are
[00:09:56] nonexistent, which either issue receipts and don't
[00:09:59] pay or don't exist, or even in northern
[00:10:03] Greece there are phenomena where
[00:10:06] we cannot even find who the
[00:10:08] entrepreneurs are in Greece.
[00:10:14] In conclusion, now that we've stirred things up, sit
[00:10:17] back and relax to see what comes out. So, Mr.
[00:10:21] Nikolopoulos, thank you very much, thank you.
[00:10:25] Thank you too, sir, thank you too, Mr. Tsagkarakis, thank you too, Mr.
[00:10:28] Dimitris.
[00:10:31] Okay, since we'll put it on YouTube, we're done, we're happy,
[00:10:35] at least we'll have this comfort, to listen to the Aegean on
[00:10:38] YouTube. So and not only that, but
[00:10:42] also "Under the Jasmine Pot", you know
[00:10:45] what's more, so let's go and see our competition
[00:10:49] now before we go to commercials, you're competing for the Renault
[00:10:52] Austral Hybrid,
[00:10:56] pearl white with a black roof, we're
[00:11:00] giving away the full version worth
[00:11:02] €34,290,
[00:11:04] you can buy it for €30,000 and something
[00:11:08] if you want the basic version, which is of course fully
[00:11:11] equipped as well, we're just giving away the top, the best one.
[00:11:15] Call 14949, record your full name and phone number
[00:11:19] or send an SMS "Sky space full name" to
[00:11:22] 1900. The draw will take place on 2/1/
[00:11:25] 2026, whichever show draws it, Ms.
[00:11:28] Mina will give it to you here because she's very
[00:11:31] lucky, you'll take us
[00:11:34] for a ride, you in front, me in back, no, I
[00:11:38] want to be in back too, I told you I get carsick, both of us in back, and put whoever you
[00:11:41] want in front. So let's go to commercials and let's see what's
[00:11:45] happening with the Greek economy when we come back, what's happening with fuel, with
[00:11:48] heating oil,
[00:11:49] we'll be right back.
[00:12:00] Good morning with Fey Mavragani every Saturday and
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[00:12:35] Ladies and gentlemen, welcome to The Voice of Greece, powered by
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[00:12:42] Another wonderful evening full of competition begins
[00:12:45] now.
[00:12:49] I think we speak the same language musically, but
[00:12:52] okay, if you want to experiment, you can go there. We're listening to this music
[00:12:56] Christos Mastoras, I want to tell you what you wanted to sing
[00:13:00] Kazantzidis.
[00:13:03] The blind auditions have taken
[00:13:05] fire.
[00:13:07] I saw something sly, he came dynamically into my game, you belong to me,
[00:13:11] and tonight they are ready to do the same. The Voice of
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[00:13:41] age Spiro, what age? Let's go to a
[00:13:44] rave tonight to remember the old days. Stop bothering me, you old man, who wants
[00:13:47] a rave party? Let's go to Queenara,
[00:13:51] Queenara, you destroyed my family. Then and now.
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[00:14:31] Live Now with Aris Porto Saalte and Maria
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[00:14:58] 104.
[00:15:02] The dragons are taking their positions. Hello
[00:15:05] dragons. Good evening dragons. New entrepreneurs with new dreams and new
[00:15:09] challenges stand before them to ask for investment. Do you know what this
[00:15:12] first autonomous AI employee is? Wow, crazy
[00:15:16] dragons. Do you want to try it? I like mysteries. Where can this
[00:15:20] go? The sky is the limit, guys. We're shouting. I see a priest who
[00:15:23] doesn't say for me, but for someone. The hunt for investment
[00:15:27] begins. 150 thousand, I'm with you, I'm in too, you'll say with me,
[00:15:31] I'm 10 levels above. Presentations with video pizzas,
[00:15:34] don't do business with relatives and friends. Have you heard that? What is this
[00:15:38] thing? You'll say, what did he do? I want to be the only
[00:15:42] dragon to participate. We'll start from scratch and go
[00:15:45] forward again. A strong advisory is more
[00:15:49] than two, lower. And what is the strong
[00:15:53] advisory?
[00:15:55] Dragons' Den with Shaky Talimanidis. Five
[00:15:58] dragons are fighting over you.
[00:16:01] Premiere on Friday, October 16th, at 10:10
[00:16:05] PM on Sky.
[00:16:08] Good evening and welcome to the second season of Weekend
[00:16:11] Live. Of all that changes the world, the video
[00:16:15] is really shocking. Let's go to one of the darkest cases of
[00:16:19] recent times. Up to what changes your
[00:16:22] day, everything live. We have done reporting, we have done research. A lot of
[00:16:26] people didn't know that this team existed. Weekend Live, with
[00:16:29] Dimitris Panopoulos and Marxi Lazarou. We also cover
[00:16:33] police reporting and the developments around very big issues, because on
[00:16:36] weekends. A different meaning now, every Saturday and
[00:16:39] Sunday at 2:30 PM on
[00:16:42] Sky.
[00:16:45] Are you looking for a trip? Find the tables that are waiting for you.
[00:16:48] coucout.gr. Are you hungry? We have
[00:16:52] ideas.
[00:16:57] I'm Giannis Tsimitselis and The Quiz with
[00:17:01] Balls starts now. Leave the
[00:17:03] balls.
[00:17:05] It's coming to Greece for the first time.
[00:17:08] The game that explodes with a
[00:17:10] strong dry. Holy Mother, reach
[00:17:14] the final and claim the big
[00:17:17] prize worth
[00:17:19] €20,000.
[00:17:22] Wait a minute, two minutes, guys, it's in orbit around the
[00:17:25] sun.
[00:17:28] You'll take out the bottom too, you competitor, don't talk.
[00:17:32] Incredible! Let the
[00:17:35] balls loose!
[00:17:39] The quiz is coming to Sky.
[00:17:51] Today with Dimitris Economou and Giannis Pitaras,
[00:17:55] daily at 6 AM on
[00:17:58] Sky. Cooking meets
[00:18:02] creativity here. Cookout.gr.
[00:18:06] Are you hungry? We have
[00:18:07] ideas.
[00:18:10] Where were you all this time? I was with clients, Christos, showing them a house in Kali and
[00:18:14] I was delayed. The same old story. What are you saying Christos? I'm not playing anymore, I told
[00:18:17] you. I see it. My wife gambles like there's no tomorrow. I don't just want
[00:18:21] a divorce, I want sole custody of our child. I promise I'll stop. Too
[00:18:25] late now, your gambling has swallowed you up. I see you radiant and cheerful and
[00:18:29] I'm looking for why. Tell me, love and a cough cannot be hidden. Good night, Dad.
[00:18:32] You're suspicious. Hello. Oh, what happened to us? What happened to us? What happened to
[00:18:36] us? Nothing. I need
[00:18:39] your help again, I don't want to lose my son.
[00:18:43] Antony and Cleopatra, new
[00:18:45] episode, tomorrow at 7:20 PM, on
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[00:18:51] Which site knows you by your name? sky.gr.
[00:18:55] Log in and discover news that truly
[00:18:58] concerns you. The information you need
[00:19:02] and the news you want to know.
[00:19:06] Here begins the next
[00:19:08] day of
[00:19:10] news. sky.gr.
[00:19:14] News without.
[00:19:17] Come back Markos. What happened? Aren't
[00:19:21] you ashamed to be like that at work? You're an adult. Takis, I told
[00:19:24] you two things to do in this life. I remember them, but remind me. To put
[00:19:28] money in the stock market, which is safe and will never crash, and to
[00:19:32] not get married. I made an investment. You made an investment?
[00:19:35] Then and now. Premiere tomorrow.
[00:20:03] Sky
[00:23:50] We will go to Strasbourg, to the European Parliament, look what's happening here, a Danish
[00:23:54] MEP invited an artist who created this
[00:23:57] statue that is being revealed now in the next seconds, and who is it?
[00:24:01] It's the face, not of the day, not of the months, of the last few years, Donald
[00:24:05] Trump, he's the global leader, it's a golden statue
[00:24:09] 2.5 meters tall, which, I wish
[00:24:12] I had ordered it, really, I wish
[00:24:16] I had ordered it, which was created days before the latest
[00:24:20] developments. He didn't even order it, exactly,
[00:24:23] in the statue we see him holding a
[00:24:26] golf club and a scale because he's playing a bit with the concept of justice,
[00:24:30] he's playing with the policies he
[00:24:31] implements.
[00:24:35] Excuse me, that he's riding on someone else, don't
[00:24:38] you see it? I would end up there, I would
[00:24:41] end up there, the artist essentially wants to show in his own way that
[00:24:45] Trump is riding on the citizens, he's on our necks, as we say,
[00:24:49] exactly.
[00:24:52] And let's close this tour with something moving. I've been doing that lately, closing with something
[00:24:55] moving. This child in Brazil really wanted his mom,
[00:24:58] oh, and he left the
[00:25:02] daycare alone. He succeeded because the power of
[00:25:04] will, when you really want something, is that, only 50 m
[00:25:08] away, but that's a lot for a child
[00:25:11] of one year. And he went back to where, to his
[00:25:14] house, he went a little next door, not to his mother's
[00:25:18] her, it's what he wanted and he achieved it, guys, because if you really
[00:25:22] this child will never be lost in his life,
[00:25:25] exactly, he showed it from a young age, very beautiful, but very
[00:25:29] dangerous, that is, it filled me with anxiety, it's
[00:25:32] beautiful, very almost the same age, no, yours
[00:25:36] are a little older, if they run away from daycare and pop up
[00:25:40] here, imagine them coming to you at Sky, to
[00:25:43] the prisons, can you imagine, he says I came to find my dad because
[00:25:46] I missed him, can you imagine, yes, and to say dad, let's play.
[00:25:50] Nice image though, pillar of the show, you can leave,
[00:25:54] but stay somewhere around here, don't leave,
[00:26:06] now, let me tell you now how much you'll order
[00:26:09] oil for. The government's measures, what
[00:26:13] will happen? Wait and see now. Ah,
[00:26:16] so, do we have, please, Mr. Nikos
[00:26:19] Filippidis, my beloved Nikos Filippidis? Hello
[00:26:23] my Nikos. Good morning,
[00:26:27] Nikos. I heard that you know what
[00:26:31] he's going to announce.
[00:26:35] I don't think the government knows why.
[00:26:37] Oh, the announcements will be made on
[00:26:40] Wednesday, meaning they are still
[00:26:42] searching. Yes, they know roughly what price they
[00:26:46] would want, what direction the Prime
[00:26:49] Minister has given. In fact, the price they would
[00:26:52] want is quite low, but the data here changes over
[00:26:55] a weekend, markets close on Friday evening, so many things
[00:26:59] happen over the weekend, so think about it.
[00:27:07] Trump has said he made a deal with the Russians to export
[00:27:10] diesel in quantities that Russia has never
[00:27:14] exported so much, so maybe there aren't
[00:27:17] any, which concern refineries hit by the Ukrainians.
[00:27:21] which, however, displeased the Ukrainians and have caused repercussions with the
[00:27:24] Europeans, and at the same time they come out on Sunday morning
[00:27:28] and resume attacks at the heart, at the heart of energy.
[00:27:32] At the central, at the largest airport in Saudi
[00:27:35] Arabia, and they hit and many dead,
[00:27:39] yes, so everything, everything from the beginning,
[00:27:42] that is, does anyone know the price on Monday morning? No one
[00:27:46] knows, in order to know what the price will be on
[00:27:49] Thursday when heating oil comes out, we first need to
[00:27:52] know the exact level of the markets, to see the exact trend, wait
[00:27:56] a minute Niko, if we say that at this moment it's around 192 and
[00:28:00] theoretically at least it will reach 1990. With the previous ones from what you describe,
[00:28:04] where would we eventually get it with subsidies and with the
[00:28:07] measures, yes, roughly, so that we have a general idea or
[00:28:11] or at least what they want so that we can see roughly where we are, the government is looking
[00:28:15] for something spectacular. The
[00:28:17] 175 that the Prime Minister said is indicative and essentially refers to
[00:28:21] last year's period, the end of last year's period, the beginning of the period
[00:28:25] 12 months ago was at 12. So,
[00:28:28] the discussion is whether it will be increased by
[00:28:32] 50%. If it comes out at 170 or if it comes out
[00:28:35] at 150 and it will be 33%. The
[00:28:38] discussion is this, whether in relation to 12 months ago how much it will be
[00:28:42] increased. The government would want the amount to be large, possibly
[00:28:46] the final price along with the subsidy for refineries
[00:28:49] to reach close to 1.60 1.50 somewhere in that
[00:28:53] range. Can this be done? This can be done
[00:28:56] at this very moment we are speaking. First of all, we don't
[00:29:00] know if it will have a positive
[00:29:03] effect, the Trump-Putin agreement for the channeling, that is, if the markets and
[00:29:06] especially the markets not of Brent, but of
[00:29:09] unrefined, of refined fuel,
[00:29:12] if they will see it as a positive signal, I don't
[00:29:15] think so. The first impression is that these are quantities
[00:29:19] that they either dispute exist, or they consider them to be small, those that
[00:29:23] exist, compared to the 30 million barrels of refined
[00:29:26] fuel consumption that happen worldwide every
[00:29:29] day, so that's one question. The second is what
[00:29:33] the Houthi attack means, it means more further escalation,
[00:29:37] will pipelines be hit too, will it endanger again, apart from
[00:29:40] the Persian Gulf, the Red Sea and the passages there?
[00:29:44] These are signs that, to be honest, are very difficult to
[00:29:47] assess, plus we have hits that
[00:29:51] come from cyclones which are currently
[00:29:54] in the southern states of the United States which have taken
[00:29:58] several of the units that produce energy out of operation.
[00:30:01] You know, great. We plan the political
[00:30:05] geopolitical schemes nicely, but there is also
[00:30:09] reality which is often difficult, quite
[00:30:12] difficult and quite fluid in the phase we are in, do you see the 150
[00:30:16] you mentioned, do you see the 150, up
[00:30:19] until Friday I saw it, now over the weekend I will wait to
[00:30:22] see tomorrow's opening of the markets, we don't know where the markets will
[00:30:26] open tomorrow, yes, we're going higher with the current
[00:30:30] data, also there's something else I'm thinking about
[00:30:34] now, if in one weekend we had so many
[00:30:37] reversals, there's always the unstable
[00:30:39] factor that the
[00:30:43] at a certain price, that
[00:30:46] the government's measures start with a certain
[00:30:49] subsidy and that this thing has to change
[00:30:53] radically within 15 days, you're
[00:30:56] right, this is the reality.