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20261011 113000 UTC
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[00:00:00] My dear Takis, I told you two things to do in this life, I remember them, but remind me of
[00:00:03] them, to put money in the stock market which is safe and will never
[00:00:07] crash and not to get married, I made an investment,
[00:00:10] did you make an investment? Yes, then and now, premiere tomorrow
[00:00:14] at 10:30 PM on
[00:00:16] Sky,
[00:00:21] first image with Maro Karousi and Nikolas
[00:00:24] Mina daily at 5 AM on
[00:00:27] Sky.
[00:00:30] Exclusives speak here,
[00:00:34] will you listen to something
[00:00:35] else? Sky
[00:03:46] hour, followed by the weekend live with Marji Lazarou and Dimitris
[00:03:49] Panopoulos. Next update at 5:20 on the Sky news bulletin
[00:03:53] with Athina Papakosta. Ladies and gentlemen, good
[00:03:55] afternoon.
[00:04:01] Ladies and gentlemen, welcome to The Voice of Greece powered by
[00:04:04] Telecom.
[00:04:08] Another wonderful night full of competition begins
[00:04:12] now.
[00:04:15] I think we speak the same language musically, but
[00:04:19] okay, if you want to experiment you can go and we listen to this music
[00:04:22] Christomastora.
[00:04:30] The blind auditions have
[00:04:32] caught fire,
[00:04:34] I saw something mischievous, he entered the game dynamically, you belonged to me, they are
[00:04:38] ready tonight to do the same, The Voice of
[00:04:41] Greece powered by Telecom tonight at 9 PM on
[00:04:45] Sky, every Saturday and Sunday
[00:04:49] at 10:20 AM on
[00:04:51] Sky,
[00:04:56] and what if we told you that health starts from the plate Cook.
[00:06:14] VC Carvela dispute and we told you yesterday that a very large
[00:06:18] audit has started from the independent public revenue authority for their finances,
[00:06:22] for natural persons, for legal persons, for companies, for the
[00:06:25] concert in OAKA, for the concert in Kallimarmaro, so we will connect in
[00:06:29] a while with our colleague Dionysis Thanassoulas, because from his report it emerges
[00:06:33] that there are already the first findings for a VAT
[00:06:36] payment in the concerts in Kallimarmaro, but we said that
[00:06:40] a document was also served from'.
[00:06:44] to bring some documents, the
[00:06:47] publications say that there was tension, there was tension,
[00:06:50] we contacted his environment and we have the answer. So,
[00:06:54] throughout this period you have heard about
[00:06:57] plasmapheresis, in a very short time you will meet Maria
[00:07:00] Hatziioannou, a girl who has undergone this specific
[00:07:04] procedure seven times and explains to the camera about her
[00:07:07] experience, as well as in a very short time you will see Mr.
[00:07:11] Dimitris Gali. because pending the toxicological
[00:07:14] tests, he will tell us a little
[00:07:17] about what can be seen in these tests, very
[00:07:21] important, we will see it in a very short time, plasmapheresis where
[00:07:24] they should be done and as they should be done, Maria will explain the whole
[00:07:28] procedure to us in a very short time and you will also see an incredible accident in
[00:07:31] Evosmos Thessaloniki, a drunk driver entered a
[00:07:35] restaurant in the early hours of the morning, miraculously we had no deaths, the
[00:07:38] wife of one of the injured will be with us, she will describe
[00:08:58] dispute that has broken out between Anna Vissi and Nikos
[00:09:02] Karvelas, you have lived with them, you have worked with
[00:09:05] both and in fact for Nikos Karvelas you have said that he was the person who
[00:09:08] helped you the most but he was the one who destroyed you in the end.
[00:09:12] Look, he destroyed me,
[00:09:15] I'm quoting your words, yes yes so
[00:09:19] this happened when Karvelas wrote me 10 songs
[00:09:22] and they were never released because the budget he asked for was big, of course
[00:09:25] he could have, as I said in other shows, he
[00:09:29] could have made the first album and the next
[00:09:33] one, let's say, to sell me after the next
[00:09:36] album which would have been beneficial for him and I would have had 10
[00:09:40] hits under my belt to be able
[00:09:44] to stand on my own two feet. Do you have contact after the album that didn't happen? No, no, I don't
[00:09:47] have contact because I got involved in trade, I changed profession, of course
[00:09:51] you still sing, yes I also sing, of course I have a very
[00:09:54] good company, Spider Records with Evvatheia
[00:09:58] Magni who helps me very very much and the
[00:10:01] new and the new artists I've been there for a year
[00:10:05] we're looking for songs, a song will be released in a month, my own, very nice
[00:10:09] with good luck, of course with the
[00:10:12] catchphrase imitation, nice
[00:10:16] if we're waiting to hear it then I want to ask you this,
[00:10:19] were you surprised when you saw the dispute between
[00:10:23] Nikos Karvelas and Anna Vissi now? The last one, with what happened
[00:10:27] of course, I was surprised because I know two people who love and adore each other very, very
[00:10:30] much uh
[00:10:33] Karvelas first of all is a person
[00:10:37] uh he takes care of Vissi like his
[00:10:40] child uh Karvelas is the one
[00:10:43] who at this moment is the one who has
[00:10:46] made Vissi what she is now, let's say things plainly, Karvelas never
[00:10:49] wrote songs for anyone
[00:10:53] except Vissi.
[00:10:56] But if it wasn't Vissi to perform them, maybe those songs wouldn't have been as well known.
[00:11:00] Look, Karvelas has a good thing, when he sees a
[00:11:03] person he writes on them.
[00:11:07] So, if I took you back to listen to the songs he wrote for me, you would say
[00:11:10] that the person doesn't exist, okay, his
[00:11:14] talent is not disputed, in any case, Vissi
[00:11:16] so I agree
[00:11:20] that someone else could sing them and but Karvelas
[00:11:24] we are in the now, what happened, we can't go back. and what would
[00:11:28] have happened, right now we are in the present and we say, Karvelas
[00:11:30] is the one who has made Vissi number one, for
[00:11:34] 50 years she has been in the spotlight, of course Paris, let me focus on something
[00:11:38] and in your case, and in the dispute now, it seems
[00:11:41] that the financial part perhaps outweighs the
[00:11:44] artistic part, that is, if they don't agree on the financial terms, Nikos
[00:11:48] Karvelas doesn't hesitate to take the rights and forbid Anna Vissi to perform his
[00:11:52] songs, he didn't hesitate to deprive you of a very big
[00:11:55] opportunity. I, with one
[00:11:58] song, became famous, now if he didn't give me an
[00:12:01] album, it didn't happen, I didn't lose
[00:12:05] anything, he didn't lose anything, you understand
[00:12:09] I lost the opportunity but because I also had some
[00:12:12] situations and I withdrew from
[00:12:14] the artistic firmament
[00:12:18] Karvelas then.
[00:12:21] λοιπόν.
[00:12:25] He will never break up with nature, do you believe it is
[00:12:28] temporary? I, let me tell you why, these are not nice things
[00:12:32] first of all, to be
[00:12:35] heard by the public, by the fans of
[00:12:38] Vissi and Karvelas, believe me, they are children who
[00:12:40] are upset, they need to add wine, they need to add water to
[00:12:44] their wine and not expose themselves to the
[00:12:48] world, because there are children who love and adore them and not
[00:12:51] children, little children 5 and 10 years old, we are talking about 18 year olds.
[00:12:57] What I have seen in Vissi, they cried with
[00:13:00] black tears to just touch her fingers, do you have contact?
[00:13:03] No, no, I don't have contact, it's just that with neither of them, if I go, for example, to the store where
[00:13:07] Vissi works she will hug me and
[00:13:11] she will be fine, okay, it's obvious that you had a very good collaboration, Vissi
[00:13:14] loves me and Karvelas loves me, the songs
[00:13:18] why didn't you ask for them after a while to say, 10 years have passed, Nikos, give them to me to release them
[00:13:22] now, let me tell you something. Without wanting
[00:13:25] to offend anyone, I say it completely as
[00:13:29] a complaint. I asked for a
[00:13:32] song to
[00:13:34] re-record
[00:13:36] Karvelas' song which I did with Vissi
[00:13:39] in the studio and he asked me for
[00:13:42] 3,000€ for a re-recording of a song in which
[00:13:45] you participated. Yes, if he had asked for 15, I might have
[00:13:47] given them, but 3,000 made me feel very
[00:13:51] cheap. But why is it the problem of the three?
[00:13:55] Because now and now, Christos, this will happen if
[00:13:59] someone wants to perform songs, he can price them himself as much as he wants. Look,
[00:14:02] I
[00:14:05] forgive him for what he did, let me tell you why, because he went out and
[00:14:09] made a statement that he has no money
[00:14:13] and he never loved money from the discussion he had and I
[00:14:16] am one of those who never loved money, so
[00:14:20] I can justify him that he might not have had money and the 3,000 might have been
[00:14:24] very useful. Which I asked from Mangava. But on the other hand,
[00:14:27] when a person prioritizes the price of tickets and that a
[00:14:31] spectacle is not accessible to the general public,
[00:14:34] it is a bit contradictory with the fact
[00:14:38] that you sell pieces to people who have already
[00:14:41] performed them. Wait a minute, legally he can do it, morally
[00:14:45] is the issue, can he do it morally? He won't no, believe
[00:14:49] me, because these people have become
[00:14:52] one, yes, but so far. that there are two, there is no, there is no
[00:14:56] this, they will find a solution, I know very well that no matter what
[00:15:00] happens, Karvelas and Vissi are one, there's no way after such
[00:15:03] disputes, great successes come, of course, because
[00:15:06] Karvelas at this moment, whatever he has done for Vissi, he has done it through his
[00:15:10] experiences, he has spent his whole life for
[00:15:13] Vissi, so this can be a creative period now, he will write, they will
[00:15:17] find a solution, there's no way, they have to add water to their wine, as I said, and find a solution because it's not
[00:15:21] a nice image to the outside world, let me tell you, after 50 years, you can't imagine
[00:15:25] Anna Vissi with another repertoire uh never, and let me tell you
[00:15:29] something, if Vissi wants now, let's
[00:15:32] talk a little more clearly, if Vissi wants, she can
[00:15:35] buy all of Karvelas' songs.
[00:15:38] It's nothing for Vissi and if Vissi says
[00:15:41] uh I want to buy Nikos' Karvelas' songs
[00:15:45] all of them so I can sing them whenever I want and whenever I like, there are many
[00:15:49] people who follow Vissi and love her and adore her, there are many people
[00:15:52] kids, if we see it, we will see how this will evolve
[00:15:56] I want to stop here and say that I want them to make up
[00:16:00] so that there is no such image to the outside world for the children, for the adults
[00:16:04] I have no problem, for the children who adore them, I hope it happens as he says.
[00:16:07] I asked you before we thank you if this period can
[00:16:11] be creative and things can be created that we will see
[00:16:14] them co-sign in the future. There have been historical quarrels through
[00:16:18] which successes emerged. Of course, of course, this exists.
[00:16:21] Thank you very much for being with us. Thank you, be well and let's
[00:16:25] watch what we said in a video.
[00:17:21] huge successes, they clashed,
[00:17:24] they drifted apart and reunited again, and every time they seemed to
[00:17:28] have said their last word, a song brought them back
[00:17:32] together.
[00:17:44] The fight behind their first big success, the 12, was
[00:17:48] characteristic. As I was saying it,
[00:17:51] Karvelas didn't react
[00:17:54] well, we had a big fight in any
[00:17:56] case, uh because he insulted me, he says, okay, you don't
[00:18:00] raise my hair, you can't, you don't perform it as
[00:18:04] I would like, you will learn to sing, he tells me. And
[00:18:07] he got up and left, he
[00:18:09] abandoned it.
[00:18:15] In 1991, they staged "Daimones", the first Greek
[00:18:18] rock opera, an ambitious project that brought financial
[00:18:22] damage and wear to the couple, whatever money
[00:18:25] we had, it was some serious
[00:18:27] money, bring the other one, bring the next one, the money is gone, the
[00:18:31] money is gone and we stage it, we say Anna, we had half left, yes,
[00:18:34] at the beginning of "Daimones", that's when they split.
[00:18:47] I didn't want to see her, I didn't want to
[00:18:48] we fought
[00:18:52] in an hour it will all be over
[00:18:56] At the same time, the crisis in their relationship becomes songs, while in
[00:18:59] 1992 comes the separation. Even
[00:19:03] then, life found a cinematic way to bring them
[00:19:06] together. in the car and I go to do the
[00:19:09] necessary, to get a green card, because when you got a green
[00:19:12] card and they tell me, Mr. Karvelas, he says you can't get a green
[00:19:16] card, why, why I say, why he says, it's not your
[00:19:19] car, I say whose is it, he says, it's Mrs. Vissi's, I say, and
[00:19:22] we weren't talking to Anna then, we were
[00:19:25] arguing and I call Anna, I don't have
[00:19:28] a penny, I don't have a car, I want to leave
[00:19:32] and my car is yours, she tells me
[00:19:36] my baby, my love, let's meet.
[00:19:55] In 2007, economic and personal reasons
[00:19:58] led to the biggest rift between them until then, for two
[00:20:02] years they had no communication while Anna Vissi released her
[00:20:06] first album without. his involvement
[00:20:08] it was a nice
[00:20:12] bitter period, nice because, why, let's see what it's like
[00:20:16] without Nikos in my life, I believe people who
[00:20:19] are very connected
[00:20:22] uh I won't say the words love and hate go together
[00:20:26] because I don't believe I ever hated him except when
[00:20:29] we were fighting, living it was always
[00:20:33] like a bitter taste, like the dregs of coffee, as we say.
[00:20:37] And when we met again, it was with a liberating cry
[00:20:41] that it was good that we stayed away from each other
[00:20:45] because we gave ourselves a chance to
[00:20:48] understand and realize. And how important we are to each other,
[00:20:52] we fought, some situations brought
[00:20:55] us apart and
[00:20:58] it was logical, both
[00:21:01] justified, and the reason we fought wasn't serious and had nothing to do with us,
[00:21:05] it had to do with others around
[00:21:20] relationship was restored, they collaborated continuously until the eve of
[00:21:24] the concert at OAKA, with the success of their last two
[00:21:27] years reminiscent of their golden era.
[00:21:56] Look, it's always third parties, in quotation marks,
[00:21:59] who cause the damage, but you'll tell me sometimes if you're good with the other person,
[00:22:03] someone can't come between two people, normally there's no
[00:22:05] room. Now I hope they make up, it's an
[00:22:09] artistic dispute that of course also has financial implications and financial
[00:22:13] consequences because we told you that an audit has started from the AADE for natural
[00:22:17] persons and for legal persons and for Anna Vissi. And for Nikos
[00:22:20] Karvelas and for the companies that participated in concert organizations
[00:22:23] both at OAKA and at Kallimarmaro. Dionysis
[00:22:27] Thanassoulas, a fellow journalist from Proto Thema, is with us, because
[00:22:30] Dionysis, there are the first findings according to your
[00:22:42] for the first time it's an honor. Why do you say that
[00:22:45] Dionysis? I hope I don't spoil it, because really, kids,
[00:22:49] okay. I feel
[00:22:51] a little bad and I want to smash my phone,
[00:22:54] I want to smash it but okay
[00:22:58] it's logical, you understand all the
[00:23:01] colleagues, okay, it's a very big issue as it
[00:23:03] emerged because it didn't start like that, it started
[00:23:07] with
[00:23:09] a financial difference that supposedly would be resolved
[00:23:12] out of court and then Karvelas
[00:23:15] went off, Vissi went off, sums were
[00:23:19] heard, Karvelas went off. sums were heard,
[00:23:23] a lot of harsh
[00:23:26] things from a couple who were artistically
[00:23:29] inseparable for about 45 years and so the investigation has begun by the auditing
[00:23:33] authorities, what they have found so far based on
[00:23:36] what you know, what is it?
[00:23:39] Look, it's too early for conclusions, meaning the first findings are what I wrote this
[00:23:43] morning uh the audit, of course,
[00:23:46] continues and will be thorough.
[00:23:50] So what because let's say it so the
[00:23:54] viewers know, the first findings concern the concerts in
[00:23:57] Kallimarmaro abroad and yes, it was for yes
[00:24:01] it concerned a company which does not belong to Anna, which
[00:24:05] has not declared VAT of 80,000€
[00:24:08] and follows a European tour she had last
[00:24:12] year in Amsterdam, Düsseldorf, Stuttgart, Paris and
[00:24:16] Brussels where the companies that had organized those specific concerts.
[00:24:20] These are, according to information, owned by
[00:24:23] Mrs. Vissi herself and have not
[00:24:27] declared over 50,000€.
[00:24:30] This, of course, concerns the organizing companies, but in no
[00:24:33] way Anna, so the first for Kallimarmaro is not Anna Vissi's, the second
[00:24:37] is Anna Vissi's, the second is said to belong to Mrs. Anna Vissi.
[00:24:40] Ah, okay. Dionysis, these amounts
[00:24:43] invoices yes, the VAT you
[00:24:47] mention corresponds if it's
[00:25:02] 350 that hasn't been declared, yes, what can
[00:25:06] I say, now we're talking about a moment, let's clarify
[00:25:09] Dionysis, we're talking about preliminary findings, we're not talking about
[00:25:13] a final assessment of taxes and penalties, are we? The first
[00:25:17] ones, guys, the first findings exist.
[00:25:24] which have
[00:25:26] uh, which appear to be
[00:25:29] fees for the two concerts of Anna in Kallimarmaro and
[00:25:33] the mini tour in Europe and are said to
[00:25:36] be owned by Anna Vissi, in fact, for this,
[00:25:40] assistance will be requested from the Cypriot authorities to provide financial
[00:25:44] data to our auditing authorities so that they can reach
[00:25:48] audit conclusions and penalties or possible
[00:25:52] criminal sanctions, if and when they arise. We should mention that there is
[00:25:55] also the Directorate for Dispute Resolution, meaning that just because an auditing
[00:25:59] authority charges you with something doesn't mean you have to accept it, you can challenge it. You can provide
[00:26:03] evidence and go to something like an administrative court, but we have a lot of
[00:26:06] time, however, according to the environment of Anna Vissi,
[00:26:10] it does not appear that there is any issue, let's say at this
[00:26:13] point, everything is denied and of course, if necessary, she will have to
[00:26:17] provide whatever the authorities need. In defense of Dionysis and his
[00:26:21] report, it's one thing for something to concern
[00:26:24] a natural person and another a legal person. I am referring
[00:26:27] purely to the part of the sane, not to the part of the
[00:26:30] company in a company. We will see now
[00:26:33] how
[00:26:38] this particular issue will end, these are very time-consuming procedures so we will have plenty of time
[00:26:49] there was a commotion regarding the audit we were talking about of Nikos
[00:26:52] Karvelas' finances, correct? Yes, because tax officials had gone to his house on Friday
[00:26:56] to give him a document according to which he
[00:27:00] would have to provide tax information. For a case that is
[00:27:03] pending. There were reports on the internet and various reports that
[00:27:07] said that there was also tension between the tax officials and Nikos Karvelas. So
[00:27:10] we contacted his environment to find out if and what
[00:27:14] happened. A summons was served on Friday by the independent public revenue authority
[00:27:17] for the submission of Nikos Karvelas' tax books. The procedure
[00:27:21] has been set in motion and his accountant is expected to submit the information in the
[00:27:24] coming days to the competent authorities. Nikos Karvelas states that
[00:27:28] he is available for any financial audit as all
[00:27:32] legal documents for the concerts have been
[00:27:35] issued. no incident and no tension
[00:27:39] occurred at Nikos Karvelas' house with the auditors during the delivery of the
[00:27:43] document. So he confirms that the specific
[00:27:46] document was served to him, he denies the tension with the people
[00:27:49] of AADE. We will follow it up.
[00:27:58] shocked us. incredible story in a tsipouradiko it was
[00:28:02] just after 1 am yesterday on Sunday when
[00:28:06] a drunk driver entered with his car and hit
[00:28:09] patrons and tables, so the video is shocking, we are watching it
[00:28:13] already three injured, three
[00:28:16] injured fortunately we didn't have any deaths, fortunately
[00:28:19] we didn't have any deaths and this is a miracle, this is a miracle because around the
[00:28:23] store there were some planters which fortunately slowed down the
[00:28:26] speed of the car and the worst of all is after
[00:28:30] this he reverses and you can see the...
[00:28:43] to see the reaction because it's like they ran towards the
[00:28:46] person, all the questions, Ms. Stefania Markova is the wife
[00:28:50] of one of the injured, she is with us by phone, good evening and thank you very much for being
[00:28:54] with us, good evening what we are seeing is
[00:28:58] terrifying, we imagine how much worse it is for you who
[00:29:00] experienced it first.
[00:29:06] how did you really experience it there? What did you see? Were you at the store at that moment? I was at the
[00:29:10] store sitting at one of the tables you see and suddenly
[00:29:13] the car came, I managed to see it and stood up, it hit
[00:29:17] the rest it hit everyone, it left nothing
[00:29:21] standing, it reversed without thinking that there was a possibility that someone was
[00:29:24] underneath, someone was behind, he wanted to
[00:29:27] leave, fortunately at that moment some people went and stopped it, they
[00:29:31] took it out with d
[00:29:34] he was drunk, he tried to leave, that is, here where we see him reversing, he is trying to
[00:29:37] escape, that's exactly what happened and when he got out of the
[00:29:41] car, when we took him out he told us to pay for his
[00:29:44] bumper, to pay for his bumper after
[00:29:47] this, after an incident from which we could have... he didn't ask
[00:29:51] what happened, nothing, I don't know
[00:29:54] he was it happens, he was under the influence of
[00:29:57] alcohol, it seemed like you spoke to him very likely
[00:30:01] yes and
[00:30:05] they stopped the speed with which it was coming, yes, you can see
[00:30:08] it in the video, you can see the planters that are knocked over after he reverses,
[00:30:12] the planters appear which he has already hit and probably when
[00:30:15] he reverses he pushes them back again, can you tell us about your husband
[00:30:19] he was injured, you told us without details, we don't want to, we don't
[00:30:22] have, we don't know exactly if he will undergo surgery because
[00:30:26] tomorrow is Monday, we will know when the results come out
[00:30:29] another gentleman who is in the cinema is in... with
[00:30:33] oxygen, he is quite bad and a lady who was discharged from
[00:30:36] the hospital who had a head injury her, the rest have
[00:30:40] minor injuries which are very normal with what they
[00:30:43] experienced, what can I tell you, fortunately
[00:30:45] that is, fortunately, Ms.
[00:30:48] Stefania, thank you very much, take care, we didn't have any deaths
[00:30:52] by a miracle, it's really a miracle that from these images here
[00:30:56] there are no victims, we have blurred it because the image is very harsh.