Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking. Treat it as a searchable index of what was broadcast, not a quotation record.
00:00:03Rest in you about the relationship that you had
00:00:06with El Zahi, because
00:00:08opened it for her. I seek refuge in Allah from the accursed
00:00:11I have to go to But we traveled from we had a session, Sheikh, forgive me, we had a session, you and I, and you said a very beautiful word on the internet
00:00:14do this? Oh, and on social media, social networks,
00:00:18that caused a stir. You said about El Zahi, you told them, "El Zahi is not
00:00:21poor, he is not not poor, he is
00:00:24not a beggar, he is
00:00:26and didn't come to not poor." You told him, "He is not poor." You told them,
00:00:30"He gave away the world with his back." People say,
00:00:34that even in "Poor him," but he is not poor. He is not poor, he gave away the world, he is
00:00:36well-off. You said a beautiful word, we would like you to clarify
00:00:39for us, because
00:00:44in the emergency room, as Omar was a man. If you were with me,
00:00:47he was my
00:00:50friend. But he used to choose only you with him. Before I worked
00:00:52with him,
00:00:54you came to tell me and then when we worked
00:00:55take you to the together, we had fun, we scored
00:00:58goals. We played like
00:01:00footballers. And the smell of the hoba,
00:01:04the hoba of Omar,
00:01:06it was a huge
00:01:09thing. But, Sheikh, they say
00:01:11Omar doesn't
00:01:13That's right. Yes, that's deal with everyone, but he did a lot with you. Weddings and so on.
00:01:16What is the wisdom behind this? What
00:01:19is the secret? We spent
00:01:22evenings
00:01:24The character is a heroic character in together.
00:01:25get out of this matter? What
00:01:25forgive me. Don't right away. for nothing. Honestly, they were formidable. But why with you, Sheikh? Why with you?
00:01:28With me, it's because he's
00:01:36And I am with
00:01:45other than to supervise this segment of there is no, there is no, Is this what you came up with? Yes, this
00:01:45a screen to see the
00:01:50kind and does good deeds. I did five weddings for him. He did
00:01:53a little dizzy. Don't five weddings for you. Yes, five weddings for you.
00:01:57Do you really have to scare me For my home, circumcision.
00:01:59It is the For the family, circumcision of the boys.
00:02:01And then his marriage. And
00:02:04then the circumcision
00:02:06"youyou" sounds and she starts dancing, she sets of his children. The aqiqah of his children. My daughter
00:02:10got her baccalaureate. He did
00:02:12my interest and my family's interest perfectly. Don't the wedding. What's there? He said
00:02:15sinner. Do not I am. It was my daughter. He used to respect you a lot, Sheikh. He used to
00:02:19respect you a lot. So,
00:02:22oh, peace. Do not I thank you, Sheikh, for that word. He gave the world his back.
00:02:25That is to say, he withdrew.
00:02:29yourself. What is He gave the world his back. You told us that he doesn't care about this world.
00:02:32Something that doesn't concern him, neither
00:02:33I was, I did materially. He doesn't care, my brother.
00:02:37By God, he was
00:02:40Let it be ruined. May God a great
00:02:42not bless you. May God person, truly. game, that's right, of We truly missed him, Mr. Omar. He was a great person. By God,
00:02:46he was a world
00:02:48at the hospital, and they'll bother us champion. Thank you.
00:02:50little bit, I did Look, I circumcised my son.
00:02:53Ah, I circumcised my son.
00:02:56I lost my form. He collected for me.
00:03:07Let's go to the
00:03:10go from me you can live
00:03:14servant in
00:03:18recommended him to me. Don't drive me crazy. Don't
00:03:30Yes, it's impossible. It's impossible. Thank you, Sheikh. And also, for the testimony
00:03:34you gave us, because we love him very much, our Sheikh. Sheikh,
00:03:38The beloved, all from let's change something. You know how to cook well, Sheikh. Do you cook a little or not?
00:03:41I cook, no, I love
00:03:43he works for me, but he didn't come to
00:03:44stop her. Neither food. I know you love food. Sheikh,
00:03:47I love potato with mint. Who cooks potato with mint? Potato
00:03:50with mint.
00:03:53wow. Oh my, what I have a musician here, and sometimes he brings us dishes. He'll give us
00:03:56God at the hour, at potato with mint now. Cut and throw. Cut and throw. He'll come now
00:04:00and explain to us.
00:04:03far from, far from the, far from Tariq, do you cook a little or not?
00:04:05resistance, but not in Ah, today, just Charif, and I. They said, "Remove for me, the two of them don't cook. of resistance, we saw works on
00:04:08with whom? With A round of applause for Marwan, who brought us
00:04:10a recipe.
00:04:14Come on, Asma, answer the Sheikh, watch out, watch out so he doesn't the rope deceive me. I don't
00:04:17tailor, how he lived this know.
00:04:20Welcome, Marwan. I heard
00:04:23period. This
00:04:23And lived this what the Sheikh said. In the name of God, he said
00:04:24Salem, don't he loves potato with mint. Do you know how to make it? See to your work.
00:04:27and I Is it like that or with Potato with mint, it's good. Marwan, do you know how to make potato with mint? Give it
00:04:34books or in a good stir. Cut some garlic, a little
00:04:38comes to the oil, salt,
00:04:38don't stretch your hand, my son. pepper, and paprika. Let it fry
00:04:43understand what I'm telling you. Don't slowly. Then add a little potato inside. There,
00:04:47cook it well. When the potato is cooked,
00:04:50Abu Leila. When I read the add the mint from the top, cover it, and that's it. That's all. The potato. Did you understand a little,
00:04:54The leader, perhaps he went to me the second one. Away from
00:04:55liked the way Sheikh? And the potato must be
00:04:56Come on, hurry But acting in covered with
00:04:57of yourself for sending your mother to the Sheikh's fat. Yes, covered.
00:05:01Come on, come on. We're putting it on
00:05:07was unprecedented in at the first opportunity, sent your mother to
00:05:08is this woman who knows him and entered his
00:05:54a fish. I cut it, remove the fillet. I put two pieces
00:05:57in a pan. I leave it for a little while
00:06:00in the fridge, not margarine.
00:06:04That's right. And then I mark it with garlic, that's all. A clove of
00:06:08garlic. And then I sauté it on both sides for three
00:06:11to four minutes.
00:06:42Mary, I continue to stir and melt in another
00:06:46saucepan 150 grams of butter. I stir
00:06:50slowly over low heat and start pouring
00:06:54that butter slowly, like mayonnaise. And I keep whisking
00:06:57it until it becomes thick. And then I add a
00:07:01lemon juice from the top. I squeeze my lemon juice and a little
00:07:05parsley. Chopped.
00:07:08I take that plate of the fillet and pour that oil
00:07:11over it.
00:07:23Sheikh, an hour is very short. An hour flew by
00:07:26so fast. It was sweet with you.
00:07:30It started to fly by so fast. Now I would like
00:07:33to hear Tariq in another
00:07:37song. After that, Sheikh, we would like
00:07:40a beautiful melody.
00:08:36Lonely, a stranger, I live alone.
00:08:39A stranger, I live alone.
00:08:43You address the homeland,
00:08:46the beloved homeland. The beloved.
00:08:51the homeland. The beloved. The beloved.
00:08:55The beloved, Algeria, the beauty of all lands.
00:08:58Algeria, the beauty of all lands.
00:09:13Hello, hello.
00:09:16Please, call me the Kasbah. Hello,
00:09:19hello. How are you, neighbors?
00:09:22Hello, hello.
00:09:26How is the dome near you? How is
00:09:29so-and-so? How is the dome near you?
00:09:33How is so-and-so? Tell
00:09:37him I am in exile, longing
00:09:40has worn me out. You miss
00:09:49lonely, a stranger. I live alone,
00:09:52a stranger. Alone, a stranger.
00:09:56You address the homeland. The beloved
00:09:59homeland. The beloved.
00:10:02The beloved, all from the beloved homeland.
00:10:05The beloved. The beloved.
00:10:09Algeria is the most beautiful of countries.
00:10:13Near the country,
00:10:13the country.
00:10:19I remembered, and my tears flowed, increasing my
00:10:22pain.
00:10:25A mark on my cheek, it left me
00:10:39and remembered the days and nights
00:10:43and the time of Eid.
00:10:45I remember Ramadan in Bejaia, the loved ones
00:10:49of Sara.
00:11:01Oh, how I long for where I am. Throwing
00:11:05far away. To whom does the throwing belong?
00:11:08He visits me and brings good news.
00:11:11I missed
00:11:13the garden. I will make
00:11:16a house.
00:11:39I remember how I used to walk and stroll
00:11:42in it. It is all white,
00:11:46all doves. Oh, how
00:11:48beautiful it is.
00:11:54God.
00:12:01the loved ones in peace, and let the night
00:12:04be long. How can this heart
00:12:07endure it?
00:12:09And then the eloquent sheikhs
00:12:13singing, chanting, and saying,
00:12:17music and شعار, give me more sadness, the oud
00:12:20with it. I missed
00:12:23the garden.
00:12:27The children, and I missed the garden.
00:12:30God, I won't prolong it. I'll describe the house.
00:12:43Tariq, you amazed me today. You amazed me.
00:12:46Thank you. Plus, you have the eloquence of a storyteller.
00:12:50Exactly. You are an eloquent sheikh, and you even have
00:12:53his laugh.
00:12:56Thank you. Thank you. Thank you.
00:12:59God bless. If you have any last words, please
00:13:02remember the name Tariq Ayyad. He is already well-known
00:13:06here. And may God grant you great success.
00:13:09May you follow your path, of course.
00:13:12And
00:13:14frankly, I really, really liked it. And the Sheikh was singing with you, you know,
00:13:18it's rare for the Sheikh to sing with you. The Sheikh already saw me.
00:13:21Ah. Yes, yes, the Sheikh. He cherished it.
00:13:38He used to pray for them, if they would only stay. God
00:13:40willing.
00:13:44Thank you.
00:13:49Anyway, and we thank the orchestra. I tell them,
00:13:53thank you. And I greet the family, from
00:13:57near and far, and my little ones. Thank
00:14:00you. You don't have that, like on Eid, and the little chick,
00:14:03and she left in the city. Thank
00:14:06you, Mandek. Anyway, thank you, Tariq Ayad. Applaud
00:14:10him very, very, very, very much. Thank you. I will come back to
00:14:14you, Sheikh. Do you have any last words before we finish
00:14:17with the last one? My dear brother, by God,
00:14:20by God, it was beautiful with you. I enjoyed
00:14:23the conversation, Sheikh. And the audience, God bless.
00:14:27Truly, it's magnificent, the youth.
00:14:30Here are the youth of Algeria, this is it. Thank you.
00:14:33Applause for our Sheikh, applause. Thank you, Sheikh. It's
00:14:36marvelous, it's marvelous. Sheikh, forgive me, let me ask you something. When
00:14:40you speak, Sheikh, you're gentle. And you're gentle, gentle, Sheikh.
00:14:44You have such tenderness, you have such wisdom when
00:14:46you speak.
00:14:51time? Simple. Thank you,
00:14:55Sheikh. By God, I am simple.
00:14:58I've known you for a long time, Sheikh, and we met once on the plane, Sheikh. And I was
00:15:02selling on the plane, Sheikh. The plane.
00:15:04And
00:15:07once upon a time, when I was young, I met you. You came
00:15:10to Canada. You came to Canada on a
00:15:13flight. I went to meet you, my brother. And I was smoking, and the world
00:15:17I couldn't smoke, I couldn't move.
00:15:20I came to tell you the first time I met you, Sheikh.
00:15:24We met on the plane, and you took me, as usual.
00:15:27And you talked with me, Sheikh.
00:15:31And
00:15:33what did you tell me that stuck in my mind? You told me you were afraid of flying. We were
00:15:36going down. I started telling you we were going to sell you, we were
00:15:40going to Montreal
00:15:43in Ramadan.
00:15:46Algeria, we stopped in
00:15:48London. London, London.
00:15:52London. The plane, the
00:15:56correspondence.
00:15:59To Montreal. Why, Sheikh? We were
00:16:02looking for something, or we went out,
00:16:04we went out. We spent a night.
00:17:07of mine, and you came to me and honored me today, Sheikh.
00:17:10Truly, Sheikh, if you have a word for
00:17:13the end, the last one.
00:17:16The invitation. You honored me, Sheikh. Sidi Ali.
00:17:19Also, my brother, it's a pleasure.
00:17:22That's it. And I tell you, thank you.
00:17:26Until next time, God willing.
00:17:29We thank Tariq Ayad very, very much, and we thank, of course,
00:17:32those who welcomed us here and took good care of us at the Atlantis
00:17:34Hotels. We thank all the technical staff,
00:17:38the musicians, under the leadership of
00:17:41Fateh Akili and the great musician Mouloud
00:17:44Mouloud, who is
00:17:45with us.
00:17:48Our friend, who just joined us, is with us, and we hope he will be with us
00:17:51tomorrow as a guest. And, of course, we thank the sound
00:17:55team,
00:17:57the lighting, and, of course, our director Rostom. Thank
00:18:01you.
00:18:03Thank you.
00:18:48From my longing
00:18:50to good.
00:18:56For good, behind,
00:18:57behind.
00:19:00Muhammad,
00:19:02my beloved.
00:19:10Oh, my master,
00:19:12beloved
00:19:14of hearts.
00:19:18Muhammad,
00:19:20beloved
00:19:28of God. Oh, my master, beloved
00:19:31of hearts.
00:20:23burned or
00:20:35rested.
00:20:53the morning.
00:21:03Oh, my master,
00:21:05pour.
00:21:12Like from outside,
00:21:14far away.
00:21:18Far away, oh, Tara,
00:21:22oh, Tara. Bound
00:21:26by
00:21:35Oh, my master, by the rope of
00:21:38sins.
00:21:43Bound
00:21:43by something.
00:22:25What judges except
00:22:28what
00:22:33crimes?
00:22:37How many stood
00:22:40at the door?
00:22:44At the door of peace.
00:22:47Peace.
00:22:49Mustafa.
00:23:02Peace
00:23:04be upon him.
00:23:09Oh, master,
00:23:12oh, Messenger of God.
00:23:16Oh, most generous of creation.
00:23:21My creation is with God.
00:23:44Your status is great.
00:23:47Oh, beloved of God.
00:23:51Your face
00:23:53is dear. Oh, Prophet of God.
00:24:17God will intercede for us.
00:24:22Oh, Prophet of God.
00:24:26A dignity that accepts
00:24:28from you, from you, the door of
00:24:31God.
00:24:37Oh,
00:24:38country.
00:24:42Thousands
00:24:42prayed.
00:24:46And the armies.
00:25:02Blessed by whom,
00:25:06oh, say.
00:25:10Yes.
00:25:26Oh,
00:25:26who.
00:25:34For us but
00:25:34Him.
00:25:41Your status is great.
00:25:45The means to
00:25:46God. All.
00:25:52What
00:25:52do you see?
00:25:57And the servant seeks
00:26:00the kingdom.
00:26:04To the door of
00:26:05God.
00:26:09Hayara.
00:26:13Only to the door of God.
00:26:16Gabriel came to him at night
00:26:19with the Barzakh.
00:26:24And he ascended from seven
00:26:27good things.
00:26:32And he drew near to his Lord
00:26:34to meet. Then he greeted
00:26:37the believers
00:26:38with peace.
00:26:44The day he lived, and the believers with peace.
00:26:48And at the hour between Zamzam,
00:26:52Gabriel stood before him.
00:26:54God. God, my master.
00:26:57And
00:26:59thus Ridwan sanctified
00:27:07him with pure greetings.
00:27:09Oh, Hilal.
00:27:12As long as the driver is there, and as long as
00:27:13the doves.
00:27:18As long as the driver is there with the sleepy
00:27:21eye. The hour between them
00:27:25and the station. The caller called
00:27:28him.
00:27:34Oh, Messenger of God, approach and do not
00:27:37fear.
00:27:41And there is Paradise, truth, and the chambers
00:27:45there. Then the guide rose, a lamp
00:27:48of darkness.
00:27:52Today the guide rose, a lamp of
00:27:55darkness. And an hour between
00:27:58Zamzam.
00:28:00Oh, my God, forgive us. Oh,
00:28:03Majestic.
00:28:07By the status of Taha and Abraham,
00:28:10the friend.
00:28:15Have mercy on the son of Yusuf, the misguided
00:28:18punish me for my deeds,
00:28:25punish me for my deeds,
00:28:28oh, peace.
00:28:33If he loves he intensified
00:28:36and
00:28:39yes, yes, yes, Sheikh. If not for the Sheikh, go ahead. And multiply
00:28:43your prayers upon
00:28:45Muhammad.
00:28:51How can you win, my brother, and
00:28:54not be happy? Ibn Anisa said,
00:28:58he said, "Oh, masters."
00:29:04What did Ibn Anisa say?
00:29:08Oh, masters, the love of our master
00:29:10Muhammad. His head
00:29:13is mine. I am his poor
00:29:17the afterlife.
00:29:24The effectiveness.
00:29:30Yes.
00:29:33My Lord, my God, forgive
00:29:36us. And the knowledge
00:29:38of my state
00:29:40and my circumstances.
00:29:45It is the knowledge of my state
00:29:49and my circumstances. The love of our master
00:29:51Muhammad. His head is mine. The servant
00:29:55prays and remembers
00:29:59the hour. God will bring relief.
00:30:03Stay
00:30:15well, my brother. And for the deceased.
00:30:19May God return every stranger
00:30:22to his home. Goodbye.
00:30:25to the
00:30:32Oh,
00:30:32Sheikh.
00:30:38And goodbye, red beard.
00:30:41And Sidi El-Khel. And Sidi
00:30:45Yahya.
00:30:51Oh, well.
00:31:00Allah, Allah. The sanctuary, O Messenger of
00:31:04Allah. Allah, Allah, how did I escape from
00:31:08your love?
00:31:10O people of intercession, glory to Allah.
00:31:14Allah, Allah.
00:31:19With Allah. Allah, Allah, He made me small.
00:31:23He made me small. Allah, Allah.
00:31:27O foreign woman.
00:31:29Allah, Allah. The sanctuary, O Messenger of Allah.
00:31:32Allah, Allah. The sanctuary, O beloved of Allah.
00:31:36Allah, Allah, O beloved
00:31:39of Allah.
00:34:45Ladies and gentlemen, dear viewers, welcome
00:34:47to your show Cine Spot, your meeting point for
00:34:50the cinema industry, but not only that. You were
00:34:54many, yes, indeed, many of you asked me to add another
00:34:57chapter dedicated to acting, and
00:35:01it will be done, and we will be joined by
00:35:05an immense actor, I say an immense actor, and I weigh my
00:35:08words, Slimane Benouali will be with us just
00:35:12after this short jingle. Thank you for accepting the invitation. I would say, finally, you need to know, dear viewers,
00:35:25that for more than 3 years, 3 years
00:35:29that I've been trying to get Slimane
00:35:32Benouali on this very set. I didn't dare, frankly.
00:35:36I don't know, since Abu Leila, since Abu Leila, I was trying
00:35:39to get Benouali on this very set, and I say
00:35:42finally, thank God.
00:35:47Once again, thank you for accepting this invitation, and welcome
00:35:50to the show Spot. Thank you for
00:35:53the invitation, and sorry for the "no"s.
00:35:57I know you were around several times, it didn't happen, and all that. There were
00:36:01several, there were several. Once you were
00:36:05I was talking about the last one. He had the film
00:36:07of Amin. I would say, that's right. He
00:36:10that's right. Even there was even. He will come
00:36:14back.
00:36:21And that's it, but we will try to make up for the time
00:36:24when I didn't have the pleasure of hosting you. So, when
00:36:27doing research, Slimane, uh, of course, to prepare this
00:36:31interview, I noticed that you have played in several theater plays.
00:36:34Uh, that's right. Do you feel
00:36:37more like a theater actor, an actor to make this difference,
00:36:41than an actor?
00:36:43Yes, I started in, in, in
00:36:46theater, and I played quite a few theater
00:36:49plays, whether it was not a few, but many, many, especially where there was
00:36:53my colleague Fouhim.
00:36:56And, uh, and I was,
00:37:00uh, a young leading man for perhaps 5 years at the
00:37:04National Theater. An eternal young leading man for some actors like him.
00:37:07That's right, I was young at the time, and,
00:37:11I consider myself, I consider myself as an
00:37:14actor. Uh, basically, I am a theater
00:37:17actor. That's right, basically. And then you were, I would say, called upon to
00:37:21embrace, I would say, the profession of actor. But we don't leave. We are
00:37:25on two fronts, as I like this term. On two fronts, because sometimes there
00:37:29is this form of duality, precisely this form of duality, we will talk about
00:37:32it for the interpretation. So, where does it come from, precisely, you
00:37:36are from where does this visceral need come from to go on stage, even when you shoot
00:37:39a film? This visceral need, I have the impression to go on stage when I
00:37:43see this strength that you give, that
00:37:46you try to have to embody the characters, to interpret the characters on
00:37:50stage. Where does this need come from? Do you need to nourish
00:37:53yourself? First of all, it's the direct link
00:37:57with the public. There is a direct
00:38:00relationship in the theater,
00:38:03yes, on stage, and there is,
00:38:06there is no safety net, there is no,
00:38:10we don't need
00:38:13actor. And I think that
00:38:16this relationship is a direct thing
00:38:20between the public and the
00:38:23actor himself, and I think it's
00:38:26it's... uh, it's a feeling that
00:38:30we always look for. Those who
00:38:32who did theater always need
00:38:36this sensation. That's right, which is sometimes inexplicable. It's a
00:38:40need. That's right, that's right. I think that, ah,
00:38:43exact, exact. Tomorrow, the cinema.
00:38:47There is no tomorrow for the soul.
00:38:51But
00:38:54on stage, it's different. It's in the moment. That's right. We can't
00:38:58cheat, we can't cheat. It's
00:39:01live, it's that's right. Even the moments of, I mean, of
00:39:04worry, or I would say, we don't want to cheat. That's right. Well then,
00:39:08you are, I would say, because I follow
00:39:12you, you are a lover of words, that is to say, of poetic text. I see a little
00:39:16bit of what you recite and all that. You make me think of those famous Shakespearean
00:39:19actors, uh,
00:39:22where, where, I would say, doubt and contradictions feed the
00:39:26monologues. He has doubts and contradictions, he has this kind of
00:39:30duality that is always present in Shakespearean actors.
00:39:33So, the characters, that is to say, do not seem
00:39:36to be interested,
00:39:38that is to say,
00:39:41by, I would say, smooth roles.
00:39:44You need this form of duality.
00:39:48I think that comes, it also comes from theater,
00:39:50uh,
00:39:52in theater, we need to go through the universal
00:39:56texts. Uh, Shakespeare, Molière,
00:40:00and others. So, we
00:40:02always, we always need, need to
00:40:06have profound texts or characters
00:40:09who are not superficial, yes, and
00:40:12uh, and I think it's necessary
00:40:15for an actor to have this
00:40:18psychological
00:40:20side, uh,
00:40:23to interpret different
00:40:26characters. That's right,
00:40:30the outside. So, so, to say, that's it, we will
00:40:34open the cinema chapter. Uh,
00:40:38your first big role, because the public knew you for this first big role.
00:40:41I'm talking about cinema. It's through the film of Amin Sidi-Boumédiène,
00:40:45Abu Leila. Uh, your performance was praised
00:40:49by cinema professionals before the critics. There were also glowing
00:40:53reviews for you. Again, how did you embrace the
00:40:57costume of this complex character in Abu Leila?
00:41:00This complex character where there was again this form of duality, this
00:41:04questioning from beginning to end. That is to say, how did you embody the
00:41:08character? How, that's right, the work done to embody
00:41:12the character, the costume of the character. Speak about
00:41:17script, uh, I really
00:41:22Amin treated the subject, and...
00:41:26sujet et...
00:41:40same age, yeah, and uh, and it, it really, uh, it speaks
00:41:44to you, it speaks to me a lot. Uh, we were
00:41:47we were the same age at that time,
00:41:50and, uh, and here I find a
00:41:53very difficult character, uh,
00:41:57it's a, it's a, uh, it's a character who suffers
00:42:01from psychological problems, and uh, talking with
00:42:04Amin to see what Amin
00:42:07looks like for an actor.
00:42:54And that's it, he chose to go deeper and work on the
00:42:57emotions and the transitions. That's it.
00:43:01It was like a color palette, but it was a
00:43:04palette.
00:43:07There was no break, no passing from one emotion to another.
00:44:04So, this is where I can ask you the next question. Finally, thank
00:44:07you again. I say we find. It was a
00:44:10real character role. That's it, we're composing,
00:44:14because you're talking to me about a palette, about colors, about
00:44:17a mixture of this form of contribution without necessarily
00:44:21falling into cliché. That's it, it's a role, that's what we call a
00:44:25character role, it's this feeling and
00:44:29difficulty, difficulty too. It's, uh, it's this
00:44:32character, he's almost erased. He's
00:44:35more
00:44:38And and and we must. And we must, he is
00:44:42erased but he must exist. That's it, he always exists but he is almost
00:44:46erased. And it was very, very
00:44:49hard to
00:44:53interpret, but
00:44:56with Amin's direction, he's someone who
00:44:59really knows, uh, whom we salute in passing. He's on a second film, I
00:45:03know, that's it, I think he finished
00:45:07or is in post-production, that's what I all that. And there,
00:45:11in passing, we saw you in Mass's short film,
00:45:14he will come back, notably also
00:45:17in a series that is close to cinematic writing,
00:45:19Karim Moussaoui,
00:45:21uh, we see that he has, he has a way in you
00:45:25of occupying the space of a
00:45:28narrative silence, translated, that is to say, that silence is narrative in you,
00:45:31translated, in the end, into a posture, I would say,
00:45:34uh, dialogue-ready. That is to say,
00:45:38your posture, this silence, it has a form of dialogue that is established in the
00:45:41silence. Is it, I would say, is it something
00:45:45we work on? Is it a work? What we
00:45:47call it makes a form of introspection, what we
00:45:51call in theater, a bit in actor's studio, it has this form of introspection.
00:45:54Does it serve you? What is the tool you use in acting or
00:45:58comedy in general? It's not just the
00:46:02text. It's not just the
00:46:05text. It's everything. It's
00:46:09the action, the reaction. So, how
00:46:12is it? The actor is not
00:46:15playing a role, but living a certain
00:46:18situation. These are situations you live
00:46:21, not play, but live them.
00:46:24Sometimes, sometimes we might see
00:46:27actors off
00:46:30script. He's lost,
00:46:33fallen. general is
00:46:37action, action, action. And action has types:
00:46:40psychological action, physical action, verbal action. Verbal action
00:46:44might come last. It
00:46:47is
00:46:50verbal action. The action
00:46:54is the last thing. The last thing is verbal action. There are
00:46:57many things we can express with, which are inner feelings
00:47:01and facial expressions.
00:47:04The training I did, I studied acting.
00:47:08I went to Linad Institute and theater.
00:47:11Theater makes you live
00:47:14situations. You are in a
00:47:17period of a
00:47:19show.
00:47:22It makes you always live the moment in its instant, meaning in its time.
00:47:43I spoke with the police and they told me I could keep the child
00:47:46until his father appears
00:47:48and returns.
00:47:51Your children are asleep.
00:47:57His mother passed away
00:47:58a year ago. She won't talk.
00:48:16She talks.
00:48:27at the
00:48:32shop. Something made him think his father
00:48:35would come.
00:48:40And this is perhaps what helped me to perform in this
00:48:44way that makes people live with you
00:48:47and believe you.
00:48:51fact that in theater, we say,
00:49:11verbal action is a result, meaning in the end, it's just a
00:49:14result in certain necessities. In cinema, perhaps the image
00:49:18is what expresses.
00:49:22Let's say,
00:49:52what was I going to say as a comedian and actor, because he has these
00:49:56two facets, uh, often, there you go, that you go
00:50:00from the, is it easier for you to
00:50:02the actor to the comedian or from the comedian to
00:50:06the actor? It's easy to go from
00:50:09comedian to actor.
00:50:12To come back is a little difficult. For example,
00:50:16I stopped doing theater in
00:50:182015. It's been a long time. Uh, I have
00:50:48this fear because I haven't worked in the theater for a long time due to circumstances that
00:50:51are not.
00:51:06you were in films that marked, I would say, the cinema, this renewal of our cinema. You worked with this new
00:51:09generation.
00:51:13There you go. You contributed. There are plenty of films, even if I talk about the
00:51:16film of films
00:51:19that were
00:51:38I wouldn't say in relation to what exactly. It's to say a little bit,
00:51:41salute the performance and all. I hope that the
00:51:44film, people will be able to see the film and judge it for themselves and
00:51:47all. Precisely, in the long run, meaning, there you go, it has this
00:51:50form of freedom that we want or not, it has other entries, it's another story. When
00:51:54I talk about Abou Laila, when I talk about Aljs, when I talk about Massas and
00:51:57all. Uh, but in dossier of
00:52:00costumes of characters having truly existed, especially
00:52:04historically. Are we confined, does the costume
00:52:07tighten because we are not limited, but I would say it doesn't have
00:52:11I don't like the term. It's very difficult, I
00:52:14would say, to portray these characters, especially from this period of
00:52:17revolution.
00:52:19existed. It's difficult to evoke these
00:52:23characters or to get into the skin of these characters. It's
00:52:27very difficult to embody historical
00:52:30characters.
00:52:31Uh,
00:52:35I mean, during the revolution period, and they are great personalities
00:52:39the collective memory of the Algerian society,
00:52:43everyone has an image in
00:52:46their imagination of this character.
00:52:49It's difficult for an actor to imagine the movements,
00:52:53the temperaments, the behaviors of this
00:52:56character, how they acted, because
00:53:00we don't have the archives, meaning we don't have
00:53:02many archives about the
00:53:06When I say archives, I mean we don't have, perhaps we
00:53:09don't have many pictures, we don't have
00:53:12videos
00:53:15that might make it easier for the actor to see
00:53:18the posture, already the exterior of the
00:53:22character. Second, the expectations
00:53:25of people.
00:53:29the collective memory, so this is a responsibility.
00:53:33Exactly.
00:53:46that he tries to live these
00:53:48situations, not to play them, but to live them, meaning
00:53:52he gives it from his feelings,
00:53:55from his inner self, he gives it everything
00:53:59he has with sincerity,
00:54:02because if the actor was sincere.
00:54:10not to cheat with the character, not to overplay and
00:54:14there you go, now I would like to ask a question to the actor,
00:54:18I saw you in a series that was presented on another
00:54:21channel, Fatma, a series where, I mean, the
00:54:25sets were important, I had the pleasure of receiving Fai Gasmi talking about the set
00:54:29and its importance in cinema to narrate, I mean,
00:54:33to tell a story of... the costumes, we feel a
00:54:36budget, we feel, there were actors, there was another story that we
00:54:40propose, another era and all, was it again
00:54:44during the month of Ramadan, and where there are dramas, it's a form of
00:54:47drama, but from another era and all, which deals with sensitive
00:54:51topics, even a topic that we can deal with today, there you go,
00:54:55uh, is it this kind of, I
00:54:59would say, of a series or a series where we must
00:55:02still, that is to say, establish. for the public during the month
00:55:06of Ramadan or during
00:55:10a story that resembles the series that we can see in other, I would say, on
00:55:13platforms, on platforms, perhaps we should
00:55:17propose, perhaps at first it won't necessarily work, perhaps
00:55:21open a door to series that talk about
00:55:24our series, is Fatma part of this genre,
00:55:28is
00:55:28it
00:56:05We saw perhaps the aspects
00:56:10drama, but we didn't see anyone who
00:56:14would tell how the society lived at that time,
00:56:17I mean, the simple greengrocer or the ordinary
00:56:22colonialism, how he
00:56:28change that came to him from abroad
00:56:31colonized a whole country. How was this
00:56:34change? I mean, we can't read about it in
00:56:39schools. I think drama must
00:56:43address these topics so that we can see these periods again or see Algerian
00:56:47society in a different way and see our culture.
00:56:51We see our culture to see that we were not
00:56:54savages as
00:56:57the colonizer portrayed us.
00:57:01We were a country existing on its own, with its culture.
00:57:13Perhaps at a time when perhaps the French didn't know who their father was. Uh,
00:57:18Algeria had a great cultural diversity.
00:57:22If the people of cinema
00:57:25or television generally
00:57:28don't work on these
00:57:32topics, who will work on them? Ain al-Janah from
00:57:35another side, meaning that we see
00:57:39Algerian society
00:57:41far from the big
00:57:44cities. Algeria is not just the city.
00:57:48Algeria is not just the city. Algerian cinema is not just Algerian cinema.
00:57:51Algerian cinema is also not just
00:57:55the big cities. I mean, I know that big cities are
00:57:59the biggest gatherings where people gather,
00:58:02but there are topics that concern the
00:58:06capital. There is
00:58:09a lot of wealth
00:58:12in Algeria
00:58:15and its diversity. Algeria is a large continent, so it has topics that concern
00:58:19everyone, especially humanitarian topics. I mean,
00:58:22that when the topic is humanitarian,
00:58:26it no longer
00:58:28concerns only Algerian society. It can even be marketed abroad. The
00:58:32universal thing is that it addresses a
00:58:35humanitarian topic
00:58:37far from his race or his religion or his ideology. Far
00:58:41from this, when I see international
00:58:45films, why do I limit myself inside?
00:58:49I feel myself as a human being
00:58:52in this film because it deals with a humanitarian topic
00:58:55that concerns me and concerns humanity in general, far from
00:58:59orientation, far from ideologies, far from
00:59:02such topics that concern Algerians
00:59:05and are humanitarian, meaning we can even market them abroad.
00:59:09Sulaiman Benouari accepted this invitation again and
00:59:12I am very happy to have received you on this set. So for another
00:59:16episode. It will be soon, with that I bid you
00:59:20farewell and see you very soon.
01:00:55He travels from Kabylia, where he is from, to Oran
01:00:58in search of daily bread.
01:01:10Fate willed that his life take an unexpected path by
01:01:14meeting men united by principles and convictions.
01:02:21With his group, he works in absolute
01:02:23secrecy, so as not to be unmasked by the intelligence
01:02:27services that dismantled in one night, a
01:02:31group of 83 fedayeen led
01:02:34by Hammed, the leader of the fedayeen
01:02:36operations in Oran and its
01:02:38surroundings.
01:02:44Salmani Chaban leads in the city center one
01:02:48of the most perilous operations. He
01:02:51is convinced of the success of this important armed
01:02:54action.
01:03:00If it hit the soldiers and had a great
01:03:03impact on the French army, it killed about
01:03:0645 people, between wounded and dead,
01:03:10and that's why they rushed to finish him off
01:03:14they say, they passed him, condemned to death.
01:03:18He was
01:03:24arrested and prosecuted for
01:03:26the operation.
01:03:30to death by the military tribunal
01:03:32of Oran.
01:03:41In death row, he meets many
01:03:43nationalists, who sacrificed everything for a free and
01:03:47independent
01:03:48Algeria.
01:03:56And he had a laugh, his cheeks wanted to become.
01:04:30Great is his satisfaction and his
01:04:33pride to know that his sacrifice,
01:04:36in the company awaiting death for more than 3
01:04:39years, will be engraved in golden
01:04:41letters.
01:04:49This terrible night marked forever the mind of his cellmate.
01:04:53He remembers it as if it
01:04:56were yesterday. And when we entered cell
01:05:0013, they started praying. I asked them what
01:05:02was going on. They said, "This is our last night." I told them, "Do you have
01:05:05a problem?" They said, "No, because our lawyers told us
01:05:09that they rejected you." The three
01:05:13companions
01:05:16prepare to face
01:05:18death.
01:05:25He doesn't know that the guillotine will spare him and allow
01:05:29him to witness these tragic
01:05:31moments.
01:05:41At this precise moment, at the dawn of this glacial January
01:05:4528, 1958,
01:05:48he thinks that his fate will not be different from that of his cellmate.
01:05:51At
01:05:544 AM, they attacked. The prosecutor,
01:05:58the prison director, the imam, the mufti of the Arabs,
01:06:01and the guards opened
01:06:05the second gate,
01:06:08and even the third gate. They attacked
01:06:10us and found us standing, waiting for them.
01:06:26We were standing, three people: Salmani
01:06:29Chaaban, Charif Ali
01:06:32this man." They removed me, and two
01:06:36remained. They talked to Salmani Chaaban. They untied him from
01:06:41and removed his chains. Then
01:06:45they started talking to him
01:06:47in French. "Today you will die."
01:06:51He kept answering them in French, saying, "I
01:06:54will pass away and go to Paradise,
01:06:57will be in Paradise and everything. See how you will die."
01:07:02Driven to the guillotine, an image comes to his
01:07:06mind, that of
01:07:09paradise.
01:07:14Under the invocations of God, these last steps on
01:07:17earth taste like the first steps in paradise.
01:07:30The guard told us that
01:07:34the death they died
01:07:37the world because of their great courage and strength. May God have mercy on the
01:07:40martyrs.
01:07:45As a hero, not fearing death,
01:07:49he bids farewell to his companion Ali
01:07:51Sheriff.
01:07:56Courageously, he lays his head on the block,
01:08:00and prepares to join paradise.
01:08:03His soul soars
01:08:06to float in the sky of the proud mountains of
01:08:09Djurdjura, having welcomed the revolution
01:08:13until the supreme
01:08:14victory.
01:08:18Long live Algeria, free and independent.
01:11:16Asma, I think you should go and finish your university
01:11:20matters. If Omar needs help, I'm here.
01:11:22Honestly, I have time later. And I'm
01:11:25curious to know what this issue is. The truth is that Jenar has been found
01:11:29finally. Thank God that she's back to
01:11:32her children. Really, she's been found. This is great
01:11:36news. So how is she? Is she well? If
01:11:39there's anything I can do, uh,
01:12:12Because suddenly, you don't know when your end will come,
01:12:16Jenar. Even if I'm
01:12:20in prison, there's a world out there
01:12:23waiting for you, Asia. Poyraz kidnapped me and tried
01:12:26to kill me.
01:12:36You should be proud
01:12:39prison. Look.
01:12:43Jenar, whom I pitied so much
01:12:46prison. David, open your eyes.
01:12:49Open them.
01:12:59What happened, David? Tell me. I found Farhat. My men are working
01:13:03now. They are looking for Farhat everywhere.
01:13:06the company, and if anything happens, I'll let you know. You
01:13:10go home for the children, okay?
01:13:13Yes, David, before I go home, I want to see my mother again. It doesn't
01:13:17seem like she's well at all.
01:13:20Exactly. Okay, then go see her and tell her
01:13:24as soon as possible.
01:13:46She's tired, stressed, that's what she told me. And yesterday she stayed with her at the hospital. How is she today? Good. Thanks. She's
01:13:49better now.
01:13:58I can't believe it, Mom. This day has finally come.
01:14:02My siblings won't miss their mom anymore. Wait a second, let me talk to them
01:14:06right away.
01:14:09I'm afraid they won't accept this, my
01:14:11daughter. But I hope
01:14:15they believe me so they can
01:14:20worry about anything, Mom. I am sure they will believe you,
01:14:24and my grandmother is not here, so there's no need to be afraid of anything. And from now
01:14:28on, all your children will be around you, and tomorrow you will
01:14:31see them.
01:14:35Oh, my daughter, if you only knew, even if
01:14:37I told you, there would still be something missing in my life.
01:14:41I won't be able to tell Qudra that he is my son and embrace him. If
01:14:45you knew that I am depriving you of your brother,
01:14:48would you forgive me then?
01:14:49I wonder.
01:15:03Here, your friend has arrived.
01:15:17What happened to you, Nawal? David still hasn't found a way
01:15:21to get me out of here. I mean, he's trying very
01:15:24hard, Mom. But God willing, he'll catch Farhat. What is he
01:15:28going to do
01:15:28with Farhat?
01:15:32He will convince Farhat and make him take full responsibility for the matter.
01:15:35And this way, you will get out of here, Mom.
01:15:38That's
01:15:42right. Mom,
01:15:44I know it's not the right time, but I
01:15:48want to tell you something else
01:15:49important.
01:15:52Jenar is determined this time. She wants to tell
01:15:55the children everything. She's going now to meet them. What are you
01:15:59saying? What are you doing here then? You have to go
01:16:02stop her by any means. Nawal, do something proper.
01:16:06Come on. The snake, no matter what happens,
01:16:09must not be heard. Unbelievable, my grandchildren are believing her lies and hypocrisy.
01:16:13Do you understand, Nawal? Mom, but what can I do?
01:16:16I mean, Jenar was silent because she was afraid of you, but
01:16:20she won't be afraid of me now. And then she might have
01:16:23seen them and told them everything. I mean, do you think, smarty, why
01:16:27am I here now? As long as Jenar is going to talk to the children,
01:16:31what did I gain from what I suffered?
01:16:34Listen to me. Do anything, just
01:16:39Yassin nor Asma should
01:16:43know that this snake is their mother. Do you understand? You have to
01:16:46stop her. Go now, do your
01:16:48job.
01:16:54Come on.
01:17:05I hope I'm not late.
01:17:09phone.
01:17:12Yes, Auntie. Where are you, my daughter? My sister
01:17:16called us. We need to meet at Aunt Aisha's house
01:17:18today. Okay, Yassin, is that
01:17:21something you have? Yes, why? What's wrong? No, go
01:17:25now. Call Sahar immediately and tell her that
01:17:28you're not coming. Your grandmother is waiting for you, and you have to come here
01:17:31quickly. Okay, we'll pass by her and then
01:17:35we'll come. My daughter, you don't
01:17:38let your grandmother wait because she'll be upset with you.
01:17:41You scared me. What's this urgent matter? I don't understand. Didn't I
01:17:45say my grandmother went to visit a sick person? What's wrong? It seems something happened. My daughter, I'm
01:17:48telling you to come, and you're asking a hundred questions. Come on, don't waste time
01:17:52and come right away. If it wasn't important, I wouldn't tell you to come quickly. Okay,
01:17:56Auntie, we'll finish and come back right away. Tell my grandmother, and she'll surely
01:18:00understand.
01:18:05She hung up.
01:18:08No, it's not normal how stubborn she is. Who will she
01:18:12take after? Her mother, of course.
01:18:13And now, what am I
01:18:17going to do?
01:18:19What did you do, Fateh? Tell me. You couldn't find
01:18:21Farhat?
01:18:25Okay, I'm waiting for
01:18:26news from you. Yes, there's
01:18:29an appointment.
01:18:37What's wrong, Khalil Effendi? What are you doing here? I just
01:18:40came to tell you a couple of words. If I don't say them, I won't be at peace. Look, Khalil,
01:18:44if you want to open old wounds, get out of here
01:18:47quickly. You don't need I heard that Jenar is a traitor.
01:18:51Despite everything that happened to her, she held on to
01:18:54life. Yes.
01:18:58And what's it to you now? So
01:19:02that?
01:19:03No.
01:19:07I came to tell you to take care of her. We
01:19:11stole 20 years of her life and deprived her of
01:19:14her children for our own benefit. We tortured her without
01:19:17mercy.
01:19:19From now on, you are responsible for protecting her.
01:19:22Otherwise, you know very well what I will do, Mr. Dawood. What
01:19:26do you mean, Khalil? Are you threatening me in a
01:19:30polite way? Understand it as you wish. And I
01:19:33warn you, if this woman gets hurt again, then
01:19:37nothing will
01:19:38stop me.
01:19:47Don't worry, Khalil. From now
01:19:50on, I will protect Jenar very well, but not out of
01:19:54fear of you at all, because
01:19:56after this, I won't be able to bear another sin
01:19:58on my conscience.
01:20:07There she is, my sister.
01:20:08Hello.
01:20:16Where have you been, Aunt Aisha? We missed
01:20:18you.
01:20:26How are you, Aunt Aisha? Give
01:20:27me your hand.
01:20:30Thank you. After seeing you, I feel
01:20:33better.
01:20:42Aunt Aisha, what's wrong with you? Are you
01:20:44okay? Nothing. A small
01:20:47accident. Nothing
01:20:50important, thank God. You're fine, thank God. We wish
01:20:54you had told us.
01:20:58Thank God you're safe. If anything bad happened to you, we would have
01:21:01been upset.
01:21:07You're very dear to us. Look how
01:21:10sweet we are together. And we really missed you a lot.
01:21:23Mom,
01:21:26don't look ahead. You almost made me fall. You're
01:21:29at this age and still haven't learned to walk like a normal person. Mom, is something
01:21:33wrong with you? Mom, you're the one who can't see what's in front of you, and on top of that, you hit
01:21:37me. Your tongue is always long, and you keep
01:21:39answering me back. Now, I don't know why
01:21:43you're angry, but there's no need to take it out
01:21:45on me.
01:21:48Excuse me, my son. I'm a little tired because I didn't
01:21:51sleep, that's why I'm angry. Okay, Mom, no
01:21:55problem. Tell me, where is my grandmother? Is she still staying with her
01:21:57relatives?
01:22:00I expect her to stay there for a few days. Okay then, I
01:22:04have to go. Come here and let me kiss you. Aha.
01:22:09Take care
01:22:09of yourself.
01:22:18Welcome, Nawal Khanum. Hadiye
01:22:20Khanum just arrived and asked about Aisha Khanum. She went to Sahar and
01:22:24didn't find her there, and she was worried about her and came here. As if her only concern
01:22:28is Hadiye and Aisha. Go
01:22:30do your job.
01:22:37So, Hadiye doesn't know where Aisha is?
01:22:41That's strange, really. That means she didn't tell
01:22:44her anything. I wonder if she talked to the children or
01:22:48not yet. I hope something happens and she can't tell them,
01:22:51because Mother Asia would kill me.
01:23:05It's unbelievable how good it is. This is truly the second best cake I've eaten
01:23:09in my entire life. Who made the first cake? What kind
01:23:13of question is that, brother? Aunt
01:23:15Aisha's cake. Really, Asma is
01:23:18right. I mean, the food you make is something else, Aunt
01:23:21Aisha.
01:23:26I think now's the time, Mom. Come on, speak.
01:23:40My children,
01:23:43for a long time I wanted to talk to you about something
01:23:45important.
01:23:48It wasn't easy at all to make
01:23:51this decision.
01:23:55If I hadn't made you, maybe I wouldn't have been encouraged.
01:23:59I hope you understand me and believe
01:24:01me too.
01:24:06What's wrong, Aunt Aisha? Is there
01:24:10a problem?
01:24:31Life has everything.
01:24:34The bad
01:24:36and the good.
01:24:39Depending on your
01:24:40perspective.
01:25:01Oh, Sahar, oh, you burned us
01:25:04with what you did. What do I do now? Ugh,
01:25:07ugh.
01:25:10A short while ago, a
01:25:13few months ago, life was not fair to me at all.
01:25:16I thought I would never laugh again, and I lost
01:25:20hope completely.
01:25:23But I thank God for showing
01:25:25me all of you.
01:25:29You are amazing. And your hearts are very
01:25:33kind.
01:25:36And honestly, the best thing that happened
01:25:39in my life is that I met you all.
01:25:42And that you opened your warm
01:25:44hearts to me.
01:25:47And we loved you very much, Aunt Aisha, and you mean a lot
01:25:50to us. And we also thank God for sending us
01:25:54a person like you, with a pure and kind heart.
01:25:57In the worst of times, you stood by me, and you even
01:26:00supported me. I will not forget this.
01:26:02By God.
01:26:09I don't want to bother you or disappoint you, but
01:26:12honestly,
01:26:16there are some things I need to say, Aunt Aisha.
01:26:21Your nose is bleeding. Look, Aunt Aisha, are
01:26:24you okay?
01:26:27hospital.
01:26:32I'm fine, don't worry. Maybe
01:26:35my blood pressure went up. I'll go wash my face and I'll definitely
01:26:38feel better.
01:26:45All is well, God willing. What happened
01:26:47until now?
01:27:50Oh God, I've been waiting for this day for a long time. Bring me
01:27:53strength so I can talk to
01:27:55my children.
01:27:59If I don't talk now,
01:28:00I'm afraid
01:28:03I won't be encouraged again after
01:28:05today. Bring me help.
01:28:24Something must have happened, girls, because it's taking too long. I'll go see her.
01:28:27I'm coming with me. There's no need for you to stay
01:28:29here.
01:28:53Mom, Mom,
01:28:55what happened to you, Mom? Are you
01:28:57okay?
01:29:01Get up.
01:29:16Nothing, my daughter. The floor is wet
01:29:18and I slipped. But the floor is not wet, Mom.
01:29:22It's clear you fainted, Mom.
01:29:25You're not well. Let me
01:29:27hospital.
01:29:35My daughter, there's no need to go to the hospital for a small
01:29:39dizzy spell.
01:29:42Maybe it happened because I was stressed.
01:29:46If I talk to your siblings, I'll definitely feel better.
01:29:49Mom, your health is more important than anything else. Let's
01:29:52go for my sake,
01:29:54Mom.
01:29:59Okay, my daughter.
01:30:07They haven't returned yet. What do you think if you go
01:30:09and see them?
01:30:16Aunt Aisha, are you okay? Your condition doesn't
01:30:19look good to me. I'm fine.
01:30:23I just got
01:30:26mind me. I made you worried. Aunt
01:30:29Aisha is probably a little tired. We're going to the hospital. You guys stay
01:30:33here. Then let's go together. I'll take you. Come on, let's go.
01:30:36No, there's nothing. Important. We'll measure her blood pressure.
01:30:39And we'll come back as you wish.
01:30:42Aunt Aisha, take care of yourself.
01:30:46Thank God you're safe. Thank you. Goodbye.
01:30:50Goodbye.
01:30:58Oh God, how unfortunate this woman is. It must be because of
01:31:01the accident she had. I hope it's nothing serious.
01:31:05I hope so.
01:31:16Now they'll do a lot of tests
01:31:20for nothing. My daughter, what's the matter? Let me
01:31:24rest a bit and I'll feel better. Stop insisting. My mom, we have
01:31:27to go. At least I'll be reassured
01:31:29about you.
01:31:50My grandmother is waiting. I'll call them. Right, she wanted
01:31:54us.
01:32:11Oh my! Now she's going to make a scene.
01:32:27Hello, Asma? Hello? My aunt, my brother and
01:32:31I are done. We're coming right away. Where's
01:32:33my grandmother?
01:32:38Thank God, that means they didn't talk. Hello? What? Where
01:32:42did you go? I'm listening, Asma.
01:32:45Look, your grandmother just left the house
01:32:49because her relative got sick again. It's fine now. You can talk later.
01:32:52Go on.
01:32:55Goodbye.
01:33:02But why didn't she tell them, I
01:33:04wonder?
01:33:07What are you planning,
01:33:08Gulnar?
01:33:11What happened to them? What's wrong? They're acting
01:33:14strange. They said there's no need for you to come. Finish your work.
01:33:18Strange. Just leave them alone. Okay, brother, if
01:33:21you have time, can you drop me off? Of course, Madam Lawyer. I always have
01:33:25time for you.
01:33:25Let's go.
01:33:42Hurry up, guys. Call him now and relieve me. The earth didn't crack
01:33:46open and swallow him.
01:33:54Hello? Yes, Fatih. Tell me what happened. Did you manage to find
01:33:57Farhat? Fatih. Very
01:34:01good. Oh,
01:34:04Osman. Tell me what you want. Uncle, prepare the car.
01:34:08We need to go urgently. I'll prepare
01:34:09it right away.
01:34:21My daughter, you're making a big deal out of this. I just felt a little
01:34:23dizzy, but I'm fine now. Let's not waste time for nothing. Come on,
01:34:27my daughter. Mom, what's wrong with you? We're not leaving here until they do all
01:34:31the tests.
01:34:33Excuse me, we need to see the doctor quickly. You can rest here, and the doctor will come now.
01:34:37Come on. Go,
01:34:39Mom.
01:34:49Mr. Omar, welcome. Hello. Why are you back so early?
01:34:53I thought your work would take longer. We finished early. What happened
01:34:57to you?
01:35:06Nuran Hanim's words affected me a lot.
01:35:09And I decided not to accept Mr. Serhan's invitation at all.
01:35:13And that's right. There are other problems.
01:35:17Believe me, if you supported him leaving her and her son halfway
01:35:20through, I would have been upset. Right. I hope
01:35:23I never have to contribute to such a matter in my life.
01:35:27Amen. My trust in you is great, and you didn't surprise
01:35:30me at all.
01:35:31Thank you.
01:35:40Mr. Omar told me that I have no right, so he won't accept
01:35:43the invitation. It's okay, my dear. May God make
01:35:47it the biggest of calamities. There's nothing more than a lawyer. I'll
01:35:51talk to my lawyer tomorrow. And she'll
01:35:54take care of the case.
01:36:06Now go home and pack all your things
01:36:09quickly and go to the hotel I told you about.
01:36:12Okay. I'll take care of everything.
01:36:16Don't worry at all.
01:36:33Maybe the kebab
01:36:34guy came.
01:36:43Sir.
01:37:22Get inside. We need to talk a bit. Come on.
01:37:26And you, wait by
01:37:27the car.
01:37:32Come on, go in front of me. Come on, sit here.
01:37:36Let me see.
01:37:39Sir, what's wrong? I've told you everything I know.
01:37:43What else do you want from me? Do you want to take my soul? Look, my mother is
01:37:47in jail because of what
01:37:48I did.
01:37:52I just followed orders. I did everything Aunt Asia told me to do word for word.
01:38:20You'll take all the blame.
01:38:23And since you listen and you did everything
01:38:27my mother told you to do, you'll bear all the responsibility and be punished,
01:38:30Farhat. Do you understand?
01:38:33And I'll pay money for you
01:38:35and your family.
01:38:38Okay? Tell me, we agreed, didn't
01:38:40we?
01:38:49Okay, sir. I'll take all
01:38:52the blame.
01:39:05Oh sister, these are really
01:39:06expensive.
01:39:11But bravo to your friend. He seems very generous.
01:39:13Yes, look, on Thursday it's my cousin's wedding,
01:39:17and I want to borrow something from these. But you have to take good care of them.
01:39:21If you only knew how expensive these clothes are. He paid a lot
01:39:24of money, and he even told me the store is yours, and you can buy whatever you want. And what
01:39:28did I do? I bought all of these.
01:39:31Yasmine, but honestly, you're shameless. If I were
01:39:34you, I would have been embarrassed and only bought one or two pieces. My dear, why should
01:39:38I be embarrassed? Where would he find a beautiful
01:39:40woman like me? We consider them expensive, but
01:39:44for him, they're nothing at all. If he couldn't
01:39:47afford them, he wouldn't have taken me.
01:39:50You're right, you're right.
01:39:54I'm really surprised how much you've changed, Yasmine. Is this really
01:39:58you? Is this the same person I used
01:40:00to love?
01:40:05What happened? Is something stuck? Oh,
01:40:08stuck? What, Yasmine? My mom told me to bring rice, and I forgot to bring
01:40:12it to her. Sibel, you really scared
01:40:15me. Okay, go get the rice
01:40:18and come back
01:40:20Don't be long.
01:40:54to death today? For this reason, Yasmine?
01:40:58Because of two expensive pieces of clothing, you left me? I was ready
01:41:02to give my life for you, but your heart was tied to these rags, wasn't
01:41:06it?
01:41:10Yaseen, go. I don't want to see you. Answer me quickly,
01:41:13Yasmine. Was your love really that cheap? So
01:41:17you would give your heart to anyone who provides for your needs?
01:41:20Is that why you couldn't love me? Is that why you left
01:41:24me, Yasmine?
01:41:29So these are the ones who will make you happy, right? The ones who bought you
01:41:32these expensive clothes. Will they be able to give you the value I gave you
01:41:36and the pure love I gave
01:41:38you? Come on, look who's talking about
01:41:42love. You're the last person who can talk about
01:41:45love in front of me, Yaseen. Your love was also
01:41:48a lie. Right. Without
01:41:51wasting any time, you met a rich woman.
01:41:55What happened to you, Yaseen? You used to say money isn't everything.
01:41:58Didn't you used to tell me that love
01:42:01satisfies? Didn't you tell
01:42:03on a mat? It seems it didn't
01:42:07work out, and it wasn't enough for
01:42:10you. Love also didn't
01:42:12satisfy you. You also immediately found a rich girlfriend,
01:42:16and without shame, you're standing in front of me and
01:42:19blaming me.
01:42:23What's happening
01:42:23here?
01:42:30I just want to know what made you do
01:42:33this. They gave me a lot of injections
01:42:36and took a lot of blood and did tests. I told you I'm
01:42:40fine. There was no need for this. It's fine, Mom. Now
01:42:44we'll know what's wrong and we'll be reassured. And then, if something comes up, we would have taken
01:42:48our precautions.
01:42:50I can't bear to see you sick,
01:42:52Mom. My
01:42:55precious daughter.
01:42:59Hello, Gulnar Hanim, please come
01:43:01in.
01:43:05Please wait outside. I want to see
01:43:08Gulnar Hanim alone, if
01:43:09possible.
01:43:13Please
01:43:14come in.
01:43:21Yes.
01:43:27The fainting and nosebleeds
01:43:30have been happening a lot lately. I've fainted a lot,
01:43:33but nosebleeds, no.
01:43:36No. There's nothing serious, right,
01:43:40doctor? The test results haven't come back yet, so it's hard
01:43:43for me to
01:43:44say anything.
01:43:53God forgive me.
01:43:56Why would the doctor want to see her alone?
01:44:00I hope it's nothing bad.
01:44:03Oh God, I beg you to protect my mother. Help me,
01:44:07my Lord.
01:44:13Tell me, is there something you haven't told me, doctor?
01:44:16I'll speak to you clearly.
01:44:19As I told you, the test results haven't come back yet, and with that,
01:44:23we might need some other tests.
01:44:26But I want you to be strong and not break
01:44:30down at all.
01:44:36I'm sorry, doctor. I apologize greatly, but I can't take it anymore.
01:44:41Please tell me, is my mother
01:44:42okay?
01:44:50I'm her daughter, and I have the right to know what's
01:44:53happening. Please tell me what's happening
01:44:57with my mother. A little while ago, I was explaining
01:45:00to your mother the reason for the fainting and nosebleeds.
01:45:03My blood pressure went up, my
01:45:05daughter. What he said is
01:45:15true. Yes, because for a few days, I've been putting a lot of salt in the food.
01:45:19That's why my blood pressure went up a bit.
01:45:23the reason. Your mother's blood pressure went up. Did you hear
01:45:27that, my daughter? You worried Thank God, I'm
01:45:30fine. Let's not
01:45:33bother the doctor anymore. Let's go. Okay,
01:45:36Mom. Thank you. I feel
01:45:40relieved now, because you know, a person thinks of a thousand
01:45:43possibilities. Come on,
01:45:45my daughter. Excuse me.
01:45:58Even your family won't know that you took responsibility, Farhat.
01:46:02Don't worry. It will happen as you
01:46:04wish.
01:46:12Don't you dare mess with me, Farhat. The matter concerns
01:46:16my mother. So if I feel that you're playing tricks behind
01:46:19my back, then I won't spare
01:46:22you at all. What he said himself, sir,
01:46:25neither the conversation that happened nor what Aunt Asia did
01:46:29will harm anyone else at all. I did everything
01:46:32myself in this story. That means I kidnapped the woman,
01:46:36and I was going to kill her.
01:46:46Don't worry. Your family won't lack
01:46:49anything.
01:46:54What is this place? And who is this man?
01:46:58They must be plotting something, but I'll
01:47:01find out.
01:47:12I'll drive. You stay here. I want to stay here alone. See
01:47:16this man? Don't take your eyes off him. You'll stay
01:47:20here until tomorrow. Yes, as you wish. But who is this man? Did he say
01:47:23something wrong, Uncle Dawoud? This is none of your business at all. Do what I'm telling
01:47:27you, and that's it. I'll send the car with someone else in the morning.
01:47:31Bring him to the police station and come.
01:47:33Okay.
01:47:55Geçer sanmıştım aylar
01:47:58geçti unutmadım
01:48:01seni
01:48:04gözyaşların hiç
01:48:06değmisin kururumuş.
01:48:10toprağıma,
01:48:13seni üzmek en son
01:48:16şeydir şu kısa
01:48:18hayatımda
01:48:22gözlerindeki
01:48:23on
01:48:27tebessümü
01:48:31görmek için
01:48:33bena
01:48:35yıllarca
01:48:37beklerim.
01:49:29What's wrong, cousin? Who is this boy? Why did you
01:49:37no, dad, no. My love,
01:49:40come here, my love. Oh my dear.
01:49:44He smiled at him.
01:49:58Don't you see his condition? He's definitely hungry.
01:50:02Maybe he'll calm down. I'll go out and ask about his family. Oh,
01:50:05my dear, how did your family leave you?
01:50:35It's me against you, time. Who
01:50:39will break whom?
01:50:41And his mother is in the shroud. After
01:50:45the shroud, it's in the dirt.
01:50:48The hand of injustice no longer covers
01:50:51it.
01:51:43Oh world, you are the opponent. The loneliness
01:51:46of an orphan is like iron.
01:51:49Someone moved away early.
01:51:52Until my loneliness is broken.
01:51:55Oh friends, but take
01:51:59care of this
01:52:03dust. Oh Lord, I have
01:52:06nothing for this. Despite
01:52:09the pain, every darkness has
01:52:12light. And injustice, no matter
01:52:15how high it rises, the hand of injustice
01:52:18is broken. In their eyes,
01:52:21a tear with a thousand
01:52:24prayers. A lover despite
01:52:27the pain. Every darkness has
01:52:31light. It's me against you,
01:52:34time. Who will break
01:52:37whom? And his mother
01:52:40is in the shroud. After the shroud,
01:52:43it's in the dirt.
01:52:52Ah.
01:53:12Oh wow, oh
01:53:15a love. What is this?
01:53:19What a blessing. Oh
01:53:22lady, daughter of the neighborhood leader of
01:53:25Al-Hayala. Love, passion, infatuation, and
01:53:30the orphan whose father's origin is unknown.
01:53:34What is this? What is this? By God, it's something to be proud of.
01:53:38My aunt, I hope you trip and
01:53:42fall, and no one hears
01:53:45you, oh Lord.
01:53:48I'll show you the stars of noon.
01:53:51Aunt. Aunt. In the name of Allah, the Most Gracious, the Most
01:53:54Merciful. Mashallah.
01:53:56Yes,
01:54:01310, pick it up.
01:54:04Come on, come on, quickly. Say, "Oh Lord." They are my
01:54:08concern. Yes, may God be pleased with you. Give me the second one, father. Give
01:54:12the pipes. Focus, focus. Away from
01:54:15the pipes.
01:54:17God.
01:54:23the scale.
01:54:29Away from the scale.
01:54:32What is this?
01:54:36Weak, strange.
01:54:55And then with this situation.
01:54:58Night is night, and my day is
01:55:00day. Oh, if only she would elope with me
01:55:04and I would be done with heartbreak and rest. But
01:55:07the obstacle in front of me is Ibn Badiyeh,
01:55:11Salem. Peace, mercy, and blessings
01:55:15of God be upon you. Salem, what's
01:55:18wrong with you, Salem? You seem surprised like you saw a genie.
01:55:21Oh, no, by God, I was just a little
01:55:24lost in thought. You're definitely thinking about the deceased,
01:55:26right? May God have mercy on her.
01:55:30Brother, I want you to give me a piece of fabric
01:55:34that's just perfect. You know who I want to give it to? To Fahmiyah. Why are you
01:55:38looking at me like that? Show me what you have, come on.
01:55:41Yes, you're welcome, Adnan. You're welcome for your eyes. Let me see what you have.
01:55:45Show me. Show me.
01:55:49Oh God, how beautiful this fabric is, Salem.
01:55:52The color is amazing. May God bless your hands. I hope
01:55:55you live long and have children. May God bless you, Fahmiyah. It's nothing
01:55:59from your duty, my son. Oh, Salem.
01:56:02Now is not the time for gifts. You should have saved
01:56:05your money. Don't worry, aunt. It's nothing
01:56:08important. It's just a piece of fabric that I folded for Fahmiyah and brought
01:56:12to her. Now, when she's with you, you can bring
01:56:15her whatever you want. Now there's responsibility. Think
01:56:19about it. Or do you want us to spend it
01:56:22like this? Besides, the engagement has lasted too long.
01:56:25And tomorrow, people will start talking bad about us.
01:56:29And count on it, after 40 days of mourning for the deceased,
01:56:32you must marry her.
01:56:39God willing.
01:56:40God willing.
01:56:46Aunt, please don't tell my father. Whatever you want will
01:56:49happen. I'll be your servant under
01:56:51your feet.
01:56:54Oh God, I can't stand to hear your breath.
01:56:57Ah. May God destroy your house
01:57:00yourself. May God destroy your house
01:57:04this thing you're doing,
01:57:05orphan?
01:57:09The daughter of the neighborhood leader is sitting and loving and flirting
01:57:13with the orphan. You're disgusting. My brother,
01:57:17the best young man in the neighborhood and its leader.
01:57:20For love and passion,
01:57:23you shameful woman. What you did to us is little,
01:57:26you shameful woman. Aunt, please don't tell my father, by God,
01:57:29he'll kill me. Don't
01:57:31tell your father.
01:57:34These are tears, crocodile
01:57:36tears.
01:57:41Please, aunt, whatever you want will
01:57:44happen.
01:57:48And mother, make me a cup of coffee so I can sit, relax,
01:57:50and think. I need to think how to take revenge for myself
01:57:54and for my brother, the colonel, whom you humiliated and belittled,
01:57:57oh daughter of the neighborhood leader,
01:58:00you lover
01:58:03of the orphan, whose father's origin is unknown. Get up
01:58:07for the Eid. Yes, aunt, just
01:58:10calm down. And don't do anything,
01:58:14you wild one. Your command, aunt.
01:58:17Your command.
01:58:23May God destroy your house.
01:58:27The orphan's bride. And love
01:58:30and romance.
01:58:33And my brother, you don't want him, do
01:58:36you?
01:58:40Okay, you shameful woman, okay. There's
01:58:43always something hidden. Oh,
01:58:45your eyes.
01:58:49Don't think you're rid of me. I am Za'eet.
01:58:52I am Za'eet, with a spear and seven souls. What I want from you,
01:58:56I want it, whether now or later. Do you
01:58:58understand?
01:59:00For God's sake, please, I kiss your hand. I'm ready to do anything
01:59:04you want.
01:59:06Okay. Look, if you help
01:59:10me with something, the matter will be
01:59:12settled. What is it? I want
01:59:16the leader to marry
01:59:17his daughter to me.
01:59:21Aliya, Aliya, what's
01:59:23wrong with you, girl?
01:59:31up.
01:59:43What's wrong with you? It took a long time. I was busy with something, but it was quickly done.
01:59:51What's wrong, Risto? You're being so green.
01:59:55No, I mean, it's not good at all. Change
01:59:59the subject, change the subject. And Abu Salah, hello,
02:00:02Za'eet. No offense.
02:00:06I mean, how did the leader make you a colonel?
02:00:09Ah, so you know, Abu Salah, nothing stays
02:00:13the same. Your Lord provides for those who don't
02:00:15ask. If a horse is named and generous,
02:00:18then this Lord, that means, no offense, we need
02:00:22time to get used to it. Don't be impatient. You are dear to me, Abu
02:00:25Salah. How are you, uncle
02:00:28Salah? He seems bothered by something.
02:00:49What, Samira? I find
02:00:52you sitting here. Yes, by God, sister, my patience
02:00:55has run out.
02:00:57I'm a guest. Excuse me, is this
02:01:01guy we saw outside named Za'eet?
02:01:04Yes, this is Za'eet.
02:01:06Watermelon. He became the colonel of
02:01:10Al-Hayala neighborhood, my dear. You don't believe what I'm
02:01:13talking about now? Is this guy a colonel? A colonel?
02:01:18Yes, watermelon colonel.
02:01:20So that's how it is, Bahiga? This
02:01:24is what happened, aunt. So will Jaber now
02:01:27agree to his marriage? Hayat from the leader must
02:01:30agree. I mean, would anyone dare to upset the leader of Hayal?
02:01:34The leader of Al-Hayala neighborhood and say no? I mean, whoever
02:01:37upsets the leader upsets Fayez,
02:01:40Rashid's son. So what brought you here, no offense? Shut your mouth,
02:01:43you girl. He's worth all your family, you daughter
02:01:47of a... Oh, why are you talking to me like that, aunt?
02:01:50Does anyone leave a young man like a
02:01:53rose and marry her to an old man?
02:01:57By God, aunt, the leader
02:02:00Hayal will give Hayat a dowry
02:02:03that Fayez or Abu Fayez cannot afford.
02:02:07And besides that, his cousin will become a man of
02:02:10standing in the neighborhood. So
02:02:14that's how it is? Yes, that's how it is. It's none of my business. This talk happened
02:02:18between the men. I've always said that no one will ruin this house except
02:02:22someone like you. You. Never mind.
02:02:29not bless you.
02:02:37Why are you doing this, mom?
02:02:39Why?
02:02:49What are you doing? Show me. I know. Show me. But
02:02:52for whom? For the dirty one? What's wrong with you? Do
02:02:56you want to make her a man for a vile, despicable, and illegitimate
02:02:59person?
02:03:02Za'eet became the colonel, and the leader
02:03:06drive me crazy. What colonel? No colonel. This is just a hireling
02:03:10like him
02:03:10and like us.
02:03:14Salah, we are all working for the leader here.
02:03:18And we must follow his orders.
02:03:20So that's how it is? Yes, that's how it is, by my
02:03:24consent.
02:03:27Yes, your command, your
02:03:29command, mom.
02:03:37May God not bless you, you dog. What
02:03:40if it didn't work out with you, sister? Whenever you want, you can come, and I'll give
02:03:44it back to you. Welcome.
02:04:02Salem must leave
02:04:05Fahmiyah.
02:04:10What? Oh, tell me your uncle didn't give you your inheritance from
02:04:14your father after all the beating he took for it. By God, it saddened me, my dear. You shouldn't
02:04:17have laid a hand on my uncle. This
02:04:21is my uncle, my flesh and blood. He doesn't abandon me. Your uncle
02:04:23deserves it, and he deserves more than that too.
02:04:27Your uncle is a man without morals and without
02:04:28origin.
02:04:35Oh God.
02:04:39So where would he have gone?
02:04:41Al-Bawaki.
02:04:45You know, you take a timber and go to Al-Bawaki. You carry
02:04:48the pickaxe and deliver it to Abu Al-Noor. And see this much where
02:04:52it ends. The leader greetings.
02:04:55Yes, hello, Abu Fayez. Peace be upon
02:04:59you. And upon you be peace and mercy of God.
02:05:01The house
02:05:05is ready. What house? The house you told me to
02:05:08close for you. Yes, may God give you strength. Thank you very much, Abu
02:05:12Fayez. I hope the house is beautiful as you requested.
02:05:16Small and tidy. May God keep you for us, Lord. Please come
02:05:19in. Rest. The leader is in a hurry. Peace be upon you. May God be with you. May God
02:05:23be with you. These are
02:05:26good news.
02:05:30Oh men, whoever upsets the leader upsets
02:05:34Fayez. This is a leader. I don't want to marry
02:05:38my daughter to Fayez, and I also don't want to marry her to the leader.
02:05:41Do you understand? Yes, and the house
02:05:45and the police station. Tomorrow, when you sit on your deceased
02:05:48father's chair in the guesthouse, and your word will be final.
02:05:52What, cousin? Think about it carefully.
02:05:54Mom, I don't want to
02:05:58get married. I don't want to.
02:06:00You kept quiet at first, and in the end, you'll be forced to marry.
02:06:04May God suffice me, and He is the best Disposer of affairs. May God suffice me, and He is the best Disposer of
02:06:07affairs.
02:06:15Mom, I honestly don't understand you. How do you want to marry
02:06:18the girl against her will? Shukri, get out of this matter and
02:06:21don't interfere, may God be pleased with you. How can you
02:06:25do you mean "get out of this matter"? You forgot that she's my sister, and I have to worry about her. You worry
02:06:29about her?
02:06:53He's an old man. Besides, a man is never ashamed, even if
02:06:57he's 100 years old.
02:07:09There is no power or strength except in God. What
02:07:12is this story? What is this story?
02:07:30What's wrong, mom? Are you upset? Follow me home.
02:07:33We'll talk later. What's wrong, mom?
02:07:37May God make it good.
02:07:38What's
02:07:41wrong, father? What's wrong with my grandmother? I
02:07:44don't know. She's all upset. I'll go see what's
02:07:48going on.
02:07:54Let
02:07:57me see, Salim. What's wrong? Tell me.
02:08:01I want to tell you, by God, Salim, but honestly,
02:08:04I'm afraid you'll get offended and upset with me because you know very well how much
02:08:08I love you.
02:08:10By God, you make me curious. What's wrong? Tell me.
02:08:14I'll tell you, but I want you to promise me first that you won't tell
02:08:17anyone. I promise you. It's on
02:08:21my honor. What's wrong with you? Tell me.
02:08:25Just like that, on my honor, that you won't mention
02:08:27me.
02:08:31Honestly, the matter concerns
02:08:34Fahmiyah.
02:08:38Fahmiyah? What's wrong? By God, Adnan,
02:08:41Fahmiyah is tired of you and hates you.
02:08:44And she said maybe
02:08:45the engagement will be broken off.
02:08:52Fahmiyah. She said that you've been waiting
02:08:55too long. You can't afford to open a house. I can't
02:08:59open a house.
02:09:26But she said this, and Umm Jaber said the same thing. The engagement has lasted too long, and this is a big problem. Now, I've been patient, but the young men won't be patient.
02:09:30Besides, people started
02:09:32talking about them. That means the talk
02:09:36is true. What talk, Adnan?
02:09:50What is this? I heard it, Shukri. Yes, by God,
02:09:53brother, as you're doing to me, I'm very
02:09:56upset. What can we do?
02:10:00What I know is that your mother will not agree to the matter unless
02:10:03your father agrees to her marriage.
02:10:06And how will the leader leave the house for your father? I didn't
02:10:09understand that.
02:10:13I don't know, by God, I don't know.
02:10:16So your father doesn't want to marry Hayat to the leader.
02:10:19He wants to leave her and marry her to Fayez, your cousin.
02:10:22Brother, what I know is that your father doesn't agree to marry her to your cousin or
02:10:26to the leader, but your mother insists on marrying
02:10:29her to the leader. Your uncle, Abu Fayez, is interfering in the matter.
02:10:33What's wrong, brother? Your questions are too many.
02:10:36I told you, I don't know anything.
02:10:39Where is your father, Ali? Oh, Fayez, here. Where
02:10:43did he go? Maybe home.
02:10:46Okay, please, uncle. And you're aware
02:10:49of the matter. I didn't see anything, and nothing is
02:10:51explained. Your grandmother must have told him, but between
02:10:55me and her, she upset the leader.
02:10:57Spoiled.
02:11:00What is this? Oh, Abu Al-Fakhr, do you want to force
02:11:04your daughter into such a marriage? Please, uncle Abu Fayez, I don't want
02:11:08to marry the leader. I don't want to. Calm down, my dear, calm down. Don't be afraid.
02:11:12Abu Fayez, don't interfere in our lives. She's our daughter, and we're free to marry her
02:11:16to whoever we want. Yes, what's wrong, my brother,
02:11:19the head of the family? It's none of my business.
02:11:22It's none of your business. Why is it that when I wanted to marry my daughter Sumayya
02:11:26to Aref, you stood in her way? Why do you interfere in our family, and we
02:11:30don't? Your daughter's marriage wasn't
02:11:33right. There's a stranger in Abu Al-Noor's house, whose origin
02:11:36and lineage are unknown. And he might be an
02:11:40illegitimate child, God forbid. Yes.
02:11:43Now I want to know who the man of the house is, you or your
02:11:46wife Bahiga? Abu Fayez,
02:11:50watch your words.
02:11:54is what I came up with. Oh, brother, it's a sin to marry
02:11:57her in such a marriage. Go inside.
02:12:01Abu Fayez, aren't you afraid? from the leader.
02:12:04You didn't get it, we don't want to give it to your son Faiez. Oh people,
02:12:08I want things to reconcile between us.
02:12:11We are one family. Family, and blood
02:12:14doesn't become water. Understand it now. Let's unite
02:12:18and bring back love to each other like before. Abu Faiez,
02:12:21may God bless you. I know
02:12:25interfere, brother. I will sell the house and move out of it,
02:12:28and each one of you will get his share, but don't force it on the girl
02:12:32and make her live in oppression all her life.
02:12:34It's forbidden.
02:12:42That's what you see, father. Yes, but father, I want you to be
02:12:46comfortable and happy, and I don't want to feel like a burden
02:12:50on you, and I don't want my presence in the house to be the cause
02:12:53of an evil quarrel. After
02:12:56what, you're talking like this now? I swear
02:13:00to God, if I knew it was going to happen like this from the beginning, I would have left the house
02:13:04and walked away. You know, brother, your comfort and happiness
02:13:07are important to me. May God bless you and make you happy,
02:13:11Arsan. By God, you are a good son, father.
02:13:31Hello, sir.
02:13:34May God bless the mayor. Good, God willing. What's
02:13:37the story? After your permission, let me pass, I want to go in,
02:13:40my wife and I, to see our share of the house. And with your help, maybe we can divide it. I
02:13:44want to live in it. What's your order, sir? What? Am
02:13:47I a mayor? Did I make a mistake? I'm telling you I want to
02:13:50live in my share. Say "I seek refuge in the Lord of Daybreak." What
02:13:54is this calamity? Brother, the story
02:13:57of living here, you have to forget it. What
02:14:00do you mean? This is my right, O mayor, my right.
02:14:03I know it's your right, and I will give you your share. No, sir, you didn't
02:14:07guess. I won't sell. I'll give you the rest of the shares
02:14:10and let me rest my head. And if you're eyeing the share, let me
02:14:14understand. There is no god but
02:14:16Allah. With your permission, come on,
02:14:19mayor, give me way.
02:14:23I believed in God on this day.
02:14:26Is it possible that your brother did this? He goes and lives with the chief of police
02:14:29in our house. Yes, by God, he's crazy, he doesn't do what he did. What do you want to
02:14:33do, Jaber?
02:14:35My mind is messed up and confused.
02:14:39May God forgive you, Jaber. May God forgive her.
02:14:43She doesn't want to get confused, cousin. Go sell the house and give everyone in the family
02:14:47their share and relieve us from these problems. Where will we go,
02:14:51mother? How do you mean, where will we go? With our share, we'll go buy a house
02:14:54and relieve ourselves. Enough, it's a family house.
02:14:57The mayor is confused. Father, is it possible to leave the house
02:15:01we were born in? My soul might leave me, but
02:15:04I won't leave this house. May evil be far from you, cousin. For God's sake,
02:15:08don't say
02:15:08that.
02:15:14Sheikh, for God's sake, find me a solution. Why didn't
02:15:17God guide him and give you your right from his father's share? He didn't
02:15:21give me anything and he doesn't want to give me. What should I do?
02:15:25I'm not doing it for anything, I'm doing it for my fiancée, Sheikh.
02:15:28The period has been too long. I will lose her. I will lose her and I don't have money. What
02:15:32should I do? What can I do? There is no power or strength except with God. There is no
02:15:36power or strength except with God. Sheikh, for God's
02:15:39sake, for the love of the Prophet, go to Abu Darwish and talk
02:15:42to him. Maybe God Almighty will guide him through you and he will give me
02:15:45my right. Tell him that I need them, I need them
02:15:48badly. Tell him that I am his nephew, I am
02:15:52of his flesh and blood. He shouldn't do this to me. Trust in God, my son Salim.
02:15:56Trust in God, and God willing, nothing but good will happen. There is no power or strength except with
02:15:59God. There is no power or strength except
02:16:02with God.
02:16:05By God, Sheikh, her fever doesn't go
02:16:07down. It goes down a little and then
02:16:11it goes up again. By God, I don't know what to
02:16:13do. I'm afraid something will happen to this girl.
02:16:17Trust in God, Abu Darwish, trust in God and let your faith
02:16:21be strong in God Almighty. God is sufficient for us, and He is the best Disposer of affairs.
02:16:25Oh Abu Darwish, Allah says in His
02:16:28Noble Book after I seek refuge in Allah from the accursed
02:16:31Satan. In the name of Allah, the Most Gracious, the Most Merciful.
02:16:35And never think that Allah is unaware of what the wrongdoers
02:16:38do. He only delays them for a Day
02:16:42when eyes will stare in horror. Almighty
02:16:45God has spoken the truth.
02:16:47So, Abu Darwish, there is an afterlife, there
02:16:51is an account. So, cleanse your conscience
02:16:55and give Salim, your nephew, his right. Let hearts be clear
02:16:58between you. Abu Darwish, money
02:17:02is nothing in this world. And believe me, after
02:17:05this, your daughter will heal
02:17:07and recover.
02:17:17Say on my nation, woe to my oppression, O
02:17:20Aaliyah. My Lord, I seek refuge in You, my
02:17:23Lord. My Lord,
02:17:26I seek refuge in You. By God, my aunt Saadiya wants to get revenge on me.
02:17:30Yes. Surely, my
02:17:33Lord, what should I do, my Lord?
02:18:52Peace be upon you. And peace be upon you, sister.
02:18:57What's wrong, brother? Where is Arsan? What's wrong? What do you want from
02:19:01Arsan? God bless you, I need him badly. He works
02:19:04here, right? Yes, sister,
02:19:08work today, meaning he's a bit tired. Where can I find him? God
02:19:11bless you, you can find him at his house, sister. Since
02:19:14Arsan rented a new house, please direct me to his house. God
02:19:18bless you.
02:19:58Come on,
02:19:58come on.
02:20:05Her. Arsan!
02:20:07For God's sake, look what's happening! What are you doing here? Let me
02:20:11in, then we'll talk.
02:20:22What are you talking about? Shaqib entered the house. Are you
02:20:25sure? Yes, by God, my master, I saw her with my own eyes,
02:20:29these eyes that will be eaten by worms. Who
02:20:33house? I don't know. But
02:20:35may God bless her, she has a face like the moon. May God protect her.
02:20:39How did you see her? She lifted her veil when
02:20:42she knocked on the door and Arsan
02:20:46Satan. Arsan doing this?
02:20:50I know he's a pious and devout man, and no bad word comes out of him.
02:20:53There is no power or strength except
02:20:55with God. Master,
02:20:59I told you, is it possible that this time he rented the house and lived alone
02:21:03work today? Arshan, is it possible?
02:21:11There is no power or strength except with God.
02:21:14Aliya, your stay here with me is not right. You can't stay
02:21:18here. I might not be able to go back home. I'm afraid my father
02:21:20will kill me.
02:21:25You're lawful, calm down. We need to think of a way
02:21:28to get out of this mess. I don't want anyone to speak ill of you.
02:21:30I can't accept anyone speaking ill of you or your father. This is a matter of
02:21:34honor. It's a matter of life and death.
02:22:08Be patient and calm down. Calm down a bit, let's
02:22:12think calmly. Listen, my mind is blocked. We don't know
02:22:16what to do anymore. We don't want to do something we'll regret all
02:22:19our lives. Aliya,
02:22:23I love you and I want you and I want to marry you, but
02:22:26this is not right.
02:22:28You understand me?
02:23:00I don't know, Arsan, I'm very scared. Calm down, Habiba, don't be afraid. Go into the room
02:23:04and close the door behind you. Okay, alright.
02:23:08Go, come on.
02:23:25Arsan, hello, hello, uncle Abu Al-Layl, who do
02:23:27you have?
02:23:33And this is the whole story as I told you, my master. And you are the one
02:23:36who knows best in the world. He doesn't do anything wrong. There is nothing
02:23:40that angers God between me and this creature. The whole
02:23:43story is that we want each other lawfully, and she asked me
02:23:46to bring the sheikh and write our marriage contract, but I didn't agree. I don't want anyone to speak ill
02:23:50of her or the leader. And now I'm going to
02:23:53let her go home, and I'm going to go straight to her father to ask for her hand in marriage according
02:23:57to God and His Messenger. There is no power or strength except
02:24:00with God. Well, why didn't you tell me about this before,
02:24:03Arsan? By God, I don't know what to say, my master, I was embarrassed.
02:24:07So I couldn't speak. Uncle, I love Arsan and I will kill myself
02:24:11if I don't marry him. Seek refuge in God. My daughter, may God bless you,
02:24:15go now to your family before the matter escalates and there is no
02:24:18solution for it. Your coming here will bring nothing but trouble.
02:24:22That's right, you must go home right now. And I am
02:24:25going to the leader directly, and I'm going with you. No, uncle,
02:24:29please let me go alone this time.
02:24:33Why? Enough, master, let me go
02:24:36alone this time. Leave me
02:24:37with you.
02:24:46My head against yours, oh time. Who
02:24:50will break whom?
02:24:52His children in the shroud. Remove
02:24:56the shroud from the mud.
02:24:58No more injustice.
02:25:02On my cheek.
02:25:04And I didn't live a moment of peace. All
02:25:08my life is hardship.
02:25:11My head against yours, oh time. Who
02:25:14will break whom? His children
02:25:18in the shroud. Remove the shroud from the dust.
02:25:54Oh world, you are the opponent. One.
02:25:57To challenge.
02:26:00Challenge after it's too early
02:26:03to break my limit. Oh family,
02:26:07oh friends, find the knock
02:26:10on the door. Others have buried
02:26:13bullets. Oh Lord, I have
02:26:16no passion
02:26:20for pain. Every darkness has its
02:26:23light. And no matter how much
02:26:26injustice rises, the hand of injustice
02:26:29is broken. In my eyes
02:26:32tears on what a thousand oppressed
02:26:35people prayed for. Passion despite
02:26:38the pain. Every darkness has its
02:26:41light. My head against yours,
02:26:45oh time. Who will break
02:26:48whom? And his children in
02:26:51the shroud, remove the shroud from the good.
02:27:25The excessive use of air conditioning leads to wasted
02:27:28energy and money. Choose a high-performance appliance with a
02:27:32capacity suited to your needs before any purchase. Have the appliance installed by a
02:27:35professional in a shaded and well-ventilated area, ensuring proper
02:27:39insulation of the pipes. Set the
02:27:42temperature between 24 and 26° depending on the
02:27:46outside temperature. Activate economy and
02:27:50night modes, and remember to ventilate your home when the
02:27:53air conditioning is off. Close doors and windows when
02:27:57the appliance is running. Improve your home's insulation
02:28:01and plant trees to create shaded areas. Clean the
02:28:04filters regularly and have the absence of refrigerant gas leaks
02:28:08checked once a year. Adopt these eco-friendly practices
02:28:11to save energy, reduce your bills, and enjoy optimal
02:28:15comfort. Download our guide at
02:28:18www.ap: org.dz for more
02:28:21information. Set your air conditioner to 25°,
02:28:25guaranteed comfort and preserved national resources.
02:28:44Good evening, friends! Glad to see you
02:28:47again. So, summer in music. This is your
02:28:50appointment during the summer season. We
02:28:54are in yes, yes, we moved to the
02:28:57west of the capital. My heart yearned
02:29:00for you after you were away.
02:29:03We'll reveal you. I heard your name, my
02:29:07beloved. Fate chased me and threw me
02:29:10into cold, strange arms.
02:29:13Your love enslaved me and overwhelmed me.
02:29:16The gift of grace. Cry. Enough,
02:29:24I spoke, you said
02:29:26the words.
02:29:28How I was always oppressed with you. My
02:29:31life would go backwards. It passed
02:29:34into darkness. I'm not regretting your separation.
02:29:37If you didn't make
02:29:40the decision, I could have gone back home. It was written
02:29:44for me to live a new life and all my days returned
02:29:47to Eid.
02:30:48Ladies and gentlemen, good morning! What a pleasure to find
02:30:51you, as every morning during this summer season,
02:30:55we will accompany you through your morning appointment,
02:30:58summer breeze, always from this magnificent.
02:31:02architectural botanical jewel which is none other than the Essais garden. This morning
02:31:06we are going to focus on
02:31:10three themes. So, three very
02:31:13important themes. So you know that we talk a lot about activities, we talk
02:31:17a lot about activities for teenagers, we talk about activities
02:31:20for children particularly for or
02:31:24during this summer season and we sometimes ask ourselves the question and we said,
02:31:27what about elderly people? And yes, people
02:31:31so after their retirement, so even for
02:31:34people who don't necessarily work, they have free time, how
02:31:38to occupy their time, well it was an idea that our
02:31:42guest had through so a beautiful
02:31:45project which is none other than Dar Zour
02:31:49which precisely welcomes these elderly people around
02:31:52several activities and a very very good atmosphere, we will talk about it in a little
02:31:56while. Also, so
02:32:00it's not just activities, it's also events. Events
02:32:04around heritage too, why not sewing, why not traditional
02:32:07clothing, and speaking of traditional clothing, we will
02:32:10have a fashion designer who will be with us and who will talk to us
02:32:14about her passion for traditional outfits. This morning
02:32:18also, we will be interested in a very important segment of society,
02:32:21these are people with Down
02:32:25syndrome, they are also a segment of
02:32:28society that deserves to be accompanied, to be
02:32:32supervised. And this time, we will talk about
02:32:35a very particular supervision, it is through choreography,
02:32:38through dance, and precisely a choreographer will be with
02:32:42us, she will talk to us about this choice she makes which is none
02:32:47society, to make them experience pleasant
02:32:50moments, especially a lot
02:32:53of love, a lot of affection and
02:32:56good supervision for this segment, so that's the program for this morning, as I
02:33:00told you, Dar Y... Zehour, it's a
02:33:04day care home that
02:33:07welcomes, that receives elderly people around
02:33:11several activities, we are talking about it with our guest, Ms.
02:33:15Safia Bousnimi, hello, marhaba bique, hello,
02:33:18thank you for the invitation, it's always a pleasure to have
02:33:22you among us, thank you very much and I told you
02:33:25so you have worked with in
02:33:29collaboration with with.
02:33:36who dressed the young people held an event in July intergenerational and we will talk about it in a
02:33:39little while and precisely the designer is
02:33:43among us, Ms. Sabrina,
02:33:45hello.
02:33:48very pretty with your caftan, thank you. You're welcome. So today, honor to the
02:33:51caftan. Yes, we remind you that the caftan has been classified as a world
02:33:55heritage by UNESCO. So I'll come back to you, Ms. Z
02:33:58Nimi. So, it's
02:34:02a beautiful tribute that you pay to a very particular person.
02:34:06So tell us a little bit about this trigger. We talk
02:34:09a lot about houses, or rather
02:34:13schools of artistic
02:34:15education for young people, for children,
02:34:19but a school or a house, a home that
02:34:22brings together elderly people like that is not very
02:34:26common, not at all. In fact, it's the first concept in
02:34:29Algeria, it's the first and only one for now. But many
02:34:33people are interested in this concept. I hope it will spread across
02:34:37the country because there are many requests outside
02:34:40the wilaya, and even in the surroundings. We are
02:34:44located in Hinadja, but we can't be everywhere for now.
02:34:48It's already
02:34:51the first, and it's pleasant to receive all these
02:34:55people who come to us. So it's a sharing.
02:34:58They come already for the
02:35:01day, set up at the request of people, also for
02:35:04half-days, but it's more interesting to come for the
02:35:08whole day, but after that, it's up to the people. But time passes very quickly,
02:35:11I imagine. Exactly. So we had a person who only came in
02:35:15the morning, and when it was time to leave, she was frustrated because she
02:35:19was leaving the others behind. So I asked the family to
02:35:22reduce the visits to our place and to
02:35:26come all day, all day. So now she comes three times a
02:35:30week, she's super happy and so are we. And she
02:35:34lets loose with us. Yes, because it's true, when we ask ourselves questions, we say, "Well, we're leaving for the
02:35:37day, the day is 8 hours, what are we going to do? There's nothing to do, there's not much
02:35:41to do." But when she arrives, we are
02:35:44pleasantly surprised in the end, and when it's time to leave, she says, "Well,
02:35:47it went by so fast!" And that makes you happy, I imagine. Oh yes,
02:35:51it's great, and they give it back to us well. It's
02:35:55afterwards, I imagine it's magnificent what you do because you're not going to live the
02:35:58routine with these ladies. Not at all, not at all. And what we do
02:36:02as we go along is at the person's request. So they come at 9am and they
02:36:06leave at 5pm. So in the morning, we all start when
02:36:09it's not too hot, of course, by watering the garden,
02:36:13removing dead leaves. And so they love that too, and they
02:36:17do what they can, and then after that, we
02:36:20move on to something else. There's a lady who loves to make
02:36:23xera, so that's one of her favorite activities. So I
02:36:27kept that in mind. So she loves
02:36:31gardening. Oh, I gained weight
02:36:34by the way. It's so good that we enjoy it,
02:36:38health is more important. So
02:36:40we enjoy it and we treat others too, because we give them some to take
02:36:44home. So there you go. Oh yes,
02:36:47because they make a lot. Well, every day they make two
02:36:51each time. So we give them some to make
02:36:54them happy and to make their families happy too. So especially, it's true that kisera is
02:36:58essential. I don't know anyone who doesn't like xara. In any case, it's the
02:37:02best, it's the best. I'm promoting it, but it's the best.
02:37:05So after that, there are other activities.
02:37:08There's
02:37:10coloring, Tetris coloring, mandala,
02:37:14because someone told me, "Oh no, for babies." But it has nothing to
02:37:17do with it. Everything we do is therapeutic. Yes. So before
02:37:21talking about the activities, I would like, well, we are in the process of
02:37:24discovering. Well, it's her.
02:37:26There you go. It's very aesthetic
02:37:29too. So before talking about the activities, I
02:37:33would like us to come back to an event that you organized, a very, very particular
02:37:37event. So it's an event
02:37:41that is both relaxing and fun, but also for academic
02:37:45and scientific purposes. There you go. It's an
02:37:48event, well, intergenerational.
02:37:51So
02:37:53exactly,
02:37:55who dressed the young people, so there were young girls who paraded,
02:37:59each young girl with an elderly person. Yes. So
02:38:02well, the elderly people were given the free
02:38:06choice to dress as they wished. Yes, but
02:38:09they played along. Some played along, others told us, "Oh,
02:38:13too bad if I had known that it was like that, I would have dressed up." But we need to
02:38:17do this event again, I will dress up. I have
02:38:20I have, yes, well, traditional attire.
02:38:24So we're going to do it again, but not right away because
02:38:27well, after that it's the holidays. So after that it's the holidays.
02:38:30Exactly, Sabrina, you participated in this event.
02:38:34You dressed the young people. Tell us a little bit about
02:38:38your participation in this event. The
02:38:41choice of outfits was already much simpler, a pleasure to please
02:38:45them than a choice. Yes.
02:38:48So I have some outfits that are already
02:38:52ready from the workshop. They came to my place, I
02:38:55did everything necessary, that is to say, measurements, molding,
02:38:59etc., so that it would be well made on them. That way, they will
02:39:03love themselves walking in it. Yes.
02:39:06And so she had proposed to me, she had called me and told me, "We're going to
02:39:10do an intergenerational
02:39:12fashion show."
02:39:15Go for it, why not? I didn't even hesitate, and I didn't even
02:39:18hesitate for a second. So they came. So
02:39:22for the outfits, what kind of outfits did you choose? Because there
02:39:25are so many. Yes, oh, there are so many, and I would never take the
02:39:29risk of making outfits whose history I don't know. Ah, ah, ah.
02:39:33There you go. And we will come back to all that precisely. Yes, but I do
02:39:36mostly everything that is Algiers style. Okay. And
02:39:39caftan, that's really our specialty,
02:39:43which I could manage, let's say, with my eyes
02:39:47closed. After Algiers style, it's already a whole, it's a whole
02:39:50palette. Yes, yes, yes. Caftan side,
02:39:53karaco side, rila side, frimla side,
02:39:57bedroon side, what. There are, there
02:40:00are so many, there are so many indeed. So for the event, since they are young, I
02:40:03tried to be in the young age group. So I made everything that
02:40:07is karaco b drone with a spencer jacket and a
02:40:11caftan, but let's say a caftan much more from the east.
02:40:15Okay, it's the one from Annaba, more precisely. What's special about
02:40:19it? It's the cut that changes, it's much more the cut, otherwise we stay
02:40:22always the tefita part, the shahara
02:40:26part, the beading part, it's practically the same thing. After that, there
02:40:29is also the mad that I don't make unfortunately, the b food,
02:40:32but it's the cut that changes and the material
02:40:35also, velvet. Japanese velvet,
02:40:38German, Calais lace, it doesn't have Calais lace, it has
02:40:42shoulders, it doesn't have shoulders, it's open up to the hips,
02:40:45up to the knees, it's completely closed. So it's the
02:40:48cut and the material that changes, but otherwise it remains. And
02:40:52the name too. Yes, it is obviously the
02:40:56name of the chango. Indeed, the change is how we make the difference.
02:41:00There you go. But you have to be professional too, because for me everything is
02:41:03a caftan. If I see what you're saying, for me it's a caftan. So I
02:41:07won't look for it. It
02:41:10doesn't have, it doesn't have, it doesn't have. It remains a caftan.
02:41:13After
02:41:18exactly, that's it, it's with the name that we make the difference and we
02:41:22change,
02:41:25Annaba,
02:41:33that's it, and we are located, so very quickly we will understand
02:41:37the belonging of each, or rather
02:41:40the origin of each outfit. Indeed, what was the reaction of the young girls?
02:41:44All happy because there is still a return to tradition, haven't you
02:41:47noticed? Yes, there is a return, there is a great
02:41:50interest.
02:41:53They loved it, they didn't even want to take it off at the end.
02:41:59That's it, you have to take it off, that's it. But it's true that there is
02:42:02a very big return to traditional outfits. We
02:42:06feel more comfortable,
02:42:09then it's beautiful, then it's graceful, then it's classy, then that's it. And it's
02:42:12always beautiful to wear our history. Yes,
02:42:16indeed, exactly, indeed. So, precisely,
02:42:20coming back a little bit to this event, so it's true that there was
02:42:23all this side, as we said, of relaxation, of... having a
02:42:27good time, and also our academic, scientific side. So it
02:42:31falls within the framework of academic
02:42:35research, doesn't it? Exactly, exactly. And so
02:42:38they loved it too. They played along. So the oldest
02:42:42person who paraded, she was
02:42:4695 years old. Allah, and she held
02:42:49up well. So well, helped by the young
02:42:52woman who was with her, yes, and she was
02:42:55all happy and everyone asks for more, right? Yes, there you go.
02:42:59So the young people came in the morning, they had breakfast with us, so it was
02:43:03a very nice, very nice exchange, a
02:43:07nice sharing, so they had breakfast with the elderly, so
02:43:09while eating, while
02:43:13setting the table, they uh, they shared a lot
02:43:17of things, they loved the elderly people as much as the young people,
02:43:20so there was a very nice exchange. So, Mrs.
02:43:24Znemi, you are in your... behind you,
02:43:27you were a nurse for many years, weren't you? So
02:43:31a nurse very close to the citizen, very, very close, you
02:43:35studied psychology in one way or another throughout your life,
02:43:39and you still do, and you still do, and we say it, the
02:43:43elderly people need a very particular
02:43:46treatment in the sense that they are, well, in the sense that they are
02:43:49people who already have life experience, who already have
02:43:52knowledge, who have lived, and so we can't treat
02:43:55them like children, not at all, a very specific
02:43:59treatment, right? And you have to be very
02:44:02attentive, you have to share a lot of things with them, and then it's an
02:44:06exchange, we learn from them, we learn a lot of
02:44:10things. Uh, that's right. So what can I tell
02:44:14you about that? So I don't know, for example, I know
02:44:18that with elderly people there's something very particular, it's the
02:44:21language, right, the language in the sense, in the sense that
02:44:24when they talk, I know that with my grandmother,
02:44:29sometimes I had trouble understanding because in the language there's the
02:44:32use of proverbs, of citations, and it comes
02:44:35into the discussion, and then we say, "Well, why is she talking about that when she's talking about
02:44:39this?" when everything has a meaning, you have to be very attentive, yes,
02:44:43that's right, you shouldn't, you shouldn't
02:44:46overlook what they say, yes, you have to listen to them and
02:44:49follow them and stay in the discussion they have
02:44:52chosen, so we accompany them on that, they need
02:44:56a presence, finally? Exactly, to be listened
02:44:59to already, to be listened to, to get out of isolation, because
02:45:02well, there's the wear and tear of the family, the close
02:45:05one is tired sometimes, even
02:45:09if the person is very close to the elderly person
02:45:13or but there's wear and tear, tiredness, so sometimes we
02:45:16forget to listen to them, we don't listen to them too much, so with
02:45:20us they let go, they know that they are listened to, well I
02:45:23say "they" because we only receive women, only women, yes, that's right, so...
02:45:34and to share things with them, yes, so there were some images that were scrolling during our
02:45:37discussion and we saw that there are board
02:45:41games, that you have a lot of board games, that's right,
02:45:44puzzles, Tetris,
02:45:47dominoes too, it's generally for men, but
02:45:50well, women too, that's right, when we think of dominoes, we think of men, that's right,
02:45:54immediately we think of men, but they love a person. And well, she
02:45:58has a lot of patience, she loves that, okay, so she plays
02:46:01Tetris, she does coloring and then she tells me, "Well, that's
02:46:05it, it's good, let's move on," I suggest dominoes to her, she loves it, her
02:46:09eyes light up, and you play it, oh yes, yes, well yes,
02:46:12I share with her, oh well, oh well, you have to be at least two,
02:46:16already for that. And so she
02:46:19had forgotten how to play, well she relearned, she relearned, that's right.
02:46:23And that's right, and she's doing well. Hm hm, there too we are seeing
02:46:27other, other images, it's the puzzle here,
02:46:30that's right, yes, and so they like it, they love it and
02:46:34they have patience, they take their time, they don't get
02:46:37annoyed, so that's what's good. And how did you
02:46:41finally get the idea to go for board games for
02:46:45women? Yes, well, why not? Why not, yes, that's why
02:46:48I'm asking you the question, physically you had this idea because it's true that we generally
02:46:52think of other activities, sewing,
02:46:55crocheting.
02:46:59But the particularity is board games, and precisely, how did you
02:47:03get this idea? The idea, well, it's normal, it's part of therapeutic
02:47:07activities, so they had to be kept busy. Okay, and
02:47:10then for them to relax, it's
02:47:14destressing, yes, that's right, it's true, it's true that it's
02:47:17destressing, it's true that, uh, I say
02:47:21for them, but me too, in fact I share with you, you're in the
02:47:24thick of it, you're in the thick of it, you share all that, absolutely, we share everything with
02:47:28them, indeed. Sabrina, I come back to you, so
02:47:32you're young, you have to say,
02:47:34intergenerational, that's right, intergenerational,
02:47:37indeed, that's why it went well. Finally, there was
02:47:41a good flow and I like them, I go there often, yes,
02:47:45to see them, she shares with her, I chat with
02:47:48her. A little anecdote, perhaps a little story that marked
02:47:51you. Uh, I don't know if I'll have
02:47:54the, the, well, I can say the first name, the first name, yes, you
02:47:58can, of course, okay, who marks me the most
02:48:02is Aunt Fatiha, Aunt Fatiha,
02:48:05she's the star, that's right, so Aunt Fatiha is the star, we've been talking about her since this morning, come on, a little hit
02:48:21every time I come in, she welcomes me, I become the
02:48:25star, the star is arriving, it's
02:48:27magnificent.
02:48:33So she often asks me the same questions, but I love it, well, that's right, and
02:48:37when she sees me, she tells me,
02:48:41or it's true that she puts on music, she asks for music, she makes
02:48:46the mood, oh yes, yes, she does the entertainment and
02:48:50then she also welcomes new members, she makes them
02:48:53feel comfortable, she makes them come in, so immediately people are in the swing of things. So,
02:48:57Sabrina, I would like to, I would like us to come back a little to your work,
02:49:01so you're a designer, you're a pattern maker, tell us a little
02:49:04about your passion, how you found
02:49:07yourself a little bit in your workshop? It's a
02:49:10parachute, this field,
02:49:13engineering, okay, in mechanical construction at
02:49:17180 degrees, there, yes, it's not
02:49:19360.
02:49:22Then I, I got into a lot of fields,
02:49:25I did e-learning, I did co-working spaces, I did a
02:49:30workshops, I did mechanics,
02:49:33aeronautics, I did a little bit of everything, and
02:49:36the parachute was the cause that pushed me towards
02:49:45yes, it was thanks to her that we went to see the traditional
02:49:49outfits, we went around the workshops, oh yes,
02:49:52she got married anyway, okay, okay, we went
02:49:56around and so on, and I, and I blossomed, so that period
02:50:00okay, I, I took pleasure in choosing
02:50:04the fabrics, choosing the outfits, uh
02:50:07to, to, to get to know the feet. With the
02:50:10artisans, it was really a huge
02:50:14pleasure, I started at first, finally it was something
02:50:17that was hidden in you and that I discovered later, but really later,
02:50:21yeah. And so, parachute, I
02:50:25immediately jumped into the deep end, I'm always learning,
02:50:28I learned, I'm always learning new things, new
02:50:31techniques, I had to take accelerated
02:50:35sewing classes in VIP.
02:50:38You really invested in... oh yes, yes, oh yes, and I travel, I even go
02:50:42outside the wilaya to see fabrics,
02:50:46to see stones, to meet new people, suppliers,
02:50:49to meet
02:50:53artisans who are magnificent, but really when they make things with their
02:50:56hands, it's incredible.
02:50:59Indeed, exactly, and there are outfits
02:51:03that look similar but they are not the same, yes, they look similar but
02:51:06it's really nothing, it really has nothing to do with it, it's very rare that
02:51:10I redo the same piece, oh yes, every time new
02:51:14things, I'm always the person, for example, when a client
02:51:18workshop, I always take my time to
02:51:21take the details of what she likes, what she
02:51:25doesn't like, to do fittings to try
02:51:28colors, advise her according to her skin tone,
02:51:32according to her body shape, according to her desires, according to her
02:51:35origins, according to, for example, the event, if it's a big
02:51:39wedding or a... it's not the same, so we make the difference between the
02:51:42two, so you also don't live a routine, finally? Oh no, not at all, oh not
02:51:46at all, not at all. Enrichment, finally, day by
02:51:50day, it's an enrichment day by day. Exactly, yes, because no
02:51:54woman is like another,
02:51:57like another, not at all, yes, not at all. Even with
02:52:01the team, when there's no appointment, there are no clients, we
02:52:04don't receive anyone, so we work in the workshop,
02:52:08even when we chat, we take a
02:52:11new client, we chat and we do things according to
02:52:14her, it's magnificent, I thrive very
02:52:17well in this field with the whole team,
02:52:21so yeah, I'm very good, it's
02:52:24magnificent.
02:52:27But otherwise, uh, you said, uh, that you can't, uh, so finally,
02:52:30it's not just the fabric, it's not just the accessories, it's not just the work, it's
02:52:34not just the morphology, there is all the heritage and
02:52:38the history. So tell us a little bit how you go, you
02:52:41go looking for all this information. So,
02:52:44in different ways, yes, uh, the simplest
02:52:48is the Internet, yes, yes,
02:52:52that's right. What follows, the second step is the people
02:52:55I meet, there are quite a few, for example,
02:52:59a client comes with her grandmother or her mother, it
02:53:03talks yes, about the good old days, then
02:53:06I imagine that at the level of,
02:53:09at the level of, so Dary Mazour also talks
02:53:13about this kind of, this kind
02:53:16of outfit, that's right, because I imagine they have a lot to teach
02:53:19us.
02:53:40Yes, that's right, I was in the theme, that's right, so finally there too
02:53:44we can, we can learn a lot, well, that's what we're seeing, so
02:53:47there too you can get information, oh yes, yes, it was, it's
02:53:51the case because the day.
02:54:23Yes, after that, it's an oral tradition, it seems,
02:54:26so it's according to the emotion of the
02:54:29moment, according to the feeling of the moment, exactly, it was a board
02:54:34the time, that's right, exactly, oh yes, that's very, very
02:54:38good.
02:54:43Even when she explained, she said that, she said there was nothing between, it was
02:54:47n, it was our board game, we
02:54:51had fun.
02:59:05Hm hm, so it changed, okay, so that, but the most important thing is that it is
02:59:08always, always present, yes, it is always present, it is always present, it is always
02:59:12present, the lila, it depends, there are those
02:59:15who prefer the relila, knowing that there is a mix
02:59:18of
02:59:20understanding, if I can explain, the
02:59:23rila is the same cut as the karakou
02:59:27jacket, except that the sleeves are half-sleeves, there are
02:59:31those who add Calais lace to make lace with elastic, etc.,
02:59:35there are those who leave it in half-sleeves, there are those who add the belt
02:59:39too, at the waist, there are those who don't like
02:59:42to add the belt, but it remains the, it
02:59:45closes and is worn with a serwal or
02:59:48else,
02:59:51what we see right now, with a
02:59:53bedroon, the belt and the open
02:59:56jacket, that's a bedroon with a
03:00:00fitted jacket, or else we go, if we go a little further
03:00:03or if we dig a little, it's a development of the
03:00:07frimela jacket, okay, before there was a frimela which
03:00:11is a very small, very short jacket that closes
03:00:14with two, two buttons,
03:00:17it was what was worn, of course, with a, a bedroon, so there
03:00:21it's not a relila, it's a bedroon with a ferimela, the relila
03:00:25is something else, what I just explained, so it's a jacket that looks like
03:00:28the karakou jacket with a tifa and
03:00:32then there's the karakou, but, but it's very complicated, all this?
03:00:37Yes, that's the professional speaking.