Morocco: Al Maghribia

20260920 08:30 UTC · 00:30:10 · 407 transcript segments · GDELT Visual Explorer · plain-text transcript · Event Map

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Transcript

Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking. Treat it as a searchable index of what was broadcast, not a quotation record.

00:00:01The ancient city of Tetouan
00:00:03the dominant white color
00:00:04the expulsion of the Andalusians is a city that has rightfully earned its place on the UNESCO World Heritage list.
00:00:07From the heart of its buildings and walls, and from its narrow streets
00:00:11and ancient passages, a fragrant blend of Andalusian spirit
00:00:14and Moroccan aesthetics wafts.
00:00:18Leather industry in Tetouan
00:00:21and is tightened with a belt. This Bab El Oqla Museum
00:00:26is an ethnographic museum that speaks about the history of Tetouan city and its cultural characteristics
00:00:30through
00:00:32of Tetouan from its establishment displaying a collection of artifacts that have historical,
00:00:35After that, in heritage, or cultural value that embody the identity of the old city of
00:00:39of jewelry that is on Tetouan. This city, which is classified as a UNESCO World Heritage site
00:00:43piece since 1927.
00:00:451927
00:00:48Bab El Oqla Museum is a space
00:00:50During the rule of this for meeting and exchange, and a window to discover the historical and cultural richness
00:00:53of the city of Tetouan. The name of this space,
00:00:57located in Hassan Al-Saqala, is derived
00:01:00from the name of one of the seven gates of the ancient city.
00:01:04It is a heritage monument that summarizes
00:01:07ancient Tetouan. This the history of the ancient city of Tetouan and its cultural characteristics, and takes the visitor
00:01:10to a documentary exhibition titled
00:01:14Tetouan: Man
00:01:18The Bab El Oqla Museum consists of and His Environment.
00:01:19of developments, for example, in The history of this museum dates back to
00:01:211928,
00:01:23and it was first known as Dar al-Muslimin,
00:01:27Museum of Indigenous Arts.
00:01:31Its headquarters was in the Benuna house in Zankat al-Muqaddam in the old city.
00:01:35Later, on July 29, 1948,
00:01:38this museum was inaugurated in its current headquarters, which is currently located
00:01:42in the east of the old city, in Bab El Oqla, in Hassan al-Saqala. This Hassan, of course,
00:01:46is a historical Hassan that was built by Governor Muhammad
00:01:50Ashash during the reign of the Alawi Sultan Moulay Abd al-Rahman in
00:01:531830. In January 2022, the reopening of this museum
00:01:57It would develop in several fields, to visitors took place after renovation works
00:02:00that lasted almost three years. First, we rehabilitated,
00:02:04restored, and repaired
00:02:07Muqarnas, which is found in the building, and second, we launched of honeycomb. This a scenographic project aimed at
00:02:10developing a new museum display. This display is rich and exceptional
00:02:14wooden elements found in and bears
00:02:15the museum, there is this the title of Tetouan: Man
00:02:17and His Environment.
00:02:27The exhibition path begins with a brief overview
00:02:30that gives the location of the museum in relation
00:02:34to the old city. Then, it gives a historical overview
00:02:37that talks about the history of Tetouan since its establishment
00:02:41Among the items also displayed in the 15th century until the modern
00:02:44or contemporary period.
00:02:48and what made us display it in It is the white dove, the city of magic with its beauty and the authenticity
00:02:51of its history. It almost transports you through its alleys
00:02:54to the Andalusian era, given its distinctive architectural features.
00:02:58People have differed, in the past
00:03:01and present, in how to pronounce its name: Tetouan,
00:03:04Tetuan, Tataouine, and others. It means "eyes"
00:03:08or "masts." The rehabilitation
00:03:11this city.
00:03:11It flows through and reconstruction of the old city of Mandari took place
00:03:14on the ruins of the city that was destroyed and ruined. At one time,
00:03:18and religious songs. because they were found the symbols of this city and expresses its official name was "the destroyed" because
00:03:20In the museum, we display a collection of it was destroyed four times before the city we know today
00:03:23In addition to these was built, which means "the springs." The name
00:03:26Tetouan was mentioned in a number of Moroccan
00:03:29and Andalusian sources in different forms,
00:03:32including Tuan, Tataouine, and Tatuan. As for the origin
00:03:36of the name, it has been discussed by many historians and specialists, including, for example,
00:03:40Hassan
00:03:42Al-Wazzan, Professor Muhammad Daoud, Al-Faqih Al-Rahouni,
00:03:47that are performed Manuel Ortega, Abd Al-Salam Skirej,
00:03:48and others.
00:03:56and defensive towers. This ceramic channels Through this study,
00:03:57and benefits from the terrain.
00:04:00we conclude two hypotheses. The first hypothesis is
00:04:03that Tetouan is the plural of the word "Tit," which is an Amazigh word
00:04:06meaning "eye," either the "seeing eye" or the "flowing eye."
00:04:10The second hypothesis divides the word
00:04:13Tetouan into two parts.
00:04:16The first part is "Ain" (eye),
00:04:19that contains a collection of course, and the second part is "Wan,"
00:04:23which means "vision." For the majority of
00:04:27historians, they prefer that Tetouan means "flowing springs"
00:04:30due to the abundance of water and springs in this
00:04:33clothing, which is represented by city. The ancient city of Tetouan and its walls have come a long
00:04:36way to reach their current
00:04:39form. Its urban form has witnessed development,
00:04:43role. For the functional role, as its construction and expansion took approximately six centuries,
00:04:47utensils used in during which Tetouan
00:04:49to draw water from witnessed a series of political and economic circumstances. The city of Tetouan,
00:04:53or Tataouine, as it is commonly known by its original name,
00:04:56both in the sleeves is an Andalusian city For the decorative role, in origin. Its construction
00:04:58and in its sides. dates back
00:05:01to the 12th century, but it was demolished
00:05:05during a series of wars with Portugal
00:05:08deeply rooted and authentic in and Spain. It was rebuilt in the year
00:05:12of its re-establishment, 1492, after
00:05:16from Andalusia, especially after the fall of Granada at the hands of a leader, Sayyid
00:05:20al-Mandari. And its beginning was the first nucleus, named
00:05:24al-Balad, the first nucleus known as the Kasbah and a group of landmarks
00:05:27and historical monuments that exist
00:05:30today.
00:05:39This timeline gives a summary of the history of the city
00:05:44in the 15th century to the modern and contemporary period. As for the
00:05:48founding period, in the late 15th century,
00:05:51after the fall of the Kingdom of Granada,
00:05:55a group of Andalusians led by Ahmed
00:05:58Ali al-Mandari departed, heading towards Tetouan and establishing this city.
00:06:03leader and his wife who ruled after him,
00:06:07Lady Al-Hurra, Tetouan witnessed a unique development
00:06:10on several levels, whether cultural,
00:06:14artistic, civilizational, economic,
00:06:16and so on.
00:06:21In the late 16th century and until the 18th century,
00:06:24this period we called the period of peak and prosperity.
00:06:28Here, Tetouan witnessed a series
00:06:32the economic field, internal trade
00:06:34and Mediterranean trade developed.
00:06:38Urban architecture also developed,
00:06:40with the construction of a number of walls
00:06:44and new fortifications, so that the old city at that time
00:06:48took on its current shape. In the late
00:06:5118th century, Tetouan would experience a period of
00:06:54decline, both in the economic and political fields.
00:06:58In the 19th and 20th centuries,
00:07:01with the Spanish presence, Tetouan in this period
00:07:04would become the capital of art and creativity.
00:07:10for example, in the urban field, the Spanish Quarter would be built,
00:07:13which is the first to be built outside
00:07:16the walls.
00:07:20The Scondo system is an ingenious system adopted by Tetouan
00:07:23four centuries ago. It is a system based on the wise use
00:07:27of water from the groundwater table
00:07:30of Jabal Dersa. It distributes this vital substance
00:07:34to various public facilities, fountains, and houses
00:07:38in the old city.
00:07:40The museum dedicates
00:07:43a hall to the authentic water distribution system
00:07:46in Tetouan, which is called the Scondo. It is a traditional network
00:07:50for water distribution that dates back to the end of the 15th
00:07:54and beginning of the 16th century.
00:07:58القرن 16.
00:08:13Scondo is a natural water that
00:08:16comes from the surface of Jabal Dersa, the mountain
00:08:20near Tetouan.
00:08:23the old city in a system that allows
00:08:27houses, public facilities, fountains, baths, and mosques
00:08:30to all have water, which was first called "God's water"
00:08:33or "the country's water." At one time, it was called
00:08:37"Scondo water" for two reasons: first, because it was
00:08:40hidden ("escondido" means hidden), and second, because it became
00:08:44secondary ("secundo"). This system, with a group
00:08:48of natural mechanisms,
00:08:50was attracted by gravity. We call it "rising" (tali'), meaning
00:08:54a water pressure is used
00:08:56by natural pumps to raise the water to a certain level,
00:09:00which allows the distribution of that water between neighborhoods and houses.
00:09:03It relies on a device consisting of several
00:09:10Despite the deterioration of these channels and their replacement with modern
00:09:13channels, this system is still in place
00:09:17in the city and still supplies some
00:09:20houses and public facilities with water.
00:09:35Given the importance of water in the city of Tetouan, like other
00:09:39cities, the Bab El Oqla Museum displays a collection of
00:09:43archaeological artifacts, for example, this well curb
00:09:46that is carved with geometric shapes.
00:09:49It is made of pottery and dates back to the 12th century.
00:09:53Also, another well curb
00:09:56made of stone with ropes that were used
00:10:02the well. Water, which is essentially the basis of the name
00:10:05"Sitaouen," meaning "springs," has a significant relationship
00:10:09with architectural engineering.
00:10:18The upper saqia, where the water is distributed, is an important element because it has preserved
00:10:21the city's unique characteristics.
00:10:25Among these Andalusian characteristics is
00:10:28of the buildings, the colors of the doors,
00:10:32the colors of the windows, and the geometric shapes.
00:10:36It is almost inspired by Granadian architecture.
00:10:53We also have a collection
00:10:55of archaeological artifacts, such as tombstones,
00:10:58which came from the Islamic cemetery in Tetouan, and a tomb inscription
00:11:02that
00:11:05is considered a distinctive
00:11:08in the museum because it is the tomb inscription of Al-Hajj Ahmed bin
00:11:12Issa An-Naqsis, who died in the 17th
00:11:15century and was one of the rulers of the city of Tetouan.
00:11:19The old city of Tetouan is famous for its buildings,
00:11:22its historical landmarks, and the authenticity of its arts,
00:11:25which combine Andalusian Islamic architecture
00:11:29and authentic character. Bab El Oqla Museum presents
00:11:33examples of wood and zellige art that reflect the craftsmanship
00:11:36of Tetouan artisans.
00:11:49Pieces of carved and painted wood and a collection of
00:11:52authentic Tetouan zellige tiles.
00:11:55Which still adorn the buildings and houses of the city of the White
00:11:58Dove.
00:12:07Woodcraft in Tetouan represents an important part of the craft sector.
00:12:10In this section, we will shed light on
00:12:14a collection of painted pieces, for example,
00:12:17the Muqarnas panel. It is a decorative
00:12:21element that is mostly found in the arches of
00:12:25mosques of Islamic architecture. They take the shape
00:12:32the museum, dates back to the 19th century.
00:12:35In addition to the
00:12:40arch that we brought from Ahmed Ali Al-Rifi Palace,
00:12:44which dates back to the 18th
00:12:46century.
00:13:06in the museum are locks and knockers
00:13:10specifically for the doors of houses
00:13:13in the old city. They are made of iron
00:13:15and come in different shapes
00:13:19and sizes.
00:13:29The Bab El Oqla Museum has a collection of zellige pieces with
00:13:33different patterns: floral, animal,
00:13:36and geometric.
00:13:40Two of these are very unique
00:13:43in grain storage pits and date back to the 18th century.
00:13:48pieces, there are Tetouan zellige pieces
00:13:51found in Ahmed Ali Al-Rifi Palace,
00:13:55which date back to the 18th century. In Tetouan,
00:13:58zellige is cut first, and then
00:14:02the glaze is applied, which makes it very unique
00:14:05compared to other
00:14:06cities.
00:14:09The urban form of the old city of Tetouan, which we see
00:14:13now, has undergone gradual development.
00:14:16It is surrounded by a wall with seven gates
00:14:21wall was built between the 15th and 18th centuries
00:14:25AD. The Bab El Oqla Museum presents a multimedia hall
00:14:29that shows the urban development of the city of ancient Tetouan
00:14:32and its historical
00:14:33landmarks.
00:14:40Now we are in a model multimedia hall
00:14:44of backlit panels.
00:14:47This hall allows us to learn about the urban
00:14:50planning of the city, presented
00:14:53in the form of maps and images of the urban development of mosques,
00:14:57zawiyas, neighborhoods, and the walls and gates of Tetouan.
00:15:17Starting from that first nucleus, "Al-Balad," it expanded
00:15:19over centuries, especially towards
00:15:22the south, where we are now.
00:15:25This is called the lower connection, which connects
00:15:29the first Kasbah and the first nucleus with one of the important gates, Bab El Oqla,
00:15:32where we are now.
00:15:35And the connection that primarily covers an important neighborhood,
00:15:39Al-Uyun neighborhood. The ancient city of Tetouan is surrounded by a wall and has
00:15:43seven gates. Among these gates are Bab
00:15:46Al-Rumuz, Bab Al-Tutt, Bab Al-Sa`ida, Bab
00:15:49Al-Maqabir, Bab Al-Nawadir,
00:15:52and Bab El Oqla, where we are
00:15:55now.
00:16:04The urban development of Tetouan passed through three stages.
00:16:08The first stage was in the 15th century, which was the founding stage.
00:16:13the 16th century,
00:16:16the city was expanded, and in the 18th
00:16:20century, fortifications
00:16:22and walls were built for the old city,
00:16:26which gave it its current
00:16:28shape. The Bab El Oqla Museum building
00:16:31in Hassan al-Saqala extends over two floors, ground
00:16:35and upper. The building matches in its architectural style,
00:16:39its wooden ceilings, and its large zellige
00:16:42doors the houses of
00:16:44museum includes an indoor garden that imitates in its design
00:16:47the gardens of traditional Andalusian houses and palaces.
00:16:51الاندلسيه
00:16:56display floors, the ground floor and the upper
00:17:00floor, in addition to a garden designed in the Andalusian style,
00:17:03which has a basin or a fountain in its center.
00:17:06It also contains
00:17:09a wall fountain, which is considered a model
00:17:13of the fountains of the old city. As you know, Tetouan, like other
00:17:17old cities, has a number of fountains that supply
00:17:20the residents with fresh water. This fountain is decorated
00:17:24with authentic traditional Tetouan zellige, in addition to displaying a collection
00:17:27of cannons of
00:17:29original origin.
00:17:33The first floor of the Bab El Oqla Museum takes visitors on a journey
00:17:36through the arts of traditional Tetouan craftsmanship.
00:17:40Handicrafts that reflect identity
00:17:44and showcase a special aesthetic with Andalusian
00:17:46roots.
00:17:50The museum presents a Rabat carpet with a touch
00:17:53that reflects the intermingling and artistic and cultural exchange between
00:17:56Moroccan cities. The exhibition also features
00:17:59the art of authentic Tetouan
00:18:01embroidery.
00:18:04Here in this space, the Bab El Oqla Museum talks about
00:18:07traditional crafts in Tetouan, which are not considered just
00:18:10a craft or a profession, but rather an identity
00:18:14of the city and a cultural heritage that expresses the city of
00:18:17Tetouan.
00:18:21As for this carpet, it is, of course, a Rabat carpet, but what distinguishes it
00:18:26the exhibition is its frame, which
00:18:29is yellow and bears the ornamentation
00:18:33found in the embroidery of the Tetouan ta'jira and the embroidery that distinguishes
00:18:48This space presents the Tetouan ta'jira, which
00:18:52is considered one of
00:18:55its identity. It dates back to the 16th century.
00:18:59This embroidery is characterized by the richness of its ornamentation
00:19:02and its colors, and it is done on fabrics that are considered
00:19:06precious fabrics.
00:19:38Traditional industry is a traditional craft heritage
00:19:41characterized by richness and authenticity. Tetouan
00:19:44is also enriched through traditional crafts
00:19:48with its Andalusian influences and its aesthetic
00:19:51characteristics. Bab El Oqla Museum presents
00:19:54a collection of authentic Tetouan handicrafts,
00:19:57brass, ceramic, and leather works that reflect
00:20:00the Moroccan identity with a Tetouan touch.
00:20:04Traditional artisans
00:20:09in the city of Tetouan attach great importance to copperware.
00:20:13This industry, which is found in Tetouan, has two
00:20:16roles: a functional role and a decorative
00:20:21we are talking about
00:20:24the kitchen, such as
00:20:27a stove, a kettle,
00:20:30or copper plates.
00:20:33we use them for decoration.
00:20:38Traditional industry also
00:20:41includes pottery. This industry is
00:20:46the city of Tetouan, like other traditional and authentic cities.
00:20:50The ornamentation is in geometric
00:20:54or plant forms, and what also distinguishes
00:20:57it is its blue
00:20:58color.
00:21:08is among the authentic traditional crafts,
00:21:11as evidenced by Dar al-Dabbagh, which has been present since the 15th
00:21:15century and is still
00:21:18in use today.
00:21:24Embroidery is among the leather industries that distinguish Tetouan,
00:21:28such as the manufacture of slippers, saddles, leather chairs called
00:21:31"sturmiah," bags, horse equipment, and so on.
00:21:35اخره
00:21:39Tetouan, the city of art, beauty, and imagination, is also a city
00:21:43of peace and coexistence. It is a city that has taken care
00:21:46to preserve the archive of the Jewish presence within it. The museum
00:21:50offers a glass display containing a collection of
00:21:53artifacts of religious nature, as well as pieces of
00:21:57Moroccan Jewish
00:21:58clothing.
00:22:03The museum displays and gives importance to
00:22:07these Jews who were part of the population, and
00:22:10through a collection of artifacts that express Jewish
00:22:14rituals, which we find that they
00:22:17have a role in worship.
00:22:29They also have a role in worship and decoration. We also have the "tapuchim," which
00:22:32are used for the Jewish holy book,
00:22:36the Torah, which is also displayed in our museum. We also
00:22:39have Jewish clothing, which is represented by the Tetouan
00:22:43dress, called the "great dress," worn by the bride,
00:22:46and which is gifted to her by
00:23:21Tetouan is considered one of the ancient cities in Morocco that embraced
00:23:24Andalusian music and produced distinguished
00:23:27figures in it. This city played an important
00:23:30role in preserving the artistic heritage and excelled
00:23:33in it. Tetouan remains a patron of this ancient
00:23:37art, the birthplace of muwashahat and zajal,
00:23:40and it continues to enrich the spirit of Andalusian
00:23:44Moroccan music.
00:23:46Andalusian music is considered one of the important
00:23:50and essential types of music in the city of Tetouan. It
00:23:53is one of the pillars of Tetouan culture, as it has witnessed
00:23:57a development over eight
00:23:59centuries between Morocco and Andalusia.
00:24:03Andalusian music consists of poetic qasidas
00:24:10musical instruments, including the oud,
00:24:14the rabab, and the qanun, which are used in Andalusian music.
00:24:17As for the drum, the ghayta, and the qraqeb, they are used as accompaniment
00:24:20for the bride in the houdaj or bouja, as it is called in Tetouan.
00:24:24Also displayed is the Hayek notebook by Muhammad bin
00:24:28Al-Hayek Al-Andalusi Al-Tetouani, which contains
00:24:32a collection of zajal and poetic qasidas
00:24:37in Andalusian
00:24:37music.
00:24:41The Tetouan caftan is among the oldest types of Moroccan
00:24:45caftans. It is characterized by its embroidered pattern and consists of
00:24:49a vest and trousers worn under the main piece,
00:24:53which is the caftan.
00:24:58The Tetouan "shidda" or the bride's attire on her wedding night,
00:25:01is the epitome of elegance and beauty, and an important symbol of the
00:25:05Tetouan Moroccan heritage identity.
00:25:07The museum presents, in addition to authentic Tetouan
00:25:11caftans, the bride's attire and her personal belongings
00:25:15that she takes with her to her marital
00:25:17home.
00:25:20Tetouan's traditional the Tetouan caftan,
00:25:24and here the Bab El Oqla Museum displays a collection of
00:25:28caftan models that come in different fabrics
00:25:31that are of high value and precious fabrics, such as
00:25:35brocade fabric, velvet fabric, or wool fabric,
00:25:38linen fabric, and so on. As for
00:25:41what distinguishes the Tetouan caftan, the first thing is its wide cut,
00:25:48The second thing is the embroidery of
00:25:52the caftan, which is on the chest and is called "khanjar embroidery." As for the buttons,
00:25:55they are large buttons and are not fastened.
00:25:59The caftan is open, and there is
00:26:02another part of the caftan that is worn under the main caftan
00:26:23space also displays the Tetouan shidda, which is considered
00:26:27the Tetouan bride's attire,
00:26:30which expresses the culture of
00:26:38the city of Tetouan. This outfit consists of a caftan, a belt, and a "takhlila," which is a collection
00:26:42the bride's chest, and which consists of a collection of necklaces
00:26:46made of precious pearls or precious stones and gold
00:26:49pieces.
00:26:52At the end of this necklace, we have a necklace called
00:26:56"al-sha'ir," which is a gold necklace.
00:27:00As for
Data courtesy of The GDELT Project (gdeltproject.org), from the Internet Archive TV News Archive. Film strip and transcript are GDELT's, rehosted here under their terms of use, which permit it with this citation.