Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking. Treat it as a searchable index of what was broadcast, not a quotation record.
00:00:00with loyal war were the lawyers of the enrichmentists, when he
00:00:03was filing the amparos
00:00:06in a car, he parked in front of the federal security
00:00:09directorate and they kidnapped him,
00:00:12beat him, shot him, believing him to be dead, they
00:00:16years, the promoters of the cryptocurrency threw him in front of the cross, the prison was not
00:00:20dead, public prosecutor and give his
00:00:23declaration of who had been the ones who had
00:00:27tried to kill him, who is Villegas
00:00:30who was then director of the Federal Security, and
00:00:34after that he dies. The enrichmentists who were
00:00:37detained, they are released, after
00:00:41that, in February of 54, the
00:00:44leaders of the group of the 400 will also be
00:00:47kidnapped, they kill the
00:00:50leaders and finally Domingo Ortega is the only one
00:00:54who crawls and gets to tell the story and thanks
00:00:58to him we know where the bodies of his other three
00:01:02companions ended up, the attack on the Madera barracks
00:01:05is the event that marks the beginning of the revolutionary
00:01:08armed struggle in Mexico, this happened in Ciudad
00:01:12Madera, those of us who participated in the front lines were
00:01:1611, in the round house
00:01:19were Oscar Sandobal,
00:01:22Professor Martínez Valdivia and
00:01:25I.
00:01:33at one point the shooting started and I heard the
00:01:37voice of requierada which was the word
00:01:41advila and at that moment they hit Óscar
00:01:44Sandoval from the barracks a
00:01:47group of soldiers detached and came straight to where we
00:01:51were, then well yes there was some repression, they
00:01:55informed the governor an ex-military man also
00:01:59very stubborn and he said: they wanted
00:02:02land, well give them land until they're sick of it,
00:02:05he said and ordered the bodies to a common grave
00:02:09there are the companions in a common grave
00:02:12, two bundles fall from that helicopter, one
00:02:15red and one green and the
00:02:19shots begin, the Olympia battalion
00:02:22eh was inside the building,
00:02:25was with the students and
00:02:29the military. they were around, so a
00:02:32crossfire begins, one of the people who had the
00:02:36microphone says: don't run, it's a provocation,
00:02:39surely they are blank
00:02:41bullets,
00:02:45suddenly they realize that they are
00:02:48real bullets and that students are
00:02:51falling in the
00:02:53square,
00:02:57some manage to escape by going towards the archaeological
00:03:00zone, others ask for support from the church
00:03:04to allow them to take refuge, but they do
00:03:06not receive it,
00:03:08in 1975
00:03:12contributed to the visual memory of different leaders of the league agreed to have a clandestine meeting in university
00:03:14city and there is a canine event and there are
00:03:181 attendees to that
00:03:20event,
00:03:23the federal security directorate does not care about university
00:03:26autonomy, enters, locates the.
00:03:49present and there they executed them in front of them, in broad daylight, and they don't stop there, they give them the coup
00:03:51de grace. My life is not the
00:03:55same since I embarked on this odyssey against the shadows that cling to the
00:03:59present. but those shadows no longer hide you,
00:04:02grandmother, you are alive in history,
00:04:071990, a time when you were part of it and I am here fighting so that your
00:04:09name, Amelia Leal Méndez, may be
00:04:12recognized, so that it is known that you were a
00:04:15guerrilla, a woman who was not on the side of apathy
00:04:19or fear, that they silenced
00:04:21your voice, but not its echo, today I
00:04:25shout your name, Amelia Leal
00:04:29Méndez.
00:04:57This is very moving, Ana Laura.
00:14:25were the reality in Mexico in the period from
00:14:281951 to
00:14:32students, peasants, teachers,
00:14:35workers, political activists and social
00:14:38fighters suffered normalized repression,
00:14:41arbitrary detentions, torture and forced
00:14:45disappearance, serious human rights violations that for years
00:14:49they tried to cover up as if they were tabloid news and
00:14:52bury for posterity under the cloak of
00:14:55oblivion. For decades, the Mexican
00:14:58state deployed a systematic apparatus of political
00:15:02violence, aimed at silencing dissent, times when
00:15:06demonstrations were punished, when
00:15:09it was forbidden to disseminate ideas other than those of the
00:15:12government, when those who thought differently
00:15:15were persecuted and anyone who, by doing so,
00:15:19was labeled as a danger, disappeared. Facts
00:15:22fully investigated and documented
00:15:25general recommendation 46/2022
00:15:29and recommendation
00:15:309823.
00:15:34This violence canceled democracy. it cured
00:15:37families and mutilated social movements, some of the
00:15:41people who remained disappeared in clandestine
00:15:44prisons or in military camp number one managed to be
00:15:48located and return to tell their story, many
00:15:52others were never heard from again, to date they remain
00:15:55disappeared, the claim of their relatives remains
00:15:58valid, they were taken alive, we want them
00:16:02alive, which to this day fuels their struggle,
00:16:06that is why their love for truth and justice is alive and
00:16:09that is why the CNDH vindicated those two
00:16:12recommendations and now in this effort to bring current
00:16:16generations closer to the knowledge of that reality
00:16:19also collected in Frix Klogner's book which names
00:16:23the series. The wounded years, historical
00:16:26memory and a call to conscience that honors those who never
00:16:30gave up, to start from their example, to continue
00:16:32building the Mexico they wanted and that all
00:16:36of us.
00:16:55The practice of repression of every opposition effort to the Mexican
00:16:59political system throws a generation into
00:17:02clandestinity.
00:17:07of a different political option leads
00:17:11to subversion, which is just an alternative to
00:17:14the project of horror practiced daily
00:17:17by the governments of the institutional revolutionary
00:17:20party,
00:17:27it could be thought that those young people,
00:17:30teachers, workers,
00:17:33students, peasants
00:17:37did the right thing, undoubtedly the
00:17:41necessary thing in the face of
00:17:42oppression,
00:17:47therefore the low intensity
00:17:50war strategy allowed to hide not only the practices
00:17:53of torture, forced disappearance and
00:17:57murder, but also information
00:18:00control.
00:18:04It was a failed attempt to hide the...
00:18:07Truth.
00:18:11With the beginning of new political
00:18:13opportunities, only in the second decade of the 21st
00:18:16century, the sad memory of those wounded
00:18:20years emerges. Now we bet on recovering the historical
00:18:24memory that allows us to balance the
00:18:27past. Mexican society tries to avoid
00:18:31a future with the repetition of the old practices of
00:18:35horror.
00:21:51but for the
00:21:51international in Sungua,
00:22:13our stars my
00:22:17Lord my God.
00:22:21and the people
00:22:23are made for
00:22:25international,
00:22:29miso like
00:22:32family, a
00:22:34pure,
00:22:40saarios,
00:22:44sir, and no more
00:22:48saibares sure.
00:24:20to the good collador for the
00:24:24international,
00:24:28the day we will
00:24:30fail,
00:24:32neither slaves nor
00:24:35saber
00:24:38the hatred that enters the world,
00:24:42it will be
00:24:43demanded.
00:25:06We open a window for you, a space for you to stay informed about
00:25:09international events, every Sunday we share a
00:25:13space, we share a window to the
00:25:15world.
00:25:29Sunday, 8
00:25:30p.m.
00:25:34I'm Ana Luisa Guerrero and I want to invite you to our next appointment for direct
00:25:38consultation, where we will talk about muscle
00:25:41disorders.
00:25:50Send us all your questions to our social networks at @
00:25:53canal14mx to our direct WhatsApp line
00:25:565513 56 6025, I'll wait for you next
00:26:00Monday at 11:30 a.m.
00:26:05The technology market is not so different from industries like
00:26:08tobacco, gambling, fast food, it's not you who
00:26:12decides to spend hours watching videos, it's the algorithm that
00:26:15won't let you go. In its early
00:26:18and blockchain technology
00:26:22promised to revolutionize finance. The recent history of
00:26:25scams, frauds and false digital utopias is a
00:26:29warning. The age of deception. Monday, 8:
00:26:3230 p.m.
00:26:35The work of artist and activist Riney Templeton left
00:26:38visual testimony of social struggles in Mexico,
00:26:41Central America, the Caribbean and the United States. Her
00:26:45iconic black and white drawings were reproduced in
00:26:48flyers, brochures, books, posters and magazines of
00:26:52urban popular,
00:26:54student, union and peasant movements of the 1970s
00:26:57and
00:26:591980s.
00:27:02the city of Buffalo, New York in
00:27:051935. She studied art in the United States and
00:27:08England in the mid-1950s, she studied engraving in Mexico
00:27:12City. In the 1970s, she came to Mexico to
00:27:16join the Popular Graphics Workshop.
00:27:20Rinnie began her artistic life as a sculptor,
00:27:23but very soon her political activism would lead her to make
00:27:26Indian ink drawings on paper, with the idea that
00:27:29they could be easily reproduced in different formats
00:27:33and, therefore, be at the service of any social
00:27:36cause or popular expression. Her
00:27:39trajectory was marked by constant displacements between
00:27:43Mexico and the United States, as well as by trips to different
00:27:47Latin American countries, linked both to her artistic
00:27:50activity and to her participation in social
00:27:53movements. Rinnie lived in Mexico intermittently
00:27:56between 1974 and
00:27:591986. During that period, she
00:28:03participated and documented meetings, demonstrations,
00:28:06strikes and other actions in favor of social
00:28:10justice throughout the country, which were captured in more
00:28:13than 70 sketchbooks. In her work she also portrayed
00:28:17girls, boys, women and men in scenes
00:28:20of daily life, with special emphasis on community
00:28:23ties and affections, because, as she used
00:28:26to say, where there is life, there
00:28:29is struggle. Rinnie worked for 9 years
00:28:32in the design of Punto Crítico magazine, founded by leaders
00:28:36of the 1968 Student
00:28:38Movement. She also participated in the creation of the Mexican Front of Cultural
00:28:42Workers. She collaborated with numerous
00:28:45social organizations such as the National Front against Repression,
00:28:49led by Rosario Ibarra de Piedra and the Independent
00:28:52Union of Workers of the Autonomous Metropolitan University.
00:28:56After the 1985 earthquake, she
00:28:59joined the mobilizations that demanded from the government the...
00:29:11died in June 1986 in Mexico City, after a life of graphic activism that
00:29:15social struggles in
00:29:53versions,
00:30:00classification A.
00:30:41Friends, good evening, we are on public
00:30:45versions. What do we talk about when we talk
00:30:49about a cognitive war.
00:30:52It is a type of conflict that does not seek a
00:30:55material war, but a war in the
00:30:59minds and.