SYRIATV — broadcast
20260920 000000 UTC
472 transcript segments
Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking
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Machine transcription. Treat it as a searchable index of what was broadcast, not a verbatim quotation record.

[00:00:21] video in which he presented documents
[00:00:27] to find this announcement on
[00:00:37] Damascus. Of course, this
[00:00:50] Welcome, viewers, to this new episode of
[00:00:53] RePost, where we discuss
[00:00:56] And I will also include with the most prominent topics shared by Syrians on social media over the past hour.
[00:01:00] Syrian actor Loujain
[00:01:07] Ismail sparked widespread controversy after his statement about the detention of his brother
[00:01:11] Inal and the lack of news about him
[00:01:15] is he going to from his family, and what he said about
[00:01:18] security measures taken at his family's home in Damascus
[00:01:21] before an official narrative
[00:01:24] emerged that differed about the circumstances of the case. Loujain
[00:01:28] Ismail said that his family lost contact
[00:01:31] with his brother since June
[00:01:33] 2025 and that they later learned
[00:01:37] of his detention after they were informed that the case
[00:01:40] was related to the use of a forged identity,
[00:01:43] while, according to his narrative, they were unable
[00:01:46] to determine
[00:01:49] crisis continues to occupy have spread about this his legal status or appoint a lawyer for him.
[00:01:52] Later, an official
[00:01:54] and many changes have occurred narrative emerged stating that Inal has been detained for
[00:01:57] months due to his previous work
[00:02:00] as a liaison officer in the security office of the Fourth Division,
[00:02:03] which was led by Maher al-Assad, the brother
[00:02:07] of the ousted Bashar al-Assad,
[00:02:10] he said and that official visit records document four visits to him during
[00:02:14] his detention period, while other narratives spoke
[00:02:17] of the brother, actor Loujain's role
[00:02:20] in relaying orders to forces that were
[00:02:24] deployed in the vicinity of Eastern Ghouta,
[00:02:27] while no full public judicial details
[00:02:30] of the accusations against him have been published
[00:02:34] so far. The emergence of this
[00:02:37] information redirected the debate from the issue of the actor's brother's detention
[00:02:41] to questions related to his past in
[00:02:46] how much will it cost me to get to the university, teacher? the Fourth Division and whether the family's narrative about the circumstances of his detention
[00:02:49] matches the
[00:02:51] complete. On official announced data. This
[00:02:55] story began when actor Loujain
[00:03:00] a wide segment of Ismail posted a video two days ago, in which he spoke about
[00:03:03] his brother's arrest since the middle of last year,
[00:03:06] talking about visits being banned and a lack of news about him.
[00:03:10] Let's watch what he said at that
[00:03:13] time. For a year and three
[00:03:15] months, on
[00:03:20] And in a video June 19, 2025,
[00:03:23] Damascus." Also, from we lost contact with my brother
[00:03:25] for a period, and I don't
[00:03:28] know where he is.
[00:03:31] Of course, like everyone
[00:03:34] else, we understood that he was in fact
[00:03:38] wrong, and
[00:03:42] we didn't know what to
[00:03:44] is broader than news. do.
[00:03:46] After a while, some people contacted us and told us that if we wanted to know
[00:03:50] anything about him, we had to pay a large sum
[00:03:53] of money.
[00:03:56] fuel issue maintained its position in We told them, of course, like any human being who can offer anything for
[00:04:01] him, we paid a sum of money,
[00:04:05] some of the and we discovered that
[00:04:07] he was detained by General
[00:04:11] their insides on Security.
[00:04:13] We said there might be a misunderstanding, there might be a mistake. We asked about
[00:04:17] the matter.
[00:04:19] They said there was no need to ask about the matter,
[00:04:23] that he was accused of
[00:04:28] the continuous and changing interaction with a forged identity. Of course, his identity is not forged.
[00:04:32] And his name
[00:04:35] is known. And we can provide
[00:04:39] words on all the evidence, and there is something in law called data matching.
[00:04:42] This video has circulated on Syrian
[00:04:45] social media over the past two days,
[00:04:48] and many reactions have accumulated around it, some
[00:04:52] of Tartus due to a dialect of which sympathized with Loujain's narrative, and some
[00:04:55] questioned the case. However, the official Syrian News
[00:04:58] Channel published information about it,
[00:05:02] quoting an unnamed source.
[00:05:05] as old. The governmental channel quoted a security source as saying
[00:05:09] it is noteworthy that the announcement does not that the accused, Inal Ismail, Loujain's brother, was arrested months ago
[00:05:12] and that he held the position of liaison officer in the security office of the Fourth Division with
[00:05:15] the forces that committed massacres against
[00:05:18] civilians in Eastern Ghouta,
[00:05:21] without clarifying any legal
[00:05:25] or judicial context regarding the case.
[00:05:28] Later, Loujain Ismail published a second
[00:05:33] from the case and said that his brother was not an officer,
[00:05:37] stating that their confiscated house had been owned by
[00:05:40] the family for 40 years, and he presented documents stating
[00:05:44] that the house was private property and not property
[00:05:48] of the Ministry of Defense. Let's watch.
[00:05:52] In fact, our house has been lived in for 40 years,
[00:05:55] and my father's ownership deed for the house
[00:05:58] will be included in the documents for you to see. It is a court
[00:06:02] ruling that is documented
[00:06:05] and officially certified.
[00:06:09] the documents a statement from the Damascus Governorate
[00:06:13] that clarifies that the land on which the property is located belongs
[00:06:16] to the Damascus Governorate and not to the Ministry of Defense.
[00:06:19] So all this talk that you are trying to use to tarnish
[00:06:23] our reputation and the reputation of my family
[00:06:26] has no basis in truth.
[00:06:28] And
[00:06:31] it is unfortunate the way you are dealing with us,
[00:06:34] and of course, you
[00:06:37] and the group
[00:06:40] of sycophants you have on social media,
[00:06:45] it is very difficult
[00:06:47] for you
[00:06:50] to drag us into the abyss in this way, as
[00:06:54] you are trying to drag us. And this makes us more worried about our future
[00:06:57] and makes us more careful about our future and makes us
[00:07:01] cautious in dealing with you, in dealing with every word
[00:07:04] you say, because it is very clear
[00:07:07] that you have no credibility with any
[00:07:10] person.
[00:07:13] Unfortunately, the way you are dealing with us, and which does not allow us
[00:07:17] to feel safe for a single moment about
[00:07:19] our future.
[00:07:22] Of course, the issue caused a stir on social
[00:07:25] media recently, and dozens commented on it. Let's
[00:07:29] review together some of the comments about
[00:07:31] that. Mohammad wrote, "Loujain Ismail, who
[00:07:35] is defending his imprisoned brother, just to clarify, the matter is not related
[00:07:39] to you alone, but rather the entire neighborhood was ordered to be evacuated.
[00:07:42] The reason is that the neighborhood was built under Assad's rule and without
[00:07:46] compensation, and the lands must be returned
[00:07:49] to the people of Maadamiyet." Meanwhile,
[00:07:51] Rawand wrote in another comment, "Speaking
[00:07:55] of Loujain Ismail, artist Yara al-Sabri, throughout the years of the revolution,
[00:07:59] demanded the release of detainees and published their photos
[00:08:02] and names and asked about them. This campaign caused pain
[00:08:06] to many people. There is a huge difference between those who stood with the criminal
[00:08:09] and those who stood with the
[00:08:12] oppressed." Meanwhile, Sham
[00:08:15] wrote, "The video of actor Loujain Ismail presented
[00:08:18] a very emotional narrative about his brother and family, but
[00:08:22] the problem is that tears in front of the camera cannot
[00:08:25] be a substitute for presenting all
[00:08:28] the facts."
[00:08:56] in the introduction to the segment, dear viewers, spread widely
[00:09:00] yesterday as an excerpt from the series
[00:09:03] "Day'a Day'a" to express the trend related
[00:09:07] to the concert of the artist Asala Nasri
[00:09:09] in Damascus. The trend itself has topped
[00:09:13] the interaction lists for two days, and the song itself received
[00:09:16] widespread popularity among Syrians, so much so that it
[00:09:19] achieved more than two million views in
[00:09:22] six days, and that was for the remix
[00:09:26] version, while the views of the original version exceeded one million
[00:09:29] and 700 thousand views on the official
[00:09:33] channel of the artist Asala Nasri in four
[00:09:36] days. Dear viewers,
[00:09:40] the trend and the scattered comments
[00:09:42] from social media users brought the trend back to
[00:09:46] the forefront and kept it at the top of the most circulated
[00:09:51] social media during
[00:09:54] the past hours. In a video
[00:09:58] we reviewed in yesterday's episode about
[00:10:01] Asala's apology to the people
[00:10:05] mistake during her performance of the song related
[00:10:08] to the governorate, Asala mentioned a young man whom she described as handsome,
[00:10:13] who asked her to correct the dialect mistakes recently.
[00:10:16] This young man posted a video in which he reacted
[00:10:20] to Asala's apology. Let's watch.
[00:10:22] I thank Ms. Asala very much. There was no need
[00:10:26] for this apology, and God bless your heart, you are a pride, a pride
[00:10:30] for all of Syria. God bless your heart, and God bless your voice, and God bless your songs.
[00:10:33] And it's okay to delete all the letters, remove all the letters. Even if you remove a single letter,
[00:10:37] we have no problem. We mean, if you removed two letters, remove five letters, give
[00:10:41] me "kin" instead of "kareem." I have no problem. And thank you very much
[00:10:44] for this sweet gesture. And if I am a handsome young man, then you are the best of the best.
[00:10:48] You are the most beautiful one from here to Tripoli. God bless your
[00:10:51] heart. Of course, the trend did not
[00:10:55] stop at Syria's borders, but crossed into
[00:10:58] Iraq, where an Iraqi content creator reacted
[00:11:01] to the trend in a video in which he recalled
[00:11:05] his feeling when Hatem Al Iraqi sang "Raj'een Ya
[00:11:08] Watana" (We are returning, homeland), offering advice to those wishing to return not to rush,
[00:11:12] according to his expression. Let's watch
[00:11:14] together. No one should get involved.
[00:11:17] Passports like yours, Asala's money is like yours, and Asala's Levant is not
[00:11:21] like yours, just as Hatem Al Iraqi got me involved in 2014.
[00:11:26] Go ahead. We're
[00:11:30] returning, homeland. Where?
[00:11:32] اسحلبكشن
[00:11:36] Huh? Hamish. And I felt that the homeland
[00:11:39] was waiting for me. I must build
[00:11:41] this homeland because this was the thinking in this context, that
[00:11:45] the homeland is on me. So be careful. Hatem
[00:11:49] Al Iraqi, we heard him in 2008, and he's still living in Dubai,
[00:11:53] and Asala, so be careful. Neither Asala returned to Damascus, nor
[00:11:56] Hatem. Look at life. Live.
[00:12:00] But viewers, did you know that the Asala trend has branched out
[00:12:04] to include a part that only talks about
[00:12:07] ticket prices and how to buy them?
[00:12:10] Dozens of videos
[00:12:13] topic. For example, here in this video,
[00:12:17] this young man said
[00:12:20] that his mother was looking for her gold
[00:12:23] at home, while he was singing
[00:12:26] at Asala's concert, indicating that he sold
[00:12:30] his mother's jewelry to attend
[00:12:33] the concert. Of course,
[00:12:35] this jokingly. Let's watch.
[00:12:37] With you.
[00:12:43] But our
[00:12:47] faithful heart is a guide. There is no
[00:12:50] believer. If you don't have.
[00:13:04] Of course, viewers, these videos
[00:13:06] circulated here in this story that
[00:13:10] we shared and spread, or were circulated on social
[00:13:14] media. Dozens, if not hundreds, of similar videos spread in the past hours,
[00:13:18] and they sparked many reactions on social
[00:13:21] media. Let's review some of them. Qaisar
[00:13:25] wrote, "All of Syria was watching Asala's concert.
[00:13:28] The people in one day..." Also,
[00:13:31] another comment from Yamama, who wrote, "By God, if Asala
[00:13:35] agrees to come to Aleppo, I will sell our house, not just Mama's gold,
[00:13:38] and go attend her concert," according to her expression. Also,
[00:13:42] Kawthar wrote, "Oh people, I am Moroccan, and I feel like
[00:13:45] I want to return to
[00:13:48] the comments, Haifa wrote, "It seems that Syrians
[00:13:52] in Syria have more money than Syrians living abroad. Everyone bought
[00:13:55] tickets and attended
[00:13:57] the concert."
[00:14:07] Imagine falling asleep at 40 years old
[00:14:10] and waking up later to find out that
[00:14:13] you are classified as an elder. This
[00:14:16] idea may seem closer to a joke, but it turned into
[00:14:20] a subject of debate on social media after an announcement
[00:14:23] from the Ministry of Culture about an event
[00:14:26] titled "Life After Forty," and described
[00:14:30] as an event designated
[00:14:33] for seniors. There is no power or strength except in God. The announcement
[00:14:36] specified the Arab Cultural Center in Abu Rummaneh,
[00:14:39] affiliated with the Directorate of Culture in Damascus, as the venue
[00:14:43] for the event on September 17,
[00:14:46] which was two days ago. The event was titled
[00:14:49] "Life After Forty,"
[00:14:52] and included an awareness segment and an artistic
[00:14:56] one. However, the phrase "event for seniors"
[00:15:00] included in the announcement attracted more attention
[00:15:03] than the content of the event itself.
[00:15:06] This is the invitation to attend this
[00:15:10] event. The phrase sparked ridicule and questions on
[00:15:13] social media, as followers considered that
[00:15:16] classifying 40 years old as seniors
[00:15:20] was an exaggeration, while the announcement turned into
[00:15:23] a trend about age and when
[00:15:27] a person can actually be described
[00:15:30] However,
[00:15:34] state that attendance is limited to those over
[00:15:37] 40. Instead, it uses the description "seniors"
[00:15:40] in presenting the event. The ministry did not
[00:15:43] clarify in the published announcement who exactly was intended
[00:15:46] by classifying participants or the target
[00:15:49] audience within this category. Given
[00:15:53] that the event was two days ago, before the trend
[00:15:56] appeared, we were unable to fully cover
[00:16:00] the event in RePost, and we were also unable
[00:16:05] the official accounts of the Ministry
[00:16:07] of Culture or the official page of the Arab Cultural
[00:16:10] Center in Abu Rummaneh in
[00:16:15] topic, dear viewers, attracted many comments on social
[00:16:18] media. Let's review some of them. Mahmoud
[00:16:22] wrote, "Oh people, the Ministry of Culture is all messed up.
[00:16:25] Do they know that 40 years old in Europe is considered
[00:16:29] still in the prime of youth? You made them seniors,
[00:16:32] and soon they'll need a nursing home," according
[00:16:35] to his expression. Also, Bilal wrote, "The story
[00:16:39] can be swallowed, and we can say that the people calculated age according to the Syrian scale,
[00:16:42] and it turned out that forty-year-olds are seniors. But
[00:16:46] the forty-year-old elderly man in the poster walking alone on a deserted
[00:16:50] mountain road in the fog,
[00:16:52] the seminar or is he going to commit suicide?" according
[00:16:56] to his expression. Suhad wrote, "From today
[00:16:59] onwards, no one is allowed to argue with me in the comments,
[00:17:02] or correct my words, or treat me disrespectfully, since I am over 40 now,
[00:17:06] and respecting age is a duty. Government decisions
[00:17:09] have defined seniors. Who dares to object to them?
[00:17:13] Let's see."
[00:17:23] Viewers, the fuel
[00:17:26] a significant space in the Syrian trend, despite days having passed since it began
[00:17:31] in this file, especially after the hearing of the Minister
[00:17:35] of Energy in the People's Assembly
[00:17:38] two days ago.
[00:17:41] The hearing, then, was not held, but rather
[00:17:45] postponed to another
[00:17:47] day. But for Syrians, this issue still constitutes a fertile
[00:17:51] trend, especially with their continued suffering from rising fuel
[00:17:55] prices and scarcity at times,
[00:17:58] which pushes them to create satirical content about the issue,
[00:18:01] or comments, or demands, and publish them on their social
[00:18:05] media accounts. In Deir ez-Zor, a content
[00:18:08] creator in a video commented
[00:18:11] on the decision to set three prices for fuel.
[00:18:14] Let's follow.
[00:18:15] Teacher,
[00:18:23] 1000, teacher. How much? 10. Syrian, don't
[00:18:27] turn on me. We just need to get there. No, no, no, absolutely. Just 1000, just
[00:18:30] 1000. It's old
[00:18:33] currency. Are you sure? Are you sure? By God, you're a good
[00:18:36] man. Come on, get in, get in, get in. Oh God, in the name of God.
[00:18:40] Hold the steering wheel well. I'll hold the steering wheel. Hold it.
[00:18:43] Oh God.
[00:18:48] Come on, hurry up, teacher. No, brother, why is gasoline expensive?
[00:18:51] How is that, by God? We'll go pushing, pushing, pushing, by God.
[00:18:54] Come on.
[00:18:58] that is less than a minute long, a content creator
[00:19:01] used a "tambour" as a passenger bus in
[00:19:05] this satirical scene that gained popularity on Facebook.
[00:19:09] Let's watch. Nano rocks roundabout, get in, go,
[00:19:12] get in, go, a millimeter, take me to the rocks. I've been waiting for two hours. Tambour,
[00:19:16] get in. Get in, go, get in, go, get in.
[00:19:19] That's how it is, my cousin. Don't be deceived by
[00:19:22] appearances. I used to be a merchant, but after the rise
[00:19:26] in fuel prices, this is what happened to me.
[00:19:29] As we mentioned, viewers, the
[00:19:33] the Syrian trend through satirical videos
[00:19:37] and comedic comments here and there.
[00:19:40] Let's review together comments. Hala
[00:19:44] wrote, "I wish we wouldn't take the rise in fuel prices as a joke
[00:19:48] and a laugh, because the issue is not simple and it's not something to laugh
[00:19:51] about. Every rise in fuel prices affects
[00:19:55] every detail of our lives: transportation, food,
[00:19:58] clothes, services, treatment, and our livelihood."
[00:20:02] Also, a comment from Jaber wrote, "The people should
[00:20:06] be allocated a mare. It's much cheaper and no car,
[00:20:10] no melons. The horse needs feed,
[00:20:13] and that's it, and on top of that, it's available and cheap," according
[00:20:16] to his expression. Omar also commented, saying, "I wish
[00:20:19] the state would consider the living conditions of the people and seek
[00:20:22] solutions to alleviate their burdens, because fuel is linked to almost everything,
[00:20:26] and the citizen in the end is the one who will
[00:20:29] bear
[00:20:31] this increase."
[00:20:41] A few days ago, a video spread of an elderly Syrian man showing
[00:20:44] his hidden library behind a wall in his house.
[00:20:48] This video received widespread popularity on social
[00:20:52] media. Let's watch together viewers, the story of the elderly man
[00:20:55] and the books in this interview prepared by colleagues in the New
[00:20:58] Media department, which included an interview with
[00:21:02] the owner of this story.
[00:21:05] Hello. My feeling is that
[00:21:09] it's like the feeling I had when I found it safe, like
[00:21:13] the feeling we had when we entered this country. We couldn't believe we were here
[00:21:16] in prison with our master Khaled, and we prayed
[00:21:20] at the shrines and a little bit.
[00:21:31] This is my house, the house where the library used to be.
[00:21:35] And when I
[00:21:37] was here, I was afraid.
[00:21:41] Most people migrated at the end
[00:21:44] of 2011, or most of them.
[00:21:47] So I thought, I mean, other than the young people,
[00:21:51] some families thought that
[00:21:54] this library was very dear to me, and moving the stuff was
[00:21:57] impossible, and I didn't have time for the stuff. So
[00:22:00] it's inside the house. Here's the problem if it's going to stay.
[00:22:04] I put the first ones in this wooden
[00:22:06] shelf. I put them
[00:22:10] on top of each other. I found they were going to fall over, so I took some angles and screws
[00:22:13] and secured them to the walls. I mean, it's almost regular. It's working. I
[00:22:17] put the books haphazardly so
[00:22:21] that more could fit. So I told
[00:22:23] him to close the wall on them. We built a hidden wall.
[00:22:27] Of course, the neighbors and some young men from the streets
[00:22:30] helped us. We built it and plastered
[00:22:33] it with white cement. After
[00:22:36] we plastered it, its color was still a little bit different, so we also gave it a small
[00:22:40] fine coat of paint so that it would match its friends. About
[00:22:44] four months ago, God blessed us, we started it, thank God,
[00:22:47] and we finished it. After we finished, I thought we would move the library.
[00:22:51] I mean, we would
[00:22:53] delay a bit, we would die without
[00:22:57] seeing it. The building was busy with it.
[00:23:00] So I decided to demolish it, and I loved it. No one demolishes
[00:23:03] the wall. So I started with the wall, I demolished it, and God
[00:23:07] blessed us, and it came out fine, thank God. It came out safe, because
[00:23:11] I put cardboard for it, and I put plywood,
[00:23:14] and it all had screws. It's clear where it was.
[00:23:17] And
[00:23:20] God protected it from humidity, thank God, and from everything. Even though I was worried about it
[00:23:24] during the winters for 14, 15 years, it didn't
[00:23:26] say a word.
[00:23:32] In another matter, a female visitor criticized some aspects of
[00:23:35] state departments during her visit to a government department.
[00:23:39] She spoke about details that she considered disturbing
[00:23:41] for someone entering these departments who is coming from
[00:23:45] outside Syria. Opinions were divided about the published video, as
[00:23:50] the audience criticized what the girl in the video
[00:23:53] said, while some supported
[00:23:56] her. Let's watch. Guys, something caught
[00:23:59] my attention, okay? Here at the Examinations
[00:24:03] Department, people come from outside the country to authenticate
[00:24:06] their certificates, modify them, I don't know. So there's a problem with people
[00:24:10] coming from outside the country. Someone who studied in Kuwait, in the Emirates,
[00:24:13] in Dubai, in Saudi Arabia, I don't know, there are no chairs for people
[00:24:16] to sit on. It's crowded, and there's no system, no cooling,
[00:24:21] no fan. I don't know. I mean, someone coming from outside, for example, from a developed
[00:24:24] country, and he wants to come and study here. I don't know, he enters
[00:24:27] here, and his future is destroyed,
[00:24:30] honestly.
[00:24:34] Cases of theft of solar energy cables continue
[00:24:37] to appear on social media in the city of Aleppo, and this time from
[00:24:41] Firdaws residences, where a circulated video showed one
[00:24:44] of the thieves cutting the energy cables and pulling the copper
[00:24:48] out of them, which deprived the residents of solar
[00:24:52] energy electricity. Let's watch. It's a shame, you see? I mean,
[00:24:55] a thief without a care. After cutting, he
[00:24:58] pulls them out and empties
[00:25:01] the rooftops. He empties them
[00:25:04] and leaves. Firdaws residences, first entrance to Firdaws
[00:25:08] residences. You see? You see, they are all empty.
[00:25:11] The biggest one is shining on this thief. He cuts
[00:25:15] and sits there as if there's no one who will
[00:25:18] ask him what are you doing here?
[00:25:22] You see, it's cut
[00:25:25] and emptied for the whole
[00:25:28] building. All
[00:25:30] of it is cut, and he cut the world and left everyone
[00:25:33] without electricity.
[00:25:36] That concludes today's RePost. Wishing you all the best.
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[00:27:13] world and a clearer
[00:27:15] picture.
[00:27:23] We are sitting inside, and these here are crying over him. By God,
[00:27:27] we hear the pain of the bones
[00:27:28] that are breaking.
[00:27:37] Every blanket I smell, I feel there is blood mixed
[00:27:41] with the smell of human beings.
[00:27:45] When they call our names for torture, you literally don't know if you'll come back alive or
[00:27:48] if you'll come back
[00:27:49] dead.
[00:27:55] I remember hearing the grey hair cracking
[00:27:57] in his head.
[00:28:02] The soul that is tortured is the one that does not perish.
[00:28:23] Syrians spread across the
[00:28:24] earth.
[00:28:27] They succeeded, excelled, and proved their existence despite
[00:28:31] the difficulties.
[00:28:36] Between their success stories and decisions that shape their destiny in
[00:28:40] their diaspora.
[00:28:46] The Diaspora: Stories and decisions that shape the scene
[00:28:50] discusses its details to make the picture
[00:28:54] Al-Muhajjer, on the screen of Syria
[00:28:56] TV.
[00:29:08] The news is not a fleeting detail, but a moment worth
[00:29:12] understanding. In a world full
[00:29:16] of headlines, we search for what lies behind them.
[00:29:20] Syria TV's website brings you the event as
[00:29:23] it is and gives you the context for a complete
[00:29:26] vision. Continuous coverage,
[00:29:30] balanced analysis, and content
[00:29:33] that puts humans at the heart of the story. Now, to this breaking
[00:29:36] news: Bashar al-Assad's escape. Syria
[00:29:40] TV's website, because knowledge begins
[00:29:43] with a question, and truth