TELESUR — broadcast
20261104 100000 UTC
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[00:00:02] invites us to investigate the advances of science,
[00:00:05] research, analysis and prevention of the
[00:00:11] coast of Puerto diseases that exist today in the world. Guide your
[00:00:15] body, every Tuesday,
[00:00:17] only on Telesur,
[00:00:21] the female perspective where and how can you watch Telesur in
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[00:01:02] the requests of the residents to availability of the signal, we defend the right to
[00:01:04] information, we defend the voice of the people, Telesur.
[00:01:08] Hello, how are you, welcome to
[00:01:22] the song "Street
[00:01:31] la Ciudad" and some
[00:01:48] Palestinian people. Let us
[00:02:16] somos, the cultural program of Telesur. Caryali Ramírez is with
[00:02:20] you in front of the cameras, behind the cameras
[00:02:23] there is a whole team prepared to share with you, let's see
[00:02:27] first a summary of what we have prepared,
[00:02:30] go ahead.
[00:02:31] somos,
[00:02:39] the cultural program of Telesur begins with the
[00:02:42] most outstanding information from the peoples of the world. In the United
[00:02:46] Kingdom, rapper McLemore
[00:02:49] a watchful concluded his Free Palestine Tour in London and in
[00:02:53] Argentina, colorful murals on three enormous
[00:02:56] water tanks pay homage to Pope Leo
[00:02:59] XIV. prior to his pastoral
[00:03:01] visit, also in the United States, cultural
[00:03:05] and citizen sectors raise their voices against the
[00:03:08] institutional interference of the Donald Trump
[00:03:11] administration in the historical memory of national
[00:03:15] museums, all this and much more today in
[00:03:19] somos.
[00:03:24] You already know all this and much more today in
[00:03:27] somos. The social networks of the program @' Somos Telesur on
[00:03:31] Instagram @somostelesur on
[00:03:33] X and our YouTube account @somostelesur 1931 you can
[00:03:37] write to us, we will gladly answer you. Let's take a break, we'll be right back.
[00:04:02] The mind is the basis for maintaining a healthy body.
[00:04:06] Promoting self-care facilitates our quality of life
[00:04:11] the earth. A banquet is offered to and invites us to investigate the advances of science.
[00:04:13] Research, analysis and prevention of the
[00:04:17] diseases that exist today in the
[00:04:19] world. Guide your
[00:04:23] murals in a town in body. Every Tuesday.
[00:04:25] Only on Telesur.
[00:04:28] Thank you for being back with us, we immediately
[00:05:04] begin our cultural tour in Mexico where the
[00:05:08] fourth edition of Katrinas and Katrina
[00:05:11] Puddle was held. This is in the framework of the commemoration of the Day of
[00:05:14] the Dead. It is an event in which more than
[00:05:18] 40 participants rowed along the
[00:05:23] Escondido, this is in the state of Oaxaca
[00:05:26] and they did it on boards and in kayaks, all this to
[00:05:29] remember and honor the fishermen, sailors and
[00:05:33] also the residents who lost their lives in the Pacific
[00:05:37] Ocean. This activity started from Puerto
[00:05:41] Angelito beach and headed towards the entire
[00:05:44] main town where they held a commemorative
[00:05:47] tribute. This traditional tour seeks to preserve
[00:05:50] the memory of those who dedicated their lives to
[00:05:54] the sea, combining the celebration of the Day of
[00:05:57] the Dead with aquatic work.
[00:06:00] Now we are going to Camagüey, Cuba
[00:06:07] because they are going to celebrate the 36th audiovisual
[00:06:10] exhibition, the image warehouse. This
[00:06:14] call will be open until next November 10th,
[00:06:17] for filmmakers up to 35 years old,
[00:06:21] Cubans or foreigners,
[00:06:23] residents or not in the country. Fiction,
[00:06:26] documentary, animation and short films of up to
[00:06:29] 3 minutes are accepted here, in addition to promotional
[00:06:33] pieces. This event will take place from
[00:06:36] November 27th to 29th where the jury will award
[00:06:40] the grand prize "Luces de
[00:06:44] recognitions in different specialties. The activities
[00:06:47] will also include projects whose prize
[00:06:50] will be the scholarship, "The Kingdom of this
[00:06:53] World" and the exhibition of visual arts, "The
[00:06:57] Possible Images."
[00:06:59] We are now going to
[00:07:08] Venezuela because in Caracas the
[00:07:10] emblematic operas "Cavalleria
[00:07:13] Rusticana" and "I Pagliacci" will be
[00:07:16] presented. This production will take place in the
[00:07:20] Ríos Reyna hall of the Teresa Carreño theater on November 11th, 12th,
[00:07:24] 14th and 15th where more than
[00:07:28] 100 artists will gather with the Venezuela Symphony
[00:07:31] Orchestra and choral groups from the country. The
[00:07:34] general direction and also stage direction will be
[00:07:38] in charge of Isabel Palacios, while Alfonso López
[00:07:42] Cholé will musically conduct
[00:07:44] "Cavalleria Rusticana" and Elisa
[00:07:48] Vegas will conduct
[00:07:51] "I Pagliacci." This season
[00:07:53] will recreate a town in southern Italy where rural life
[00:07:57] and religious devotion intersect with tradition,
[00:08:00] honor and fatality.
[00:08:03] They had part of this show, now we're
[00:08:12] going to Colombia because they are going to celebrate the
[00:08:15] seventeenth Imaginatón
[00:08:18] meeting during the 24th edition of the
[00:08:21] Bogotá Short Film Festival, there you have part of the data we are
[00:08:25] sharing here with you in somos, this edition that will
[00:08:28] take place from December 4th to 6th invites
[00:08:32] filmmakers from Colombia to create between one and
[00:08:36] International Film Festival 60 seconds, all recorded
[00:08:39] in sequence shots to tell a dynamic and
[00:08:43] immersive story that reflects the mental universe
[00:08:47] of its author. Participants will choose between two
[00:08:50] categories, first there is the amateur
[00:08:54] category which will be open to any age, to
[00:08:57] any profession of those who want to participate, and secondly
[00:09:00] there is the professional category which will be aimed at
[00:09:04] students, at workers in the audiovisual sector. This
[00:09:07] call will award more than 30 million Colombian
[00:09:11] pesos in prizes and the
[00:09:14] institutions will be open, the registrations, I meant,
[00:09:17] will be open until Wednesday, December 2nd,
[00:09:21] 2026.
[00:09:22] And now we are going to Chile
[00:09:32] where the 22nd edition of the Santiago
[00:09:35] began. This
[00:09:39] event is organized by the Corpartes Foundation and the
[00:09:42] Ministry of Culture, Arts and Heritage. This film
[00:09:46] celebration will take place until next November 8th
[00:09:50] in the capital of this country. 18 films,
[00:09:53] half of which are Chilean, the other
[00:09:56] part from other international nations, all of them
[00:10:00] compete for a prize in various categories,
[00:10:03] in addition to 21 works that are presented in the
[00:10:07] short film section. This year the
[00:10:10] festival pays tribute to the outstanding
[00:10:14] Chilean actress Antonia Zigers through
[00:10:17] a tour of several of her productions
[00:10:21] that highlight her work. Now we are going to change continents, we are going to
[00:10:38] Turin, Italy because the fifth edition of the contemporary film
[00:10:42] festival focused on
[00:10:46] began. This event, which will be held until next
[00:10:49] November 7th, is dedicated to the
[00:10:52] women who work in front of and behind
[00:10:55] the cameras. It will bring together films by
[00:10:59] emerging filmmakers, premieres,
[00:11:02] restored works with meetings and with industry
[00:11:05] professionals. Among the selected titles are
[00:11:09] "Gradiva" and "Blue Heron." These proposals, which
[00:11:12] in addition to being created by women, offer different
[00:11:16] views on contemporary cinema. The programming
[00:11:19] will also pay tribute to Claudia
[00:11:23] Cardinale, who is a... of Italian cinema who passed away
[00:11:27] in September 2025. They will
[00:11:29] honor her with a selection of
[00:11:32] films that covers several stages of her international career.
[00:11:45] And the American rapper Macklemore closed
[00:11:49] his Free Palestine Tour in London before
[00:11:52] more than 12,500
[00:11:55] attendees. The series of concerts included three
[00:11:58] dates in Dublin, Paris and
[00:12:01] London, whose proceeds, as we have been sharing
[00:12:04] in our program, will be fully
[00:12:08] dedicated to humanitarian organizations that support the
[00:12:13] also remind you that this initiative arose after the
[00:12:16] artist was removed from Sheeran's tour
[00:12:20] after expressing his solidarity with Palestine. The
[00:12:24] closing of this tour combined music, combined messages of
[00:12:27] support, combined a lot of
[00:12:30] joy and a lot of color, where
[00:12:33] the activist Greta Thunberg participated,
[00:12:35] who intervened with a speech and
[00:12:39] different artists who sent messages of
[00:12:41] solidarity.
[00:12:51] There you had part of how the Free Palestine
[00:12:53] ended. Well, it's time for a break, when we return
[00:12:57] we will learn more about the cultural events of the peoples of the world, we'll be right back.
[00:13:36] Every week an argument is put on the table and
[00:13:39] you form your own
[00:13:40] opinion.
[00:13:45] Text and
[00:13:45] context
[00:13:50] Sundays only on
[00:13:53] Telesur.
[00:14:31] Thank you for being back with us, we are back in this third
[00:14:34] block of the program, Argentina is preparing
[00:14:37] to receive Pope Leo XIV next week,
[00:14:41] among the artistic activities that are organized for his arrival,
[00:14:45] there are giant
[00:14:48] the province of Buenos Aires, let's see below how
[00:14:50] it is.
[00:14:59] In Don Orione, a town east of Argentina, they converted
[00:15:03] three enormous and historic water tanks into
[00:15:06] gigantic and colorful murals as part of the
[00:15:09] preparations for the visit of Pope Leo XIV to this
[00:15:13] country. The intervention features the faces of three figures
[00:15:17] linked to the history of the Catholic Church, the current Pope
[00:15:20] Leo, his predecessor, Pope Francis and Saint Luigi
[00:15:24] Orione. The work seeks to promote the transformation of
[00:15:27] everyday structures into a religious homage through
[00:15:30] art. The work was organized by the urban beautification
[00:15:34] team of the municipality, together with local artists. it is an action that combined
[00:15:37] culture and engineering, well there are three tanks, in the first
[00:15:41] one facing east is Pope
[00:15:45] Francis, I mean the first pope outside Europe,
[00:15:47] Latin American and Argentine. Then facing west is Saint Luigi
[00:15:51] Orione, we are precisely in the Don Orione neighborhood and it is a
[00:15:55] central reference for this town, because
[00:15:58] the Cotolengo is there, all his work is here and
[00:16:02] finally in the one facing the Cotolengo in the... central
[00:16:06] tank, Pope Leo XIV, who honors us with his
[00:16:09] visit, that's right, the tanks are approximately 35 meters
[00:16:12] high and 7 meters in diameter, the three of them each and
[00:16:16] we had more or less 40 buckets of 20
[00:16:18] liters of paint to use all the background and the color
[00:16:22] paint in general for the faces so
[00:16:25] it was more than 15 days with drizzles and everything with
[00:16:30] weather and in 20 we finished it.
[00:16:34] The creators. The initiative to paint these tanks arose from
[00:16:40] renovate one of the most emblematic monuments in the area. For
[00:16:43] the inhabitants, they are not only an urban infrastructure,
[00:16:47] but they represent an element of identity and
[00:16:51] rootedness, well, the truth is
[00:16:54] that we wanted to honor him as he deserves, also
[00:16:58] it was a craziness, a demand from the neighborhood,
[00:17:02] wanting these tanks to be painted, to make an
[00:17:04] artistic work from our urban beautification program,
[00:17:08] so taking advantage of the visit of the supreme
[00:17:11] pontiff with the team of local artists
[00:17:14] we decided to make a sketch and intervene these tanks that
[00:17:18] well, it is a before and after the visit of Leo
[00:17:21] and then regardless of the tribute it will be great
[00:17:25] because it stays in the neighborhood as a point of reference and a phenomenal artistic work,
[00:17:29] it was a challenge for us because we paint all over the
[00:17:32] municipality within this program murals on low walls
[00:17:35] and the truth is that it is the first time that... we work in these
[00:17:38] curved formats, so high, with a crane,
[00:17:42] so it was a great challenge to put it up, but
[00:17:45] well, the quality of the painters, we know we have it
[00:17:49] and we had to face the difficulty that we had climbed, Pope
[00:17:52] Leo XIV's tour of Latin America will begin
[00:17:56] next November 6th in Uruguay, while his
[00:18:00] visit to Argentina is scheduled for next
[00:18:03] November 8th where he is expected to visit the little
[00:18:07] one, in addition to the cities of Buenos
[00:18:10] Aires, Córdoba and
[00:18:12] Luján.
[00:18:20] And now we go to Venezuela because indigenous communities
[00:18:23] celebrated the Day of the Dead with ancestral rituals,
[00:18:27] in which, according to their worldview, it is possible
[00:18:30] to connect spiritually with ascended ancestors.
[00:18:32] Well, the ancestral indigenous
[00:18:37] celebration of the Kariña people to honor deceased family members
[00:18:41] who passed away more than a year ago. The ritual includes three days, the first
[00:18:44] dedicated to children on November 1st,
[00:18:48] who are the children, they walk in groups, a child
[00:18:51] groups together,
[00:18:54] a group of children who go house by house
[00:18:57] visiting their relatives and the
[00:19:01] relatives when they are arriving see
[00:19:05] the child arriving,
[00:19:08] they welcome them and offer
[00:19:12] them their typical Kariña food,
[00:19:15] which is
[00:19:19] boiled sweet potato, sweet yucca,
[00:19:22] cassava, soup,
[00:19:25] cachire that is prepared with cassava
[00:19:28] and then
[00:19:30] the children go house by house visiting their
[00:19:34] relatives. The second day the adults perform the
[00:19:38] main ceremony. The lighting of the fire represents the
[00:19:41] wisdom of spirituality, it is the connection to give
[00:19:45] purity, cleansing and blessing to
[00:19:48] the ancestors, fruit of the community's harvest. This
[00:19:52] ceremony means that the deceased come,
[00:19:56] the family members, we visit, for example, I
[00:19:59] sing, so a house, we, for example, arrive at a
[00:20:03] house, then the family member who is deceased already.
[00:20:06] Then he comes out, he comes out giving the
[00:20:09] alms as they say, they carry the person here
[00:20:13] with the four people who
[00:20:16] sing, one sings and the others play
[00:20:19] equally. Acatompu
[00:20:23] is a cultural heritage site of Venezuela since
[00:20:26] 2005, wherever they are, anywhere in Venezuelan
[00:20:29] territory, the ceremony is held, on this occasion the
[00:20:33] houses were represented by tables with handicrafts.
[00:20:36] This ritual has been done for years, for
[00:20:43] many, many years in each of our Kariña towns, we have the
[00:20:46] Kariña indigenous population.
[00:20:50] in four states of Venezuela, in Sucre
[00:20:53] state, in Anzoátegui state, in Bolívar state
[00:20:57] and in Monagas state, these are indigenous populations that we have more than
[00:21:00] 320 communities that these days for
[00:21:04] us become something so cultural
[00:21:07] that we wanted to highlight, bring to the city of Caracas so that
[00:21:11] everyone can see and
[00:21:14] transmit our culture as part of the
[00:21:17] cultural diversity, as part of... of what is proper
[00:21:21] and autochthonous that we have in our indigenous populations and with a
[00:21:25] torrential rain the Acatompo ended, held in the
[00:21:28] Calvario park in the capital, drops that meant a blessing
[00:21:32] for the families of the indigenous people and the certainty that the homage was
[00:21:36] received with gratitude. The
[00:21:39] Kariña people are located in eastern Venezuela and represent
[00:21:42] 4.7% of the indigenous population of this country
[00:21:46] with more than 30,000 inhabitants, this is the fourth
[00:21:49] time they come to Caracas for the celebration of the Aquetompo, a
[00:21:53] joyful reunion with the ascended ancestors, in the camera
[00:21:56] of Jesús Romero, Eveling Guarenas, Telesur, Caracas, Venezuela.
[00:22:17] Behind every scene there is a story. Stories that
[00:22:21] reach the big screen, discover the
[00:22:24] best kept secrets with Sala
[00:22:26] every Saturday, only on Telesur.
[00:23:05] Well, some voices and testimonies
[00:23:08] expose the institutional assault and the
[00:23:11] censorship that the Donald Trump administration is
[00:23:14] imposing on the National Museums, it is a journey
[00:23:18] through citizen indignation in the face of the attempt to
[00:23:21] erase and rewrite the true history of the United
[00:23:24] States. Let's see.
[00:23:28] The Donald Trump administration faces an unprecedented
[00:23:32] reconfiguration in the cultural field that the academic
[00:23:35] artistic sector describes as a direct attack on
[00:23:39] freedom of expression. Throughout his
[00:23:42] administration, through executive decrees, the federal
[00:23:45] government has sought to eradicate diversity policies
[00:23:48] in large national complexes, it has
[00:23:51] tried to control the historical narrative that is
[00:23:55] exhibited to the public, the political pressure has reached the
[00:23:58] extreme of removing pieces associated with minorities,
[00:24:02] causing the indignation of visitors who reject
[00:24:06] this ideological setback.
[00:24:09] My opinion is that slavery is real, it did happen,
[00:24:12] to eliminate it and say it is divisive, unfortunately
[00:24:15] it is divisive, but that was not our cause, so
[00:24:19] changing them
[00:24:23] so that there is a positive narrative for you is crazy, tell the truth, face it, let's address the
[00:24:26] truth. The reaction of the intellectual
[00:24:30] community emphasizes that the collective memory of a
[00:24:33] society cannot be erased by an executive
[00:24:36] order, signed in an office, transferring the
[00:24:39] obligation to tell the real story directly to
[00:24:43] civil society outside the governmental
[00:24:45] walls.
[00:24:50] a long, difficult and unfortunate chapter of our
[00:24:52] past, that consciousness cannot be erased even if it is
[00:24:56] removed from the walls of museums or the showcases of galleries,
[00:24:59] therefore, it will be up to us individually and
[00:25:03] collectively to honor that history, to preserve that
[00:25:06] history, to tell it and to find new ways to make it
[00:25:09] visible to visitors, but
[00:25:12] also to future generations. This
[00:25:15] ideological dispute of November has its
[00:25:19] direct precedents in mid-September, when the
[00:25:22] tension between the White House and the cultural institutions of the
[00:25:25] capital escalated physical threats to
[00:25:29] infrastructure. At that time, after the judicial
[00:25:32] refusal to rename the venue in his honor, the
[00:25:35] government suggested the possible demolition of the
[00:25:38] emblematic Kennedy Center. This unleashed a
[00:25:41] severe wave of condemnations by civil society and
[00:25:45] performing arts professionals. It is really
[00:25:49] disappointing for all who believe in peace and the arts, I have been coming
[00:25:52] here for about 50 years and it was in very good condition and many people supported
[00:25:56] it, I repeat, it is not a political place and in our country there are
[00:25:59] rules and laws that govern commemorative monuments
[00:26:03] and no one can decide that it should disappear or be
[00:26:06] demolished, so it is not the right of the current administration, it belongs to
[00:26:10] the people and is governed by
[00:26:11] Congress.
[00:26:14] It has been an important home for art, for this city and this
[00:26:17] country, for the world, what President Trump is doing is
[00:26:21] despicable and repugnant.
[00:26:24] Artist Eryby Jainson demanded the immediate
[00:26:28] withdrawal of his music after the Trump administration
[00:26:31] used his song "Love Me" in a television
[00:26:35] commercial paid with public taxpayer money, which
[00:26:38] infuriated the musician when he saw his reputation
[00:26:42] compromised in political propaganda. The dispute
[00:26:45] escalated even further in late October in the strictly
[00:26:51] campaign. Legendary Neil Young sued the
[00:26:54] Trump 47 political committee for
[00:26:58] unauthorized reproduction of his song "Rockin'
[00:27:01] in the Free World," demanding compensation
[00:27:05] and a ban on his songs, alleging that this act violated
[00:27:08] a settlement agreement reached in 2020
[00:27:11] after an identical lawsuit.
[00:27:14] This concludes our cultural
[00:27:20] journey for today. We are going to say goodbye with
[00:27:24] of Minneapolis" which is performed by the iconic
[00:27:28] musician Bruce Springsteen, who, by the way, has been openly
[00:27:31] critical of Donald Trump's government, emphasizing the
[00:27:35] migratory policies that have affected many
[00:27:38] citizens. We will see you in a future broadcast of "Somos." Have a wonderful
[00:27:42] day, bye. We are not satisfied with the
[00:28:24] headline of the moment or the trending topic.
[00:28:28] real impact of what happens
[00:28:32] in the world and on your screen, from Monday to Friday
[00:28:36] we have planned to disarm the informative matrix and
[00:28:39] everything that is geopolitical daily events that become
[00:28:43] so interactive, the truth moves
[00:28:46] us in our peoples because we always aim with
[00:28:51] heart, from the south 3.0 by
[00:28:54] the multiplatform.
[00:28:56] Only on
[00:29:02] Telesur.
[00:29:04] At Telesur we continue to make
[00:29:10] history through our multiplatform.
[00:29:13] They are invading.
[00:29:16] We face threats with courage and
[00:29:19] remain firm in times of
[00:29:21] vulnerability.
[00:29:24] Telesur is there, accompanying its people, taking on
[00:29:27] new challenges.
[00:29:31] Celebrating victory.
[00:29:39] and facing the most devastating
[00:29:41] difficulties.
[00:29:45] On this 21st anniversary, we reaffirm
[00:29:49] our commitment to the global south,
[00:29:52] because the right to inform with truth and
[00:29:55] transparency is our main
[00:29:57] task.
[00:30:00] Telesur, the voice of the people.