Czech Republic: Current Time TV

20260920 16:30 UTC · 00:30:59 · 384 transcript segments · GDELT Visual Explorer · plain-text transcript · Event Map

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Transcript

Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking. Treat it as a searchable index of what was broadcast, not a quotation record.

00:00:00we study the ancient heritage of civilizations, and also
00:00:03meet interesting people, try
00:00:06local cuisine and together, learn how
00:00:09to cook it. We are opening our new
00:00:13season again with you. I'm the host of the program,
00:00:16Zurab Dvali.
00:00:30Art in details.
00:00:33Writer Leila Slimani talks about the final part
00:00:36of her family trilogy. Artist Rashid Johnson steps out of
00:00:40his comfort zone.
00:00:43And we'll also get to know Greenlandic photographer
00:00:46Inootek Storchen better. But first, the history of things.
00:00:50Plastic surgery.
00:00:52Friend, where are your wrinkles? Who looks
00:00:56like this at 70 years old?
00:01:08Her cheekbones are flawless, and her lips are fuller than my hair in
00:01:12a storm. How is that possible? Well, she herself
00:01:15admitted that she had a facelift by a celebrity
00:01:18surgeon.
00:01:20In Hollywood, it's generally not customary to be shy about minor corrections.
00:01:24In addition to all this, social networks and filters raise the bar for ideals
00:01:27of perfection and youth.
00:01:30This obsession with perfection has permeated everyday life, and now
00:01:34unrealistic beauty standards stress all
00:01:37of us daily.
00:01:39But here's what's important: plastic surgery is not an invention of the 21st
00:01:43century at all; its history goes deep into the past. Many
00:01:47believe that cosmetic surgery originated in Europe after the world
00:01:50wars. However, the scalpel appeared much
00:01:54earlier, and over time, ancient medicine turned into a multibillion-dollar
00:01:57beauty industry.
00:02:08Probably even in ancient times, mothers already shouted, "I told
00:02:11you not to get that piercing." How do we
00:02:14know? Ancient manuscripts already contain descriptions of how to treat torn
00:02:18earlobes. This man, the one with a bun on
00:02:22his head, wrote a revolutionary book, one of the oldest known
00:02:26texts on surgery. These are not just medical notes, there are compiled
00:02:30detailed instructions for changing the nose, real
00:02:32rhinoplasty, as well as skin transplants and ear
00:02:35restoration, and this happened more than 2,500 years before
00:02:39social networks made nose surgery fashionable. So long before
00:02:43hyaluronic fillers and baby Botox, ancient societies already performed
00:02:46face lifts, not for beauty, but so that they could go out without sideways
00:02:50glances and whispers behind their backs. Appearance has always mattered, even
00:02:54thousands of years ago. Centuries passed and the world faced new
00:02:58traumas, which means medicine again... had to
00:03:00change.
00:03:03Facial reconstruction during the world wars.
00:03:07New weapons, new horror: thousands of soldiers
00:03:10return with disfigured faces, torn
00:03:13jaws, burnt skin, lost
00:03:16eyes. This surgeon worked in Great Britain, he became
00:03:20a pioneer of modern plastic surgery, biomaterials from skin,
00:03:23flaps, new methods of facial reconstruction. Fortunately, by
00:03:27that time, anesthesia already existed. with pigs,
00:04:34because
00:04:34they became
00:04:41living participants in experiments; new methods of reconstructive surgery were practiced
00:04:45on them. Mackindoe reconstructed the burnt
00:04:48faces of pilots of the Royal Air Force of Great Britain. The surgeon also
00:04:51improved skin grafting. The war
00:04:54turned reconstructive surgery into a global science. There was
00:04:58a need for this.
00:05:21in line for a facelift, rhinoplasty. In
00:05:251962, the first silicone
00:05:28implant appeared. 10 years later, liposuction. Doesn't it seem
00:05:32strange that doctors literally suck fat from under the skin to make the body look
00:05:36taut? Plastic surgery changed
00:05:39its focus from medical necessity to personal
00:05:45choice. Perfection. Here's a fact: the number of cosmetic surgeries
00:05:52is growing. Today, they are treated almost like after-dinner mints. For
00:05:56example, where would stars like Liz Taylor, Cher, and Pamela Anderson be now
00:05:59if a surgeon's scalpel hadn't become their best friend? Nineties stars
00:06:03made plastic surgery a constant topic of discussion in
00:06:06pop culture. They embraced the idea of enhancing appearance, and the public
00:06:10followed their idols.
00:06:16into a dinner table conversation topic. Before and after became
00:06:19a separate genre. A little lift here, a little filler there,
00:06:23common practice, just part of the fun.
00:06:26We now live in an era where Bella Hadid's nose job at
00:06:2914 and Kylie Jenner's teenage implants have become
00:06:32the standard, and Generation Z, they don't just look at
00:06:36it, but sign up for appointments. Since the beginning of
00:06:39the pandemic, the number of procedures has sharply... grown worldwide.
00:06:43An unprecedented number of people are seeking them, be it surgery,
00:06:46injections, or other
00:06:49non-invasive methods. The focus is now on faces, not
00:06:53bodies, with eyelid surgery and the rankings. This boom is
00:06:56Botox topping global in nature and the trend
00:07:00is shifting towards a younger generation. The United
00:07:03States leads the world ranking in the total number of aesthetic procedures,
00:07:07thanks to a wide choice of non-surgical
00:07:10treatments. Please watch.
00:07:22a teenager in the US is already planning to undergo plastic surgery to get rid
00:07:25of signs of aging. This trend is actively fueled by social media
00:07:28filters. People are getting used to a retouched version of their own
00:07:32face. Brazil leads in the number of surgical
00:07:36cosmetic procedures. Body contouring, popular there. In
00:07:39liposuction, and breast augmentation are especially
00:07:42American culture, beauty and self-identity are closely
00:07:45intertwined.
00:07:48Japan ranks third in the world in the number of aesthetic
00:07:51procedures, with an emphasis on naturalness. Non-invasive
00:07:54in demand, reflecting methods, skin tightening procedures,
00:07:58and injections are most the trend towards subtle cosmetic
00:08:01enhancements. Iran is often called the world's capital
00:08:05of rhinoplasty. Recently, the country lowered the minimum
00:08:09age for cosmetic surgery to 14.
00:08:42reflects not only a change in beauty ideals, but it shows what
00:08:46is important to us as a society, the pursuit of perfection
00:08:49and the constant need to improve ourselves. Perhaps the main question
00:08:53is not how far surgery has advanced, but
00:08:56why we have gone so
00:08:57far.
00:09:03We meet with the famous Franco-Moroccan writer
00:09:06Leila Slimani in Lisbon, where she has lived for several
00:09:09years. Here, according to her, she writes
00:09:12more freely. Leila's latest novel is the most
00:09:16personal of all she has created so far. The main
00:09:19character is also a writer. Mia suffers from hot flashes
00:09:23and struggles to find the right words. In her Parisian
00:09:26apartment, she tries to remember her childhood, but her thoughts are as if
00:09:30enveloped in fog.
00:09:32I lost my bearings, everything got confused,
00:09:35fiction. My ideas about myself, about my
00:09:38grandfathers, about grandmothers, parents, my own
00:09:41memories. I wanted to capture this state that
00:09:45sometimes arises when you write, when you lose
00:09:48yourself.
00:09:52"In the Fire of Herself" is a work of fiction, but it
00:09:55is largely based on Leila Slimani's own
00:09:58biography. This is the final book in the family saga, which
00:10:02tells the story of three generations. The last part
00:10:05is dedicated to her own generation, to the problems of identity
00:10:08and the question, "Who am I?" In search of her past, Mia
00:10:12travels to Morocco. She and her sister received a privileged
00:10:16upbringing in Rabat in the eighties. At home,
00:10:19they spoke French and attended a private French school.
00:10:23Their parents belonged to values,
00:10:32but at the same time, without connection to Moroccan culture and the reality of
00:10:35the country.
00:10:41They allow the girls to freely express their
00:10:43thoughts.
00:10:46They tell them about gender equality, secularism,
00:10:49all of that. But they also instill in them that outside
00:10:53the home, everything is different.
00:10:55In doing so, they draw a very disturbing line for these young
00:10:59creatures between the inner world and the outer.
00:11:03Parents want to protect them from the authoritarian regime of King Hassan
00:11:07II. This was an era of abductions
00:11:10and human rights violations.
00:11:13The proclamation of liberal values in the privacy of the home seems
00:11:16to Mia to be an act of cowardice. At the same time, she herself denies her
00:11:20sexuality and
00:11:21femininity.
00:11:25lesbian nature, as she believes that those around her will not understand her. At a young age, she realizes that if you want to be part of society and be popular,
00:11:35a woman, because she lives in a society where
00:11:37a woman is doomed to submission, she has come to terms with the fact
00:11:41that she will never admit her
00:11:45you have to betray yourself.
00:11:49How to stay true to yourself? Leila Slimani's novel also tells the story
00:11:52of her late father, a respected
00:12:11My mother, of course, also had a career, but also other
00:12:12activities.
00:12:15She cooked, she took care of us, she knew how to
00:12:17laugh.
00:12:20Father didn't know how to live, he didn't understand
00:12:23life.
00:13:28What part of yourself do you have to suppress so as not to appear too
00:13:31Arab? This novel also explores female
00:13:35identity and the pressure that girls face, including in
00:13:39the Western world. Mia's sister rushes to her in Paris and also
00:13:42experiences the weight of expectations. She wants to be
00:13:46accepted, dreams of a family and children, for a time even
00:13:49abandoning her dream of emancipation for this
00:13:52life.
00:13:55Freedom is more complicated than we think. Most people don't
00:13:58want to be independent, they prefer money, security, and
00:14:02comfort. I don't believe that people have a desire for
00:14:05freedom. Everything is much more complicated. I explore
00:14:08this in my book. How free do we want to be, what
00:14:12are we willing to sacrifice for freedom. Mother,
00:14:15feminist, Moroccan-French. Slimani manages to convey
00:14:18the complexity of coexisting multiple identities and how
00:14:22everything eventually comes together as a whole. Sometimes you feel in
00:14:25the depths of your soul that you know who you are,
00:14:29and what you are, you carry within you like a fire. Wherever
00:14:33you go, you don't need anyone else's opinion to understand who
00:14:37you are.
00:14:39"In the Fire of Herself." For Leila Slimani, this means
00:14:43recognizing her roots and at the same time living a free, independent
00:14:47life.
00:14:54Next. American artist Rashid Johnson, whose work
00:14:57addresses issues of race and social
00:15:00inequality.
00:15:03My name is Rashid.
00:15:06Rashid Johnson is extremely punctual. He drinks a lot of water
00:15:09and exercises daily. He likes
00:15:12established routines, even in his own Brooklyn studio. They help
00:15:16him maintain composure and cope with
00:15:18anxiety.
00:15:20"Anxious Men" is the title of his most famous series of works.
00:16:40Soul is an incredibly complex topic, and
00:16:44it seems that precisely what attracts me to it is that it raises
00:16:48many questions in people. How can one
00:16:51influence it at all, how does it affect us,
00:16:55what kind of dialogue is possible with
00:16:59the very idea of the soul, can it be nurtured,
00:17:03healed, supported, or
00:17:06can it be lost?
00:17:11The word "soul" is complex, rich in meanings. It is
00:17:14one of the key elements of Black pop culture. In Johnson's works,
00:17:18the theme of self-reflection, the so-called recurs. The artist
00:17:22double consciousness, constantly tries to break down this imposed
00:17:25vision. His works are called conceptual
00:17:28post-black art.
00:17:31Many perceive Black identity as something
00:17:34serious, almost without humor. It is not
00:17:38something fixed, the concept changes, it contains
00:17:41tension, and fear, but also joy and happiness.
00:17:45I think it's important to see all of this in Black
00:17:48identity at once. We need to truly open up this
00:17:51concept to the full range of meanings that it can carry
00:17:55within itself. And understand irony. We
00:17:59are talking about the post-state of what was
00:18:01originally an already invented
00:18:04construction.
00:18:07His art is emotional, powerful, and intellectual.
00:18:11The conditions in which it is created are becoming increasingly
00:18:14harsh. In the US, pressure is intensifying on
00:18:17intellectuals, the academic community, and journalists, as
00:18:20part of the fight against the so-called elites. Another
00:18:23chapter in the controversial history of the United States, where education
00:18:27and critical thinking are now openly
00:18:29rejected.
00:18:52in them, as is well known, there were often characters who strongly resisted any kind of intellectual interaction and
00:18:54discourse.
00:18:57They needed action. In my own experience, there have been and
00:19:00still are moments when I believe that over-complication
00:19:04detracts from creativity.
00:19:09Nevertheless, I am deeply committed to such an
00:19:12intellectual approach. This
00:19:15still underlies and is at the heart of much
00:19:18of my own
00:19:20practice.
00:19:23Now, United States politics does not allow for
00:19:25ambivalence. Since Trump took office,
00:19:29approximately a third of museums have lost state
00:19:31funding. The government interferes with the work of large
00:19:35institutions, exhibitions, publications, and websites. So-called
00:19:38"anti-American content," like critical depictions of slavery,
00:19:42is not welcomed, but Rashid Johnson, chronicler
00:19:45of American anxiety, somehow maintains
00:19:48composure. Progress is an
00:19:52unstoppable force. Therefore,
00:19:55even when we see something that, it seems to us,
00:19:58is inconsistent with progress, we must
00:20:02admit that in some sense it also reflects
00:20:05it. degree, it is an
00:20:08integral part of how we move
00:20:12forward. Progress cannot
00:20:15be stopped.
00:20:23Photographer Inuutek Storch captures scenes of daily life in his
00:20:27native Greenland.
00:20:29Photographs taken at the edge of the world. An intimate
00:20:33look at the everyday lives of people living surrounded by friends and family.
00:20:38Unobtrusive moments that shape personality and
00:20:41constitute life against dramatic
00:20:43landscapes.
00:20:51Inuutek Storch shows us his country through the eyes
00:20:54of a Greenlander. This is an unusual point of view, rarely
00:20:58found in history textbooks. In school, the photographer
00:21:01studied ancient Greek myths and Danish, but heard nothing
00:21:05about his Inuit ancestors. "The world outside is probably much
00:21:08more amazing," thought young Storch. When I
00:21:12was younger, I dreamed of traveling all over the world, seeing how people
00:21:16live in other regions. But when I set off.
00:21:53people
00:21:53drink,
00:21:58trust each
00:21:59other,
00:22:03feel
00:22:03closeness.
00:22:07The most important thing for us is to understand our
00:22:11own culture and life, and to realize
00:22:14how valuable this is to us. We
00:22:18live in a very special
00:22:20place, if we compare it to how life is structured
00:22:23in other parts
00:22:25of the earth.
00:22:28Greenland is the largest island in the world with a population of only
00:22:3257,000 people, but it has never known
00:22:35peace. First came missionaries, then merchants
00:22:39and soldiers. For a long time, Greenland was a Danish
00:22:43colony. Since 1979,
00:22:45it became an autonomous territory of the Danish kingdom. Alcoholism
00:22:49flourished here. The and high suicide rates
00:22:53colonial past has many dark pages, from forced
00:22:56sterilization of women and eviction of Inuit to make way
00:23:00for American military bases, to the removal of children
00:23:03from local families to turn them into
00:23:06Danes.
00:23:10I think that it's about
00:23:13the historical trauma
00:23:14of society.
00:23:18We were a colony.
00:23:26and the colonizers did inhumane things. The saddest thing is that traditions and beliefs
00:23:29gradually
00:23:31disappeared.
00:23:34But now they are starting to
00:23:37return.
00:23:41Previously, Inuit tattoos were completely
00:23:45banned. Now Greenland is once again
00:23:48in the sights of foreign
00:23:51powers, but Storch does not want to focus
00:23:55on fear, powerlessness, or anger. He
00:23:58is cautious.
00:24:00We just hope for a good life in
00:24:03the future, because people want stability and
00:24:07comfort. I think not only in Greenland do we
00:24:11feel this way, I believe that this is a common
00:24:14hope, to live well with the whole
00:24:17family.
00:24:20In his short film Anachronism, a finger on
00:24:24the map threatens the very essence of home.
00:24:47Storch defends his personal point of view. At the national
00:24:51museum, he found photographs by an unknown Greenlandic
00:24:54photographer, photographs that contain almost no indigenous
00:24:57people.
00:25:01They depict the colonizers and their
00:25:04lives.
00:25:08That's why Inuutek Storch collects private films and
00:25:12photographs from relatives and friends. We
00:25:15are here with our history, identity, and
00:25:18language.
00:25:23We are very lucky that we managed to preserve our
00:25:26language, the word "sila" means
00:25:30nature, the outer world, and at the same time
00:25:33consciousness.
00:25:36Many Greenlandic words have double or even
00:25:39triple meanings, for example, when they say "kivsila"
00:25:43it can mean that a person is wise,
00:25:47but also that there is something external in them.
00:26:02a friend during long periods of darkness, cold, and power
00:26:06outages, against the backdrop of Western influence and
00:26:09that special spirituality that is rarely found anywhere
00:26:12else.
00:26:15And that's all, join us again next week,
00:26:19come for a new dose of art and culture.
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00:26:43Time", subscribe and share with
00:26:46your friends.
00:26:50there can be no school in the subway, this is generally
00:26:53a nonsense.
00:26:57yes, it just got
00:27:00into the crosshairs.
00:27:05And what does that man not understand, that by throwing rockets here,
00:27:09people are dying here? I say, I don't know you, I was very
00:27:13afraid when it flew in and into the basement.
00:27:28of course, it feels like we're hiding Jews here,
00:27:31that's how it is.
00:27:36You've been living in war for five years, how do you
00:27:39show a destroyed city? The
00:27:41city is
00:27:45empty, everything that used to be familiar
00:27:49and noisy for you also becomes
00:27:51empty.
00:28:00This is a live broadcast, the Present Time TV channel. Hello, we asked
00:28:04our viewers to write why they watch
00:28:06us.
00:28:11You tell the truth, that's the main thing. I'll say more, you
00:28:14have become the only media outlet I
00:28:16trust.
00:28:20You have become for me an island of sanity, honesty,
00:28:23discernment, justice,
00:28:25mercy. Thank you for the objective
00:28:29information.
00:29:32occupying power or into the territory of any other
00:29:35state, regardless of whether they are occupied or not.
00:29:39The occupying power shall not deport or
00:29:42transfer parts of its own civilian population
00:29:46into the territory it occupies.
Data courtesy of The GDELT Project (gdeltproject.org), from the Internet Archive TV News Archive. Film strip and transcript are GDELT's, rehosted here under their terms of use, which permit it with this citation.