Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking. Treat it as a searchable index of what was broadcast, not a quotation record.
00:00:00part of the perfume.
00:00:30and gentlemen, I am Camelia Văcaru, welcome to Jornal Cultura Aliată. To begin,
00:00:34a few of the topics
00:00:35of the edition.
00:00:42After five years of filming, the documentary Wild Delta
00:00:46is ready for its official meeting with the public in Romania. When
00:00:50it arrives in cinemas, we will tell you in the
00:00:52journal.
00:00:59Two projects of the Hearth association bring back into
00:01:02attention the memory of writer Silvia Kerim. What happens this
00:01:06month on Parfumului street in Bucharest? Find out in the
00:01:10journal.
00:01:16An exhibition at the Central Museum in Utrecht offers a new
00:01:20perspective on graffiti, exploring how
00:01:23this visual language has penetrated modern
00:01:26art. More details later in the journal.
00:01:35In Europe in 1938, a
00:01:38Jewish refugee arrives clandestinely on board a
00:01:41commercial ship, placing the crew before a moral
00:01:45dilemma. The show The Stowaway, directed
00:01:48by Catinca Drăgănescu, thus brings to the stage of the Masca theater a
00:01:52story about responsibility, indifference
00:01:54and compromises. A team from the cultural journal participated
00:01:58in rehearsals to cover the behind-the-scenes of a production that
00:02:02explores the limits of human solidarity and
00:02:04the consequences of individual choices. The Stowaway
00:02:09photography to film or from will be performed on October 31st
00:02:10about Silvia Kerim, in the year and November 1st, and is the first premiere of the new season at
00:02:14Masca.
00:02:16The show The Stowaway, directed by Catinca Drăgănescu, becomes a
00:02:20moral thriller about the fragile boundaries of humanity and about
00:02:24the silences that give way to evil. In the enclosed space of a ship, every
00:02:27gesture gains weight, every justification that hides a fear, and
00:02:31neutrality is revealed as a form of complicity. We are rehearsing
00:02:35The Stowaway, a text written by
00:02:37no longer there or Maria Lazăr, the action takes place on a boat,
00:02:40we are in a German port, and at sea, for me
00:02:43it's the first collaboration here at Masca Theater and I really like how I was
00:02:47received. The director is Catinca Drăgănescu who
00:02:50guides us
00:02:53somehow on this whole journey, in our course
00:02:56to discover what it's like to be a sailor. Wickedness can become
00:03:00an epidemic too, I think that's a descriptive line
00:03:03for what I do in the show,
00:03:06the rehearsals are very fun,
00:03:10even though we're working on a thriller,
00:03:14meaning a very cool
00:03:16team, we are super for each other
00:03:20and I think that shows in the show,
00:03:24we support each other a lot, meaning a very good chemistry has been created
00:03:27in the team and with Catinca... Drăgănescu, some of
00:03:31us have more experience over the years, for others it's
00:03:35the first collaboration, but it was an environment where this search
00:03:38was a common one and where we chose to constantly help
00:03:42each other in finding the best and most suitable language
00:03:45to convey this story as well as possible,
00:03:49as well as possible and as close as possible to a current event, so to speak.
00:03:52He's a refugee, he followed him into the water, you were
00:03:56suitable instruments for performing there. The story takes us to Europe
00:03:59in 1938. A man flees the authorities and finds refuge aboard a commercial
00:04:03ship. Without papers and without a country to receive him,
00:04:07he becomes the moral burden of the crew. Between law and justice, fear and
00:04:11solidarity, each character seeks their own justification, while
00:04:14the fate of a man hangs on a decision.
00:04:28Written by Maria Lazăr. on the brink of war, the play reminds us that
00:04:32evil often settles through indifference and silence.
00:04:35My role is the role of a girl who is slightly
00:04:39naive, meaning she doesn't have a very clear political
00:04:43position, but who matures
00:04:46over time and understands a bit about what the world is really
00:04:50like and what are the important things for which you have to
00:04:54fight. And in my case, I play
00:04:57the helmsman on the ship, the
00:05:00captain's deputy, and also Nina's
00:05:03fiancé, and the action takes
00:05:06us into a very complex
00:05:10process
00:05:12of, how should I say, a very extensive process of
00:05:15political and social awareness,
00:05:19our family where the action takes place
00:05:22on the ship, and somehow
00:05:25a very powerful play with a
00:05:28thriller in which we
00:05:31try as much as possible to convey as well as possible
00:05:34all the nuances and all the aspects of these conflicts that
00:05:38we have to interpret. The Stowaway is a show
00:05:42about the moment when the values we believe in are put to the test and
00:05:45about what remains of us when we have to
00:05:49choose. This month, on
00:05:52International Music Day, pianist Ștefan Doniga and
00:05:55violinist Diana Jipa performed Enescu's works on the stage of
00:05:59Carnegie Hall, opening the chamber season of
00:06:02the famous New York concert hall. Now the two
00:06:06artists are in Tokyo with a project dedicated to Lipati, and
00:06:10from October 15th, they will begin in Romania a tour of
00:06:13multimedia events where they will present a special documentary
00:06:17about the making of the violin with which Diana Jipa played at
00:06:20Carnegie Hall.
00:06:36I have titled this film "Towards Romanian
00:06:40Spirituality" and specifically "The Making of the
00:06:42Sound". I liked using this long infinitive,
00:06:46copied from Noica. It is the making of a world,
00:06:49what we documented there, because we
00:06:53followed the process of making a musical
00:06:56instrument by an authentic master
00:07:00luthier. It is about Master
00:07:03Nicolae Vădan who has the title of living human
00:07:07treasure.
00:07:11That's...
00:07:19The process is a slow one, and the choice
00:07:22of wood, from the choice of wood until the handing over
00:07:26of the instrument, everything depends only on the inspiration and
00:07:29knowledge of this master. The stages
00:07:33were very beautiful, it took a long time, it took several months
00:07:36for this documentation, because we wanted to go step by
00:07:40step in the making of this. And now I want
00:07:43to really try this, look
00:07:46here, this part, and this is a bit inclined
00:07:50and I say this will also sound. Then
00:07:53we followed the wood drying process, the way
00:07:57it is made, this process is detailed very
00:08:01beautifully in his workshop and what is most
00:08:04beautiful is that things happen in a wood
00:08:07civilization, it is about the village of Mărișel in
00:08:10Cluj County at the
00:08:12end of Tarnița lake where he even built a wood museum and
00:08:16there slowly this violin was
00:08:19made and was
00:08:22produced as a result of a deep knowledge not only
00:08:25of the process, because it must be mentioned that Master Nicolae
00:08:29Vădan is the luthier accredited by the Ministry of Culture
00:08:32to service the Guarnerius Cathedral Violin which belonged
00:08:35to George Enescu. So it is not
00:08:38just about
00:08:41of the craft, but also a knowledge of the performer.
00:08:44Master Vădan followed Diana Jipa for over a year
00:08:48through concerts to see what sound needs
00:08:52she had, he produced several violins from which he
00:08:55let her choose exactly the one he also intuitively felt
00:08:59she would choose, because it was even signed. So a very
00:09:02beautiful story and the most
00:09:05beautiful fulfillment, the happy ending, is that he gives her this
00:09:09violin and that the tour
00:09:12will be conducted on the violin
00:09:15that I showed in its
00:09:19birth. May you use
00:09:40This project, the making of sound, represents a national tour of
00:09:44seven multimedia events, because there will not
00:09:47be recitals, there will be film screenings, and
00:09:51the moments, the stages of making the violin in the film will
00:09:54alternate with our stage appearances,
00:09:57we will play fragments from the third
00:10:00sonata in popular style by George Enescu, we will start
00:10:04on the 15th right in Cluj, then we will continue in
00:10:07Zalău, in a superb building, at the Transilvania Hall, we will go
00:10:11on the 17th to Iuliu Maniu, in the house where
00:10:15Iuliu Maniu lived in Bădăcin and then we go to a very beautiful
00:10:18area where we are very fond of
00:10:21presenting elements of Romanian culture. We will go to Sfântul
00:10:25Gheorghie in Covasna to
00:10:28Odorheiu Secuiesc and to Târgu Secuiesc, this is
00:10:32the route of the seven events in which we will present the making of sound.
00:10:56The two paintings by the painter Pierre-Auguste Renoir, stolen in
00:11:00September from a museum on the French Riviera, have been recovered after
00:11:04being hidden behind a false wall in a
00:11:07garage. Six people have been detained as part of the investigation into
00:11:10the robbery, Media Fax reported. The paintings were found in a garage
00:11:14in Clermont-l'Hérault, behind a false wall made of plasterboard,
00:11:18Le Figaro wrote on Sunday. The paintings, "Portrait of Madame Colonna Romano"
00:11:21and "Young Woman at the...," were
00:11:25stolen on September 8 from the Renoir Museum in
00:11:28Cagnes-sur-Mer. The thieves allegedly entered the building after cutting
00:11:32the fence and breaking a window, managing to leave with two of the four
00:11:35targeted works. According to the French press, the main
00:11:39suspect has been charged and the investigation
00:11:42continues.
00:11:46The Danube Delta, with the beauty and fragility of its ecosystems,
00:11:50reaches the big screen. The documentary Wild Delta,
00:11:54directed by Dan Dinu and produced by Matei Truța, was
00:11:58filmed over five years and reveals species and places that
00:12:01tourists rarely discover. The story is
00:12:05told from the perspective of water through the voice of actress Medeea
00:12:08Marinescu, and the soundtrack signed by Alexei Țurcan
00:12:12includes a song performed by Irina Rimes. After
00:12:15special screenings in the country, the film will be released in cinemas from
00:12:19October 23rd. About this documentary, and also about how
00:12:22important it is to protect the delta. We are talking to
00:12:26director Dan Dinu and producer Matei Truța. Good
00:12:29evening to both of you, welcome to Cultural Journal. Good
00:12:32evening. Good evening. I think it is one of the most anticipated films
00:12:36of the moment, especially for those who have seen Wild Romania
00:12:39and are now waiting for Wild
00:12:43Delta. I'm interested first of all, and I'm looking at you, Dan,
00:12:46now. How is it that water itself tells
00:12:50the story of the Delta and why water?
00:12:54Well, it is the main character, I could say, the delta could
00:12:58not exist without water, that was our very beautiful and generous
00:13:02idea when we thought about it, we didn't realize what we were getting into, because
00:13:05making a film about water where you can't really say the word water because she
00:13:09is your main character, it was
00:13:12actually simple, but it was a challenge
00:13:15and I think people perceived it very well, a lot of people
00:13:19congratulated us for this courage and especially
00:13:23we had Medea almost there, who did an absolutely excellent
00:13:26job, from the producer's perspective,
00:13:30how difficult or easy is it to convince some
00:13:33funders that such a film is worth
00:13:36it, because it's not just a documentary, it's also perhaps an
00:13:40invitation to be more responsible with the
00:13:42environment, I would lie if I said it was very
00:13:46difficult, we are also in a perhaps more special context, because
00:13:50everything we have done started with the film Wild Romania
00:13:53after its success. This and the community we gathered
00:13:57made us an NGO and somehow all our projects go in this
00:14:01direction of trying to bring people closer to nature through
00:14:04education and then the film Wild Delta
00:14:06supports the same ideas and
00:14:10somehow we managed to find partners to help us. There was
00:14:13this business card that's why I started the dialogue with
00:14:17Wild Romania, now we are talking about Wild
00:14:20Delta, how is it behind the scenes, we are talking about five years
00:14:24of... of filming, of
00:14:27hundreds of hours of
00:14:30footage, what remains for
00:14:33the big screen, what is kept there in an archive?
00:14:37There is always this challenge, how much you film in the field and how much you can
00:14:41show in a movie theater, there were
00:14:44162 days effectively in the field, in which we gathered about
00:14:4813,000 shots, I made a calculation,
00:14:51the remaining ones, the good ones, meaning 48 hours of film. So if
00:14:55anyone is curious, we can do a screening with just those
00:14:58shots, it's not at all easy to make a coherent
00:15:02story and I think that's the challenge for any
00:15:05documentary filmmaker, especially nature documentaries, where you don't have a
00:15:08script, you basically go, film, discover
00:15:12the stories there and then you start showing exactly the most
00:15:15important moments, of course, some beloved sequences were left
00:15:19out, which we hope to put in a serial version of the film,
00:15:23but what remained, we say, is exactly the essence, exactly those
00:15:27animals, those species, those
00:15:30moments that make the delta the special place it is, the film
00:15:34has already been screened and is still on a national
00:15:38caravan, a special screening will also take place here in the
00:15:41capital this week, how was it received because it was also shown
00:15:45in festivals, even
00:15:48at FARA, I think most recently? Fortunately
00:15:52for us, the feedback was overwhelmingly positive, we hope that this feedback
00:15:55will be reflected by those who see it starting October 23rd
00:15:59in cinemas, the festival journey
00:16:02was generous to us, we had many screenings.
00:16:05"We had the premiere at Linx Festival, which is a festival organized by us in
00:16:09Brașov, dedicated exclusively to nature documentary film and nature
00:16:13photography, followed by TIFF where fortunately we won
00:16:16the audience award for the most popular Romanian film
00:16:20and the reactions were very positive, including at FARA, including at
00:16:23TIFF in Oradea and Timișoara, which are the most recent
00:16:27festivals. Apropos of nature
00:16:29photography, the documentary that brings us closer
00:16:33to this majestic wilderness
00:16:36of our country, I'm curious
00:16:39how, how for you, because you are connected to this
00:16:43area, I think since adolescence, I remember,
00:16:46you said in an interview that there was a photography club in
00:16:50Brașov, where you discovered
00:16:53the secrets of this profession,
00:16:57the club no longer exists unfortunately at
00:17:00present, but perhaps that was the moment when
00:17:04you understood that nature can come with
00:17:07you. It can't just stay there in those moments
00:17:10that you experience in its midst? I think that was the moment when
00:17:14I realized that photography can become
00:17:17beyond a passion and a job,
00:17:21a way to earn a living, because indeed
00:17:24with the move to Brașov I started to engage more
00:17:28carefully and more deeply with photography
00:17:31of, not just nature, photography in general, before in adolescence, indeed
00:17:35I took pictures, but they were more for. to bring back a few
00:17:38memories home.
00:17:41Yes, it was, it was, everyone asks me if it was difficult to make this transition from
00:17:46being a passion to being a
00:17:50job. I didn't even realize when it happened, because it was very
00:17:53natural, I didn't force anything, I let things flow
00:17:57and I think just as I went from amateur photographer to a
00:18:01professional one, I also went from a photographer to a
00:18:04film director. As long as
00:18:08you love the subject you are focusing on, I think
00:18:12it matters less how you do it, I would
00:18:15say, did it surprise
00:18:17you during these five years that you
00:18:20documented the delta and its
00:18:23wilderness? Yes, because no matter how much you think you know about
00:18:27nature, I had already been going to the delta for over 10 years before I started
00:18:30filming and I knew things, I knew about the species
00:18:34there and no matter how much you know, something will still happen
00:18:38that will surprise you and
00:18:41here it was the small details, not necessarily
00:18:44the big things, related to I don't know, a pelican colony or a
00:18:48behavior I hadn't seen before, but it was small details, creatures that simply came
00:18:52and got in front of the camera because they also wanted to appear in the documentary and
00:18:56I'm thinking here of some insects called springtails that live on the surface
00:18:59of the water and have an adorable sequence in the film, although it was not
00:19:03planned, or a river mussel that simply came when I
00:19:06was filming some plants and... it managed to do its
00:19:09usual water filtration and I realized that this process is very interesting
00:19:13and that in fact it tells a story that we might not have thought of putting in the
00:19:17script. You talk a lot about story, the story is what
00:19:21interests you before technique, before
00:19:24exposure and so on. But beyond
00:19:27the story, I think it's also about responsibility, perhaps that's how we should
00:19:31view this documentary beyond all these spectacular images. It's
00:19:35a question for both of you. Matei. "We want
00:19:38Wild Delta to be more than a film, so in these five
00:19:42years that we filmed there, we feel indebted to the
00:19:45Delta, we want to show its beauty, which will surprise both
00:19:49those who know it, but especially those who have not yet known
00:19:53it, but we would like with this film for people to ask themselves
00:19:56some questions about how they can support the Delta, to understand the importance
00:20:00of wetlands, to opt perhaps for responsible
00:20:03and slow tourism,
00:20:06apropos of their impact on the delta and to
00:20:09realize the importance of water, which is a much more finite resource than
00:20:13we think, it is not unlimited, and they can follow the campaign that
00:20:16we launched together with Medea Marinescu with 'Free the
00:20:20Water' and find small gestures that they can make that have a
00:20:23big impact in the long term, for example turning
00:20:26off the tap when we brush our teeth, small
00:20:29gestures, yes, apropos, for you, small gestures
00:20:33always matter a lot, because we have this tendency to think that what can we
00:20:36change. But we are many, there are many of us on this planet and
00:20:40if everyone takes this attitude, then in fact we have a greater force
00:20:43than we could imagine. I think the main message of the film is
00:20:47that we must let nature take its course. And somehow that's
00:20:51how the film ends on this note where we should
00:20:54arrogate less the idea of protecting nature and let it in fact
00:20:58guide us how to do things and
00:21:02normally we need support, so it's clear that we must
00:21:05also support in turn and we do it even with this film, 10%
00:21:09of the proceeds go to a rewilding project in the delta, to give an example
00:21:12that look these NGOs that in the delta fight to save
00:21:16a piece of delta that was drained in the past or that was transformed into... a fish
00:21:20farm deserves to be brought back into the natural
00:21:23landscape of the delta, because in fact what happens there
00:21:26affects everyone, it's about this important resource which
00:21:30is water and which we sometimes take for granted, we turn on the
00:21:33tap, water starts to flow, yes, but it comes from an extremely
00:21:37complex circuit which if we don't protect it, we will
00:21:40suffer. You talk about protecting such
00:21:43a place, about responsible
00:21:46tourism, there are spectacular images in this
00:21:49documentary about the wild, but in the delta also live
00:21:52different communities, how is
00:21:56the relationship between man
00:21:59and nature there and where can things be
00:22:02improved? The people there have always known how to live in
00:22:06harmony with nature, because nature meant everything to them, there, they
00:22:10took their resources from there and
00:22:13this still happens, even if in certain areas of the delta the
00:22:17villages there have developed quite a lot. There or
00:22:20the city of Sulina which is part of the Delta. I
00:22:24think they understand these things. Naturally, as everywhere, there may still
00:22:27be, I don't know, a source of pollution, poaching,
00:22:31things like that. But I think
00:22:35what we sometimes get wrong when discussing nature
00:22:38protection, is that we try to impose very strict rules without explaining
00:22:42them well enough. And I think here we need
00:22:46to work more. That is, it's good to have protection rules, but people need to understand
00:22:50why, to understand what benefits they receive if we have such
00:22:54a protected area and many of them feel
00:22:57these things, meaning they see how it was now with this prolonged period of
00:23:01drought, it is a real problem for the Delta, even if it's
00:23:04interesting, you don't see the water level dropped
00:23:07that much, because it's a very interesting phenomenon when the water recedes
00:23:11and those banks remain freed from
00:23:15water, vegetation takes over very quickly and you get
00:23:19the impression that there is no drought when you go to the delta, even if the water level
00:23:22is very low, but they feel it because they realize from the fish that are
00:23:27from other resources that they can no longer access. A documentary to
00:23:31watch, therefore, that should
00:23:34make us ask ourselves some questions about how we relate
00:23:37to nature and the environment, from
00:23:41October 23rd in cinemas across
00:23:44the country, Wild Delta will be shown, until then there is a gala screening
00:23:48on October 14th here
00:23:50in Bucharest. Thank you very much for being on the
00:23:54journal and fingers
00:24:00music concert in a religious space. Music lovers
00:24:03had the opportunity to listen to the works of Johann Sebastian Bach in
00:24:07the St. Bartholomew Evangelical Church in Brașov.
00:24:10The stars of the concert were harpsichords built after
00:24:13historical models that recreated the musical atmosphere
00:24:16of the 18th century. The concert opened the tour
00:24:20Bach 2.0, a project that aims to bring the public closer to
00:24:23the charm of classical music in atypical
00:24:25spaces.
00:24:31The harpsichord is a historical instrument less present today on concert
00:24:34stages, but which played an important role in baroque music,
00:24:38due to its crystalline sound and harmonious
00:24:41intonations. It is considered by specialists to be one of the most
00:24:46the works of Johann Sebastian Bach,
00:24:50an interpretation close to the spirit of the era in which they were
00:24:53composed. Its sound is
00:24:55characterized by the fact that it is produced by plucking
00:24:59the string and not by striking, as happens in the case
00:25:03of the fortepiano or later the modern
00:25:06piano, and we think it has an
00:25:10absolutely special sound that is particularly suitable for the concert
00:25:14venues chosen by us. For
00:25:17spectators, baroque music proved to be an experience.
00:25:22I think it's beautiful music with medieval
00:25:26accents, I would say that the harpsichord and
00:25:30baroque in general are unusually modern.
00:25:33it is a style of music that especially nowadays,
00:25:36keeps you grounded. Through the Bach
00:25:402.0 project, the organizers aim to bring ancient music closer
00:25:43to the Romanian public, including beyond the major cultural
00:25:46centers. After the concert. The last evening of Spotlight
00:26:042026 and the last edition of this project
00:26:07Străzi deschise (Open Streets), brought Bucharest residents out
00:26:11of their homes again and brought them to Calea Victoriei. The center
00:26:15of the Capital was transformed into an open-air art gallery
00:26:18with light installations, spectacular projections
00:26:22and light shows on the emblematic buildings
00:26:25of the city. Under the theme Playground, this year's Spotlight edition
00:26:29offered the public visual and interactive experiences. People
00:26:33were not content to... at a distance, but became part of the show.
00:26:36They explored the installations, interacted with the works
00:26:40and discovered art through their own gestures and movements.
00:26:43In parallel, Calea Victoriei remained a meeting point for
00:26:47walks, photos and moments spent outdoors. After months
00:26:50in which the boulevard was transformed into a promenade
00:26:54on weekends, the open streets season ends, leaving behind
00:26:57spectacular images and the memory of a city that
00:27:01for a few hours became an open
00:27:03stage for everyone.
00:27:07Casa Kerim in Bucharest transforms personal stories
00:27:10into theater, art and public encounters.
00:27:14Two projects of the Heart Association bring back into attention
00:27:18the memory of the writer and journalist Silvia Cherim.
00:27:21The Letters Festival with the autobiographical theme
00:27:25"The Self as a Living Archive" and "Silvia Cherim Dreams of You".
00:27:28An intimate show hosted right in the house where she lived.
00:27:32Signed by... playwright Doru Vatavului and director
00:27:35Bobi Pricop, the show features actress Ana Bianca
00:27:39Popescu as a guide. The project also includes
00:27:43a visual installation, guided tours and workshops
00:27:46for young people. Through letters, journals and memories,
00:27:50Casa Kerim recovers personal histories and brings them
00:27:53closer to today's public. We learn more from my guests
00:27:57this evening. Doina Dogăroiu, cultural project manager at the
00:28:00Hart Association and Natalia Cebanu, artistic director of the
00:28:04association, good evening to both, welcome to the journal, I am glad
00:28:08to see you again, yes and again, especially since we are talking
00:28:13when she would have turned 95 and
00:28:1610 since she left us, perhaps that's why this
00:28:20"Silvia Cherim Dreams of You", I would start our dialogue
00:28:24with this project and then we will talk about the letters
00:28:27festival, what does Silvia Cherim dream of?
00:28:30She dreams of all of us, we don't
00:28:32know... we'll see, it's a surprise, the show is still
00:28:35being worked on, we don't even know if the show will be called
00:28:39exactly that, word for word, "Silvia Cherim Dreams of You"
00:28:42is the name of the project, it is a project that
00:28:46we are financing with, through the Bucharest City Hall, through
00:28:49Arcub, the city hall is financing it, and which includes, as you
00:28:53said, several components,
00:28:55for now we will start with some interactive routes, so we will
00:28:59see there what she dreams of, this
00:29:01house, full of stories,
00:29:04a house where you feel closer to
00:29:07Silvia Kirim's universe,
00:29:11as soon as you cross its threshold, I think that
00:29:14the show, even if it is still a work in progress,
00:29:17is very much based on this fragrant atmosphere,
00:29:21if I may play with words, everything we do
00:29:24at the Heart association, starts from Silvia Cherim's
00:29:28personality and the entire artistic program is more
00:29:31or less related to her and what she did
00:29:35and what she left behind. From the beginning,
00:29:38we started with the Silvia Cherim Letters Festival,
00:29:42as she was a journalist and writer and left
00:29:45behind several books about memoirs.
00:29:49And behold, the sixth edition of the festival
00:29:53this year. It's a joy for us to reach this edition.
00:29:56And this year we said that the moment, after we
00:30:00have gone through so many personalities and so many dedicated shows
00:30:04to great personalities, to honor the personality
00:30:07who is dearest to us and thanks to whom we
00:30:11also got to know each other, to create such a beloved
00:30:14space, I would say, without error, by all the artists
00:30:18who cross our threshold and, of course, by us.
00:30:21And with this project we hope to achieve at
00:30:25least a little bit of what we owe her.
00:30:28In this project, in these tours especially,
00:30:31we also have a surprise. For those who have visited
00:30:35us before and know the space, we have an installation
00:30:38created by set designer and architect Diana Miroșu,
00:30:42an installation dedicated to Silvia Cherim and which
00:30:45contains many of her objects, she was also a lover of perfumes, we also have
00:30:49her glasses, we also have details that we
00:30:53have preserved and a large part of the objects, the house
00:30:56itself, anyway, when you visit us, it contains a large