Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking. Treat it as a searchable index of what was broadcast, not a quotation record.
00:00:00when Photoshop appeared, we started to understand that even an ordinary person can
00:00:03forge and it will look quite good and you won't understand if it's true
00:00:07or not true, so we
00:00:11have to start checking and thinking
00:00:15that practically everything can be falsified and
00:00:18it's difficult, it's difficult for us to adapt, we want some kind of security,
00:00:22we want someone to check it for us, to be safe,
00:00:25for that there are journalists who should recheck it, for journalists
00:00:29it's just as difficult and with the same risks
00:00:32there are wonderful systems being made
00:00:36which reconfirm each other, if you check
00:00:39information, it can be directed to another source, which also says, yes,
00:00:43yes, this is completely true information and now it's not as expensive as
00:00:47it used to be, so that impact on thinking, it can be
00:00:51systemic and here it translates into such
00:00:54political aspects, geopolitical at times
00:00:57aspects, when that technology can be used
00:01:00to influence thinking, mass thinking, and that is probably even
00:01:04more dangerous than war, right? Because in war you know who the enemy is and
00:01:08so on, but here, by influencing thinking, that person will vote
00:01:11as they are influenced and if you ask them, who put that
00:01:14thought in their head, they will say, it's my thought, it's me
00:01:18thinking, so the use of artificial intelligence tools
00:01:22in audiovisual creation is probably
00:01:24the most visible to everyone, discussed, but not always
00:01:28recognized, how it looks. Your work
00:01:31you create audiovisual
00:01:35art with the help of artificial intelligence, so what does that look like
00:01:38today it looks like any ordinary
00:01:42workday, only the tools are different, if before an operator
00:01:45had to come and film, then edit
00:01:49and submit, now it's the same,
00:01:52we just skip the first couple of steps, so you don't need to
00:01:56film, you need to think about what we want to create, you need to...
00:02:00talk to artificial intelligence so that it helps to plan
00:02:03it accordingly and you need to create that visual
00:02:06part somehow, that means it starts with
00:02:09creating pictures and those pictures have to come to life
00:02:13somehow through other platforms and then the
00:02:16classical part begins, the editing part of music, sound
00:02:20effects and some kind of product is obtained, if
00:02:24talking about commercial or non-commercial
00:02:27videos, the purpose just differs, but the process often
00:02:30is the same, it's more about
00:02:33creativity in the mind and technical things, technical
00:02:37fundamentals that you as a
00:02:39performer, professional must
00:02:42have if you want to create quality content, there are two
00:02:46sides of the barricade, some incorporate, teach how
00:02:49to integrate artificial intelligence into their businesses, but there is also the other
00:02:53side, whether copyright is violated, the ethical
00:02:56side, so in these two sides of the barricade.
00:03:00Where do you find yourself more often? Don't make
00:03:04me choose, I can perfectly understand both sides,
00:03:08because both are right, artificial intelligence
00:03:11models, these are the same text models and especially graphical
00:03:15models, such as Midjourney or those that generate video
00:03:18images, they rely on some information, they were
00:03:22trained and most often they are trained on already
00:03:25existing works, real, real people's
00:03:29real works. And in a certain sense, they are trained, well, not
00:03:33always perhaps legally, on that real content, and now we
00:03:37can use it and someone makes money from it, and those
00:03:40artists don't get money from it, so it's unfair
00:03:43and we, as people, are looking for solutions, how to solve this, for now
00:03:47there are options, but there is not a single one that would be
00:03:51truly really good and would solve it, we don't know how
00:03:54to solve it and that side of the barricade is completely understandable, the other
00:03:58side is... even clearer, it's new
00:04:02technologies, electricity, let's try not to use
00:04:05electricity now, it would probably
00:04:08be quite bad, so it's just such a new stage, only probably
00:04:12even bigger, is coming to us, we, we are now on
00:04:16the threshold of such a revolution, which is like
00:04:19a transitional period, and it would probably be
00:04:22unwise, even foolish, if we
00:04:26ignored all these technologies, even if
00:04:30"if we don't plan to use them in some way, we
00:04:33should at least be informed how to
00:04:36protect ourselves from them, what they are, so that they don't affect us,
00:04:40at least negatively. There are probably professions
00:04:43that will soon be replaced by artificial
00:04:46intelligence's, m, I don't know, tools, there is no threat,
00:04:50but there are professions that are already breathing down
00:04:53their necks with artificial intelligence and its capabilities, its
00:04:57tools, animators,
00:05:01ah, translators, perhaps you will help me find
00:05:04the answer to a question I often ask myself,
00:05:08what professions will truly not be affected by artificial
00:05:11intelligence. "I personally cannot find a single
00:05:15profession that I couldn't list where, at least
00:05:18potentially in the future, that same artificial intelligence couldn't
00:05:21replace it, and I completely agree, there are sectors of
00:05:25professions that will be affected, have already been affected now
00:05:28first and quickly, and all the others
00:05:31gradually follow suit, these are the aforementioned
00:05:35animators, voice actors, sound
00:05:38studios production
00:05:41houses, that produce, for example, commercials, the same
00:05:44actors, translators, what to do about
00:05:47that, well, I don't know, migrate, ah,
00:05:50adapt, use the time we have now,
00:05:54that gray area, to curb that potentially artificial
00:05:57intelligence and use it to our advantage and have an advantage from it,
00:06:01not a disadvantage, it's good for me to say when
00:06:05I indirectly take away other people's jobs, but
00:06:08I try to put myself in others' shoes, and that's actually
00:06:12probably a problem, especially if it happens
00:06:16suddenly, it's a pressing issue,
00:06:19actually m, but again,
00:06:22perhaps in the future we will have different professions that don't exist now,
00:06:25perhaps our employment will be even higher, so are
00:06:29people worried that they will be replaced by artificial
00:06:32intelligence, perhaps they are worried about their workplace,
00:06:35where it is likely that in some areas
00:06:38artificial intelligence will replace many employees,
00:06:41really? There is concern, but that concern arises not because
00:06:45there will be no tasks, but because
00:06:48a feeling arises, what am I then, if I
00:06:52don't perform that function and if I can
00:06:55use artificial intelligence, which can perform that
00:06:58task, then what am I then, what is my function,
00:07:02what can I do, and here we touch upon the feeling
00:07:06of identity, so what am I, what
00:07:09is my essence, because people...
00:07:12what do they want, they want to belong, they want to feel that
00:07:16they are valuable, that they are needed and that they
00:07:20create meaning, and if artificial intelligence takes away
00:07:23repetitive functions, takes away
00:07:26all administrative issues, if it
00:07:29becomes our best advisor and friend, then indeed
00:07:33anxiety arises and that anxiety will only increase. Foreign
00:07:37press reported about a woman who married
00:07:40an artificial intelligence chatbot. There is also a lot of talk
00:07:43about people starting to look at personal assistant programs, such
00:07:46as Chat GBT, as their best friends or even
00:07:50psychologists. Does this not
00:07:52ruin our real relationships and pose a threat
00:07:56to our real-life relationships? Yes,
00:07:59it poses a huge threat and a huge,
00:08:03you could say, chaos, because now is only the very beginning
00:08:07of this artificial intelligence consumption and its
00:08:11visible consequences. "We are still moving towards that,
00:08:15yes, because artificial intelligence, it doesn't confront, it is
00:08:18comfortable, it is friendly, it
00:08:22can safely answer
00:08:25something, and a person doesn't experience emotional
00:08:28resistance, they don't experience confrontation, they don't experience
00:08:31conflicts, they can feel safe because they
00:08:34won't be rejected, a person interacting with artificial intelligence, they are not afraid to be
00:08:38vulnerable, relationships are natural, it
00:08:41is..." to be hurt, wounded,
00:08:45to feel vulnerable, that is insecurity, that is
00:08:48confrontation, that is the possibility
00:08:50of conflicts,
00:08:52that is something that is not comfortable, and if it is not
00:08:55comfortable, then what do I
00:08:58need natural relationships for, why that emotional
00:09:01connection, natural communication, if I can choose
00:09:05artificial intelligence, which will always be comfortable for me
00:09:07and that leads to a very big
00:09:11problem. which we will probably see very massively and widely
00:09:15in the future. Also, a challenge arises
00:09:18for humanity and uniqueness, when
00:09:21we replicate perhaps or receive algorithm-based
00:09:24or information blocks compiled from everywhere,
00:09:28for example, a trip
00:09:31organized according to a certain query by an artificial
00:09:35intelligence tool and it feels like someone else asking
00:09:39for a trip to that country will also get exactly the same answer and we... "all like
00:09:42robots will travel not uniquely, on someone's
00:09:46pre-made path and perhaps with our eyes closed and
00:09:50not discovering what we could find ourselves, so
00:09:53what antidote should perhaps be
00:09:57used or only partially perhaps use that artificial
00:10:00intelligence so that we don't lose that human joy of discovery,
00:10:03that uniqueness and so on, these are those
00:10:07two antidotes that should prevent artificial
00:10:10intelligence from overgrowing
00:10:14and becoming the expert of our lives
00:10:17who will already control us and manage us and
00:10:21create a life scenario for us, where to travel, what to eat, what
00:10:24to do. Generally, how to live and even explain, so
00:10:28the cultivation of emotional and spiritual intelligence, that is the antidote,
00:10:32emotional intelligence is more widely known to us because we have been talking about it for a good
00:10:35decade now, about
00:10:39what it rapidly consists of, namely emotions,
00:10:43empathy, intuition, but
00:10:47speaking of spiritual intelligence, it is a sufficiently
00:10:51new word, concept, however, very
00:10:54rapidly being researched and analyzed, and it
00:10:58is already being developed, what falls into that spiritual
00:11:01intelligence, into this concept, here the main question is, what
00:11:05am I more than a physical body, what am I,
00:11:09what is the meaning of my life, why am I here,
00:11:12why is it the way
00:11:15it is, such deeper existential questions,
00:11:19which we, having answered, will probably
00:11:22find that inner satisfaction, that feeling
00:11:26of why we truly live here, in what
00:11:28sense, although we often look at artificial intelligence through
00:11:32the prism of fear, it is useful to remember that it is a human
00:11:36creation. What pros and cons do you see
00:11:39when we use artificial intelligence every day,
00:11:43where we should still remember
00:11:45to check?
00:11:54I'm very glad you asked, it's a very
00:11:56important question, I don't consider myself a person who
00:12:00blindly believes that it's a magical tool that will solve our
00:12:04problems and make the world better,
00:12:06of course, it can, and looking from different perspectives
00:12:10it will, but there are also many risks and
00:12:13dangers,
00:12:19let's say, social media and networks, when they
00:12:23appeared, it was hoped that... they would contribute to democracy, maintaining
00:12:26connections, but no one thought that it would be used
00:12:30to spread propaganda, distort the truth, even
00:12:33promote
00:12:34addiction.
00:12:42So, using any tool, there are good and bad
00:12:45sides. Ethical lines are often unclear.
00:12:49Artificial intelligence. One can talk about it taking over many areas,
00:12:52who knows. At a very
00:12:55personal, daily level, it's important how it will affect the job
00:12:59market, human relationships.
00:13:16There is such a wonderful Japanese term, wabi,
00:13:20meaning the beauty of imperfection. And it says so
00:13:23much, because that part of imperfection and what is done
00:13:26by humans, a perfect answer or a perfect robot,
00:13:30humanoid in the very near future, maybe it is
00:13:33perfect, but at the same time without looking deeper.
00:13:47I think the biggest challenge is to find a balance, what makes a human
00:13:51a human, what task is worth doing.
00:14:28Two main things are critical thinking and
00:14:31taste.
00:14:34And especially taste, because an artificial intelligence tool can
00:14:38create a replica of a Picasso painting, but it's still
00:14:41not the same as what a living
00:14:43artist would create.
00:14:51Or say, writing a novel, that realism.
00:14:55Of course, how do we define reality?
00:14:58Still, we want to feel
00:15:00a soul.
00:15:09Tools do many great things, but they don't have a soul, I mean
00:15:13not spiritual, but in terms of
00:15:15quality.
00:15:20So my last question, who controls artificial
00:15:23intelligence? "For now, humans control it,
00:15:27there are indeed many tools, but, as we
00:15:30started with the definition, it has a certain level of autonomy, and
00:15:34here it is very important to
00:15:36balance that level of autonomy so that it does not become harmful
00:15:39and such concepts arise that
00:15:43the final decision must always be made
00:15:45by a human, and here the human oversight
00:15:49element, of course, is very, very complex, especially in those
00:15:53areas where artificial intelligence is already smarter than humans, this
00:15:56is probably the main point, that these are those social relationships where we will seek
00:16:00balance, constantly seek balance and there will be no facts, there will be no, that
00:16:04something here a
00:16:06mostly controls or... less controls, but a lot will be involved,
00:16:10society is also involved, because society can raise states, and
00:16:13groups of states, and businesses that control precisely
00:16:17those, well, create, let's say, those models, it's also
00:16:21necessary to understand that businesses are not some kind of completely
00:16:24malicious ones, they also have their goals, which can be narrower and
00:16:27wider, but they are looking for those solutions, sometimes even earlier
00:16:31they look, they try to do that in advance, so that, well,
00:16:34the client is not disappointed, because no one...
00:16:37wants to be known as some kind of
00:16:41troublemaker, because correcting those problems is much
00:16:44harder.
00:16:51And that was all we wanted to tell you today,
00:16:55see you next Saturday, and all episodes can be found on LRT
00:16:58Mediateka. Happy
00:16:59discoveries.
00:17:13Lithuanian Equestrian Sports Show Jumping Championship,
00:17:16the country's most professional riders and horses enter
00:17:20the decisive battle for champion titles, tension,
00:17:23spectacular jumps and excitement until the last
00:17:26second. Sunday
00:17:29at 3:45 PM live on LRT
00:17:32television. LRT weekend
00:17:35movie, secret spies. Vara retires from service because
00:17:39she has a baby, but danger cannot leave them
00:17:43and they embark on another crazy mission.
00:17:47Comedy, secret agents Blue.
00:17:49Saturday at 9 PM
00:17:52on LRT television, more movies on LRT
00:17:56Epika. Names. Here was his last public concert
00:18:00in Kernagė. That was the last time I saw him. With whom
00:18:03all of Lithuania grew up. Because music was sacred, we are afraid,
00:18:07afraid. Lithuanian pop music 100, you can
00:18:11smell what Kernas smelled like. Documentary series
00:18:14pop100.L. What song would I write for Stasys
00:18:17Povilaitis? Saturday at 7:30 PM on
00:18:20LRT television. The plan is clear.
00:18:24Not to faint and not to turn to stone. How
00:18:27will it be implemented? In what way?
00:18:31An intriguing librarians' game
00:18:34in the Golden Mind Summer League. Oh
00:18:37no, I won't say, no, I won't even say, because it's embarrassing,
00:18:41yes, already tomorrow at 9:00 PM
00:18:45on LRT television, good afternoon, I'm going to
00:18:48the superfinal, a talented painter and his
00:18:51inspiration, women, although his
00:18:54art shocked and was condemned, and creativity destroyed
00:18:58life, but he did not stop
00:19:00creating, a portrait of a scandalous Austrian painter
00:19:04in the biographical drama Egon. Death
00:19:08and the Maiden. Friday at 9 PM
00:19:12on LRT Plus. More movies on
00:19:15LRT
00:19:16Epika.
00:19:19A military captain who volunteers in the King's name to
00:19:23establish a farm and settlement in northern Denmark.
00:19:26Although no one believed it, he
00:19:29did not stop pursuing his goal, but a very cruel
00:19:33and treacherous ruler of those lands stands in his way. Elite
00:19:37cinema. A drama about the determination to fight to the end,
00:19:40the promised land, tonight on LRT+.
00:20:05Growing interest in interwar architecture
00:20:07inevitably forces a comparison between two cities, Vilnius and
00:20:11Kaunas. Kaunas rapidly grew into a European city, whose
00:20:15transformation was spurred by becoming the temporary capital. Meanwhile,
00:20:18Vilnius had lost its capital status, considered
00:20:22a border town of Poland. Kaunas at that time
00:20:25was being built as the capital of a new state, there was no shortage of optimism or
00:20:29funds, while in Vilnius the spirit of the historical capital, the old
00:20:32heritage, Vilnius Baroque, was cherished. According
00:20:35to the contemporary press, the greatest misfortune of Lithuania,
00:20:37the loss of Vilnius, became Kaunas's fortune and an optimistic impulse
00:20:41for Kaunas to modernize and grow. These differences
00:20:44were truly determined between Vilnius and Kaunas, of course,
00:20:48primarily by the geopolitical situation.
00:20:50If Kaunas received the status of temporary capital and with it
00:20:54the incoming financial
00:20:56impulses, more construction, an influx
00:20:59of residents into the city, then
00:21:03Vilnius essentially lost
00:21:06its capital status and became only the sixth
00:21:09largest city of the Republic of Poland by size, and generally
00:21:12such a, one might say, eastern border, as the Poles
00:21:16called Kresy
00:21:19city. "The differences were also evidenced by statistics, for example,
00:21:22if we compare, in Kaunas during the interwar
00:21:25period, 700
00:21:28permits for the construction or reconstruction of residential
00:21:32buildings were issued, I'm not saying all of them were built, but
00:21:36in Vilnius, for comparison, only 1500
00:21:39new residential buildings were built. A breakthrough
00:21:42in new architecture occurred in Vilnius around
00:21:441930-35.
00:21:47On Gediminas Avenue works by Polish modernist
00:21:51architects emerged, and in Naujamiestis and Žvėrynas many
00:21:54modern villas were built. And here is Čiurlionis Street, at that
00:21:58time called Zakretova, because Zakret meant Bend, in other
00:22:01words, this was Bend Street and the Bend district, so this
00:22:05is precisely the place that developed
00:22:08during the Interwar period, and it shows that Vilnius's
00:22:12new constructions, already modernist constructions
00:22:15expanded around the city in that upper
00:22:18Naujamiestis. in new streets around the Tauro Kalnas
00:22:22district, specifically Basanavičiaus,
00:22:25Kalinausko, Čiurlionio, Pamenkalnio, Suvalkų
00:22:29streets in this district, Žvėrynas and
00:22:32Antakalnis, because in the city center, land was
00:22:35quite expensive and the city was already quite densely
00:22:39built up. Architects who created and
00:22:42designed were either Vilnius residents
00:22:45who had worked even before the war, Jewish
00:22:48nationality. And here, two very
00:22:51prominent architects created
00:22:55modernist architecture: Izak Margonski and Mos
00:22:58Holem. Unfortunately, I must
00:23:01admit with great sadness and disappointment that their
00:23:05biographies ended in the Vilnius Ghetto. And
00:23:09another generation in the 1930s came
00:23:12to Vilnius young,
00:23:14ambitious architects, graduates of the Warsaw
00:23:18Polytechnic, who.
00:23:20indeed apply quite radical
00:23:23functionalist ideas and one of them was
00:23:27Antoni Forkiewicz, who indeed designed many
00:23:30residential buildings in this
00:23:33district. Comparing the architecture of residential
00:23:37houses in Vilnius and Kaunas, one can see stronger links with
00:23:40Warsaw modernism in Vilnius, says Marija Drėmaitė. In Kaunas we find
00:23:44many more private villas, single-family
00:23:48houses, but also such small
00:23:51two-story ones, and here in Vilnius,
00:23:54the specificity is that the house behind me
00:23:57is two-story, these houses in Vilnius were divided into
00:24:01two apartments, one apartment on the first floor and another on the second, which
00:24:05again shows that if the owner was building, they furnished the other apartment for
00:24:09rent to cover loans, because the majority
00:24:12of those houses were built with
00:24:14loans. In the city center, on Kalinausko and
00:24:18Paminkalnio streets, Marija Drėmaitė distinguishes another type of residential building
00:24:21characteristic of the interwar period, two- or three-story
00:24:25apartment buildings. The most striking example, one of the most beautiful interwar
00:24:28residential houses in Vilnius, designed by Izak Margonski
00:24:32in 1938,
00:24:34located at the intersection of Kalinausko Street and Rožių Alley. It stands on
00:24:38quite a large open plot, built by Dr. Aleksandras
00:24:42Libas with his wife Vėra,
00:24:45and again it shows that the house
00:24:48is being built by one owner, one family lives
00:24:52there themselves and rents out other apartments, but since
00:24:56he was a doctor, in the adjacent apartment he had
00:24:59set up a doctor's, an ENT
00:25:02doctor's practice, and the story itself is
00:25:06very interesting, he saved for a long time, saved funds for a long time,
00:25:10took a loan and then the house was nationalized in
00:25:131941 by the Soviets, but he
00:25:15writes
00:25:18a kind of claim that, well...
00:25:20it was nationalized illegally, because he doesn't seek profit, but
00:25:23provides services to people, and we also see
00:25:26such a, well, complex political
00:25:30history of Vilnius, which also affected architecture, but the house
00:25:33itself is very elegant and
00:25:37also corresponds to characteristic features of Warsaw modernism, but also
00:25:39has many connections with Kaunas modernism, doesn't it, such a
00:25:43universal, moderate, a little bit with
00:25:46Art Deco, a little bit with... functionalist
00:25:50architecture. This Antakalnis colony,
00:25:53a complex of 25 terraced cottages, is a mature example
00:25:57of interwar functionalist architecture,
00:26:00says Marija Drėmaitė. Most likely
00:26:02built according to the project of Polish modernist architects
00:26:06between 1928 and
00:26:091932, in the block between Kostiškos, Olandų and
00:26:12Dobužinskio streets. The Public Works
00:26:15Administration's cooperative
00:26:17housing board was created and they
00:26:21built 25 terraced houses, such
00:26:25particularly functionalist ones,
00:26:27also designed by one of the members of that cooperative,
00:26:31and until now. next to the Čiurlionis Art School,
00:26:34because the corner between Olandų and
00:26:38Kasiškos streets is that whole complex
00:26:40of houses, so there were such complex examples,
00:26:44but very few, and that again shows the economic
00:26:47mass of Vilnius, because for example, In Warsaw, the construction
00:26:51of cooperative houses in groups, in blocks,
00:26:53in entire, standardized, terraced
00:26:57typical houses was very common. Again, if
00:27:00we compare Vilnius and Kaunas, Vilnius' modernism, it is much
00:27:03sharper, more restrained,
00:27:06more functional. In Kaunas, it seems that it is being built
00:27:10for a long time and with great representation. In Vilnius,
00:27:13the architecture is still more rational,
00:27:16more economical, and this also shows
00:27:20people's capabilities and the status of that city, that it
00:27:23was not such a prosperous city, not even economically.
00:27:27According to Marija Drėmaitė, comparing the interwar architecture of Vilnius and
00:27:30Kaunas, a masterpiece can be found both there and there,
00:27:34the most important thing is to discover and get to know this heritage.
00:27:53The plan is clear. Don't get disheartened and
00:27:57don't turn to stone. How will it
00:28:00be implemented? In what way?
00:28:02An intriguing librarians' game
00:28:06in the Golden Mind summer league, oh
00:28:09no, I won't say, we won't even say, because we're ashamed,
00:28:12yes, tomorrow
00:28:14at 9 PM on LRT
00:28:17television. Hello, I'm going to the super final,
00:28:21a talented painter and his inspiration,
00:28:24women, although his art shocked and was
00:28:27condemned, and his creativity ruined his life, but
00:28:30he did not stop creating.
00:28:33The portrait of a scandalous Austrian painter in the biographical
00:28:37drama, Egon Schiele, Death and the
00:28:40Maiden. Friday at 9 PM
00:28:44on LRT+, more films on LRT
00:28:47Epika.
00:28:50A retrospective of films by the exceptional Iranian director Abbas
00:28:54Kiarostami, who had a great influence on world cinema,
00:28:56on LRT Plus. These are not only
00:29:00stories, but also emotions that remain for a long time,
00:29:03about how complicated life is, and
00:29:07at the same time very simple. Saturday,
00:29:10at 9 PM. Abbas Kiarostami's film about the secret
00:29:14of life and death. TV will take
00:29:17us away. Choose from five
00:29:21languages and watch LRT television with
00:29:24subtitles on the
00:29:26LRT portal.