Russia: Russia-24 — Novorossiya

20260915 21:31 UTC · 00:29:55 · 348 transcript segments · GDELT Visual Explorer · plain-text transcript · Event Map

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Transcript

Google Cloud Speech-to-Text API (Chirp) + Gemini 2.5 Flash Non-Thinking. Treat it as a searchable index of what was broadcast, not a quotation record.

00:00:00they change safe pavilions for
00:00:02frontline locations and go to Donbass to shoot
00:00:06feature films. About the importance
00:00:09of the cultural front and fixing meanings.
00:00:12What kind of battle will we lose if we freeze film production until
00:00:16peace comes. A conversation with the program's
00:00:18expert. Mountains that are not on
00:00:21the map, but are in the heart. How alpinism is developing
00:00:24in Donbass, despite the landscape and
00:00:28circumstances.
00:00:30Today we will talk about something that, it would seem,
00:00:34should be far from the trenches, but is actually
00:00:37in the very center
00:00:40of the battle, only this battle is being fought for
00:00:43minds, and today we will talk about
00:00:46cinema. Cinematography in Donbass and Novorossiya is not
00:00:50just entertainment and not art for art's sake,
00:00:53it is a chronicle, it is a weapon, and it
00:00:56is memory. Even in the pre-war Soviet years, directors
00:01:00came here to capture the real everyday life
00:01:03of workers, let's recall the legendary Great
00:01:07Life of Leonid Lukov, the film of 1939
00:01:11was shot in the Donetsk mines, glorifying the labor
00:01:14feat of Stakhanovites. It goes
00:01:18ahead Stakhanov's
00:01:21miners
00:01:24Donbass has always, as filmmakers say,
00:01:27had a rich texture. Industrial
00:01:31landscapes, spoil heaps, factory workshops, faces
00:01:34and character, people with a special core,
00:01:38charisma, it is enough to remember that it was
00:01:41here that one of the most talented
00:01:44actresses of Soviet cinema was born, adored
00:01:47by millions of viewers, Nonna Mordyukova, and
00:01:51of course, contrasts, here light and shadow, labor
00:01:54and everyday life, city and steppe, peace
00:01:57and war always clashed. which again
00:02:01came to Donbass in 2014.
00:02:04Then history took a sharp turn. In
00:02:08the territory of the Donetsk and Lugansk People's
00:02:10Republics, in response to punitive operations of Nazi
00:02:13battalions against civilians, large-scale hostilities
00:02:16began. The landscape
00:02:20changed, ruins, trenches, and checkpoints appeared.
00:02:23And it is all the more surprising that it was then, in
00:02:26this chaos, that a new Donbas
00:02:30school was born. In 2016, the
00:02:33Donfilm studio was created. Then the
00:02:36first Donetsk film studio appeared. Both,
00:02:39despite all the difficulties, continue their work. And not
00:02:43only them. About how Anna
00:02:46Khrustaleva shoots films in Novorossiya and Donbass today.
00:02:49Ready, camera, action,
00:02:54Donbass. The set is crowded, another episode of the
00:02:57film is being shot. life, which is already a ready-made
00:03:01script, motor camera started,
00:03:04the scene is Mariupol, in the frame
00:03:08is a wounded city, where instead of props there are living,
00:03:11bleeding decorations of war,
00:03:14challenge, let's go, a whole package they hit the residential sector,
00:03:18from creatures, shooting films about Donbass in
00:03:21Donbass, and not generating a picture and working in pavilions in the age
00:03:24of artificial intelligence of an ongoing war, seems
00:03:27almost ... unacceptable luxury, but the authors chose
00:03:31honesty, real human tragedies do not tolerate computer
00:03:34retouching and require the same authentic reality on
00:03:38the screen. and what were you in civilian
00:03:41life? doctor, are you a doctor? nothing,
00:03:45they say you fought in this militia of yours, yes,
00:03:49such textures, if we talk from the point of view of cinema,
00:03:53it is impossible somewhere else or some kind of decoration, it
00:03:56will still be false lies, so everything here is alive, everything is real.
00:05:00then there will be no life here at all, remember even Poroshenko's
00:05:03winged speech about how their children will go to school, but ours
00:05:07will not.
00:05:09It was then that it became obvious that silence is not
00:05:13an option. At this time, the filming of the first independent Donbas
00:05:17film begins in Shakhtyorsk. Rock musicians, poets,
00:05:20artists write the script for an underground film,
00:05:23the idea is a postmodern puzzle about how reality
00:05:26is structured and who controls it. But
00:05:28still, what do you think, will there be a war?
00:05:32Then came the understanding that in order to shoot
00:05:36films on a larger scale, better, faster, a film studio and its
00:05:39own material base were needed. And
00:05:43we took it and did it. The film studio buildings were built
00:05:47literally by everyone without professional builders, by hand, with private
00:05:50donations. Today there is all the necessary equipment,
00:05:53control rooms, editing rooms, recording studios and
00:05:56their own actors, who are also lighting technicians and general
00:06:00laborers in the frontline city. The studio today exists rather
00:06:03despite everything. All
00:06:06locals.
00:06:08Really eat. Yuri Fedotov lived all his life in
00:06:11Shakhtyorsk. After the start of the special military operation, he went to the front, fought near
00:06:15Avdiivka, during one of the combat missions, he came under
00:06:19artillery fire, so the path of a soldier ended and
00:06:22the path of an actor began. After being wounded near Avdiivka, having learned that our
00:06:26Donfilm film studio was being built, he joined as
00:06:29a builder in its construction. After
00:06:32the completion of the
00:06:35building, I took part in the filming of the feature film Council
00:06:38of Winds. I have an idea.
00:06:52in principle, it is now at the beginning of its journey, our studios, our guys
00:06:56from our regions, they are just starting to apply for grants, now
00:07:00for example, our first Donetsk film studio, recently created, has
00:07:04won the IRI competition for the production
00:07:06of a four-part feature series, now
00:07:10a system is being built, we plan ... in the near future to conclude a cooperation agreement
00:07:14with the Cinema Fund and the Internet Development Institute. The development
00:07:17of cinema in the region has become one of the priority tasks. Since
00:07:202022, several dozen feature films and TV series have
00:07:23been shot in Donbass, loud premieres and sometimes
00:07:27quiet filming, which took place in conditions of strict
00:07:31secrecy. For the Armed Forces of Ukraine, any people with a camera, be it journalists or
00:07:34filmmakers, are a very desirable target. For them,
00:07:37this is primarily, it seems to me, an attempt.
00:07:41these are certain risks, therefore
00:08:12many filming is not allowed in connection
00:08:16with this, we still have to reshoot a lot of things
00:08:19in pavilions, but we still try to find some
00:08:22compromises, the process is still going on and it is necessary. it is necessary first of all for
00:08:26viewers, for the outside world such films are a harsh inoculation of truth,
00:08:30forcing one to understand what is really happening there. for
00:08:33the residents of Donbass, this is not just a movie, it is a naked personal
00:08:37tragedy, and also a way to be heard, to tell about what
00:08:40they went through, that is why every second on
00:08:43the screen is so captivating, the scene
00:08:46that probably stuck with me the most
00:08:49was when the main character came
00:08:53to the children's camp for the sake of his daughter, I saw a bit
00:08:57of myself in this situation, the scene with
00:09:00the child and the father, my father was a serviceman,
00:09:04a deceased serviceman, just horrifying, this
00:09:07very scene, when he returned to his old house, where
00:09:11his grandfather and grandmother lived, just horror, yes, well, the emotions are
00:09:14indescribable,
00:09:31just recently Donbass talked about the revival of cinema only in the future tense,
00:09:35now it's the present scripts, castings, filming,
00:09:38but the main thing is its audience, because only for their sake the camera
00:09:41continues. to work, despite anything,
00:09:44are you calling
00:09:50an ambulance, Anna Khrustaleva, Valery Savilev,
00:09:52Anastasia Popova, Novorossiya. About
00:09:55the importance of film production in the new territories in
00:09:59these difficult, sometimes dangerous
00:10:02conditions, and generally
00:10:11expert, Mikhail. Hello Mikhail, good afternoon,
00:10:14when we talk about regional cinema,
00:10:18for example, Yakut cinema, or Ural cinema, we
00:10:21mean some local flavor.
00:10:25but why should the cinematography of, say, Donbass,
00:10:28Novorossiya, be singled out into
00:10:32some special, separate, sovereign
00:10:34theme, it seems as if a
00:10:38fundamentally new film language is being born
00:10:41here, which is nourished
00:10:45precisely by special impressions from special events. As
00:10:49a native of Donbass, a native of Donetsk, I never
00:10:52tire of repeating and reminding that we have...
00:11:25Soviet Socialist Republic, and under Ukraine, Donbass, as it were,
00:11:28gave birth not once, not twice, not three times, also wonderful
00:11:32personnel for Soviet cinema, and a
00:11:35huge number of actors, directors,
00:11:39film composers, screenwriters also have Donbass
00:11:43origin, and not only Donbass, but also Novorossiya
00:11:46origin, so it should be said that
00:11:50now, given the circumstances, given the
00:11:52turning point context, this is a place where new meanings are born, any
00:11:56creative person wants to feel and catch
00:11:59this resonance, this is always an opportunity to see
00:12:02something new, it seems to me that in addition to the fact that
00:12:06Novorossiya should see itself in this film, it seems
00:12:09to me that big Russia, let's say, it
00:12:13should see who came to us, you see, this is a land
00:12:16of heroes, this is a land
00:12:19of sacrifice, this is not enough, it seems to me, in the public
00:12:22consciousness of big Russia, this is not enough. The first
00:13:10films about the war appeared
00:13:14even before our victory, all
00:13:18subsequent
00:13:19years
00:13:22the best works were often shot
00:13:26with the direct participation of either actors who went to the
00:13:29front, directors, screenwriters,
00:13:31composers, that is, people who lived
00:13:35through it. The current war is
00:13:38also a turning point for Russia after the monstrous catastrophe
00:13:41of 1991, Russia is reborn, unfortunately
00:13:44through such dramatic events, and
00:13:47accordingly, the point is really not only for Novorossiya to
00:13:51see itself in artistic presentation
00:13:54and... Donbass not only in order for Great
00:13:57Russia to see Novorossiya and Donbass in artistic
00:14:01presentation, we are now at war for minds, we are now at war for hearts
00:14:05and souls, and feature
00:14:07films, in this sense, are the most important
00:14:10tool that more easily penetrates the minds and hearts
00:14:14of the younger generation, people who doubt,
00:14:17people who, perhaps, would perceive
00:14:21documentaries or news reports much more critically.
00:14:25publications, articles or blogs and even streams, but
00:14:28works of art are perceived much
00:14:31more gently and organically, accordingly, there must be
00:14:34such a film, this is our factory, not of dreams,
00:14:38but a factory of conveying heroism,
00:14:41conveying the importance of the moment, conveying the main
00:14:45meanings, in this sense, of course, creators
00:14:49must come there, despite the risks, and it must be born
00:14:52there, this film, you understand, well, and...
00:15:25This is another dimension of the question, well, such a, perhaps, narrowly thematic,
00:15:29at the same time, you have already touched upon it, where
00:15:33is that line
00:15:36between such a perfectionist
00:15:40artist who says: guys, well, let's get a little closer, let's
00:15:43capture that tank and so
00:15:46on, and the situation when he is already risking
00:15:50the lives of the film crew, when you need to give the command
00:15:53to move back and shoot somewhere further from Donbass and Tula,
00:15:57here is the personal, moral responsibility,
00:16:00the responsibility of artists, firstly, indeed for a creative person this
00:16:04catharsis is necessary, the creator must face this.
00:16:37through the scripts, through the people, that light that comes from them,
00:16:41from your point of view, what kind of new cinema
00:16:45should be born, about war, about Donbass, about
00:16:49Novorossiya, this film should meet two
00:16:51criteria, it must be interesting, it must be
00:16:55honest, that's all, nothing else is needed, if it's
00:16:59just honest, it's not a fact that everyone will want to put it on, if it's just
00:17:03interesting, but lies, they won't believe it, but if it's both,
00:17:06it will be wonderful. Thank you, in conclusion I want to
00:17:10thank you and say, God grant us to see a film about
00:17:13our victory, a film about
00:17:16victory in this very difficult
00:17:20war. Thank you, it's already being filmed, yes,
00:17:24thank you.
00:17:28Donbass, land of steppes and spoil heaps?
00:17:32Local climbers are ready to argue
00:17:35with that. Mountain sports in the region are today
00:17:38experiencing a real revival, and
00:17:41new tourist routes, which in 2026,
00:17:45as part of the implementation of the national project Tourism
00:17:48and Hospitality, developed by Donetsk students, prove
00:17:52that the local heights have huge potential. Few
00:17:55people know, but it was Donbass that gave the world
00:17:58one of the first researchers of the Caucasus,
00:18:02military topographer, alpinist, geodesist, Andrey
00:18:06Pastukhov, the first Russian man to conquer
00:18:09both peaks of Elbrus back in the 19th century,
00:18:12was born in Luganshchina, in the village of Novoderkul,
00:18:15Belovodsky district, Lugansk region, on August 16,
00:18:191860. Today, his compatriots
00:18:22carefully preserve traditions, annually go on
00:18:26difficult expeditions and teach a new generation
00:18:29to conquer peaks. How the Steppe region
00:18:33trains the best climbers in the country and what
00:18:36mountains do they?
00:19:01He was born in the steppe region in the family of a stableman of the Derkul factory, and
00:19:05he discovered the mountains to the world.
00:19:08He eliminated the blank spots on the map of the Caucasus, he
00:19:12made a detailed mapping of the highest
00:19:15peaks, Elbrus, Kazbek, Ororata,
00:19:18Ushba. He studied the melting of glaciers, meteorological
00:19:21conditions, the ethnology of mountain peoples. And he is also considered the domestic
00:19:25inventor of crampons, spiked boots that climbers wear
00:19:29before going out on the glacier. Andrey Pastukhov was two decades
00:19:32ahead of the British Oscar Eckenstein, who
00:19:36is credited with the authorship of the already standardized ten-point
00:19:39model of this equipment.
00:19:42One of the brightest pages in the history of world alpinism was the first
00:19:46Soviet Himalayan expedition
00:19:48of 1982. 11 athletes
00:19:52not only climbed Mount Everest, overcoming the height of
00:19:558,848 meters, but also laid one of
00:19:59the most difficult routes in the history of conquering the peak. Part
00:20:02of the climbers, among whom was Mikhail Turkevich, the youngest
00:20:06participant.
00:20:37The highest peak in Russia and Europe. When in the late
00:20:40eighties, Volgograd climbers saw
00:20:43the deplorable state of the museum of defense
00:20:47near Elbrus, they decided to help with its instructions,
00:20:50they developed a sketch of the memorial, collected public money, at
00:20:54the Lugansk Locomotive Building Plant they cast the necessary
00:20:57elements. Almost 400 people came from Lugansk,
00:21:01Komsomol members, athletes, those who participated in subbotniks, well, in
00:21:05general, there was such a Lugansk
00:21:08paratrooper in Varshalovgrad, then on May 9, there was
00:21:11a solemn opening,
00:21:14two people were present,
00:21:17even those who removed
00:21:20German standards from Elbrus, glory to the hero,
00:21:24our reverence. On these
00:21:27steles are 219 names of those who defended Elbrus in '42, and
00:21:31liberated it in '43, the key outpost
00:21:34of the Caucasus. Lugansk athletes climb here
00:21:37regularly in honor of Victory Day. In 2014,
00:21:40a new tradition emerged: the high-altitude Immortal
00:21:43Regiment. Such are these people, climbers, courage and honor
00:21:47go hand in hand.
00:21:51Donbass, despite the steppe relief of the local area, has been famous
00:21:54since Soviet times for its schools of mountaineering
00:21:57and rock climbing. More than once its students became champions
00:22:00of competitions of the highest level.
00:22:032014 brought adjustments: some of the athletes
00:22:07left, some went to the front. With the entry into the Russian Federation, a new
00:22:11era began for Donbass climbers in history.
00:22:15This somehow inspires some pride
00:22:18and confidence in tomorrow.
00:23:21Young athletes from Horlivka do not give up, in a difficult time for the region
00:23:25they have to learn rock climbing online,
00:23:28rare training sessions in the gym are only a weak substitute, but without practice
00:23:31theory is dead. The famous climbing wall in Zuevka is also closed
00:23:35for the children, the unique natural landscape of the Donbass steppe.
00:23:39There, where the rocks of the Donetsk ridge go up 30 meters,
00:23:42honing skills is still too dangerous.
00:23:46Tsoevka is the cradle of alpinism and... parents
00:24:05are afraid to let them go to competitions, we are generally
00:24:09forbidden to do that there, Crimea helps Donbass athletes, the traditional
00:24:12Russian alpinism championship among veterans in the rock
00:24:16class, which was held in Sudak, this year brought silver and bronze to the Donetsk
00:24:20climbers in individual climbing and gold in
00:24:24team competitions, the oldest participant of the team from
00:24:27DPR is 80, ready to
00:24:30start, attention,
00:24:32march!
00:24:36If veterans come to Crimea once again to test themselves and communicate with
00:24:40colleagues from all over Russia, then for young athletes from Donbass,
00:24:43the rocks of Sudak and Bakhtchisaraï are the very practice that they
00:24:47are currently deprived of at home. I
00:24:50really like it, I really enjoy it when I climb, some
00:24:53fear, adrenaline, you climb,
00:24:57well, sometimes I'm scared to climb when there's especially a bottom belay, but
00:25:01still you climb, reach the top and relax, so
00:25:04I really enjoy this
00:25:06moment,
00:25:09they dream of becoming Olympic champions, their coaches of
00:25:12modern climbing walls for their students, and of course both
00:25:15of them dream of new peaks, because as Vladimir
00:25:19Vysotsky once sang, you can't say better than mountains can only be
00:25:22mountains you haven't been to yet. Olga Mokhova, Valery
00:25:25Savelev, Anastasia Popova,
00:27:28It's easy to get confused about facts when you only see part of the big picture.
00:27:34In pursuit of views, entire locations
00:27:37are changed, it's easy to make a deepfake.
00:29:41Our units have taken control of another village in Kharkiv
00:29:44region, this is the village of Olkhovatka. This settlement
00:29:47is located right inside the Reznikovsky cauldron, where
00:29:51thousands of militants are blocked, their situation is worsening every day.
Data courtesy of The GDELT Project (gdeltproject.org), from the Internet Archive TV News Archive. Film strip and transcript are GDELT's, rehosted here under their terms of use, which permit it with this citation.