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20261011 003000 UTC
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[00:00:01] '89 meant one of the most
[00:00:04] precious gifts we
[00:00:07] received, the chance to be free,
[00:00:11] this immense chance we all had
[00:00:14] since '89, to be free and to build, we all know
[00:00:18] it depends on each of us and that the one in front
[00:00:21] of us,
[00:00:24] at least after
[00:00:26] '89, no longer has power as long as we don't expect a
[00:00:30] compromise. The launch took place backstage at the Grand Hall of the National
[00:00:34] Theater in Bucharest, a place where in the 80s there were
[00:00:37] microphones, close to the stage and in the actors'
[00:00:40] dressing rooms. Thousands of people last night on Victoriei
[00:00:43] Avenue in Bucharest at Spotlight, the video mapping
[00:00:47] Welcome back, tomorrow we will enjoy festival with light and
[00:00:49] music, from color projections on the facades of iconic buildings. This is the 10th
[00:00:52] edition and with it the Open Streets project closes. After
[00:00:55] 25 weekends of promenading, culture and gastronomy, Victoriei
[00:00:59] Avenue returns in full. The facades of the buildings on Victoriei
[00:01:12] Avenue were transformed into giant screens for the Spotlight
[00:01:15] projections, the Military Circle,
[00:01:19] the Odeon theater or the Telephone Palace entered the video
[00:01:22] mapping game. Thousands of people were part of this show where
[00:01:26] light and technology changed the urban space.
[00:01:30] I saw some interesting lights, some
[00:01:32] images, that brought people closer and
[00:01:35] these projections are otherwise and year after year
[00:01:39] they amaze. It's very beautiful, it's the first time I've
[00:01:42] been here and I really enjoyed it. This year's theme
[00:01:46] is playground, a play space with light,
[00:01:49] interactivity, architecture and technology. As every year
[00:01:52] the open-air disco was one of the festival's
[00:01:55] attractions.
[00:01:59] One... of the novelties is that this year we have an
[00:02:03] added section, it is more extended compared to
[00:02:06] previous years, for the first time we also have the work of some
[00:02:11] sports and weather data will follow, and from students, students from the animation department
[00:02:14] of the UNAT faculty. Beyond the joy brought to
[00:02:17] spectators, the festival organizers wanted to convey another
[00:02:21] message to those responsible, many of
[00:02:23] the buildings on Victoriei Avenue need consolidation, rehabilitation
[00:02:27] and maintenance. We have artists from the Czech Republic,
[00:02:31] we have artists from Italy, Great Britain,
[00:02:34] Australia and many Romanian
[00:02:37] approximately 15 opera artists and that makes us very happy, it's a reason for joy and to
[00:02:39] show a beautiful city, to show a city where people
[00:02:43] are happy, that they enjoy. This year's Spotlight
[00:02:46] edition includes 19 light art and video
[00:02:49] mapping projects and during the day Victoriei Avenue enjoys the presence
[00:02:52] of Bucharest residents and tourists. It should be done
[00:02:55] more, a safe area, there are many creative
[00:02:58] activities. "It's an extraordinary
[00:03:01] initiative, I haven't been, we're from Iași,
[00:03:05] and we came this weekend, very beautiful, I even took
[00:03:09] many pictures, we like it a lot, I'm sorry it's closing, but on the other hand, I
[00:03:13] for example am also a driver and when you're a driver it's a bit harder because
[00:03:16] the streets close. After 25 weekends where
[00:03:20] the city's streets became spaces for promenading, culture and
[00:03:23] fun, this is the last weekend of this year's
[00:03:27] Open Streets project.
[00:03:40] Strong earthquake in Panama with its epicenter at a depth of 10
[00:03:44] km, the 7.7 magnitude earthquake
[00:03:47] was followed by almost 150 aftershocks. Several
[00:03:50] buildings were damaged including hospitals. So far there have been no
[00:03:54] fatalities, only injured people.
[00:03:58] There were moments of panic in Panama City, where a
[00:04:02] 7.7 magnitude earthquake struck in broad
[00:04:05] daylight, many people were shopping when
[00:04:09] buildings began to shake. Many
[00:04:12] hospitals were damaged by the earthquake so the injured were
[00:04:15] transported to modular medical units. That's what the
[00:04:19] regional director just informed me, that they are indeed waiting for a modular
[00:04:23] hospital that is about
[00:04:26] each other, and the idea of to arrive at any moment and that will help a lot to accommodate them.
[00:05:00] tsunami alerts were issued in several regions of Panama, as well
[00:05:03] as in Colombia, Costa Rica, Ecuador,
[00:05:07] Peru, and Nicaragua.
[00:05:10] The US Ambassador to Greece, involved in the controversy regarding
[00:05:13] alleged American interventions in the context of the fall of the Bolojan
[00:05:16] government, is under investigation by the State Department.
[00:05:20] The investigation was triggered after a Donald Trump donor accused
[00:05:24] her of asking him for $10,000 to facilitate access to a
[00:05:27] high-ranking official from the American administration. According to him, the
[00:05:31] money would have covered a credit card debt.
[00:05:35] The donor claims he did not make the payment, and the ambassador's lawyer disputes
[00:05:38] the authenticity of the messages presented as evidence. The Secretary of...
[00:05:51] The European Union budget for 2028-2034 could
[00:05:55] be reduced by over 140 billion
[00:05:58] euros. The proposal was made by Ireland, which holds the rotating
[00:06:01] presidency of the Council of the Union. The new variant foresees expenditures almost
[00:06:05] 8% below the initial proposal of the European Commission. The Irish
[00:06:09] presidency claims that traditional European policies are protected.
[00:06:21] the European Parliament, which considers the cuts excessive, and
[00:06:24] Sweden and other states demand larger
[00:06:27] savings.
[00:06:30] Dinamo goes from victory to victory in the Superliga, they also beat Sfântu Gheorghe and
[00:06:34] reached 10 matches undefeated.
[00:06:36] înfrângere.
[00:06:39] Coelio is being careful before the match with the weakest team in
[00:06:42] the championship.
[00:06:45] Live on TVR Sport, the first surprise in the Women's Volleyball
[00:06:49] League. The weather continues to be beautiful and
[00:06:53] warm this weekend, but from Monday we'll turn a new page. Larisa will
[00:06:57] tell us more.
[00:06:59] After a few days with unusually high temperatures for October,
[00:07:02] the weather begins to cool down. On Sunday we still have
[00:07:06] up to 27° in the south and east of the country, but from Monday
[00:07:09] temperatures drop considerably. The cooling is felt in...
[00:07:12] almost the entire country, more about the weather, immediately at
[00:07:15] meteo. Ladies and gentlemen, the news program
[00:07:18] ends here, thank you for your attention, in just a few moments
[00:07:23] 8 PM the adventure film The Killer River begins. Have a peaceful
[00:07:27] evening, see you tomorrow.
[00:08:01] In the first stage of the Women's Volleyball League, Rapid started as favorites at home
[00:08:04] against Medicina Târgu Mureș, but the balance in the first set led
[00:08:08] to a 25-23 win for the guests. Rapid
[00:08:12] came back strong and with Croatian Gaici in great form, plus libero
[00:08:16] Koman, covering the court perfectly, easily won
[00:08:19] the next two sets at 12 and
[00:08:22] 22. The decisive moment came in the fourth set. Rapid had a six-point
[00:08:26] lead, but the strength of Brazilian Monica and winger
[00:08:29] Očenik led to a tie in sets
[00:08:32] on the scoreboard. In the decider, Kosinski held Medicina's reception
[00:08:36] excellently, and the Târgu Mureș block resolved
[00:08:39] the match in an easy 15-7 and a morale-boosting victory
[00:08:43] for the start of the season. I knew from the beginning that it would be a very tough match, but at the same time
[00:08:47] very important. We fought for every ball, we did have a
[00:08:50] slight drop in the second set, but we managed to turn the match
[00:08:54] around with ambition. I'd say we had a slight problem with
[00:08:58] simple things, we needed to concentrate a little
[00:09:02] more, but we all worked very hard and tried
[00:09:05] our best.
[00:09:06] putut.
[00:09:12] The 27-year-old French skater Luke Economid will
[00:09:16] compete under the Romanian flag in international competitions
[00:09:19] starting in March 2027. Ranked
[00:09:22] 15th at the European Championships and 21st at the
[00:09:26] World Championships, the athlete has already started the formalities
[00:09:29] for obtaining Romanian citizenship, at the initiative of the Romanian Figure
[00:09:33] Skating Federation. We talked and saw how we could help
[00:09:38] representing Romania appeared almost immediately. I am very
[00:09:42] happy that this happened, and all I want now is to
[00:09:46] make this country proud of the performances I will achieve under
[00:09:49] its colors, although the news of representing Romania came
[00:09:53] as a surprise, the Frenchman was fully supported by his family in
[00:09:56] this endeavor. My loved ones were very surprised
[00:10:00] when they found out. The first time I told them at a family dinner, and their reaction
[00:10:04] was that at first they couldn't believe it, but they supported
[00:10:07] me immediately, they said it was a major opportunity for both
[00:10:10] me and Romania. They were genuinely happy for
[00:10:14] me. Luke Economid intends to learn Romanian as soon
[00:10:17] as possible, from which he has already learned a few expressions.
[00:10:21] Also, the skater was delighted by the delicacies of local cuisine.
[00:10:26] I already know a few common expressions in Romanian, but I'm still at
[00:10:30] the beginning. I intend to learn the language as well as possible. I will make
[00:10:34] every effort in this direction. I discovered
[00:10:37] papanasi and sarmale. They seemed like a dream. My girlfriend
[00:10:41] Andreea, who is also a skater, took me around
[00:10:44] many places in Bucharest, so I managed to try many elements
[00:10:48] of the local specific, and Romanian cuisine literally
[00:10:52] blew me away.
[00:11:12] one last day with generous temperatures because from Monday the weather
[00:11:15] will cool down considerably and the rains will come, let's see how
[00:11:19] the weather will be in the coming days. As I was saying, the weather is changing,
[00:11:23] the rains are coming and we even have a major meteorological information from ANM.
[00:11:26] From tonight until Tuesday, the rains will gradually cover almost the entire
[00:11:30] country, and the wind will blow stronger in several regions. Let's go to
[00:11:34] Europe, where the weather will be quite capricious, in the north and
[00:11:38] center of the continent it will even be cold with rain and even snow in places,
[00:11:41] however in southern Europe we enjoy warmer weather with temperatures
[00:11:45] approaching 30°. We return
[00:11:48] home, where the weather changes from tonight. Rains will
[00:11:52] appear in the west of the country, but also locally in Maramureș, in western
[00:11:56] Transylvania and in Oltenia. The wind will blow stronger
[00:11:59] in the mountains, and in some places fog will form. Days are becoming
[00:12:03] shorter and shorter, and tomorrow the sun rises around
[00:12:06] 7:30 AM and sets before 7 PM. The moon
[00:12:09] is waxing after the new moon phase and is becoming increasingly
[00:12:13] visible in the sky. As for tomorrow's weather, we still enjoy
[00:12:17] high temperatures in the south and east of the country where highs even
[00:12:21] reach 30°. In the west and northwest, however, it starts to cool
[00:12:25] down and it will rain in several regions. In the mountains, the weather will
[00:12:28] not be very friendly, there will be rain, clouds and strong winds, so
[00:12:32] if you have hiking plans, it would be good to be prepared, and from Monday
[00:12:36] at high altitudes even sleet and snow
[00:12:39] will appear. In Bucharest tonight we will have around
[00:12:42] 14°. Tomorrow we expect a sunny and
[00:12:46] very warm day with about 29° at noon.
[00:12:49] Towards evening, however, clouds and rains appear. On Monday the difference will
[00:12:53] be big, it will rain almost all day, and the temperature will not exceed
[00:12:56] 16°. Let's see what the weather will be like in the next
[00:13:00] three days. On Monday, the weather cools down in almost the entire country, and the rains
[00:13:04] will mainly affect the south and east. Tuesday remains cold with
[00:13:07] highs between 11 and 19° and rains in the south and
[00:13:11] center of the country. Wednesday temperatures rise a little more in the south and
[00:13:15] the rains become scarcer, and highs reach around
[00:13:17] 20°. So, enjoy the beautiful weather tomorrow,
[00:13:21] because from Monday we will need warmer clothes and an umbrella. I
[00:13:25] am Larisa Lupoaia, have a peaceful evening.
[00:13:54] What remains when aristocracy declines,
[00:13:58] history not very generous, collective
[00:14:01] memory even less so, in happy
[00:14:04] cases, a house.
[00:14:17] Radu Rosetti, Radu R.
[00:14:20] Rosetti, the general, not the historian, a general
[00:14:23] concerned with... with military history, with
[00:14:27] important positions within the Romanian state
[00:14:30] during the interwar period, built this house together
[00:14:33] with his wife Ioana, unfortunately it had to be
[00:14:37] sold, it was bought by the workers' house of the Romanian
[00:14:41] railways, a very important strategic institution in the interwar
[00:14:44] period and later became in the communist
[00:14:48] period a research institution in the field of
[00:14:51] transport, part of the Ministry of Education.
[00:14:55] respectively, currently the University of Architecture and
[00:14:58] Urbanism Ion Mincu.
[00:15:00] Radu R. Rosetti, general, exegete of
[00:15:04] Romanian military history and art,
[00:15:07] diplomat, minister, refined man of
[00:15:10] culture, lived in this house in Bucharest
[00:15:13] with his wife, Ioana Știrbei,
[00:15:17] granddaughter of the former ruler of Wallachia, Barbu
[00:15:20] Știrbei.
[00:15:25] Radu R. Rosetti was born in
[00:15:27] 1877, a descendant of the great,
[00:15:31] wealthy, and influential Rosetti
[00:15:34] family, great-grandson of Grigore Ghica, the last
[00:15:37] ruler of Moldova. He completed his family
[00:15:41] education with technical and military studies in
[00:15:44] Romania. Aristocracy had faded, but
[00:15:48] Radu El Rosetti, one of its last
[00:15:51] representatives, had an impressive career
[00:15:55] studying, researching and literally shedding
[00:15:59] his blood for his country, on the front
[00:16:02] at Mărășești in the battles of the First World
[00:16:05] War. After the war, Radu Er
[00:16:08] Rosetti went to London as a military attaché, from
[00:16:11] where he communicated to General Constantin Prezan ideas that
[00:16:15] today might seem
[00:16:17] premonitory. What are the means by which
[00:16:21] small states could defend their existence
[00:16:25] until the transformation of Europe into the United
[00:16:28] States of Europe, which would constitute the ideal
[00:16:32] and final solution, only two temporary and
[00:16:35] less satisfactory solutions can be foreseen, but
[00:16:39] quite effective, namely, the formation of
[00:16:42] confederations of small states or an alliance with a large
[00:16:46] state. Radu El Rosetti is the one who
[00:16:50] advocated for the establishment of the National
[00:16:53] Military Museum, and for almost 10 years, he led
[00:16:57] the library of the Romanian Academy. His residence
[00:17:00] on Moxa Street is the work of architect Nicolae
[00:17:04] Ghicabudești, who also designed the palace
[00:17:07] of the National Museum of the Romanian Peasant. Nicknamed
[00:17:11] the restorative architect, with an unmistakable style,
[00:17:15] Nicolae Ghica Budești only built houses for his
[00:17:18] close friends. The Rosetti-Știrbei
[00:17:22] House has Neo-Gothic frames at
[00:17:25] the doors and windows, exposed brick, glazed ceramic
[00:17:29] discs, geometric motifs as decorations, horseshoe
[00:17:33] arch, but also a turret pavilion, inspired by
[00:17:37] monasteries. In 1941,
[00:17:41] during Ion Antonescu's government, Radu Er
[00:17:44] Rosetti agreed to be Minister of National
[00:17:48] Education, Cults and Arts,
[00:17:51] convinced of the urgent need to reorganize
[00:17:54] Romanian education. He didn't
[00:17:57] manage to do that, being arrested in the summer of
[00:18:00] 1948 by the new communist
[00:18:04] regime, which however couldn't
[00:18:08] sustain
[00:18:08] its accusations.
[00:18:12] It must be said, unfortunately, that this general who left
[00:18:16] significant and important memoirs through which we
[00:18:19] understand the respective era
[00:18:22] he lived in, we understand the world he lived in,
[00:18:25] the world of intellectuals, but also of politics, this general
[00:18:29] died in 1949 in prison. We have a duty to
[00:18:33] preserve their memory and by talking about houses, we actually talk
[00:18:36] about. operator sponsor
[00:18:53] Fermador
[00:18:57] sponsor Vlasie Company Săveni
[00:19:00] cheese The Heart Pharmacy
[00:19:03] Kaptena.
[00:19:07] My Romania, when with
[00:19:11] you
[00:19:13] together,
[00:19:16] my Romania
[00:19:19] is also yours, my Romania.
[00:19:47] in my thought of love, of love, of
[00:19:50] pure love, I accompanied
[00:19:53] you wherever you went, carrying a true
[00:19:57] love, and my thought of
[00:20:00] love, of love, of pure
[00:20:03] love, may it bring
[00:20:05] you back to tell me, just like the first
[00:20:09] time, it's so beautiful
[00:20:12] outside and we feel so
[00:20:16] good, and the love from a
[00:20:19] summer I would like to relive
[00:20:21] again and after a year or
[00:20:24] two may there be no separations,
[00:20:28] even if it starts to rain,
[00:20:31] with happiness I
[00:20:33] look.
[00:20:44] The same thought of love, of
[00:20:47] love, of pure love. It
[00:20:50] accompanies us always, always towards true
[00:20:54] love, our thought of
[00:20:57] love, of love, of pure
[00:21:00] love, for the rest of our lives we will
[00:21:03] sing, our love today
[00:21:05] is true,
[00:21:08] it's so beautiful outside and we
[00:21:11] feel so good, and the
[00:21:14] love from a summer I would like to
[00:21:18] relive again.
[00:21:20] and after a year or two may there
[00:21:23] be no separations, even if it starts to
[00:21:27] rain, with happiness I look.
[00:21:54] It's so beautiful outside and we
[00:21:57] feel so good, and the
[00:22:00] love from a summer I would like to relive
[00:22:04] again and after a year or
[00:22:07] two may there be no
[00:22:10] separations, even if it starts to
[00:22:13] rain, with happiness in
[00:22:15] our eyes it's so beautiful
[00:22:18] outside. and we feel so
[00:22:21] good, and the love from a
[00:22:24] summer I would like to relive
[00:22:27] again and after a year or
[00:22:30] two may there be no
[00:22:32] separations, even if it starts to
[00:22:36] rain with happiness in
[00:22:38] our eyes,
[00:22:41] it's so beautiful
[00:22:43] outside,
[00:22:48] thank you ladies and gentlemen. Welcome back, it's still
[00:22:52] beautiful outside, just as beautiful as in the hearts of those who choose to
[00:22:56] give. Giving is not necessarily associated with
[00:22:59] material gifts, with all kinds of modern
[00:23:02] follies, if you will, but rather with
[00:23:06] the fulfillment of one's own emotions. The gift, dear
[00:23:09] viewers, means love and it should not
[00:23:12] be conditioned by a specific holiday or a societal constraint.
[00:23:16] The gift must come from the heart, without
[00:23:20] obligation, as a precise gesture, if
[00:23:23] you will. We can give smiles,
[00:23:26] advice, love and perhaps the most important thing is to give
[00:23:29] ourselves. The ideal variant is, of course,
[00:23:33] as it is natural, not to expect anything in
[00:23:36] return. Today we have an edition of
[00:23:39] superlatives, again, but a varied one, in which we will easily
[00:23:43] move from famous arias, light
[00:23:46] music, to one of the most important Romanian conductors.
[00:23:50] up to a symbol of great Bucovina. I greet the
[00:23:53] viewers who watch us on TVR2, TVR
[00:23:56] Moldova and TVR International.
[00:24:00] Thank you Vlad Crețu and Supermarket
[00:24:04] for nine years with us.
[00:24:07] The ballet led by Florin Mariș and the audience
[00:24:10] who came from all over the country to be with us. Thank you
[00:24:13] dear ones. So, let the
[00:24:16] show begin on Romanian Television, in the
[00:24:19] "Drag de România Mea"
[00:24:22] galas,
[00:24:25] My Romania.
[00:24:44] We start strong, I would say, with one of the most beloved
[00:24:47] and appreciated and most requested conductors
[00:24:51] of the entire Romanian space. Originally from Buzău, he is from
[00:24:54] the homeland of Ion Andreiescu. Mom, why so
[00:24:57] sought after? A graduate of a theological seminary, and then
[00:25:01] graduated from the University of Music. My guest is
[00:25:04] a Doctor of Music, as well as a choir master
[00:25:07] for several ensembles, including the Madrigal choir. He
[00:25:11] collaborated with great directors, conducted important
[00:25:14] pieces. More than that, he initiated and conducted
[00:25:17] pop symphonic projects with big names for the Romanian scene and
[00:25:21] beyond, he also conducted musicals, has
[00:25:24] countless awards and distinctions to his name and is one of the most
[00:25:28] important contemporary personalities, a very dedicated
[00:25:32] professional, I would say, he is the manager
[00:25:35] of the Romanian National Opera Bucharest, a meticulous
[00:25:38] man, open, sometimes
[00:25:41] incisive, but full of
[00:25:44] patience and exuberance, ladies and gentlemen,
[00:25:47] applause for Daniel Jinga.
[00:25:51] "Thank you for being here, thank you for the invitation and for the extraordinary
[00:25:55] presentation. Daniel,
[00:25:59] you know, people, viewers need all musical styles.
[00:26:03] and all art in all its forms, and so in this
[00:26:06] show I brought everything, within the
[00:26:09] limits of good taste and decency. I
[00:26:12] confess to you, not only do they have, but we also have, and I need
[00:26:16] all musical styles and perhaps that is also explained
[00:26:20] by all the activity that
[00:26:23] I have done so far, unconsciously, I did it only
[00:26:26] out of the desire to satisfy some spiritual needs, to meet
[00:26:30] beautiful people among whom you are. that's why I am
[00:26:33] here, because we also collaborated and we collaborated very well and I
[00:26:37] thank you for that, I keep some very
[00:26:40] beautiful memories, thank you Daniel, tell me how you reconciled
[00:26:43] this sacred side with the secular one in your life at
[00:26:47] the beginning and how you ended up from
[00:26:51] religion to music, a very interesting thing, I
[00:26:55] would say I went from music to religion and then from religion
[00:26:59] to music, practically in the seminary music attracted me. and
[00:27:03] furthermore, spiritual concerns gave me
[00:27:07] other valences when I started to re-enter
[00:27:10] the musical world. On the other hand, this oscillation between
[00:27:14] sacred and profane we all feel in our lives, we
[00:27:17] all consume sacred music and secular
[00:27:21] music, because sacred music does not mean religious
[00:27:24] or ecclesiastical music, sacred music can also be
[00:27:27] Bruckner or Mahler, just
[00:27:30] as there are also religious
[00:27:33] songs that are somewhat
[00:27:37] less for human optimization, less
[00:27:41] profound and less, how can I say, posing life and
[00:27:44] death problems. So we all have within us
[00:27:48] the desire to be sometimes serious, to be
[00:27:51] inclined towards introspection, other times we have
[00:27:55] the desire to celebrate, to celebrate, to be
[00:27:58] joyful, to smile, to tell jokes. Man
[00:28:01] is a complex being. and that is also his beauty, but if you had to
[00:28:05] make a top of the great operas you
[00:28:08] conducted, what would you place in the first
[00:28:11] places right now, after this experience, at this moment in
[00:28:15] my life, I would place Puccini from
[00:28:18] opera, because I really like Puccini and there I
[00:28:22] only conducted Tosca, Madame Butterfly and
[00:28:25] La bohème, I will learn other important
[00:28:29] Puccini operas, obviously I like Verdi, I like Rossini. I
[00:28:33] opera place in general, but you know how it is, we gradually approach different
[00:28:36] opera titles and I have
[00:28:39] titles in my repertoire, obviously I really like
[00:28:43] the phantom of the opera as a musical, because it is a musical
[00:28:46] that deals with the problems of opera
[00:28:49] both as a genre and as an institution, because
[00:28:53] we always reconcile the manager with the artist in ourselves, and you
[00:28:56] reconcile the manager with the artist in yourself because, look, you lead such
[00:29:00] a show, you think for yourself. the tours, you think
[00:29:03] for yourself the concerts, the concepts, but what I want to say, my colleagues
[00:29:07] are right here, they whisper to me in case I tell you something that I don't know if you'll pass with flying
[00:29:11] colors, how great you are as a conductor and musician,
[00:29:14] at the moment when you studied
[00:29:17] theology, no, logically those who study
[00:29:20] theology know how to sing very beautifully, otherwise
[00:29:24] I don't know, it doesn't matter that I got good grades, yes
[00:29:27] I sang well because I sang, I sang in madrigal, now if I challenge
[00:29:31] you like that to sing...
[00:29:36] I'll donate a chorus to see how Daniel Jinga would sing, I think it would be a first, no, no one has heard you sing, a chorus,
[00:29:40] if you refuse to get upset if we tell the spectators that it's nothing
[00:29:44] premeditated, they don't believe us, how do we do it, just
[00:29:47] hum what you want right now, what comes
[00:29:51] to your mind, let's see your vocal range when good, listen,
[00:29:54] I haven't done this for 20 years,
[00:29:58] I'll sing from here,
[00:30:04] yes
[00:30:08] how big the Buzau
[00:30:11] river is,
[00:30:13] it has no
[00:30:17] walking
[00:30:19] paths,
[00:30:22] and it has no walking
[00:30:25] paths,
[00:30:27] only flowing
[00:30:29] waters, and that's it.
[00:30:39] how do you sing? pay attention to how much connection and what
[00:30:42] depth, to sing the chorus of Benones Inulescu,
[00:30:45] he launched with this song, this chorus, every
[00:30:49] exact hour in the tower in the square in Buzau, in the center,
[00:30:52] this already well-known chorus from the area
[00:30:56] is sung, and I am very close to these areas.